 | This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "María Tomasa Palafox, Marquise of Villafranca" – news · newspapers · books · scholar · JSTOR (December 2009) (Learn how and when to remove this message) |
Doña María Tomasa Palafox y Portocarrero, Marchioness of Villafranca and Duchess of Medina Sidonia (1780–1835), was a patron and muse of the painter Francisco de Goya y Lucientes and the wife of Francisco de Borja Álvarez de Toledo, 12th Marquis of Villafranca.
In his famous painting, Goya portrays the Marchioness de Villafranca as an artist with brush and maulstick in her hand. She has interrupted her work at the easel and leaning back in her armchair, she is scrutinising her model, her husband—invisible to the viewer—who is posing for his portrait. He must have been seated facing sideways with his profile to the artist, unable to turn the attention to his wife until the picture was done. Goya honoured his aristocratic "colleague" with the inscription of her name on the palette; he himself signed his work with his signature on the arm of the chair. The marchioness, who is fashionably dressed in the Empire style, was certainly more than just a dabbler in art. She was an honorary member of the Madrid Academy, which also honoured her with an award.
Ancestors
References
- Mozzati, Tommaso (2019). "The patio of Vélez Blanco: a new Drawing and the Courtyard of the Fajardo Castle" (PDF). Archivo español de arte. 92 (367). doi:10.3989/aearte.2019.17. S2CID 213679644.
- Tomlinson, Janis A. (2002-03-11). Goya: Images of Women. Yale University Press. ISBN 978-0-300-09493-0.
- "The 12th Marchioness of Villafranca painting her Husband – The Collection – Museo Nacional del Prado". www.museodelprado.es. Retrieved 2022-09-04.
 | This biography of a Spanish noble is a stub. You can help Misplaced Pages by expanding it. |