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| {{Infobox musical artist | {{Infobox musical artist | ||
| | name = Brian Camelio | | name = Brian Louis Camelio | ||
| | image = Brian-Camelio.jpg | | image = Brian-Camelio.jpg | ||
| | caption = | | caption = | ||
| | birth_date = {{Birth date and age|1965|10|15}} | |||
| | birth_place = ],<br />United States | |||
| | years_active = 1974–present | | years_active = 1974–present | ||
| | occupation = Founder/CEO ] inc. |
| occupation = Record producer, songwriter, musician, Founder/CEO ] inc., entrepreneur | ||
| | website = {{URL|http://www.briancamelio.com}} | | website = {{URL|http://www.briancamelio.com}} | ||
| }} | }} | ||
| '''Brian Camelio''' is an |
'''Brian Louis Camelio''' is an American record producer, musician, entrepreneur, founder of ]<ref name="celebrity access">Bob Grossweiner, Jane Cohen, , Celebrity Access, February 29, 2008<!--The publication date is provided in the "Industry Profile Archives" list at the bottom of the web page-->. Consulted on October 9, 2011</ref><ref name="nyt">], , New York Times, July 4, 2004. Consulted on October 7, 2011.</ref><ref name="AllMusic"> on ]</ref><ref name="BrianCamelio.com">, Consulted on February 7, 2015.</ref> and senior consultant at The Camelio Group.<ref name="cameliogroup.com">, Consulted on April 28, 2024.</ref> | ||
| Camelio is considered one of the fathers of ]<ref name="statesman">Barry Harrell, {{webarchive|url=https://web.archive.org/web/20110427175549/http://www.statesman.com/business/crowdfunding-is-the-new-creative-way-to-finance-1389119.html |date=2011-04-27 }}, ], April 9, 2011. Consulted on October 23, 2011.</ref> and |
Camelio is considered one of the fathers of ],<ref name="statesman">Barry Harrell, {{webarchive|url=https://web.archive.org/web/20110427175549/http://www.statesman.com/business/crowdfunding-is-the-new-creative-way-to-finance-1389119.html |date=2011-04-27 }}, ], April 9, 2011. Consulted on October 23, 2011.</ref> and "a post-modern ]" according to Bloomberg News.<ref name="Bloomberg2006">Mike Zwerin, , Bloomberg News, December 22, 2006. Consulted on October 26, 2011.</ref> In 2005, he was the subject of a chapter in <ref>Seth Godin, '''', Portfolio, 2005, {{ISBN|1-59184-103-8}}, pp. 47-48.</ref> in '']'' titled "The One Thing You Can't Download" by entrepreneur and author ]. He has been a speaker or panelist at the ] at ],<ref>, University of Cambridge, Judge Business School. Consulted on October 23, 2011.</ref> ],<ref>{{in lang|fr}} {{webarchive |url=https://web.archive.org/web/20120406173247/http://technaute.cyberpresse.ca/nouvelles/200701/22/01-12355-midem-nouveau-modele-economique-recherche.php |date=April 6, 2012 }}, January 22, 2007. Consulted on October 15, 2011.</ref> The Grammy Foundation at ],<ref>, ], News, March 22, 2005. Consulted on October 23, 2011.</ref> ],<ref>, ASCAP.com. Consulted on October 23, 2011.</ref><ref name="AAJASCAP">, allaboutjazz.com. Consulted on October 23, 2011.</ref> ],<ref> {{webarchive|url=https://web.archive.org/web/20120406212833/http://www.law.nyu.edu/ecm_dlv4/groups/public/%40nyu_law_website__students__student_organizations__the_commentator/documents/documents/ecm_pro_063349.pdf |date=April 6, 2012 }}, The Commentator, The Student Newspaper of the New York University School of Law, Volume XLIII, Number 3, October 14, 2009, pages 1 and 4. Consulted on October 23, 2011.</ref> Pew Center for Arts & Heritage,<ref> {{Webarchive|url=https://web.archive.org/web/20120915094218/http://www.pcah.us/music/newsroom/pmp-pd-event-brian-camelio-artistshare-march-25-2011/ |date=2012-09-15 }}, Pew Center for Arts & Heritage, March 25, 2011. Consulted on October 23, 2011.</ref> The ]<ref name="SHOF">April Anderson, , Songwriters Hall of Fame, September 24, 2009. Consulted on October 23, 2011</ref> and The Future of Music Coalition.<ref>Future of Music Coalition , October 6, 2008. Consulted on October 23, 2011.</ref><ref name="overflowlogal"> {{webarchive |url=https://web.archive.org/web/20120425071850/http://overflowlegal.com/story.php?title=All-day_event_coming_up_in_New_York_City_on_October_6th_Whats_the_Future_for_Musicians |date=April 25, 2012 }} Consulted on October 23, 2011.</ref> | ||
