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{{Short description|none}} |
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{{Main|Charvet Place Vendôme}} |
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{{Main|Charvet Place Vendôme}} |
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{{Use mdy dates|date=May 2012}} |
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{{Use mdy dates|date=May 2012}} |
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|quote = It's a remarkably formidable list on any level, let alone a shirt-based one. |
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|quote = It's a remarkably formidable list on any level, let alone a shirt-based one. |
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|url = http://www.finchsquarterly.com/fqr-style/tailor-scape/charvet |
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|url = http://www.finchsquarterly.com/fqr-style/tailor-scape/charvet |
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|accessdate = October 19, 2010 |
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|access-date = October 19, 2010 |
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|deadurl = yes |
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|url-status = dead |
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|archiveurl = https://web.archive.org/web/20101024181147/http://www.finchsquarterly.com/fqr-style/tailor-scape/charvet/ |
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|archive-url = https://web.archive.org/web/20101024181147/http://www.finchsquarterly.com/fqr-style/tailor-scape/charvet/ |
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|archivedate = October 24, 2010 |
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|archive-date = October 24, 2010 |
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|df = mdy-all |
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|df = mdy-all |
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}} |
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}} |
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</ref> for its time span, Charvet existing since 1838 and having been the first shirt store ever,<ref>{{cite book |
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</ref> for its time span, Charvet existing since 1838 and having been the first shirt store ever,<ref>{{cite book |
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|last=Gavenas |
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|last=Gavenas |
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|first=Mary Lisa |
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|first=Mary Lisa |
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|year=2008 |
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|year=2008 |
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|title=Encyclopedia of Menswear |
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|title=Encyclopedia of Menswear |
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|page=86 |
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|page=86 |
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|publisher=] |
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|publisher=] |
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|location=New York |
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|location=New York |
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|isbn=978-1-56367-465-5 |
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|isbn=978-1-56367-465-5 |
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}}</ref> and as a ] of an international<ref name="Soltes">{{cite news |
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}}</ref> and as a ] of an international<ref name="Soltes">{{cite news |
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|work=Portfolio |
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|work=Portfolio |
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|quote=Founded in 1838, the Paris house quickly became tailor of choice for French aristocrats, and over the years it built a diverse international fan base. |
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|quote=Founded in 1838, the Paris house quickly became tailor of choice for French aristocrats, and over the years it built a diverse international fan base. |
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|accessdate=October 1, 2008 |
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|access-date=October 1, 2008 |
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}}</ref> "aristo-dandy crossover community".<ref>{{cite news |
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}}</ref> "aristo-dandy crossover community".<ref>{{cite news |
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|title=Men of the cloth |
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|title=Men of the cloth |
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|last=Stubbs |
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|last=Stubbs |
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|first=Tom |
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|first=Tom |
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|work=The Sunday Times |
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|work=The Sunday Times |
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|date=June 25, 2006 |
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|date=June 25, 2006 |
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}}</ref> In the 19th century, the shirtmaker both specialized in "royal haberdashery"<ref>{{cite book |
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}}</ref> In the 19th century, the shirtmaker both specialized in "royal haberdashery"<ref>{{cite book |
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|title=Exposition universelle internationale de 1889 à Paris. Rapports du jury international. Groupe IV, class 35 |
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|title=Exposition universelle internationale de 1889 à Paris. Rapports du jury international. Groupe IV, class 35 |
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|publisher=] |
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|publisher=] |
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|year=1890 |
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|year=1890 |
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|location=Paris |
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|location=Paris |
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|pages=329, 356 |
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|pages=329, 356 |
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|language=French |
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|language=French |
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|url=http://cnum.cnam.fr/CGI/fpage.cgi?8XAE348.7/235/100/908/755/866 |
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|url=http://cnum.cnam.fr/CGI/fpage.cgi?8XAE348.7/235/100/908/755/866 |
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|accessdate=November 25, 2008 |
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|access-date=November 25, 2008 |
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}}</ref> and attracted the ] of artists.{{#tag:ref |
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}}</ref> and attracted the ] of artists.{{#tag:ref |
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|According to ], "nobody in the world ever saw such things! Pinks, blues, lilacs, in silk, and in cobweb! Charvet is the greatest artist in the Creation".<ref name="Munhall">{{cite book |
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|According to ], "nobody in the world ever saw such things! Pinks, blues, lilacs, in silk, and in cobweb! Charvet is the greatest artist in the Creation".<ref name="Munhall">{{cite book |
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|page=47 |
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|page=47 |
