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{{Short description|Greek folk dance}}
{{pp-protected|small=yes}} {{pp-protected|small=yes}}
{{Use dmy dates|date=February 2021}}
{{Greekmusic}}
{{Expand Greek|Ζεϊμπέκικο|fa=yes|topic=music|date=September 2022}}
'''Zeibekiko''' ({{lang-el|Ζεϊμπέκικο}}) is a ] with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8. it is most commonly broken down as:<br/> 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8<br/> or as:<br/> 1/16 + 1/8 + 1/16 + 1/8 + 1/8 + 1/16 + 1/8 + 1/16 + 1/8 + 1/8 + 1/8.
{{Music of Greece}}


'''Zeibekiko''' ({{langx|el|Ζεϊμπέκικο}}, {{IPA-el|zei̯ˈbeciko|IPA}}) is a ], similar to Turkish ] dance.<ref>{{Cite web |last=Chrysopoulos |first=Philip |date=4 April 2016 |title=Greek and Turkish Folk Dances With Common Origins, Still Popular Today |url=https://greekreporter.com/2016/04/04/greek-and-turkish-folk-dances-with-common-origins-still-popular-today/ |website=]}}</ref>
The name is derived from ] warriors of ].<ref>{{cite dictionary|last=Babiniotis|first=Georgios|year=1998|encyclopedia=Lexiko tis Neas Ellinikis Glossas|title=ζεϊμπέκικος|page=709|publisher=Kentro Lexikologias|place=Athens}}</ref>


==Origin and history==
===Greek folkloric variants===
There are various theories about the origin of the dance. According one of them, the word "Zeibekiko" is derived from ] (the king of the gods in Greek mythology) and "bekos" (μπέκος) meaning "bread" in the dialect of the Greek city of Tralleis.<ref> Τάκης Καλογερόπουλος, Λεξικό της Ελληνικής μουσικής, εκδόσεις Γιαλλελή, 2001</ref> The Greeks of Tralleis would dance zeibekiko to thank Zeus and pray for bread and fertility of the land.<ref> Τάκης Καλογερόπουλος, Λεξικό της Ελληνικής μουσικής, εκδόσεις Γιαλλελή, 2001</ref>
Onother one has it that the name of the dance comes from ''Zei'', as a derivative of Greek God ], and the ] word '']'', which means "bread" according to ]<ref> Volume 16, Centre for Dance Studies, 1989.</ref>.
The musicologist ] claimed that the dance had ancient heritage (rhythmic - dance) as the rhythmic shape is reflected in the odes of ]<ref>, Παράδοση και Τέχνη 019, σελ. 20 - 21, Αθήνα, Δ.Ο.Λ.Τ., Ιανουάριος – Φεβρουάριος 1995</ref>.


It takes its name from the ], an irregular militia living in the ] of the ] from late 17th to early 20th centuries.<ref>{{cite book|last1=Babiniotis|first1=Georgios D.|title=Lexiko Tis Neas Ellinikis Glossas|date=2002|publisher=Kentro Lexikologias|location=Athens|isbn=960-86190-1-7|page=707|edition=2nd}}</ref> It was first seen at the end of the 17th century in cities such as ] and ]. ] mentions in his writings that it was danced in ] and in ] at local feasts.<ref>{{cite book|last1=Πάλλης|first1=Α.|title=Σελίδες της παλιάς γενιτσάρικης Τουρκίας|date=1941|publisher=Εκάτη|location=Athens|page=231}}</ref> Originally a dance for two armed people facing one another, it developed into an improvised dance for a single male.<ref>{{cite journal|last1=Tyrovola|first1=V.|title=The evolutionary process of the dynamics of popular urban culture: The case of Zeibekiko dance|journal=Proceedings of the 17th Symposium of the Study Group of Ethnoarchaeology|date=1994|pages=107–113}}</ref>
The dance is of free choreographic structure. Although in older times the dance was danced by a pair of either the same or opposite sex, it has been evolved a solo dance strictly masculine and is considered in some cases offensive to be interrupted by another dancer. Occasionally dancers perform feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of a little braggadocio and ].<ref>{{cite web|last=Many authors|script-title=el:Ζεϊμπέκικος|url=http://www.dance-pandect.gr/pds_cosmos/pop/pop_lhmma_gr.php?oid=E-F198C&ActionP=Play&mode=Med&Obj=T&eid=E-F198C&aa=1|work=Pandect: The World of Greek Dance|accessdate=19 June 2013|language=el}}</ref>

After the population exchange between Greece and Turkey in 1922, the dance became popular also in mainland Greece, in many songs of '']'' music.