| He was a member of the core faculty of ],<ref>. Consulted on October 18, 2015.</ref> an online Digital Marketing instructor for the ] |
He was a member of the core faculty of ],<ref>. Consulted on October 18, 2015.</ref> an online Digital Marketing instructor for the ]<ref>{{Cite web|url=https://iml.esm.rochester.edu/eclc/course/digital-marketing/|title=Digital Marketing|language=en|access-date=2018-12-20}}</ref> and has been a columnist for ] since 2010.<ref>. Consulted on February 10, 2012.</ref><ref> {{webarchive |url=https://web.archive.org/web/20120303161349/http://www.allaboutjazz.com/php/contrib.php?id=32773 |date=March 3, 2012 }}. Consulted on February 10, 2012.</ref> | ||
| ==Music career== | ==Music career== | ||
| Camelio, who grew up in ], began his music career at the age of |
Camelio, who grew up in ], began his music performance career at the age of nine and continued to pursue music at ] as a composition major. After finishing his music degree at the ] with a concentration in orchestral composition, he spent 15 years as a professional touring musician, composer and producer according to Celebrity Access.<ref name="celebrity access"/><ref name="bloomberg-2008">Patrick Cole, , Bloomberg News, February 7, 2008. Consulted on October 26, 2011.</ref> | ||
| Since founding ], he has produced seven releases for jazz guitarist and NEA Jazzmaster ]<ref name="NEA.com">{{Cite web |url=http://www.nea.gov/honors/jazz/jmCMS/master.php?id=2004_01&type=bio |title=National Endowment of the Arts Website |access-date=2012-08-27 |archive-url=https://web.archive.org/web/20120921110101/http://www.nea.gov/honors/jazz/jmCMS/master.php?id=2004_01&type=bio |archive-date=2012-09-21 |url-status=dead }}</ref> including Hemispheres, the 2008 collaboration with ],<ref name="Hemispheres"></ref> and Conversations (2010) with ] as well as for New |
Since founding ], he has produced seven releases for jazz guitarist and NEA Jazzmaster ]<ref name="NEA.com">{{Cite web |url=http://www.nea.gov/honors/jazz/jmCMS/master.php?id=2004_01&type=bio |title=National Endowment of the Arts Website |access-date=2012-08-27 |archive-url=https://web.archive.org/web/20120921110101/http://www.nea.gov/honors/jazz/jmCMS/master.php?id=2004_01&type=bio |archive-date=2012-09-21 |url-status=dead }}</ref> including Hemispheres, the 2008 collaboration with ],<ref name="Hemispheres"></ref> and Conversations (2010) with ] as well as for New Orleans–based songwriter Chip Wilson, and composer ].<ref name="amazon.com"></ref> He has also worked with ], ], ] among others.<ref name="Phish.com">Trey Anastasio - Seis de mayo Consulted on October 9, 2011</ref><ref name="BillyBreathes">Phish - Billy Breathes Consulted on October 9, 2011></ref> | ||
| In March 2021, |
In March 2021, Camelio received a ] for his work as producer on the album '']'' by ]. | ||
| ==Business career== | ==Business career== | ||
| After |
After teaching himself computer programming, Camelio started his first internet business in 1998, an online fundraising portal for non-profit groups. The business was not a success but the lessons learned led him to projects geared more towards technology.<ref name="celebrity access"/> Around this time he also authored and published college music theory textbook named Finale Made Easy.<ref> {{webarchive |url=https://web.archive.org/web/20120329034054/http://learn.ssc.edu/fhanzelin/course_pdf_files_s00/mus102gu.pdf |date=March 29, 2012 }}</ref> | ||
| ] and Blue Note Records President ] on Willie Nelson's tour bus.]] | ] and Blue Note Records President ] on Willie Nelson's tour bus.]] | ||
| In 2000 or 2001 |