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}}</ref> and wrote that it is "where the rainbow finds ideas".<ref>{{cite book |
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}}</ref> and wrote that it is "where the rainbow finds ideas".<ref>{{cite book |
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|last=Cocteau |
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|last=Cocteau |
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|first=Jean |
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|first=Jean |
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|authorlink=Jean Cocteau |
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|authorlink=Jean Cocteau |
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|title=La danse de Sophocle |
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|title=La danse de Sophocle |
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|url=https://archive.org/details/ladansedesophocl00coct |
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|publisher=] |
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|publisher=] |
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|year=1912 |
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|page=133 |
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|year=1912 |
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|page= |
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|language=French |
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|location=Paris |
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|language=French |
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|location=Paris |
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|quote=Charvet où l'arc-en ciel prend ses idées. |
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|quote=Charvet où l'arc-en ciel prend ses idées. |
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}}</ref> According to the French historian Anne Martin-Fugier, referring to ]'s notion of the "triple aristocracy of money, power and talent",<ref>{{cite book |
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}}</ref> According to the French historian Anne Martin-Fugier, referring to ]'s notion of the "triple aristocracy of money, power and talent",<ref>{{cite book |
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}}</ref> the participation of artists was characteristic of the lifestyle of the Parisian fashionable upper class: "their works proceed of their person, bear its mark and testify of its value as the walk, the style, the luxury of the furnishing proceeds of the person of the man of quality".<ref name="Fugier">{{cite book |
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}}</ref> the participation of artists was characteristic of the lifestyle of the Parisian fashionable upper class: "their works proceed of their person, bear its mark and testify of its value as the walk, the style, the luxury of the furnishing proceeds of the person of the man of quality".<ref name="Fugier">{{cite book |
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|last=Martin-Fugier |
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|last=Martin-Fugier |
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|first= Anne |
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|first= Anne |
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|year=1990 |
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|year=1990 |
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|title=La vie élégante, ou, La formation du Tout-Paris, 1815–1848 |
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|title=La vie élégante, ou, La formation du Tout-Paris, 1815–1848 |
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|date=December 6, 1999 |
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|date=December 6, 1999 |
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|quote="Part of our success comes from our discretion" |
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|quote="Part of our success comes from our discretion" |
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}}</ref> with a tradition of discretion of French ] houses,{{#tag:ref |
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}}</ref> with a tradition of discretion of French ] houses,{{#tag:ref |
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|At the end of the 19th century Édouard Charvet made a point of never greeting first a lady customer in the street.<ref>{{cite news |
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|At the end of the 19th century Édouard Charvet made a point of never greeting first a lady customer in the street.<ref>{{cite news |
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|title=Le salut des fournisseurs |
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|title=Le salut des fournisseurs |
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|work=Le Figaro |
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|work=Le Figaro |
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|date=March 2, 1893 |
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|date=March 2, 1893 |
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|language=French |
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|language=French |
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|url=http://gallica.bnf.fr/ark:/12148/bpt6k2727185 |
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|url=http://gallica.bnf.fr/ark:/12148/bpt6k2727185 |
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|accessdate=April 9, 2011 |
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|access-date=April 9, 2011 |
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}}</ref> |
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}}</ref> |
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|group=n. |
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|group=n. |
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}} the company declines to comment on its customers list,<ref name="tied">{{cite news |
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}} the company declines to comment on its customers list, as a service to its customers.<ref name="right">{{cite news |
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|url=http://www.dailymail.co.uk/moslive/article-428426/All-tied-up.html |
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|title=All tied up |
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|date=January 12, 2007 |
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|work=Daily Mail |
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|accessdate=October 19, 2008 |
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|location=London}}</ref> as a service to its customers.<ref name="right">{{cite news |
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|url=http://www.highbeam.com/doc/1G1-159406253.html |
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|url=http://www.highbeam.com/doc/1G1-159406253.html |
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|archive-url=https://web.archive.org/web/20121104214856/http://www.highbeam.com/doc/1G1-159406253.html |
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|archive-url=https://web.archive.org/web/20121104214856/http://www.highbeam.com/doc/1G1-159406253.html |
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|dead-url=yes |
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|url-status=dead |
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|archive-date=November 4, 2012 |
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|archive-date=November 4, 2012 |
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|title= On the Right Bank; at the Storied House of Charvet, Luxury comes in Superabundance |
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|title= On the Right Bank; at the Storied House of Charvet, Luxury comes in Superabundance |
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|last=Gavenas |
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|last=Gavenas |
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|first=Marilise |
