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Details for log entry 14353255

06:58, 18 January 2016: 98.166.249.142 (talk) triggered filter 633, performing the action "edit" on Key grip. Actions taken: Tag; Filter description: Possible canned edit summary (examine | diff)

Changes made in edit



==Key grips in other countries==
==Key grips in other countries==
In [[Great Britain]] the "grips" are part of the camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}}
In [[Great Britain]] the "grips" are part of the anal camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}}


==References==
==References==

Action parameters

VariableValue
Edit count of the user (user_editcount)
null
Name of the user account (user_name)
'98.166.249.142'
Age of the user account (user_age)
0
Groups (including implicit) the user is in (user_groups)
[ 0 => '*' ]
Global groups that the user is in (global_user_groups)
[]
Whether or not a user is editing through the mobile interface (user_mobile)
true
Page ID (page_id)
402299
Page namespace (page_namespace)
0
Page title without namespace (page_title)
'Key grip'
Full page title (page_prefixedtitle)
'Key grip'
Last ten users to contribute to the page (page_recent_contributors)
[ 0 => 'Telecineguy', 1 => 'ClueBot NG', 2 => '82.26.74.115', 3 => 'Cydebot', 4 => '128.140.208.6', 5 => 'Monkbot', 6 => 'Domopromo12', 7 => 'Addbot', 8 => '68.191.82.50', 9 => 'Kmille26' ]
Action (action)
'edit'
Edit summary/reason (summary)
'/* Key grips in other countries */Fixed typo'
Whether or not the edit is marked as minor (no longer in use) (minor_edit)
false
Old page wikitext, before the edit (old_wikitext)
'In [[US]] and [[Canada|Canadian]] [[filmmaking]], the '''key grip''' supervises all [[Grip (job)|grip]] crews and reports to the [[Director of Photography]].<ref name=Goodell>{{cite book|last=Goodell|first=Gregory|title=Independent Feature Film Production: A Complete Guide from Concept Through Distribution|year=2003|publisher=Macmillan|isbn=0312304625|pages=114}}</ref> ==Responsibilities== Before filming begins, the key grip attends location scouts and meets the [[Director of Photography]] to determine what additional tools (location-specific motor vehicles, dollies, cranes, mounts, etc.) will be needed, orders and preps required equipment, and transports equipment to the filming location.<ref name=Uva /> Once on set, the key grip coordinates with the electric and camera departments alongside the [[Director of Photography]] to control lighting and camera movement and setup.<ref name=Dzyaz>{{cite book|last=Dzyak|first=Brian|title=What I Really Want to Do on Set in Hollywood: A Guide to Real Jobs in the Film Industry|year=2010|publisher=Random House Digital, Inc.|isbn=0307875164}}</ref> As a supervisor, the key grip directs the crew of grips, many with specialized skills such as dolly grips, crane operators, or special equipment operators.<ref name=Uva>{{cite book|last=Uva|first=Michael G.|title=Uva's Basic Grip Book|year=2002|publisher=Taylor & Francis US|isbn=0240804856|pages=5-6|author2=Uva, Michael |author3=Uva, Sabrina }}</ref> The key grip is sometimes credited as the "first company grip."<ref>{{cite book|last=Honthaner|first=Eve Light|title=The Complete Film Production Handbook|year=2010|publisher=Taylor & Francis US|isbn=024081150X|pages=471|edition=4th}}</ref> ==Safety== Additionally, the key grip is frequently asked to be the safety monitor of the film set. However, changes in the film and television worlds have created lasting change in crew responsibilities. Any union production crews working under the "Hollywood" umbrella are now required to take [[Occupational Safety and Health Administration]]-style certified courses in safety. The First AD (first [[assistant director]]) is responsible for the safe operation of the set. The Key Grip no longer has that distinction in the newer Hollywood policy.<ref>[http://www.uic.edu/sph/glakes/harts1/HARTS_library/filmall.txt uic.edu, LIGHTS! CAMERA! SAFETY!, A Health and Safety Manual for Motion Picture and Television Production, by Michael McCann, Ph.D., C.I.H.]</ref> ==Key grips in other countries== In [[Great Britain]] the "grips" are part of the camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}} ==References== {{reflist}} {{film crew}} [[Category:Filmmaking occupations]] {{film-term-stub}}'
