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| {{Other uses}} | |||
| {{Infobox |
{{Infobox song | ||
| | Name = Backstreets | |||
| | |
| name = Backstreets | ||
| ⚫ | | cover = | ||
| ⚫ | | |
||
| | |
| alt = | ||
| | |
| type = | ||
| ⚫ | | artist = ] | ||
| | Format = | |||
| | album = ] | |||
| | Recorded = May - July 1975 <small>at ] in ]<ref>{{cite web|title=Bruce Springsteen On the Tracks, Born to Run|url=http://www.brucebase.org.uk/5.htm|accessdate=2007-07-27}}</ref> | |||
| | released = August 25, 1975 | |||
| | Genre = ] | |||
| | recorded = April 25 – July 18, 1975 | |||
| | Length = 6:32 | |||
| | |
| studio = ], New York City | ||
| | |
| genre = ] | ||
| | |
| length = 6:32 | ||
| | label = ] | |||
| | Misc = {{Extra tracklisting | |||
| | writer = Bruce Springsteen | |||
| | producer =Bruce Springsteen, ], ] | |||
| | misc = | |||
| | prev_track = "]" | |||
| ⚫ | |||
| | this_track = "Backstreets" | |||
| | track_no = 4 | |||
| | next_track = "]" | |||
| | next_no = 5 | |||
| }} | |||
| }} | }} | ||
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| ==Structure== | ==Structure== | ||
| "Backstreets" begins with a minute-long instrumental introduction that features pianist ] playing both piano and organ, with only occasional traces of any other instruments being heard. In his review of ''Born to Run'' for '' |
"Backstreets" begins with a minute-long instrumental introduction that features pianist ] playing both piano and organ, with only occasional traces of any other instruments being heard. In his review of ''Born to Run'' for ''Rolling Stone'', writer ] said: | ||
| :"Backstreets" ... begins with music so stately, so heartbreaking, that it might be the prelude to a rock & roll version of '']''.<ref name="rs-greil">{{cite |
:"Backstreets" ... begins with music so stately, so heartbreaking, that it might be the prelude to a rock & roll version of '']''.<ref name="rs-greil">{{cite magazine | url=https://www.rollingstone.com/reviews/album/171750/born_to_run | archive-url=https://web.archive.org/web/20071002045539/http://www.rollingstone.com/reviews/album/171750/born_to_run | url-status=dead | archive-date=October 2, 2007 | title=Bruce Springsteen: Born to Run: Review | author=Marcus, Greil | magazine=] | date=October 9, 1975 | author-link=Greil Marcus}}</ref> | ||
| "Backstreets" has also been interpreted as a narrative about a ] relationship because the name Terry is sexually ambiguous.<ref name=allmusic>{{cite web|title=Backstreets|url=http://www.allmusic.com/song/backstreets-t2010339|author=Ruhlmann, W.|website=]|access-date=2011-10-31}}</ref><ref name=rs>{{cite book|title=Bruce: His 100 Greatest Songs|publisher=]|page=83|chapter=The 100 Greatest Songs|year=2013}}</ref> It has also been said to potentially represent a platonic but intense friendship between two men that has faded.<ref name=allmusic/><ref name=rs/> However, listening to any of the numerous bootleg versions of "Backstreets" from the 1978 ], Terry is repeatedly referred to as "she" and "little girl," indicating that Terry is indeed a woman.<ref>{{Cite web|url=http://www.brucespringsteen.it/DB/sd3.aspx?sid=489|title = Bruce Springsteen Lyrics database : Sad eyes - interlude}}</ref> Another interpretation is that it is about Springsteen's relationship with his early 1970s girlfriend, Diane Lozito.<ref name=rs/> In his autobiography, '']'', Springsteen states that "Backstreets" is about a broken friendship.<ref>{{cite book|last1=Springsteen|first1=Bruce|title=Born to Run|url=https://archive.org/details/borntorun0000spri|url-access=registration|date=2016|publisher=Simon & Schuster|location=London|isbn=978-1-4711-5779-0}}</ref> | |||
| The real beauty of the song is in its consistency of content and form, meaning that the music reflects the emotional tension of the lyrics. The song opens with perhaps some of the most beautiful and captivating piano playing in any rock music, reflecting the confidence the Boy protagonist has in his relationship with Terry: he is trusting and secure in his relationship with her. But soon the guitar enters, playing a strong, contrasting melody. Even though it's different, it fits, combining perfectly with Bittan's piano. This, too, seems to be reflective of the relationship with Terry and so there seems to be a contrasting, "opposites attract" type of relationship developing that the two lovers have made work: "me and Terry became friends trying in vain to breathe the fire we was born in." Finally, still only in the introduction, enters the organ. This is the most dissonant part of the opening, and although buried deeply in the arrangement, it provides a very different rhythm and tone to the piano and guitar playing in the foreground. The organ here seems to reflect the "other man" who has entered the love triangle and stolen Terry away from the boy protagonist: "I hated him, and I hated you, when you went away." In this way, Springsteen has utilized his musicianship in a very mature and complex way to reflect his lyrics through arrangement and instrumentation in perhaps the best song in his canon. | |||