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|first=Marilise |
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|date= February 12, 2007 |
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|date= February 12, 2007 |
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|work=] |
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|work=] |
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|accessdate=October 21, 2008 |
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|access-date=October 21, 2008 |
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}}</ref> |
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}}</ref> |
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|quote=… Yil bile "notunu" göndermekten çekinmeyen Charvet bana bir keresinde söyle demisti : "Bu sahane müsteriden öyle kazandim ki son faturayi gönderme … |
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|quote=… Yil bile "notunu" göndermekten çekinmeyen Charvet bana bir keresinde söyle demisti : "Bu sahane müsteriden öyle kazandim ki son faturayi gönderme … |
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}}</ref> customer of Charvet suits. He ordered some 40 costumes a year and trusted the taste of Charvet for the selection of the cloth.<ref name="Ekdal">{{cite book |
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}}</ref> customer of Charvet suits. He ordered some 40 costumes a year and trusted the taste of Charvet for the selection of the cloth.<ref name="Ekdal">{{cite book |
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|last=Ekdal |
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|last=Ekdal |
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|first=Müfid |
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|first=Müfid |
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|title=Kadiköy konaklari |
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|title=Kadiköy konaklari |
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|publisher=] |
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|publisher=] |
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|location=Istanbul |
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|location=Istanbul |
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|year=1992 |
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|year=1992 |
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|isbn=9789750807589 |
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|isbn=9789750807589 |
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|page=39 |
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|page=39 |
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|first=Hülya |
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|first=Hülya |
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|title=19.yy sonuna ait bir terzi defteri |
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|title=19.yy sonuna ait bir terzi defteri |
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|publisher=] |
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|publisher=] |
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|location=Istanbul |
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|location=Istanbul |
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|isbn=978-975-95457-3-4 |
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|isbn=978-975-95457-3-4 |
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|first=Hülya |
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|first=Hülya |
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|title=Tailors to the court: M. Palma – D. Lena – P. Parma |
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|title=Tailors to the court: M. Palma – D. Lena – P. Parma |
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|publisher=] |
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|publisher=] |
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|location=Istanbul |
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|location=Istanbul |
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|year=2008 |
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|year=2008 |
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||1842 |
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||1842 |
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|- |
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|- |
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|] {{#tag:ref |
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|]{{#tag:ref |
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|Warrant of ''Proveedor de la Real Casa'' granted in 1878. |
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|Warrant of ''Proveedor de la Real Casa'' granted in 1878. |
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|group=n.}} |
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|group=n.}} |
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||1857 |
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||1857 |
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|- |
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|- |
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|] {{#tag:ref |
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|]{{#tag:ref |
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|Warrant of ''Proveedor de la Real Casa'' granted in 1913. |
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|Warrant of ''Proveedor de la Real Casa'' granted in 1913. |
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|group=n.}} |
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|group=n.}} |
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||1886 |
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||1886 |
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|- |
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|- |
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|] {{#tag:ref |
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|]{{#tag:ref |
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|Warrant of ''Proveedor de la Real Casa'' granted in 1879. |
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|Warrant of ''Proveedor de la Real Casa'' granted in 1879. |
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|group=n.}} |
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|group=n.}} |
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|last=Bazin |
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|last=Bazin |
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|first=François |
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|first=François |
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|author2=Joseph Macé-Scaron |
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|author2=Joseph Macé-Scaron |
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|title=Les politocrates: vie, moeurs et coutumes de la classe politique |
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|title=Les politocrates: vie, moeurs et coutumes de la classe politique |
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|publisher=Seuil |
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|publisher=Seuil |
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|quote=Even President Carter's recent whirlwind world trip slowed in Paris long enough for a White House aide with motorcycle escort, to pause at the shop and pick up a selection of ties. |
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|quote=Even President Carter's recent whirlwind world trip slowed in Paris long enough for a White House aide with motorcycle escort, to pause at the shop and pick up a selection of ties. |
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|url=https://www.newspapers.com/image/65770305/ |
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|url=https://www.newspapers.com/image/65770305/ |
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|accessdate=July 11, 2015}}</ref> |
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|access-date=July 11, 2015}}</ref> |
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||American |