In 2000 or 2001, Camelio founded ].<ref name="nyt"/><ref>Patrick Cole, , livemint.com, February 7, 2008. Consulted on October 7, 2011.</ref><ref>Don Heckman, , Los Angeles Times, February 10, 2008. Consulted on October 7, 2011.</ref><ref>Joel Rose, , NPR Music, May 15, 2008. Consulted on October 7, 2011.</ref> ArtistShare is recognized as the world's first ] website for creative professionals.<ref name="Forbes">how crowdfunding can supercharge your campaign in 2016 Consulted on December 5th, 2016</ref><ref name="Guitar World">Crowd-Funding 101: What Every Musician Needs for a Successful Campaign Consulted on February 7th, 2015</ref><ref name="NYTimes">Blue Note to Partner With ArtistShare Consulted on February 7th, 2015</ref><ref name="Google Books">Crowdfund it! Consulted on February 7th, 2015</ref> It also operates as a ] and ] for creative artists, which enables them to fund their projects by allowing the general public to directly finance, watch the creative process, and in most cases gain access to extra material from an artist.<ref name="la times">{{cite web |url=https://www.latimes.com/archives/la-xpm-2008-feb-10-ca-schneider10-story.html |title=Making fans a part of the inner circle |author=Don Heckman |date=February 10, 2008 |work=Los Angeles Times |access-date=October 7, 2011}}</ref><ref Name="Wharton">{{cite web |url=http://knowledge.wharton.upenn.edu/article.cfm?articleid=2647 |title=Can You Spare a Quarter? Crowdfunding Sites Turn Fans into Patrons of the Arts |date=December 8, 2010 |publisher=Wharton Innovation and Entrepreneurship |access-date=12 October 2011}}</ref><ref> {{webarchive |url=https://web.archive.org/web/20111028205515/http://journal.davidbyrne.com/2008/02/02122008-addend.html |date=October 28, 2011 }}, David Byrne's Journal, February 12, 2008. Consulted on October 7, 2011.</ref> In 2004, the first ArtistShare release won a Grammy for "Best Large Jazz Ensemble Recording" and became the first album ever to win a Grammy that was not available in retail stores.<ref name="mariaschneider.com">Maria Schneider Discography - Concert in the Garden {{Webarchive|url=https://web.archive.org/web/20150614041256/http://www.mariaschneider.com/albuminfo.aspx?ID=60|date=2015-06-14}} Consulted on October 8, 2011</ref><ref name="Grammy.com">Maria Schneider at Grammy.com Consulted on October 8, 2011</ref> This is the moment Camelio describes as being his most memorable industry experience.<ref name="celebrity access"/> | ||
| In a 2004 study by Cathy Allison, a technology expert engaged by the ]’s Copyright Policy Branch "to capture a |
In a 2004 study by Cathy Allison, a technology expert engaged by the ]’s Copyright Policy Branch "to capture a 'snapshot' of current business models and technologies, and to contemplate possible future scenarios regarding the control and compensation for use of music",<ref name="CanadaCopyright"/> Camelio is quoted as saying: "ArtistShare is the only viable solution that I can see. With the advent of the latest technology, it is becoming increasingly clear that there needs to be a fundamental shift in how artists do business. That shift involves the expansion of the product offered and a completely different payment schedule. ArtistShare will provide the platform."<ref name="CanadaCopyright">Cathy Allison, , {{ISBN|0-662-38335-4}}. Consulted on October 22, 2011</ref> | ||
| The Jazz Review stated in January 2011 that Camelio "now may be considered visionary for perceiving the direction that the distribution of musical recordings was headed in 2001."<ref name="JazzReview">Don Williamson, , The Jazz Review, January 29, 2011. Consulted on October 12, 2011</ref> | The Jazz Review stated in January 2011 that Camelio "now may be considered visionary for perceiving the direction that the distribution of musical recordings was headed in 2001."<ref name="JazzReview">Don Williamson, , The Jazz Review, January 29, 2011. Consulted on October 12, 2011</ref> | ||
| In May 2013, ArtistShare partnered with ] to form a collaboration titled 'Blue Note/ArtistShare'. The Blue Note/ArtistShare collaboration was forged by |
