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== E-sharp minor == | == E-sharp minor == | ||
⚫ | ] | ||
{{Infobox scale | |||
| name=E-sharp minor<score>{ \new Staff \with{ \magnifyStaff #3/2 } << \time 2/16 \override Score.TimeSignature #'stencil = ##f { \clef treble \key eis \minor s16 \clef bass \key eis \minor s16 } >> }</score> | |||
| relative=] (theoretical)<br>enharmonic: ] | |||
| parallel=E-sharp major (theoretical)<br>enharmonic: ] | |||
| dominant=B-sharp minor (theoretical)<br>enharmonic: ] | |||
⚫ | |||
| enharmonic=] | |||
| first_pitch=E{{music|sharp}} | |||
| second_pitch=F{{music|doublesharp}} | |||
| third_pitch=G{{music|sharp}} | |||
| fourth_pitch=A{{music|sharp}} | |||
| fifth_pitch=B{{music|sharp}} | |||
| sixth_pitch=C{{music|sharp}} | |||
| seventh_pitch=D{{music|sharp}} | |||
}} | |||
'''E-sharp minor''' is a ] based on the ] ], consisting of the pitches E{{music|#}}, F{{music|x}}, ], ], ], ] and ]. Its key signature has six ] and one ], (or eight sharps). Its relative major is ], which is usually replaced by ]. Its parallel major, E-sharp major, is usually replaced by ], as E-sharp major’s four ]s make it impractical to use. | |||
The E-sharp ] is: | |||
:<score sound="1"> { | |||
\override Score.TimeSignature #'stencil = ##f | |||
\relative c' { | |||
\clef treble \key eis \minor \time 7/4 | |||
eis4^\markup "Natural minor scale" fisis gis ais bis cis dis eis dis cis bis ais gis fisis eis2 | |||
\clef bass \key eis \minor | |||
} } | |||
</score> | |||
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-sharp ] and ] are: | |||
:<score sound="1"> { | |||
\override Score.TimeSignature #'stencil = ##f | |||
\relative c' { | |||
\clef treble \key eis \minor \time 7/4 | |||
eis4^\markup "Harmonic minor scale" fisis gis ais bis cis disis eis disis cis bis ais gis fisis eis2 | |||
} } | |||
</score> | |||
:<score sound="1"> { | |||
\override Score.TimeSignature #'stencil = ##f | |||
\relative c' { | |||
\clef treble \key eis \minor \time 7/4 | |||
eis4^\markup "Melodic minor scale (ascending and descending)" fisis gis ais bis cisis disis eis dis! cis! bis ais gis fisis eis2 | |||
} } | |||
</score> | |||
Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in ]'s '']'', Book 1, Prelude and Fugue No. 3 in ]. (E-sharp minor is the ] minor key of C-sharp major.) | |||
==See also== | ==See also== |
Revision as of 07:59, 20 February 2023
Minor key and scale based on the note FRelative key | A-flat major |
---|---|
Parallel key | F major |
Dominant key | C minor |
Subdominant | B-flat minor |
Component pitches | |
F, G, A♭, B♭, C, D♭, E♭ |
F minor is a minor scale based on F, consisting of the pitches F, G, A♭, B♭, C, D♭, and E♭. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use.
The F natural minor scale is
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are
Music in F minor
Famous pieces in the key of F minor include Beethoven's Appassionata Sonata, Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, La Passione and Tchaikovsky’s Symphony No. 4.
Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliqueness."
Hermann von Helmholtz once described F minor as harrowing and melancholy. Christian Schubart described this key as "Deep depression, funereal lament, groans of misery and longing for the grave".
Notable compositions
See also: List of symphonies in F minor- Antonio Vivaldi
- "Winter" from The Four Seasons, RV 297
- Johann Sebastian Bach
- Joseph Haydn
- Symphony No. 49 ("La Passione")
- Variations in F minor
- Wolfgang Amadeus Mozart
- Aria "L'ho perduta, me meschina" from The Marriage of Figaro, act 4
- Adagio and Allegro in F minor for a mechanical organ, K. 594
- Ludwig van Beethoven
- Egmont Op. 84: Overture in F Minor
- Piano Sonata No. 1, Op. 2/1
- Piano Sonata No. 23 (Appassionata), Op. 57
- String Quartet No. 11 "Serioso", Op. 95
- Felix Mendelssohn
- Carl Maria von Weber
- Frédéric Chopin
- Charles-Valentin Alkan
- Franz Liszt
- Franz Schubert
- Fantasia in F minor
- Impromptu No. 1, Op. 142
- Impromptu No. 4, Op. 142
- Johannes Brahms
- Piano Quintet Op. 34
- Piano Sonata No. 3 Op. 5
- Pyotr Ilyich Tchaikovsky
- Anton Bruckner
- Alexander Borodin
- Paul Dukas
- Ralph Vaughan Williams
- Dmitri Shostakovich
- Symphony No. 1
- String Quartet No. 11 Op. 122
E-sharp minor
See also
Notes
- Cathering Meng, Tonight's the Night (Apostrophe Books, 2007): 21
- "Musical Key Characteristics".
External links
- Media related to F minor at Wikimedia Commons
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