==Characteristics==

The Zeibekiko usually has a rhythmic pattern of {{Time signature|9|4}}<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else {{Time signature|9|8}}. It is most commonly broken down as:

<score>
\new DrumStaff \with{
\override StaffSymbol.line-count = #1
}
\drummode {
\time 9/8 {
cl8 cl8 cl8 cl8 cl8 cl8
}
}
</score>

or as:

<score>
\new DrumStaff \with{
\override StaffSymbol.line-count = #1
}
\drummode {
\time 9/8 {
cl16 cl8 cl16 cl8 cl8 cl8
}
}
</score>

As a solo dance, it was traditionally performed by men, though it is now common for women to dance the Zeibekiko.<ref>{{cite news |last1=Wichmann |first1=Anna |title=When Women Started Dancing Zeibekiko |url=https://greekreporter.com/2022/07/22/women-zeibekiko-movies-greek/ |date=22 July 2022}}</ref> Due to the movements of the dancer, it is sometimes known as the "eagle dance".<ref>{{cite book|last1=McGinnis|first1=Maura|title=Greece : a primary source cultural guide|date=2004|publisher=Rosen Pub. Group|location=New York|isbn=978-0823939992|edition=1st}}</ref> The dance has no set steps, only certain figures and a circular movement. It takes place in an area little surpassing one square metre and mostly consists of improvised movements.<ref>{{cite book|last1=Holst|first1=Gail|title=Road to rembetika : music of a Greek sub-culture : songs of love, sorrow, and hashish|url=https://archive.org/details/roadtorembetikam00hols/page/268|url-access=registration|date=1994|publisher=D. Harvey|location=Athens|isbn=978-9607120076|page=|edition=Reprinted with amendments 1994.}}</ref>

Occasionally dancers perform feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of a little ] and ].<ref>{{cite web|last=Many authors|script-title=el:Ζεϊμπέκικος|url=http://www.dance-pandect.gr/pds_cosmos/pop/pop_lhmma_gr.php?oid=E-F198C&ActionP=Play&mode=Med&Obj=T&eid=E-F198C&aa=1|work=Pandect: The World of Greek Dance|access-date=19 June 2013|language=el}}</ref>


==See also== ==See also==
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*] *]
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==References== ==References==
{{reflist}} {{Reflist|2}}


{{Greek dances}} {{Greek dances}}
{{Music of Southeastern Europe (the Balkans)}}
{{Use dmy dates|date=December 2010}}
{{Authority control}}


] ]

Latest revision as of 05:46, 21 October 2024

Greek folk dance

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Zeibekiko (Greek: Ζεϊμπέκικο, IPA: [zei̯ˈbeciko]) is a Greek folk dance, similar to Turkish Zeybek dance.

Origin and history

It takes its name from the Zeybeks, an irregular militia living in the Aegean Region of the Ottoman Empire from late 17th to early 20th centuries. It was first seen at the end of the 17th century in cities such as Constantinople and Smyrna. Evliya Çelebi mentions in his writings that it was danced in Magnesia and in Aydın at local feasts. Originally a dance for two armed people facing one another, it developed into an improvised dance for a single male.

After the population exchange between Greece and Turkey in 1922, the dance became popular also in mainland Greece, in many songs of Laiko music.

Characteristics

The Zeibekiko usually has a rhythmic pattern of
4 or else
8. It is most commonly broken down as:


  \new DrumStaff \with{
    \override StaffSymbol.line-count = #1
  }
  \drummode {
    \time 9/8 {
      cl8 cl8 cl8 cl8 cl8 cl8
    }
  }

or as:


  \new DrumStaff \with{
    \override StaffSymbol.line-count = #1
  }
  \drummode {
    \time 9/8 {
      cl16 cl8 cl16 cl8 cl8 cl8
    }
  }

As a solo dance, it was traditionally performed by men, though it is now common for women to dance the Zeibekiko. Due to the movements of the dancer, it is sometimes known as the "eagle dance". The dance has no set steps, only certain figures and a circular movement. It takes place in an area little surpassing one square metre and mostly consists of improvised movements.

Occasionally dancers perform feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of a little braggadocio and humor.

See also

References

  1. Chrysopoulos, Philip (4 April 2016). "Greek and Turkish Folk Dances With Common Origins, Still Popular Today". Greek Reporter.
  2. Babiniotis, Georgios D. (2002). Lexiko Tis Neas Ellinikis Glossas (2nd ed.). Athens: Kentro Lexikologias. p. 707. ISBN 960-86190-1-7.
  3. Πάλλης, Α. (1941). Σελίδες της παλιάς γενιτσάρικης Τουρκίας. Athens: Εκάτη. p. 231.
  4. Tyrovola, V. (1994). "The evolutionary process of the dynamics of popular urban culture: The case of Zeibekiko dance". Proceedings of the 17th Symposium of the Study Group of Ethnoarchaeology: 107–113.
  5. Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, Canadian Issue (Sep., 1972), p. 577.
  6. Wichmann, Anna (22 July 2022). "When Women Started Dancing Zeibekiko".
  7. McGinnis, Maura (2004). Greece : a primary source cultural guide (1st ed.). New York: Rosen Pub. Group. ISBN 978-0823939992.
  8. Holst, Gail (1994). Road to rembetika : music of a Greek sub-culture : songs of love, sorrow, and hashish (Reprinted with amendments 1994. ed.). Athens: D. Harvey. p. 268. ISBN 978-9607120076.
  9. Many authors. Ζεϊμπέκικος. Pandect: The World of Greek Dance (in Greek). Retrieved 19 June 2013.
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