| Fan Kuan | |
|---|---|
 Travelers among Mountains and Streams (谿山行旅), ink and slight color on silk, dimensions of 6¾ ft x 2½ ft. National Palace Museum, Taipei | |
| Born | c. 960 Hua-yuan (Today: Yaozhou District), Shaanxi Province |
| Died | c. 1030 |
| Nationality | Chinese |
| Known for | Landscapes |
| Movement | Northern Landscape style |
Fan Zhongzheng (c. 960 – c. 1030), courtesy name Zhongli, better known by his pseudonym Fan Kuan (Chinese: 范寬; pinyin: Fàn Kuān; Wade–Giles: Fan K’uan), was a Chinese landscape painter of the Song dynasty. He was both a Daoist and a Neo-Confucianist.
Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work, possibly his only surviving one, and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration. The classic Chinese perspective of three planes is evident - near, middle (represented by water and mist), and far. Unlike earlier examples of Chinese landscape art, the grandeur of nature is the main theme, rather than merely providing a backdrop. A packhorse train can barely be seen emerging from a wood at the base of a towering precipice. The painting's style encompasses archaic conventions dating back to the Tang dynasty.
The historian Patricia Ebrey explains her view on the painting that the:
...foreground, presented at eye level, is executed in crisp, well-defined brush strokes. Jutting boulders, tough scrub trees, a mule train on the road, and a temple in the forest on the cliff are all vividly depicted. There is a suitable break between the foreground and the towering central peak behind, which is treated as if it were a backdrop, suspended and fitted into a slot behind the foreground. There are human figures in this scene, but it is easy to imagine them overpowered by the magnitude and mystery of their surroundings.
Fan's masterpiece Travellers among Mountains and Streams bears a lost half-hidden signature rediscovered only in 1958.
See also
Notes
- ^ Ebrey, Cambridge Illustrated History of China, 162.
- Liu, 50.
- ^ Conrad Schirokauer; Miranda Brown; David Lurie; Suzanne Gay (1 January 2012). A Brief History of Chinese and Japanese Civilizations. Cengage Learning. p. 223. ISBN 0-495-91322-7.
- ^ McIntire, Jennifer Noering. "Neo-Confucianism & Fan Kuan, Travelers by Streams and Mountains". Khan Academy. Retrieved 2023-06-03.
- Sullivan, The Arts of China, 179.
- ^ Sullivan, The Arts of China, 180.
- Ebrey, Cambridge Illustrated History of China, 162–163.
References
- Liu, Pingheng (1989). Shui mo yin yun, qi yun sheng dong de Zhongguo hui hua (水墨絪縕, 氣韻生動的中國繪畫) = Misty and Lively Chinese Painting. Taibei Shi: Guo li li shi bo wu guan (國立歷史博物館).
- Ebrey, Patricia Buckley. The Cambridge Illustrated History of China. Cambridge: Cambridge University Press, 1999.
External links
- Painting Gallery of Fan Kuan at China Online Museum
- Other paintings by Fan Kuan at the Museum of Fine Arts, Boston Archived 2009-07-22 at the Wayback Machine
- Fan Kuan, A Bilingual Study of His Life & Works (English & Chinese)
- Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717), an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Fan Kuan (see index)