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||American |
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||President |
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||President |
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||1924 |
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||1924 |
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|- |
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|- |
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|]<ref name="pulse">{{cite news |
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|]<ref name="pulse">{{cite news |
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|last=Nowosielska |
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|last=Nowosielska |
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|first=Anetta |
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|first=Anetta |
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|date=January 14, 2010 |
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|date=January 14, 2010 |
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|url=http://issuu.com/anettanowosielska/docs/pulseparis1-4 |
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|url=http://issuu.com/anettanowosielska/docs/pulseparis1-4 |
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|accessdate=January 3, 2011}}</ref> |
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|access-date=January 3, 2011}}</ref> |
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||British |
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||British |
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||Prince |
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||King |
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||1948 |
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||1948 |
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|- |
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|- |
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|]<ref>{{cite book |
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|]<ref>{{cite book |
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|last=Probst |
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|last=Probst |
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|first= Jean-François |
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|first= Jean-François |
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|publisher=Denoel |
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|publisher=Denoel |
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|location=Paris |
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|location=Paris |
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|isbn = 2-207-25824-6}}</ref>{{,}}<ref>{{cite news |
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|isbn = 978-2-207-25824-8}}</ref><ref>{{cite news |
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|last=Carret |
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|last=Carret |
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|first=Martine |
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|first=Martine |
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|quote=Régis a repassé les chemises de la Maison Charvet, arrivées en direct de la place Vendôme. Nous sommes un peu intimidés par ce luxe, et j'essaie de meubler la conversation. Je dois ouvrir la chemise de Jacques Chirac afin de ne pas la tacher pendant que je le maquille. |
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|quote=Régis a repassé les chemises de la Maison Charvet, arrivées en direct de la place Vendôme. Nous sommes un peu intimidés par ce luxe, et j'essaie de meubler la conversation. Je dois ouvrir la chemise de Jacques Chirac afin de ne pas la tacher pendant que je le maquille. |
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|url=http://www.parismatch.com/People-Match/Politique/Actu/J-ai-maquille-Chirac-229303/ |
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|url=http://www.parismatch.com/People-Match/Politique/Actu/J-ai-maquille-Chirac-229303/ |
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|accessdate=December 7, 2010}}</ref> |
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|access-date=December 7, 2010}}</ref> |
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||French |
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||French |
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||President |
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||President |
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||1855 |
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||1855 |
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|- |
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|- |
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|] {{#tag:ref |
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|]{{#tag:ref |
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|In 1869, Charvet was granted a ] of "chemisier in Paris" (shirtmaker in Paris)<ref name="FS">{{cite book |
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|In 1869, Charvet was granted a ] of "chemisier in Paris" (shirtmaker in Paris)<ref name="FS">{{cite book |
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|title=Federal Supplement. |
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|title=Federal Supplement. |
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|url = http://passouline.blog.lemonde.fr/2009/08/31/m-spitzweg-prefererait-pas/ |
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|url = http://passouline.blog.lemonde.fr/2009/08/31/m-spitzweg-prefererait-pas/ |
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|publisher = La république des livres |
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|publisher = La république des livres |
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|accessdate = May 22, 2010 |
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|access-date = May 22, 2010 |
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|deadurl = yes |
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|url-status = dead |
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|archiveurl = https://web.archive.org/web/20091102181841/http://passouline.blog.lemonde.fr/2009/08/31/m-spitzweg-prefererait-pas/ |
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|archive-url = https://web.archive.org/web/20091102181841/http://passouline.blog.lemonde.fr/2009/08/31/m-spitzweg-prefererait-pas/ |
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|archivedate = November 2, 2009 |
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|archive-date = November 2, 2009 |
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|df = mdy-all |
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|df = mdy-all |
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}}</ref>{{,}}<ref>{{cite web |
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}}</ref><ref>{{cite web |
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|last = Assouline |
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|last = Assouline |
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|first = Pierre |
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|first = Pierre |
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|publisher = La république des lettres |
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|publisher = La république des lettres |
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|url = http://passouline.blog.lemonde.fr/2005/11/15/2005_11_la_touche_bober/ |
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|url = http://passouline.blog.lemonde.fr/2005/11/15/2005_11_la_touche_bober/ |
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|accessdate = May 22, 2010 |
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|access-date = May 22, 2010 |
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|deadurl = yes |
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|url-status = dead |