| The melody and organ bear some resemblance to "]" by ], an influence of Springsteen's. ''Rolling Stone'' claims that it echoes mid-1960s Dylan, especially the organ part reminiscent of '']''.<ref name=rs/> | |||
| == Themes == | |||
| The song deals with the relationship between two friends: the narrator and Terry. They are forced to hide their love for each other from others and "hide on the backstreets". In the end, the relationship falls apart. Terry leaves with another man leaving the narrator alone and full of rage, love and sadness. The backstreets could also represent a place the two would be without the eyes of the public. | |||
| ==Personnel== | |||
| The gender of the character of "Terry" has long been debated among Springsteen fans. The name Terry can refer to either a male or a female. Proponents of the theory that Terry is male point out that the characters may be "hiding on the backstreets" in order to conceal their homosexuality; references to wearing "Valentino drag"; and observing "blame it on the lies that killed us; blame on the truth that ran us down", concluding "Remember all the movies, Terry, we'd go see, trying to learn to walk like the heroes we thought we had to be?" The character may be male, but the songs may describe an intense male friendship with no other overtones. | |||
| According to authors Philippe Margotin and Jean-Michel Guesdon:<ref>{{cite book |last1=Margotin |first1=Philippe |last2=Guesdon |first2=Jean-Michel |title=Bruce Springsteen All the Songs: The Story Behind Every Track |url=https://books.google.com/books?id=nrlRzQEACAAJ |date=2020 |publisher=] |location=London |isbn=978-1-78472-649-2 |page=84}}</ref> | |||
| * ] – vocals, guitar | |||
| It is however highly likely that Terry is a female. One can cite the original concept of the entire Born to Run album as evidence of this. Originally, the album was intended to tell the story of Mary from Thunder Road and the Boy protagonist through an entire day, beginning in the morning on the first track, and moving through late night in Jungleland. As a result, it seems that in most of the songs Springsteen intended to use simply one girl's name, namely, Mary, on the whole album. This concept still survives on the album album but not overtly, and it seems the girls' names mimic the original intention of using "Mary" throughout: Mary (Thunder Road), Cherry (Meeting Across the River), and Terry (Backstreets). The only other girl explicity mentioned on the album is the Wendy of the title track, but of course, "Born to Run" the song was written fully a year before the album itself was released and ostensibly before the day-long concept of the album was conceived. The Terry of Backstreets therefore is most likely a girl. Terry obviously shares a deep love for Bruce because the probability the relationship was love due to the commonalities (movies we'd go see) and the time was spent alone between Terry and Bruce as lovers. Because in the lyrics he mentioned he hated him and hated you when you went away...no clarity here is absolute pinpointing if a betrayal exists, Terry was loyal because of fact, "we swore forever friends on the backstreets until the end" exact lyrics, therefore, no betrayal is defined but the relationship remains as friends and the two don't severe the friendship and love is based on friendship but the remained friends and it is understood this would always be: thus forever friends. | |||
| * ] – bass | |||
| * ] – drums | |||
| Representational and symbollic concepts are denoted all through the song. For example, the fact swore forever friends, denotes no betrayal because the time sequence in which the song takes place, solely states that they swore forever friends..Had an imminent threat whereas another female or male entered into their spectrum of a relationship; the two would not have left as friends. Even a possibility a female may have contended with Terry for her love to Bruce, many components can define boundaries within a relationship. We have open- relationships (partners see other individuals but remain friends, platonic reltionships, (friends only without any romantic or intimate relationship. As stated Springsteen labels Terry as a female..the line (you're lying like an angel on my chest) provides and lends itself to the fact terry is a female. A struggle of wills may have even been a component of the relationship...whether it was physical or