In May 2013, ArtistShare partnered with ] to form a collaboration titled 'Blue Note/ArtistShare'. The Blue Note/ArtistShare collaboration was forged by Camelio, ], and ], President of Blue Note Records.<ref>{{cite news |last=Chinen |first=Nate |date=May 8, 2013 |title=Blue Note to Partner With ArtistShare |url=http://artsbeat.blogs.nytimes.com/2013/05/08/blue-note-to-partner-with-artistshare/ |newspaper=The New York Times |access-date=October 26, 2013 }}</ref> | ||
| ==Selected discography== | ==Selected discography== | ||
| *1987: "Generations" |
*1987: "Generations" – Jon Gailmor (Bass, Guitar) | ||
| *1997: "Textures" |
*1997: "Textures" – ] (Music Preparation) | ||
| *1998: "By Arrangement" |
*1998: "By Arrangement" – ] (Music Preparation) | ||
| *2002: "Trio of One" |
*2002: "Trio of One" – Sean Harkness (Guitar, Composer) | ||
| *2002: "Initial Wisdom" |
*2002: "Initial Wisdom" – ] (Composer) | ||
| *2004: "Magic Meeting" |
*2004: "Magic Meeting" – ] (Producer) | ||
| *2005: "Free Association" |
*2005: "Free Association" – ] and ] (Producer) | ||
| *2008: "Hemispheres" |
*2008: "Hemispheres" – ] and ] (Producer) | ||
| *2010: "Conversations" |
*2010: "Conversations" – ] and ] (Producer) | ||
| *2011: "Living Alone And Loving It" (audio book) |
*2011: "Living Alone And Loving It" (audio book) – ] (Producer) | ||
| *2012: "Live At Birdland" |
*2012: "Live At Birdland" – ] (Producer) | ||
| *2012: "Jim Hall Live! |
*2012: "Jim Hall Live! – Vol. 2-4" – ] (Producer) | ||
| *2013: "Newport Jazz Gala!" |
*2013: "Newport Jazz Gala!" – ], ], ], ], ], ], ], ], and ] (Producer) | ||
| *2016: "Inspired" |
*2016: "Inspired" – ], ], ], ] (Producer) | ||
| *2016: "Valse Hot" |
*2016: "Valse Hot" – ] and ] (Producer) | ||
| *2017: "With a song in my heart" |
*2017: "With a song in my heart" – Jane Hall and ] (Producer) | ||
| *2018: "Stories and Occasional Lies" |
*2018: "Stories and Occasional Lies" – Chip Wilson (Producer, Performer) | ||
| * |
*2019: "The Essential Maria Schneider" – ] (Producer) | ||
| *2020: "Data Lords" – ] (Producer) | |||
| *2022: "Uniquities" – ] (Producer) | |||
| *2023: "By Request – The Diane Warren Songbook Vol. 1" – ] and ] (Executive Producer) | |||
| *2023: "Family Tree" – ] and ] (Producer) | |||
| *2024: "Decades" – ] (Producer) | |||
| ==Awards== | ==Awards== | ||
| Line 66: | Line 69: | ||
| !Result | !Result | ||
| |- | |- | ||
| |63rd Annual Grammy Awards |
|63rd Annual Grammy Awards | ||
| |Maria Schneider |
|Maria Schneider – "Data Lords"<ref>{{Cite web|date=2021-06-01|title=Brian Camelio|url=https://www.grammy.com/grammys/artists/brian-camelio/300175|access-date=2021-03-14|website=GRAMMY.com|language=en}}</ref> | ||
| |Best Large Jazz Ensemble Album | |Best Large Jazz Ensemble Album | ||
| |Producer | |Producer | ||
| Line 88: | Line 91: | ||
| |- | |- | ||
| |2006 | |2006 | ||
| |] / Geoffrey Keezer |
|] / Geoffrey Keezer – "Free Association"<ref>{{Cite web|date=2021-06-01|title=Free Association|url=http://jimhallmusic.com/press.aspx?ID=1194|access-date=2021-03-14|website=jimhallmusic.com|language=en}}</ref> | ||
| |''Choc de l'année'' Award | |''Choc de l'année'' Award | ||
| |Producer | |Producer | ||
| Line 94: | Line 97: | ||
| |} | |} | ||
| === |
=== Other awards === | ||
| ⚫ | * Mayor's Peace Prize - Burlington, Vt. for orchestral composition |
||
| * ASCAP Young Composer's Grant |
* ASCAP Young Composer's Grant – 1986<ref name="newschoolgrant"> {{webarchive |url=https://web.archive.org/web/20110811231858/http://www.newschool.edu/jazz/faculty.aspx?id=37556 |date=August 11, 2011 }}</ref> | ||
| * VCA Grant |
* VCA Grant – 1986<ref name="newschoolgrant"/> | ||
| ⚫ | * Mayor's Peace Prize - Burlington, Vt. for orchestral composition – 1989<ref name="peaceprize"></ref> | ||
| ==References== | ==References== | ||
Latest revision as of 18:39, 23 October 2024
| Brian Louis Camelio | |
|---|---|
 | |
| Background information | |
| Occupation(s) | Record producer, songwriter, musician, Founder/CEO ArtistShare inc., entrepreneur |
| Years active | 1974–present |
| Website | www |
Brian Louis Camelio is an American record producer, musician, entrepreneur, founder of ArtistShare and senior consultant at The Camelio Group.
