Misplaced Pages

Vicente Albán

Article snapshot taken from[REDACTED] with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Painter of the Quito school
Vicente Albán
Born1725
Quito, Ecuador, Viceroyalty if New Gramada
DiedUnknown
OccupationPainter

Vincente Albán (1725 in Quito, Ecuador - Unknown ) was an Ecuadorian painter, member of the Quiteña School, noted for his idealized paintings of indigenous (Yumbo people) and Latin American-born people in their native outfits. These paintings display a variety of social classes and information on the clothing of the time. Exploring Latin American identity, his work was commissioned by José Celestino Mutis, who wanted to bring local flora into the mind of the country. The paintings were created via an oil on canvas technique. Paintings of this era such as this were often used as a method of showing American territory and the resources it provides. People shown in Albáns work were shown wearing gold and silver to demonstrate the continents wealth.

Paintings and local fauna featured

  • Principle Lady with her Black Slave (1783) - Franadillas tree, Loquat tree, Large Coconut Palm, Coquitos de Chile tree.
  • Principal Indian of Quito with gala dress (1783) - Machetonas and Berugillas tree, Guabas tree, Fagsos Fruit, Guayabas tree
  • Yapanga of Quito in a suit that uses this kind of women who try to please (1783) - Capulic tree, Custard apple trees, Caymitos, Strawberries
  • Yumbo Indian from the vicinity of Quito with their feather costumes and fangs of hunting animal that they wear when they are in gala (1783) - Banana tree, Lapaias tree, Pineapples, Strawberries
  • India in gala dress (1783) - Avacado tree, Chilguacanes tree, Chamburos tree, Namey Fruit
  • Yndio yumbo de Maynas with his load (1783) - Pitahayas tree, Obo tree, Mamei tree, Pumpkin
  • Portrait of Bisiop of Quito Manuel Blas Nephew (1783)

Notable Exhibits

  • 1780 - Possession of King Carlos III of Spain
  • ? - Museum of Natural Sciences of Madrid
  • ? - Ethnographic Section of the National Archaeological Museum
  • 1941 - Museum of America of Madrid
  • 2018 - National Museum of Ecuador (90 days then returned to the Museum of America of Madrid)
An editor has launched a copyright investigation involving this section. The text under investigation is currently hidden from public view, but is accessible in the page history. Please do not remove this notice or restore blanked content until the issue is resolved by an administrator, copyright clerk, or volunteer response agent.

The purported copyright violation copies text from Presumptive deletion over copyright concerns, please see: Misplaced Pages:Contributor copyright investigations/Vvven (Copyvios report); as such, this page has been listed on the copyright problems page.

Unless the copyright status of the text of this page or section is clarified and determined to be compatible with Misplaced Pages's content license, the problematic text and revisions or the entire page may be deleted one week after the time of its listing (i.e. after 04:28, 2 May 2024 (UTC)).

What can I do to resolve the issue?
  • If you hold the copyright to this text, you can license it in a manner that allows its use on Misplaced Pages.
    1. You must permit the use of your material under the terms of the Creative Commons Attribution-Sharealike 4.0 International License (CC BY-SA 4.0) and the GNU Free Documentation License (GFDL) (unversioned, with no invariant sections, front-cover texts, or back-cover texts).
    2. Explain your intent to license the content on this article's discussion page.
    3. To confirm your permission, you can either display a notice to this effect at the site of original publication or send an e-mail from an address associated with the original publication to permissions-en@wikimedia.org or a postal letter to the Wikimedia Foundation. These messages must explicitly permit use under CC BY-SA and the GFDL. See Misplaced Pages:Donating copyrighted materials.
    4. Note that articles on Misplaced Pages must be written from a neutral point of view and must be verifiable in published third-party sources; consider whether, copyright issues aside, your text is appropriate for inclusion in Misplaced Pages.
  • You can demonstrate that this text is in the public domain or is already under a license suitable for Misplaced Pages. Explain this on this article's discussion page, with reference to evidence. Misplaced Pages:Public domain and Misplaced Pages:Compatibly licensed may assist in determining the status.
  • Otherwise, you may rewrite this page without copyright-infringing material. Your rewrite should be placed on this page, where it will be available for an administrator or clerk to review it at the end of the listing period. Follow this link to create the temporary subpage. Please mention the rewrite upon completion on this article's discussion page.
    • Simply modifying copyrighted text is not sufficient to avoid copyright infringement—if the original copyright violation cannot be cleanly removed or the article reverted to a prior version, it is best to write the article from scratch. (See Misplaced Pages:Close paraphrasing.)
    • For license compliance, any content used from the original article must be properly attributed; if you use content from the original, please leave a note at the top of your rewrite saying as much. You may duplicate non-infringing text that you had contributed yourself.
    • It is always a good idea, if rewriting, to identify the point where the copyrighted content was imported to Misplaced Pages and to check to make sure that the contributor did not add content imported from other sources. When closing investigations, clerks and administrators may find other copyright problems than the one identified. If this material is in the proposed rewrite and cannot be easily removed, the rewrite may not be usable.