emotional...trying to stop Terry from leaving...when the breakdown hit at midnight there was nothing left to say. I hated him and I hated you when you went away" springsteen could've even denoted that the him in these lyrical composure referred to his own actions. Was it a breakdown of communications and breakdown of their friendship or relationship? It could have even denoted an emotional distress for either partner in this relationship. Artists incorporate their feelings and interweave them in a piece of artwork whether it be musical, artistic-picasso placed many of his mistresses in his works, the Blue Period for example and other time frames are focused on his female subject for painting, as in acting-a screenplay or play also interweaves a leading lady that may also be a romantic partner for the writer of a movie...woody allen wrote some of his work and played opposite of Mia Farrow or another ex-wife in his life as well. So, art imitates life and is a reflection of the society in which we live and interact with people and relationships. | |||
| * ] – piano, organ | |||
| == Live performance history and interlude == | == Live performance history and interlude == | ||
| Starting in 1977 and most prominently during the 1978 ], Springsteen often added a semi-improvised interlude in between the final chorus and the outro. It usually involved Springsteen's singing solo accompanied by the piano. The other instruments then joined in as the interlude built to a climax. It elaborated on the story of the protagonist and Terry. It differed from performance to performance but frequently involved the protagonist's reminiscing about a good time he and Terry had shared, followed by an emotional condemnation of her subsequent betrayal. | |||
| This interlude has become known to Springsteen fans as the "Sad Eyes" interlude (not to be confused with the Springsteen song of the same name) due to frequently occurring lyrics stating that Terry had sad eyes or should dry her tears. |
This interlude has become known to Springsteen fans as the "Sad Eyes" interlude (not to be confused with the Springsteen song of the same name) due to frequently occurring lyrics stating that Terry had sad eyes or should dry her tears. It also has been referred to as the "Baby I remember you" or "Little girl don't cry" interlude. Parts of the interlude later materialized in recast form as the song "Drive All Night" on '']'' album in 1980. The interlude version of "Backstreets" has not been performed in full since; however, it can be heard on numerous fan bootlegs from that tour and Springsteen occasionally sings a very small part of the original interlude in contemporary live versions. | ||
| ⚫ | In 2007, during Springsteen and the ]'s ], "Backstreets" frequently found its way into the set list, most likely as a tribute to Springsteen's longtime friend Terry Magovern, who died earlier that year.<ref name=rs/> On April 22, 2008, it was the opening song of the first show following the death of longtime band member ].<ref name=rs/> | ||
| Those who believe that Terry is female cite Springsteen's own sexuality as well as this extended performances of the song in which Terry is referred to as female by Springsteen himself. | |||
| ==Critical reception== | |||
| ⚫ | In 2007, during Springsteen and the ]'s ], "Backstreets" frequently found its way into the |
||
| ''Rolling Stone'' rated "Backstreets" to be the sixth greatest Springsteen song of all time.<ref name=rs/> | |||
| ==Cultural references== | |||
| The Irish folk/rock band ] took its name from the line "Slow dancin' in the dark on the beach at Stockton's Wing...<ref>{{cite web | url=https://www.irishexaminer.com/lifestyle/arid-30977828.html | title=Still a beautiful affair: Mike Hanrahan talks about getting back on the road with Stockton's Wing | date=26 January 2020 }}</ref> | |||
| ==References== | ==References== | ||
| {{reflist}} | {{reflist}} | ||
| {{Bruce Springsteen songs}} | |||
| {{authority control}} | |||
| {{DEFAULTSORT:Backstreets (Song)}} | {{DEFAULTSORT:Backstreets (Song)}} | ||
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Latest revision as of 00:22, 4 May 2024
For other uses, see Backstreets (disambiguation). 1975 song by Bruce Springsteen| "Backstreets" | |
|---|---|
| Song by Bruce Springsteen | |
| from the album Born to Run | |
| Released | August 25, 1975 |
| Recorded | April 25 – July 18, 1975 |
| Studio | Record Plant, New York City |
| Genre | Rock |
| Length | 6:32 |
| Label | Columbia |
| Songwriter(s) | Bruce Springsteen |
| Producer(s) | Bruce Springsteen, Jon Landau, Mike Appel |
"Backstreets" is a song by Bruce Springsteen from the album Born to Run, which was released in 1975. In the original vinyl release, it concludes side one of the record.