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|archiveurl = https://web.archive.org/web/20101001211313/http://passouline.blog.lemonde.fr/2005/11/15/2005_11_la_touche_bober |
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|archive-url = https://web.archive.org/web/20101001211313/http://passouline.blog.lemonde.fr/2005/11/15/2005_11_la_touche_bober |
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|archivedate = October 1, 2010 |
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|archive-date = October 1, 2010 |
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|df = mdy-all |
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|df = mdy-all |
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}}</ref> |
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}}</ref> |
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|url=https://www.hola.com/casasreales/2003/11/03/estefania-1/ |
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|url=https://www.hola.com/casasreales/2003/11/03/estefania-1/ |
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|language=Spanish |
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|language=Spanish |
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|accessdate=June 8, 2009}}</ref> |
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|access-date=June 8, 2009}}</ref> |
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||Monegasque |
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||Monegasque |
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||Princess |
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||Princess |
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||1965 |
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||1965 |
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|- |
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|- |
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|] {{#tag:ref |
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|]{{#tag:ref |
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|The shirtmaker achieved significant<ref>{{cite news |
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|The shirtmaker achieved significant<ref>{{cite news |
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|title=The lore of the land |
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|title=The lore of the land |
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|url=http://www.highbeam.com/doc/1P2-24838572.html |
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|url=http://www.highbeam.com/doc/1P2-24838572.html |
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|archive-url=https://web.archive.org/web/20181115080909/https://www.highbeam.com/doc/1P2-24838572.html |
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|archive-url=https://web.archive.org/web/20181115080909/https://www.highbeam.com/doc/1P2-24838572.html |
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|dead-url=yes |
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|url-status=dead |
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|archive-date=November 15, 2018 |
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|archive-date=November 15, 2018 |
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|accessdate=April 15, 2012 |
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|access-date=April 15, 2012 |
|
|
|url-access=subscription |quote=Charlie Haughey's Charvet shirts have entered the milder realms of contemporary Irish folklore.}} |
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|subscription=yes |
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|quote=Charlie Haughey's Charvet shirts have entered the milder realms of contemporary Irish folklore.}} |
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</ref> – and sometimes exaggerated<ref>{{cite news |
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</ref> – and sometimes exaggerated<ref>{{cite news |
|
|url=http://www.independent.ie/national-news/getting-shirty-at-charvet-393163.html |
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|url=http://www.independent.ie/national-news/getting-shirty-at-charvet-393163.html |
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|title=Getting shirty at Charvet |
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|title=Getting shirty at Charvet |
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|work=The Independent |
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|work=The Independent |
|
|date=October 9, 1999 |
|
|date=October 9, 1999 |
|
|accessdate=May 26, 2010}} |
|
|access-date=May 26, 2010}} |
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</ref> – coverage in Irish media when it emerged that former ] ], then after nicknamed "Charvet Charlie",<ref>{{cite news |
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</ref> – coverage in Irish media when it emerged that former ] ], then after nicknamed "Charvet Charlie",<ref>{{cite news |
|
|url=http://www.timesonline.co.uk/tol/news/world/ireland/article735160.ece |
|
|url=http://www.timesonline.co.uk/tol/news/world/ireland/article735160.ece |
|
|title=Comment: Frank Fitzgibbon: Fianna Fail has gone soft |
|
|title=Comment: Frank Fitzgibbon: Fianna Fail has gone soft |
|
|work=The Sunday Times |
|
|work=The Sunday Times |
|
|date=February 26, 2006 |
|
|date=February 26, 2006 |
|
|accessdate=November 25, 2008 |
|
|access-date=November 25, 2008 |
|
|location=London |
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|location=London |
|
|first=Greg |
|
|first=Greg |
|
|last=Hurst |
|
|last=Hurst |
|
}}</ref> had ] over $50,000 of state funds while in office to purchase shirts and dressing gowns from Charvet, where the staff addressed him as "your excellency",<ref>{{cite news |
|
}}{{dead link|date=September 2024|bot=medic}}{{cbignore|bot=medic}}</ref> had ] over $50,000 of state funds while in office to purchase shirts and dressing gowns from Charvet, where the staff addressed him as "your excellency",<ref>{{cite news |
|
|url= https://www.telegraph.co.uk/news/obituaries/1521199/Charles-Haughey.html |
|
|url= https://www.telegraph.co.uk/news/obituaries/1521199/Charles-Haughey.html |
|
| title= Charles Haughey |
|
| title= Charles Haughey |
|
|work=The Daily Telegraph |
|
|work=The Daily Telegraph |
|
| date= July 25, 2006 |
|
| date= July 25, 2006 |
|
| accessdate=November 24, 2008 |
|
| access-date=November 24, 2008 |
|
| location=London |
|
| location=London |
|
}}</ref> and had them delivered via the diplomatic "black box" system,<ref name="Morahan">{{cite news |
|
}}</ref> and had them delivered via the diplomatic "black box" system,<ref name="Morahan">{{cite news |
Line 435: |
Line 430: |
|
|date = October 13, 2001 |
|
|date = October 13, 2001 |
|
|work = ] |
|
|work = ] |
|
|accessdate = October 8, 2008 |
|
|access-date = October 8, 2008 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20090114113559/http://archives.tcm.ie/irishexaminer/2001/10/13/story14843.asp |
|
|archive-url = https://web.archive.org/web/20090114113559/http://archives.tcm.ie/irishexaminer/2001/10/13/story14843.asp |
|
|archivedate = January 14, 2009 |
|
|archive-date = January 14, 2009 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> at a time when he was exhorting Irish citizens to "tighten their belts". This was described by Mr Haughey himself as "having gone into the folklore"<ref>{{cite news |
|
}}</ref> at a time when he was exhorting Irish citizens to "tighten their belts". This was described by Mr Haughey himself as "having gone into the folklore"<ref>{{cite news |
|
|url=http://www.independent.ie/national-news/charvet-shirts-neither-sinister-nor-important-346459.html |
|
|url=http://www.independent.ie/national-news/charvet-shirts-neither-sinister-nor-important-346459.html |
|
|title=Charvet shirts 'neither sinister nor important' |
|
|title=Charvet shirts 'neither sinister nor important' |
|
|work=The Independent |
|
|work=The Independent |
|
|date=May 25, 2001 |
|
|date=May 25, 2001 |
|
|accessdate=January 4, 2010 |
|
|access-date=January 4, 2010 |
|
