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In his review for AllMusic, Alex Henderson states: "Short of Charles Gayle, you won't find any 1990s avant-garde jazz that is more incendiary, ferocious and violent than Sound Hierarchy."
The Penguin Guide to Jazz notes that "Crispell is too strong a personality to settle for the kind of subsidiary role that Perelman needs, and Hemingway's rhythms are too bracingly inventive - they offer Perelman a distraction rather than fed lines."
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