New page wikitext, after the edit (new_wikitext)
'In [[US]] and [[Canada|Canadian]] [[filmmaking]], the '''key grip''' supervises all [[Grip (job)|grip]] crews and reports to the [[Director of Photography]].<ref name=Goodell>{{cite book|last=Goodell|first=Gregory|title=Independent Feature Film Production: A Complete Guide from Concept Through Distribution|year=2003|publisher=Macmillan|isbn=0312304625|pages=114}}</ref> ==Responsibilities== Before filming begins, the key grip attends location scouts and meets the [[Director of Photography]] to determine what additional tools (location-specific motor vehicles, dollies, cranes, mounts, etc.) will be needed, orders and preps required equipment, and transports equipment to the filming location.<ref name=Uva /> Once on set, the key grip coordinates with the electric and camera departments alongside the [[Director of Photography]] to control lighting and camera movement and setup.<ref name=Dzyaz>{{cite book|last=Dzyak|first=Brian|title=What I Really Want to Do on Set in Hollywood: A Guide to Real Jobs in the Film Industry|year=2010|publisher=Random House Digital, Inc.|isbn=0307875164}}</ref> As a supervisor, the key grip directs the crew of grips, many with specialized skills such as dolly grips, crane operators, or special equipment operators.<ref name=Uva>{{cite book|last=Uva|first=Michael G.|title=Uva's Basic Grip Book|year=2002|publisher=Taylor & Francis US|isbn=0240804856|pages=5-6|author2=Uva, Michael |author3=Uva, Sabrina }}</ref> The key grip is sometimes credited as the "first company grip."<ref>{{cite book|last=Honthaner|first=Eve Light|title=The Complete Film Production Handbook|year=2010|publisher=Taylor & Francis US|isbn=024081150X|pages=471|edition=4th}}</ref> ==Safety== Additionally, the key grip is frequently asked to be the safety monitor of the film set. However, changes in the film and television worlds have created lasting change in crew responsibilities. Any union production crews working under the "Hollywood" umbrella are now required to take [[Occupational Safety and Health Administration]]-style certified courses in safety. The First AD (first [[assistant director]]) is responsible for the safe operation of the set. The Key Grip no longer has that distinction in the newer Hollywood policy.<ref>[http://www.uic.edu/sph/glakes/harts1/HARTS_library/filmall.txt uic.edu, LIGHTS! CAMERA! SAFETY!, A Health and Safety Manual for Motion Picture and Television Production, by Michael McCann, Ph.D., C.I.H.]</ref> ==Key grips in other countries== In [[Great Britain]] the "grips" are part of the anal camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}} ==References== {{reflist}} {{film crew}} [[Category:Filmmaking occupations]] {{film-term-stub}}'
Unified diff of changes made by edit (edit_diff)
'@@ -9,5 +9,5 @@ ==Key grips in other countries== -In [[Great Britain]] the "grips" are part of the camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}} +In [[Great Britain]] the "grips" are part of the anal camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}} ==References== '
New page size (new_size)
3260
Old page size (old_size)
3255
Size change in edit (edit_delta)
5
Lines added in edit (added_lines)
[ 0 => 'In [[Great Britain]] the "grips" are part of the anal camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}}' ]
Lines removed in edit (removed_lines)
[ 0 => 'In [[Great Britain]] the "grips" are part of the camera department exclusively and are not generally responsible for regular grip duties as they are in the United States.<ref name=Skills>{{cite web|last=Creative Industries' Sector Skills Council|title=Grip|url=http://www.creativeskillset.org/film/jobs/camera/article_4784_1.asp|work=Creative Skillset|publisher=Creative Industries' Sector Skills Council|accessdate=24 November 2012}}</ref> In [[Australia]] and [[New Zealand]] the key grip generally owns the grip equipment, often consisting of dollies, track, cranes, camera cars, and insert trailers.{{Citation needed|date=November 2012}}' ]
Whether or not the change was made through a Tor exit node (tor_exit_node)
0
Unix timestamp of change (timestamp)
1453100283