}}</ref> and resulted in a surge of Irish visitors at the Paris store.<ref name="Treacy">{{cite news |
|
}}</ref> and resulted in a surge of Irish visitors at the Paris store.<ref name="Treacy">{{cite news |
|
|title= A few upscale brands are proud to ignore the vagaries of seasonal fashion |
|
|title= A few upscale brands are proud to ignore the vagaries of seasonal fashion |
|
|last=Treacy |
|
|last=Treacy |
|
|first=Karl |
|
|first=Karl |
|
|date= March 5, 2004 |
|
|date= March 5, 2004 |
|
|work=International Herald Tribune |
|
|work=International Herald Tribune |
|
}}</ref>{{,}}<ref>{{cite news |
|
}}</ref><ref>{{cite news |
|
|last=Burns |
|
|last=Burns |
|
|first=John |
|
|first=John |
Line 458: |
Line 453: |
|
|newspaper=Sunday Times |
|
|newspaper=Sunday Times |
|
|date=January 13, 2002 |
|
|date=January 13, 2002 |
|
}}</ref>{{,}}<ref>{{cite news |
|
}}</ref><ref>{{cite news |
|
|last=Clarkson |
|
|last=Clarkson |
|
|first=Paul |
|
|first=Paul |
Line 494: |
Line 489: |
|
||1876 |
|
||1876 |
|
|- |
|
|- |
|
|] {{#tag:ref |
|
|]{{#tag:ref |
|
|Kennedy wore custom-made shirts from Charvet but kept their origin a secret.<ref>{{cite news |
|
|Kennedy wore custom-made shirts from Charvet but kept their origin a secret.<ref>{{cite news |
|
|last=Lewis |
|
|last=Lewis |
Line 502: |
Line 497: |
|
|date=January 19, 1997 |
|
|date=January 19, 1997 |
|
|url=https://www.nytimes.com/1997/01/19/style/presidential-chic-from-jabots-to-polyester.html |
|
|url=https://www.nytimes.com/1997/01/19/style/presidential-chic-from-jabots-to-polyester.html |
|
|accessdate=July 3, 2011 |
|
|access-date=July 3, 2011 |
|
}}</ref> He had the labels of his Charvet shirts removed.<ref name="Kissel">{{cite news |
|
}}</ref> He had the labels of his Charvet shirts removed.<ref name="Kissel">{{cite news |
|
|url = http://www.robbreport.com/archived-issues/Article.aspx?article=12755 |
|
|url = http://www.robbreport.com/archived-issues/Article.aspx?article=12755 |
|
|archive-url = https://archive.today/20130104141816/http://www.robbreport.com/archived-issues/Article.aspx?article=12755 |
|
|archive-url = https://archive.today/20130104141816/http://www.robbreport.com/archived-issues/Article.aspx?article=12755 |
|
|dead-url = yes |
|
|url-status = dead |
|
|archive-date = 2013-01-04 |
|
|archive-date = 2013-01-04 |
|
|title = Style: Paris Match |
|
|title = Style: Paris Match |
Line 513: |
Line 508: |
|
|date = December 2004 |
|
|date = December 2004 |
|
|work = ] |
|
|work = ] |
|
|accessdate = October 13, 2008 |
|
|access-date = October 13, 2008 |
|
}}</ref> A Charvet shirt having belonged to Kennedy is on display at Berlin's ].<ref>{{cite news |
|
}}</ref> A Charvet shirt having belonged to Kennedy is on display at Berlin's ].<ref>{{cite news |
|
|last=Foulkes |
|
|last=Foulkes |
Line 521: |
Line 516: |
|
|date=October 26, 2009 |
|
|date=October 26, 2009 |
|
|url=http://www.huffingtonpost.com/nick-foulkes/checkpoint-charvet_b_331721.html |
|
|url=http://www.huffingtonpost.com/nick-foulkes/checkpoint-charvet_b_331721.html |
|
|accessdate=July 3, 2011}}</ref> |
|
|access-date=July 3, 2011}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||American |
|
||American |
Line 529: |
Line 524: |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|url= http://www.leparisien.fr/politique/garde-robe-presidentielle-a-vendre-aux-encheres-29-01-2008-3296012246.php |
|
|url= http://www.leparisien.fr/politique/garde-robe-presidentielle-a-vendre-aux-encheres-29-01-2008-3296012246.php |
|
|title=Garde-robe présidentielle à vendre aux enchères |
|
|title=Garde-robe présidentielle à vendre aux enchères |
|
|last=Segaunes |
|
|last=Segaunes |
|
|first=Nathalie |
|
|first=Nathalie |
|
|quote=Les"chemises à carreaux de chez Charvet que Mitterrand portait à Latché" |
|
|quote=Les"chemises à carreaux de chez Charvet que Mitterrand portait à Latché" |
|
|work=Le Parisien |
|
|work=Le Parisien |
|
|language=French |
|
|language=French |
|
|accessdate=July 3, 2009 }}</ref> |
|
|access-date=July 3, 2009 }}</ref> |
|
||French |
|
||French |
|
||President |
|
||President |
Line 545: |
Line 540: |
|
|last= Delaroche |
|
|last= Delaroche |
|
|first=Philippe |
|
|first=Philippe |
|
|work=L'Express |
|
|work=L'Express |
|
|date=June 2009 |
|
|date=June 2009 |
|
|language=French |
|
|language=French |
|
|quote=Ses cravates, elle les choisit chez Charvet, place Vendôme. |
|
|quote=Ses cravates, elle les choisit chez Charvet, place Vendôme. |
|
|accessdate=July 2, 2009}}</ref> |
|
|access-date=July 2, 2009}}</ref> |
|
||French |
|
||French |
|
||Princess |
|
||Princess |
Line 559: |
Line 554: |
|
|last=Parise |
|
|last=Parise |
|
|first=Lello |
|
|first=Lello |
|
|work=La Repubblica |
|
|work=La Repubblica |
|
|date=March 3, 2003 |
|
|date=March 3, 2003 |
|
|accessdate=May 8, 2009 |
|
|access-date=May 8, 2009 |
|
|language=Italian |
|
|language=Italian |
|
|quote=Gli piacevano le cravatte di Charvet, a Parigi}}</ref> |
|
|quote=Gli piacevano le cravatte di Charvet, a Parigi}}</ref> |
Line 591: |
Line 586: |
|
|date=June 20, 2011 |
|
|date=June 20, 2011 |
|
|url=http://www.wwd.com/menswear-news/police-commissioner-ray-kelly-new-yorks-finest-3664070 |
|
|url=http://www.wwd.com/menswear-news/police-commissioner-ray-kelly-new-yorks-finest-3664070 |
|
|accessdate=June 22, 2011 |
|
|access-date=June 22, 2011 |
|
|quote=""He's also a Charvet tie wearer, not all the time, but he does wear Charvet ties," says Kelly.}}</ref> |
|
|quote=""He's also a Charvet tie wearer, not all the time, but he does wear Charvet ties," says Kelly.}}</ref> |
|
||American |
|
||American |
Line 597: |
Line 592: |
|
||1961 |
|
||1961 |
|
|- |
|
|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite magazine |
|
|title = The 2008 International Best-Dressed List |
|
|title = The 2008 International Best-Dressed List |
|
|date = September 2008 |
|
|date = September 2008 |
|
|work = Vanity Fair |
|
|magazine = Vanity Fair |
|
|url = http://www.vanityfair.com/style/features/2008/09/bestdressed_slideshow200809?printable=true¤tPage=all |
|
|url = http://www.vanityfair.com/style/features/2008/09/bestdressed_slideshow200809?printable=true¤tPage=all |
|
|accessdate = October 29, 2010 |
|
|access-date = October 29, 2010 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20110614155237/http://www.vanityfair.com/style/features/2008/09/bestdressed_slideshow200809?printable=true¤tPage=all |
|
|archive-url = https://web.archive.org/web/20110614155237/http://www.vanityfair.com/style/features/2008/09/bestdressed_slideshow200809?printable=true¤tPage=all |
|
|archivedate = June 14, 2011 |
|
|archive-date = June 14, 2011 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
Line 612: |
Line 607: |
|
||1967 |
|
||1967 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Wiser |
|
|last=Wiser |
|
|
|first=William |
|
|first=William |
|
|title=The crazy years: Paris in the twenties |
|
|title=The crazy years: Paris in the twenties |
Line 619: |
Line 613: |
|
|year=1983 |
|
|year=1983 |
|
|isbn=978-0-689-11419-9 |
|
|isbn=978-0-689-11419-9 |
|
|quote=Dimitri's taste for champagne and Charvet neckties was getting to be more than Marthe Davelli could afford.}}</ref> |
|
|quote=Dimitri's taste for champagne and Charvet neckties was getting to be more than Marthe Davelli could afford. |
|
|
|url=https://archive.org/details/crazyyears00will |
|
|
}}</ref> |
|
||Russian |
|
||Russian |
|
||Grand Duke |
|
||Grand Duke |
|
||1891 |
|
||1891 |
|
|- |
|
|- |
|
|] {{#tag:ref |
|
|]{{#tag:ref |
|
|The maharaja once placed a single order of 86 dozen shirts.<ref name="Patner">{{cite news |
|
|The maharaja once placed a single order of 86 dozen shirts.<ref name="Patner">{{cite news |
|
|url=https://www.nytimes.com/2006/03/12/style/tmagazine/t_m_1151_talk_patnerrev_.html?_r=1&oref=slogin |
|
|url=https://www.nytimes.com/2006/03/12/style/tmagazine/t_m_1151_talk_patnerrev_.html?_r=1&oref=slogin |
Line 632: |
Line 628: |
|
|date=March 12, 2006 |
|
|date=March 12, 2006 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=October 21, 2008 |
|
|access-date=October 21, 2008 |
|
}}</ref> Charvet had to construct special trunks to ship them to him.<ref>{{cite book |
|
