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Symphony No. 33 (Mozart)

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1779 composition by Wolfgang Amadeus Mozart
Symphony in B♭ major
No. 33
by W. A. Mozart
First page of the autograph manuscript
KeyB-flat major
CatalogueK. 319
Composed1779, revised 1782 or 1785
Published1785 (Artaria)
MovementsFour (Allegro assai, Andante moderato, Menuetto, Finale: Allegro assai)
Symphony No. 33 performed by the New York Classical Players in 2021

The Symphony No. 33 in B♭ major, K. 319, was written by Wolfgang Amadeus Mozart, and dated on 9 July 1779.

Structure


\relative c''' {
  \tempo "Allegro assai"
  \key bes \major
  \time 3/4
  <<
    { bes2.\f | } \\
    { <bes, d,>4 s2 | }
  >>
  r4 bes8-.\p r c-. r |
  d8-. r es-. r e-. r |
  f8-. r g-. r d-. r |
  es4.\f d8 c4 |
  r4 a8-.\p r bes-. r |
  c8-. r
}

The symphony has 4 movements, and is scored for strings, 2 oboes, 2 bassoons, and 2 horns, the smallest orchestral force employed in his last ten symphonies:

  1. Allegro assai,
    4, in sonata form. The development section of this movement is based on a theme that does not appear in the exposition : the four-note figure that will become the principal theme of the Jupiter Symphony.
  2. Andante moderato in E♭ major,
    4, in modified sonata form, order of first and second subjects reversed in the recapitulation
  3. Menuetto,
    4, in ternary form
  4. Finale: Allegro assai,
    4, in sonata form

The autograph score is today preserved in the Biblioteka Jagiellońska, in Kraków.

References

  1. ^ Mozart, Wolfgang Amadeus (2005). Die Sinfonien IV. Translated by Robinson, J. Branford. Kassel: Bärenreiter-Verlag. p. XV. ISMN M-006-20466-3

External links

Wolfgang Amadeus Mozart
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Related
Symphonies by Wolfgang Amadeus Mozart
Unnumbered
Numbered
Adapted from serenades
Lost
  • Symphonies of doubtful authenticity.
  • No. 2 now attributed to Leopold Mozart.
  • No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
  • Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
  • No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added.


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