Structure
"Backstreets" begins with a minute-long instrumental introduction that features pianist Roy Bittan playing both piano and organ, with only occasional traces of any other instruments being heard. In his review of Born to Run for Rolling Stone, writer Greil Marcus said:
- "Backstreets" ... begins with music so stately, so heartbreaking, that it might be the prelude to a rock & roll version of The Iliad.
"Backstreets" has also been interpreted as a narrative about a homosexual relationship because the name Terry is sexually ambiguous. It has also been said to potentially represent a platonic but intense friendship between two men that has faded. However, listening to any of the numerous bootleg versions of "Backstreets" from the 1978 Darkness Tour, Terry is repeatedly referred to as "she" and "little girl," indicating that Terry is indeed a woman. Another interpretation is that it is about Springsteen's relationship with his early 1970s girlfriend, Diane Lozito. In his autobiography, Born to Run, Springsteen states that "Backstreets" is about a broken friendship.
The melody and organ bear some resemblance to "Positively 4th Street" by Bob Dylan, an influence of Springsteen's. Rolling Stone claims that it echoes mid-1960s Dylan, especially the organ part reminiscent of Blonde on Blonde.
Personnel
According to authors Philippe Margotin and Jean-Michel Guesdon:
- Bruce Springsteen – vocals, guitar
- Garry Tallent – bass
- Max Weinberg – drums
- Roy Bittan – piano, organ
Live performance history and interlude
Starting in 1977 and most prominently during the 1978 Darkness Tour, Springsteen often added a semi-improvised interlude in between the final chorus and the outro. It usually involved Springsteen's singing solo accompanied by the piano. The other instruments then joined in as the interlude built to a climax. It elaborated on the story of the protagonist and Terry. It differed from performance to performance but frequently involved the protagonist's reminiscing about a good time he and Terry had shared, followed by an emotional condemnation of her subsequent betrayal.
This interlude has become known to Springsteen fans as the "Sad Eyes" interlude (not to be confused with the Springsteen song of the same name) due to frequently occurring lyrics stating that Terry had sad eyes or should dry her tears. It also has been referred to as the "Baby I remember you" or "Little girl don't cry" interlude. Parts of the interlude later materialized in recast form as the song "Drive All Night" on The River album in 1980. The interlude version of "Backstreets" has not been performed in full since; however, it can be heard on numerous fan bootlegs from that tour and Springsteen occasionally sings a very small part of the original interlude in contemporary live versions.
In 2007, during Springsteen and the E Street Band's Magic Tour, "Backstreets" frequently found its way into the set list, most likely as a tribute to Springsteen's longtime friend Terry Magovern, who died earlier that year. On April 22, 2008, it was the opening song of the first show following the death of longtime band member Danny Federici.
Critical reception
Rolling Stone rated "Backstreets" to be the sixth greatest Springsteen song of all time.
Cultural references
The Irish folk/rock band Stockton's Wing took its name from the line "Slow dancin' in the dark on the beach at Stockton's Wing...
References
- Marcus, Greil (October 9, 1975). "Bruce Springsteen: Born to Run: Review". Rolling Stone. Archived from the original on October 2, 2007.
- ^ Ruhlmann, W. "Backstreets". Allmusic. Retrieved 2011-10-31.
- ^ "The 100 Greatest Songs". Bruce: His 100 Greatest Songs. Rolling Stone. 2013. p. 83.
- "Bruce Springsteen Lyrics database : Sad eyes - interlude".
- Springsteen, Bruce (2016). Born to Run. London: Simon & Schuster. ISBN 978-1-4711-5779-0.
- Margotin, Philippe; Guesdon, Jean-Michel (2020). Bruce Springsteen All the Songs: The Story Behind Every Track. London: Cassell Illustrated. p. 84. ISBN 978-1-78472-649-2.
- "Still a beautiful affair: Mike Hanrahan talks about getting back on the road with Stockton's Wing". 26 January 2020.