}}</ref> Charvet had to construct special trunks to ship them to him.<ref>{{cite book|last=Talley |
|
|last=Talley |
|
|
|first=André Leon |
|
|first=André Leon |
|
|authorlink=André Leon Talley |
|
|authorlink=André Leon Talley |
Line 641: |
Line 636: |
|
|location=New York |
|
|location=New York |
|
|year=2003 |
|
|year=2003 |
|
|page=40 |
|
|page= |
|
|isbn=978-0-375-50828-8}}</ref> Each item was embroidered with his crest. The bill for the monogramming alone was $ 67,000.<ref>{{cite news |
|
|isbn=978-0-375-50828-8 |
|
|
|url=https://archive.org/details/altmemoir00tall/page/40 |
|
|
}}</ref> Each item was embroidered with his crest. The bill for the monogramming alone was $ 67,000.<ref>{{cite news |
|
|last=Cloud |
|
|last=Cloud |
|
|first=Barbara |
|
|first=Barbara |
Line 648: |
Line 645: |
|
|work=The Pittsburgh Press |
|
|work=The Pittsburgh Press |
|
|date=September 11, 1987 |
|
|date=September 11, 1987 |
|
|url=https://news.google.com/newspapers?id=YYMcAAAAIBAJ&sjid=RGMEAAAAIBAJ&pg=1850,4969326 |
|
|url=https://news.google.com/newspapers?id=YYMcAAAAIBAJ&pg=1850,4969326 |
|
|accessdate=August 18, 2010}}</ref> |
|
|access-date=August 18, 2010}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||Indian |
|
||Indian |
Line 680: |
Line 677: |
|
|page=67 |
|
|page=67 |
|
|quote="Je suis arrivé un peu fatigué, je repars en pleine forme", s'est exclamé Nicolas Sarkozy particulièrement à l'aise dans sa chemise bleue de chez Charvet. |
|
|quote="Je suis arrivé un peu fatigué, je repars en pleine forme", s'est exclamé Nicolas Sarkozy particulièrement à l'aise dans sa chemise bleue de chez Charvet. |
|
|url=https://books.google.com/books?ei=EPcLTtGnFsyM-wbEvMXLDQ&ct=result&id=mVATAQAAMAAJ&dq=&q=charvet |
|
|url=https://books.google.com/books?id=mVATAQAAMAAJ&q=charvet |
|
|accessdate=June 30, 2011 |
|
|access-date=June 30, 2011 |
|
|language=French}}</ref> |
|
|language=French}}</ref> |
|
||French |
|
||French |
Line 694: |
Line 691: |
|
|date=October 23, 2013 |
|
|date=October 23, 2013 |
|
|url=http://www.gentlemansgazette.com/ties-neckties-harry-truman/ |
|
|url=http://www.gentlemansgazette.com/ties-neckties-harry-truman/ |
|
|accessdate=December 12, 2013}}</ref> |
|
|access-date=December 12, 2013}}</ref> |
|
||American |
|
||American |
|
||President |
|
||President |
Line 702: |
Line 699: |
|
|
|
|
|
==Writers, artists and actors== |
|
==Writers, artists and actors== |
|
] of ] in a Charvet shirt and tie,<ref>{{cite news|last=Pelissari|first=Stella|title=Maison Charvet|language=Portuguese|newspaper=Use fashion|date=June 2010|url=http://issuu.com/usefashion/docs/default|accessdate=January 3, 2011|quote=No famoso Museu de Orsay, em Paris, Robert de Montesquiou, em obra de Boldini, foi retrtado usando camisa e gravata Charvet.}}</ref> ]]] |
|
] of ] in a Charvet shirt and tie,<ref>{{cite news|last=Pelissari|first=Stella|title=Maison Charvet|language=pt |newspaper=Use fashion|date=June 2010 |url=http://issuu.com/usefashion/docs/default|access-date=January 3, 2011 |quote=No famoso Museu de Orsay, em Paris, Robert de Montesquiou, em obra de Boldini, foi retrtado usando camisa e gravata Charvet.}}</ref> ]]] |
|
{|class="wikitable sortable" |
|
{|class="wikitable sortable" |
|
|- |
|
|- |
|
!Name, surname!!Nationality!!Occupation!!Born |
|
!Name, surname!!Nationality!!Occupation!!Born |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Acton |
|
|last=Acton |
|
|
|first=Harold |
|
|first=Harold |
|
|authorlink=Harold Acton |
|
|authorlink=Harold Acton |
|
|year=1948 |
|
|year=1948 |
|
|title=Memoirs of an Aesthete |
|
|title=Memoirs of an Aesthete |
|
|
|page= |
|
|page=155 |
|
|
|publisher=Methuen |
|
|publisher=Methuen |
|
|isbn=0-670-46816-9}}</ref> |
|
|isbn=0-670-46816-9 |
|
|
|url=https://archive.org/details/memoirsofaesthet00acto/page/155 |
|
|
}}</ref> |
|
||British |
|
||British |
|
||Writer |
|
||Writer |
Line 727: |
Line 725: |
|
|quote=Mario ... im Hemd von Charvet |
|
|quote=Mario ... im Hemd von Charvet |
|
|url=http://www.michaelgraeter.de/2010/mario-adorfder-agile-achtziger/ |
|
|url=http://www.michaelgraeter.de/2010/mario-adorfder-agile-achtziger/ |
|
|accessdate=December 14, 2010 |
|
|access-date=December 14, 2010 |
|
|language=German}}</ref> |
|
|language=German}}</ref> |
|
||German |
|
||German |
Line 733: |
Line 731: |
|
||1930 |
|
||1930 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Lumet Buckley |
|
|last=Lumet Buckley |
|
|
|first=Gail |
|
|first=Gail |
|
|year=1986 |
|
|year=1986 |
|
|title=The Hornes: An American Family |
|
|title=The Hornes: An American Family |
|
|
|page= |
|
|page=186 |
|
|
|publisher=] |
|
|publisher=] |
|
|location=New York |
|
|location=New York |
|
|isbn=0-394-51306-1}}</ref> |
|
|isbn=0-394-51306-1 |
|
|
|url=https://archive.org/details/hornesamerican00buck/page/186 |
|
|
}}</ref> |
|
||American |
|
||American |
|
||Actor |
|
||Actor |
|
||1899 |
|
||1899 |
|
|
|- |
|
|
||]<ref>{{cite book|last1=Stevens |
|
|
|first1=Norma |
|
|
|last2=Aronson |
|
|
|first2=Steven M. L. |
|
|
|title=Avedon: Something Personal |
|
|
|publisher=Random House |
|
|
|location=New York |
|
|
|year=2017 |
|
|
|page=429 |
|
|
|isbn=978-0-8129-9444-5 |
|
|
|url=https://books.google.com/books?id=G5BTDgAAQBAJ&pg=PA429 |
|
|
}}</ref> |
|
|
||American |
|
|
||Photographer |
|
|
||1923 |
|
|- |
|
|- |
|
|]<ref>{{cite web |
|
|]<ref>{{cite web |
Line 752: |
Line 767: |
|
|title=Cantine Dandy |
|
|title=Cantine Dandy |
|
|date=May 12, 2008 |
|
|date=May 12, 2008 |
|
|accessdate=July 3, 2009}}</ref> |
|
|access-date=July 3, 2009 |
|
|
|archive-url=https://web.archive.org/web/20100310122730/http://www.prestigium.com/news/culture/cantine-dandy-124/ |
|
|
|archive-date=March 10, 2010 |
|
|
|url-status=dead |
|
|
}}</ref> |
|
||French |
|
||French |
|
||Actor |
|
||Actor |
|
||1966 |
|
||1966 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Drake |
|
|last=Drake |
|
|
|first=Alicia |
|
|first=Alicia |
|
|year=2001 |
|
|year=2001 |
|
|title=A Shopper's Guide to Paris Fashion |
|
|title=A Shopper's Guide to Paris Fashion |
|
|
|page= |
|
|page=30 |
|
|
|publisher=Interlink Pub. Group |
|
|publisher=Interlink Pub. Group |
|
|isbn=1-56656-378-X}}</ref> |
|
|isbn=1-56656-378-X |
|
|
|url=https://archive.org/details/shoppersguidetop00drak/page/30 |
|
|
}}</ref> |
|
||French |
|
||French |
|
||Poet |
|
||Poet |
Line 778: |
Line 798: |
|
|year=1928 |
|
|year=1928 |
|
|publisher=Holt and CO |
|
|publisher=Holt and CO |
|
}}</ref> and embraced "a varied assortment of colored striped shirts, with drawers and collars of the same material to match each shirt, white silk undershirts, beige silk pajamas (emblazoned with white frogs), and white, watered-silk suspenders. Each of his pairs of trousers ha its own pair of suspenders".<ref>{{cite news |
|
}}</ref> and embraced "a varied assortment of colored striped shirts, with drawers and collars of the same material to match each shirt, white silk undershirts, beige silk pajamas (emblazoned with white frogs), and white, watered-silk suspenders. Each of his pairs of trousers ha its own pair of suspenders".<ref>{{cite magazine |
|
|url=http://www.newyorker.com/archive/1989/02/20/1989_02_20_112_TNY_CARDS_000352167| title=A Case of Melancholia |
|
|url=http://www.newyorker.com/archive/1989/02/20/1989_02_20_112_TNY_CARDS_000352167| title=A Case of Melancholia |
|
| last=Updike |
|
| last=Updike |
|
| first=John |
|
| first=John |
|
|authorlink=John Updike |
|
|authorlink=John Updike |
|
|work=The New Yorker |
|
|magazine=The New Yorker |
|
|date=February 20, 1989 |
|
|date=February 20, 1989 |
|
| accessdate=November 24, 2008 |
|
| access-date=November 24, 2008 |
|
}}</ref> "In Paris he began to affect Charvet cravats encircled with a scarab seal ring."<ref>{{cite book |
|
}}</ref> "In Paris he began to affect Charvet cravats encircled with a scarab seal ring."<ref>{{cite book |
|
| title=The Last Dandy, Ralph Barton: American Artist, 1891–1931 |
|
|title=The Last Dandy, Ralph Barton: American Artist, 1891–1931 |
|
| last=Kellner |
|
|last=Kellner |
|
|first=Bruce |
|
|first=Bruce |
|
|publisher=] |
|
|publisher=] |
|
|location=Columbia |
|
|location=Columbia |