Steps to list an article at Misplaced Pages:Copyright problems:
  1. Add the following to the bottom of Misplaced Pages:Copyright problems/2024 April 25: * {{subst:article-cv|Vicente Albán}} from Presumptive deletion over copyright concerns, please see: Misplaced Pages:Contributor copyright investigations/Vvven. ~~~~
  2. Add the following template to the talk page of the contributor of the material: {{subst:Nothanks-web|pg=Vicente Albán|url=Presumptive deletion over copyright concerns, please see: Misplaced Pages:Contributor copyright investigations/Vvven}} ~~~~
  3. Place {{copyvio/bottom}} at the end of the portion you want to blank. If nominating the entire page, please place this template at the top of the page, set the "fullpage" parameter to "yes", and place {{copyvio/bottom}} at the very end of the article.

Gallery

  • Portrait of a principal lady with her black slave by Vicente Albán Portrait of a principal lady with her black slave by Vicente Albán
  • Yndio yumbo de Maynas with his load with flora and fruits of the country by Vicente Albán Yndio yumbo de Maynas with his load with flora and fruits of the country by Vicente Albán
  • Portrait of the Bishop of Quito Manuel Blas Nephew by Vicente Albán Portrait of the Bishop of Quito Manuel Blas Nephew by Vicente Albán

References

  1. ^ "Latin American art - Latin American art on the eve of independence". Encyclopedia Britannica. Retrieved 2019-10-01.
  2. "Vicente Albán retrató la etnicidad del siglo XVIII". El Comercio. Retrieved 2019-10-01.
  3. "Vicente Albán, integrante de la escuela de Quito, gran representante de la ilustración del siglo XVIII". Vicente Albán, integrante de la escuela de Quito, gran representante de la ilustración del siglo XVIII. Retrieved 2019-10-01.
  4. ^ "Sociedad, flora y frutos en el Quito colonial. Vicente Albán". pueblosoriginarios.com. Retrieved 2019-10-01.
  5. Wohletz, Sonya (2017-12-04), Abreu Xavier, António de (ed.), "Strange Fruit: Vicente Albán's Quito Series And Local Ways Of Seeing In The Era Of Colonial Enlightenment", La Península Ibérica, el Caribe y América Latina : Diálogos a través del Comercio, la Ciencia y la Técnica (Siglos XIX – XX), Biblioteca - Estudos & Colóquios, Publicações do Cidehus, ISBN 9782821897274, retrieved 2019-10-01
  6. ^ "Obras de Vicente Albán se despiden con una vista especializada en el Museo Nacional (MuNa) – Ministerio de Cultura y Patrimonio". www.culturaypatrimonio.gob.ec. Retrieved 2019-10-01.
  7. mundo, El Telégrafo-Noticias del Ecuador y del (2018-05-10). "Cuadros de Vicente Albán llegan a Ecuador luego de dos siglos". El Telégrafo - Noticias del Ecuador y del mundo (in European Spanish). Retrieved 2019-10-01.
  8. "Los cuadros del artista Vicente Albán son huéspedes de la capital". El Comercio. Retrieved 2019-10-01.
Categories:
Vicente Albán Add topic