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AllMusic called the EP "something of a return to the nearly atonal cacophony of Lunch's earliest work, but with greater delicacy and subtlety thanks largely to collaborator Thurston Moore's skill at varied and intriguing sonic moods". Billboard wrote of the EP: "Add deathbed vocals to what sounds like a bad soundtrack to an even worse horror flick and you've got Lydia Lunch's latest faintly interesting, very depressing, poetic effort". Head Heritage described it as "one of Lunch's strongest statements. A difficult, overlooked but vital gem".
Lazell, Barry (1997). Indie Hits 1980–1989. Cherry Red Books. Archived from the original on January 5, 2010. Retrieved September 5, 2014.{{cite book}}: CS1 maint: bot: original URL status unknown (link)