Camelio is considered one of the fathers of crowdfunding, and "a post-modern Ahmet Ertegun" according to Bloomberg News. In 2005, he was the subject of a chapter in in The Big Moo: Stop Trying to be Perfect and Start Being Remarkable titled "The One Thing You Can't Download" by entrepreneur and author Seth Godin. He has been a speaker or panelist at the Judge Business School at Cambridge University, Midem, The Grammy Foundation at NARAS, ASCAP, NYU Law School, Pew Center for Arts & Heritage, The Songwriters hall of fame and The Future of Music Coalition.
He was a member of the core faculty of The New School for Jazz and Contemporary Music, an online Digital Marketing instructor for the Eastman School of Music and has been a columnist for All About Jazz since 2010.
Music career
Camelio, who grew up in Boston, began his music performance career at the age of nine and continued to pursue music at Clark University as a composition major. After finishing his music degree at the University of Vermont with a concentration in orchestral composition, he spent 15 years as a professional touring musician, composer and producer according to Celebrity Access.
Since founding ArtistShare, he has produced seven releases for jazz guitarist and NEA Jazzmaster Jim Hall including Hemispheres, the 2008 collaboration with Bill Frisell, and Conversations (2010) with Joey Baron as well as for New Orleans–based songwriter Chip Wilson, and composer Maria Schneider. He has also worked with Trey Anastasio, Phish, Barbara Feldon among others.
In March 2021, Camelio received a Grammy award for his work as producer on the album Data Lords by Maria Schneider.
Business career
After teaching himself computer programming, Camelio started his first internet business in 1998, an online fundraising portal for non-profit groups. The business was not a success but the lessons learned led him to projects geared more towards technology. Around this time he also authored and published college music theory textbook named Finale Made Easy.
In 2000 or 2001, Camelio founded ArtistShare. ArtistShare is recognized as the world's first crowdfunding website for creative professionals. It also operates as a record label and business model for creative artists, which enables them to fund their projects by allowing the general public to directly finance, watch the creative process, and in most cases gain access to extra material from an artist. In 2004, the first ArtistShare release won a Grammy for "Best Large Jazz Ensemble Recording" and became the first album ever to win a Grammy that was not available in retail stores. This is the moment Camelio describes as being his most memorable industry experience.
In a 2004 study by Cathy Allison, a technology expert engaged by the Canadian Heritage’s Copyright Policy Branch "to capture a 'snapshot' of current business models and technologies, and to contemplate possible future scenarios regarding the control and compensation for use of music", Camelio is quoted as saying: "ArtistShare is the only viable solution that I can see. With the advent of the latest technology, it is becoming increasingly clear that there needs to be a fundamental shift in how artists do business. That shift involves the expansion of the product offered and a completely different payment schedule. ArtistShare will provide the platform."
The Jazz Review stated in January 2011 that Camelio "now may be considered visionary for perceiving the direction that the distribution of musical recordings was headed in 2001."
In May 2013, ArtistShare partnered with Blue Note Records to form a collaboration titled 'Blue Note/ArtistShare'. The Blue Note/ArtistShare collaboration was forged by Camelio, Bruce Lundvall, and Don Was, President of Blue Note Records.
Selected discography
- 1987: "Generations" – Jon Gailmor (Bass, Guitar)
- 1997: "Textures" – Jim Hall (Music Preparation)
- 1998: "By Arrangement" – Jim Hall (Music Preparation)
- 2002: "Trio of One" – Sean Harkness (Guitar, Composer)
- 2002: "Initial Wisdom" – Scott Colley (Composer)
- 2004: "Magic Meeting" – Jim Hall (Producer)
- 2005: "Free Association" – Jim Hall and Geoffrey Keezer (Producer)
- 2008: "Hemispheres" – Jim Hall and Bill Frisell (Producer)
- 2010: "Conversations" – Jim Hall and Joey Baron (Producer)
- 2011: "Living Alone And Loving It" (audio book) – Barbara Feldon (Producer)
- 2012: "Live At Birdland" – Jim Hall (Producer)
- 2012: "Jim Hall Live! – Vol. 2-4" – Jim Hall (Producer)
- 2013: "Newport Jazz Gala!" – Dianne Reeves, Jason Moran, Anat Cohen, Bill Frisell, Edmar Castaneda, Ingrid Jensen, Lionel Loueke, Steve Wilson, and Lewis Nash (Producer)
- 2016: "Inspired" – John Abercrombie, Rale Micic, Peter Bernstein, Lage Lund (Producer)
- 2016: "Valse Hot" – Jim Hall and Red Mitchell (Producer)
- 2017: "With a song in my heart" – Jane Hall and Ed Bickert (Producer)
- 2018: "Stories and Occasional Lies" – Chip Wilson (Producer, Performer)
- 2019: "The Essential Maria Schneider" – Maria Schneider (Producer)
- 2020: "Data Lords" – Maria Schneider Orchestra (Producer)
- 2022: "Uniquities" – Jim Hall (Producer)
- 2023: "By Request – The Diane Warren Songbook Vol. 1" – Jonathan Antoine and Diane Warren (Executive Producer)
- 2023: "Family Tree" – John Clayton (bassist) and Houston Person (Producer)
- 2024: "Decades" – Maria Schneider Orchestra (Producer)
Awards
Grammy Awards
| Year | Nominee / Work | Award | Role | Result |
|---|---|---|---|---|
| 63rd Annual Grammy Awards | Maria Schneider – "Data Lords" | Best Large Jazz Ensemble Album | Producer | Won |
Choc de l'année Awards (France)
| Award Year | Nominee / Work | Award | Role | Result |
|---|---|---|---|---|
| 2005 | Jim Hall - "Magic Meeting" | Choc de l'année Award | Producer | Won |
| 2006 | Jim Hall / Geoffrey Keezer – "Free Association" | Choc de l'année Award | Producer | Won |
Other awards
- ASCAP Young Composer's Grant – 1986
- VCA Grant – 1986
- Mayor's Peace Prize - Burlington, Vt. for orchestral composition – 1989
References
- ^ Bob Grossweiner, Jane Cohen, Industry Profile: Brian Camelio, Celebrity Access, February 29, 2008. Consulted on October 9, 2011
- ^ Fred Kaplan, MUSIC; D.I.Y. Meets N.R.L. (No Record Label), New York Times, July 4, 2004. Consulted on October 7, 2011.
- Brian Camelio on AllMusic
- , Consulted on February 7, 2015.
- , Consulted on April 28, 2024.
- Barry Harrell, Crowdfunding is the new creative way to finance movies, CDs and more Archived 2011-04-27 at the Wayback Machine, Austin American-Statesman, April 9, 2011. Consulted on October 23, 2011.
- Mike Zwerin, Ertegun's Death Is Milestone for Jazz Business, Bloomberg News, December 22, 2006. Consulted on October 26, 2011.
- Seth Godin, The Big Moo: Stop Trying to be Perfect and Start Being Remarkable, Portfolio, 2005, ISBN 1-59184-103-8, pp. 47-48.
- Beyond the Sound Bite 2010, Agenda, University of Cambridge, Judge Business School. Consulted on October 23, 2011.
- (in French) Midem: nouveau modèle économique recherché Archived April 6, 2012, at the Wayback Machine, January 22, 2007. Consulted on October 15, 2011.
- Grammy in the Schools Panel Prepares Students for Careers in Music, BMI.com, News, March 22, 2005. Consulted on October 23, 2011.
- 2010 ASCAP "I Create Music" EXPO, Schedule, ASCAP.com. Consulted on October 23, 2011.
- ASCAP "I Create Music Week" Jazz Panels, allaboutjazz.com. Consulted on October 23, 2011.
- Panel Discusses State of Music Industry Archived April 6, 2012, at the Wayback Machine, The Commentator, The Student Newspaper of the New York University School of Law, Volume XLIII, Number 3, October 14, 2009, pages 1 and 4. Consulted on October 23, 2011.
- PMP Professional Development Event: Brian Camelio of ArtistShare Archived 2012-09-15 at the Wayback Machine, Pew Center for Arts & Heritage, March 25, 2011. Consulted on October 23, 2011.
- April Anderson, Packed House Presentation By ArtistShare, Songwriters Hall of Fame, September 24, 2009. Consulted on October 23, 2011
- Future of Music Coalition What's the Future for Musicians, Confirmed Panelists, October 6, 2008. Consulted on October 23, 2011.
- All-day event coming up in New York City on October 6th: "What's the Future for Musicians?" Archived April 25, 2012, at the Wayback Machine Consulted on October 23, 2011.
- The New School for Jazz and Contemporary Music web site, Faculty, Core Faculty. Consulted on October 18, 2015.
- "Digital Marketing". Retrieved 2018-12-20.
- All About Jazz - The Art of the Artist to Fan Relationship - Brian Camelio. Consulted on February 10, 2012.
- All About Jazz - Brian Camelio User Profile Archived March 3, 2012, at the Wayback Machine. Consulted on February 10, 2012.
- Patrick Cole, ArtistShare Taps Web to Earn Musicians Money, Grammys (Update1), Bloomberg News, February 7, 2008. Consulted on October 26, 2011.
- "National Endowment of the Arts Website". Archived from the original on 2012-09-21. Retrieved 2012-08-27.
- Hemispheres - Amazon.com
- Conversations - Amazon.com
- Trey Anastasio - Seis de mayo Consulted on October 9, 2011
- Phish - Billy Breathes Consulted on October 9, 2011>
- Finale Made Easy - Brian Camelio Archived March 29, 2012, at the Wayback Machine
- Patrick Cole, ArtistShare taps Web, fans to earn its musicians money, Grammys, livemint.com, February 7, 2008. Consulted on October 7, 2011.
- Don Heckman, Making fans a part of the inner circle, Los Angeles Times, February 10, 2008. Consulted on October 7, 2011.
- Joel Rose, After Apple Records: Musician-Run Labels, NPR Music, May 15, 2008. Consulted on October 7, 2011.
- how crowdfunding can supercharge your campaign in 2016 Consulted on December 5th, 2016
- Crowd-Funding 101: What Every Musician Needs for a Successful Campaign Consulted on February 7th, 2015
- Blue Note to Partner With ArtistShare Consulted on February 7th, 2015
- Crowdfund it! Consulted on February 7th, 2015
- Don Heckman (February 10, 2008). "Making fans a part of the inner circle". Los Angeles Times. Retrieved October 7, 2011.
- "Can You Spare a Quarter? Crowdfunding Sites Turn Fans into Patrons of the Arts". Wharton Innovation and Entrepreneurship. December 8, 2010. Retrieved 12 October 2011.
- 02.12.2008: Addendum to recent Wired Article (Part II) Model Number 7: Fan Supported Label/Distribution Archived October 28, 2011, at the Wayback Machine, David Byrne's Journal, February 12, 2008. Consulted on October 7, 2011.
- Maria Schneider Discography - Concert in the Garden Archived 2015-06-14 at the Wayback Machine Consulted on October 8, 2011
- Maria Schneider at Grammy.com Consulted on October 8, 2011
- ^ Cathy Allison, The Challenges and Opportunities of Online Music: Technology Measures, Business Models, Stakeholder Impact and Emerging Trends, ISBN 0-662-38335-4. Consulted on October 22, 2011
- Don Williamson, ArtistShare: The Label That Involves You In The Creative Process, The Jazz Review, January 29, 2011. Consulted on October 12, 2011
- Chinen, Nate (May 8, 2013). "Blue Note to Partner With ArtistShare". The New York Times. Retrieved October 26, 2013.
- "Brian Camelio". GRAMMY.com. 2021-06-01. Retrieved 2021-03-14.
- "Magic Meeting". jimhallmusic.com. 2021-06-01. Retrieved 2021-03-14.
- "Free Association". jimhallmusic.com. 2021-06-01. Retrieved 2021-03-14.
- ^ New School Faculty Biography Archived August 11, 2011, at the Wayback Machine
- Broadway.com