|
|year=1991 |
|
|year=1991 |
|
|
|page= |
|
|page=139 |
|
|
|isbn=0-8262-0774-X}}</ref> |
|
|isbn=0-8262-0774-X |
|
|
|url=https://archive.org/details/lastdandyralphba00kell/page/139 |
|
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||American |
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||American |
Line 822: |
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|publisher=Leo Ediciones |
|
|publisher=Leo Ediciones |
|
|year=1983 |
|
|year=1983 |
|
}}</ref>{{,}}<ref>{{cite book |
|
}}</ref><ref>{{cite book |
|
|last=Edwards Bello |
|
|last=Edwards Bello |
|
|first=Joaquín |
|
|first=Joaquín |
Line 840: |
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|work=The Free Lance-Star |
|
|work=The Free Lance-Star |
|
|date=September 4, 1987 |
|
|date=September 4, 1987 |
|
|url=https://news.google.com/newspapers?nid=1298&dat=19870904&id=-uJLAAAAIBAJ&sjid=vIsDAAAAIBAJ&pg=2644,5090085 |
|
|url=https://news.google.com/newspapers?nid=1298&dat=19870904&id=-uJLAAAAIBAJ&pg=2644,5090085 |
|
|accessdate=April 8, 2012}}</ref> |
|
|access-date=April 8, 2012}}</ref> |
|
||American |
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||American |
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||Actress |
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||Actress |
|
||1946 |
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||1946 |
|
|- |
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|- |
|
|]<ref name="Hanover">{{cite news |
|
|]<ref name="Hanover">{{cite news |
|
|url=http://madame.lefigaro.fr/mode/en-kiosque/649-charvet-une-chemise-qui-se-hausse-du-col |title= Charvet, une chemise qui se hausse du col |
|
|url=http://madame.lefigaro.fr/mode/en-kiosque/649-charvet-une-chemise-qui-se-hausse-du-col |title= Charvet, une chemise qui se hausse du col |
|
|last= Hanover |
|
|last= Hanover |
|
|first= Jérôme |
|
|first= Jérôme |
|
|work=Le Figaro |
|
|work=Le Figaro |
|
|date= August 6, 2007 |
|
|date= August 6, 2007 |
|
|language= French |
|
|language= French |
|
|accessdate=November 15, 2008}}</ref> |
|
|access-date=November 15, 2008}}</ref> |
|
||French |
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||French |
|
||Composer |
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||Composer |
Line 866: |
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|publisher=Allen Lane |
|
|publisher=Allen Lane |
|
|location=London |
|
|location=London |
|
|isbn=0-7139-1539-0}}</ref>{{,}}<ref>{{cite book |
|
|isbn=0-7139-1539-0}}</ref><ref>{{cite book |
|
|last=Hillier |
|
|last=Hillier |
|
|first=Bevis |
|
|first=Bevis |
Line 886: |
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|date=April 5, 2012 |
|
|date=April 5, 2012 |
|
|url=http://www.vogue.com.au/fashion/vogue+loves/jane+birkin+on+life+after+serge,17413 |
|
|url=http://www.vogue.com.au/fashion/vogue+loves/jane+birkin+on+life+after+serge,17413 |
|
|accessdate=April 23, 2012}}</ref> |
|
|access-date=April 23, 2012 |
|
|
|archive-url=https://web.archive.org/web/20120428091513/http://www.vogue.com.au/fashion/vogue+loves/jane+birkin+on+life+after+serge,17413 |
|
|
|archive-date=April 28, 2012 |
|
|
|url-status=dead |
|
|
}}</ref> |
|
||British |
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||British |
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||Actress |
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||Actress |
|
||1946 |
|
||1946 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Brautigan |
|
|last=Brautigan |
|
|
|first=Richard |
|
|first=Richard |
|
|authorlink=Richard Brautigan |
|
|authorlink=Richard Brautigan |
Line 899: |
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|year=1995 |
|
|year=1995 |
|
|isbn=978-0-395-70674-9 |
|
|isbn=978-0-395-70674-9 |
|
|
|page= |
|
|page=104}}</ref> |
|
|
|
|url=https://archive.org/details/revengeoflawnabo00brau/page/104 |
|
|
}}</ref> |
|
||American |
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||American |
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||Writer |
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||Writer |
Line 915: |
Line 942: |
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|language=French |
|
|language=French |
|
|page=67 |
|
|page=67 |
|
|quote=Un homme élégant doit être chemisé par Charvet ce qu'a toujours affirmé Paul Bourget.}}</ref>{{,}}<ref>{{cite book |
|
|quote=Un homme élégant doit être chemisé par Charvet ce qu'a toujours affirmé Paul Bourget.}}</ref><ref>{{cite book |
|
|last=Bac |
|
|last=Bac |
|
|first=Ferdinand |
|
|first=Ferdinand |
Line 924: |
Line 951: |
|
|page=217 |
|
|page=217 |
|
|language=French |
|
|language=French |
|
|quote=Il entraînait volontiers ses amis chez le chemisier Charvet, rue de la Paix, pour choisir la nuance d'un caleçon.}}</ref>{{,}} |
|
|quote=Il entraînait volontiers ses amis chez le chemisier Charvet, rue de la Paix, pour choisir la nuance d'un caleçon.}}</ref> |
|
||French |
|
||French |
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||Writer |
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||Writer |
Line 934: |
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||1920 |
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||1920 |
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|- |
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|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite magazine |
|
|title=Heywood Broun. The Racquet Club's only radical writes 2,000 words a day and dresses like an unmade bed |
|
|title=Heywood Broun. The Racquet Club's only radical writes 2,000 words a day and dresses like an unmade bed |
|
|last=Hellman |
|
|last=Hellman |
|
|first=Geoffrey |
|
|first=Geoffrey |
|
|work=] |
|
|magazine=] |
|
|date=March 6, 1939 |
|
|date=March 6, 1939 |
|
|url=https://books.google.com/books?id=lU0EAAAAMBAJ&pg=PA34#v=onepage&q&f=false |
|
|url=https://books.google.com/books?id=lU0EAAAAMBAJ&pg=PA34 |
|
|accessdate=April 7, 2010}}</ref> |
|
|access-date=April 7, 2010}}</ref> |
|
||American |
|
||American |
|
||Journalist |
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||Journalist |
Line 954: |
Line 981: |
|
|date=August 10, 1997 |
|
|date=August 10, 1997 |
|
|url=https://www.independent.co.uk/arts-entertainment/believe-it-or-not-i-was-a-teenage-toy-boy-too-1244832.html |
|
|url=https://www.independent.co.uk/arts-entertainment/believe-it-or-not-i-was-a-teenage-toy-boy-too-1244832.html |
|
|accessdate=April 15, 2012}}</ref> |
|
|access-date=April 15, 2012}}</ref> |
|
||British |
|
||British |
|
||Writer |
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||Writer |
Line 960: |
Line 987: |
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|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |
|
|title=Potpourri: silbidos de un vago |
|
|title=Potpourri: silbidos de un vago |
|
|last=Cambaceres |
|
|last=Cambaceres |
|
|first=Eugenio |
|
|first=Eugenio |
Line 999: |
Line 1,026: |
|
|last=Genone |
|
|last=Genone |
|
|date=May 14, 2013 |
|
|date=May 14, 2013 |
|
|quote= L'art de l'élégance et la passion pour le détail m'ont été transmis par mon père et mon frère Roman, qui portaient des chemises chiffrées confectionnées sur mesure par Charvet. |
|
|quote= L'art de l'élégance et la passion pour le détail m'ont été transmis par mon père et mon frère Roman, qui portaient des chemises chiffrées confectionnées sur mesure par Charvet. |
|
|url=http://www.lexpress.fr/culture/cinema/sofia-coppola-la-determination-du-gang-d-ados-des-bling-ring-fait-peur_1246711.html |
|
|url=http://www.lexpress.fr/culture/cinema/sofia-coppola-la-determination-du-gang-d-ados-des-bling-ring-fait-peur_1246711.html |
|
|accessdate=November 8, 2013}}</ref>{{,}}<ref name="coutures">{{cite news |
|
|access-date=November 8, 2013}}</ref><ref name="coutures">{{cite news |
|
|newspaper=Challenges |
|
|newspaper=Challenges |
|
|language=French |
|
|language=French |
Line 1,009: |
Line 1,036: |
|
|date=November 30, 2012 |
|
|date=November 30, 2012 |
|
|url=http://www.challenges.fr/luxe/20121129.CHA3643/sous-toutes-les-coutures-charvet-place-vendome.html |
|
|url=http://www.challenges.fr/luxe/20121129.CHA3643/sous-toutes-les-coutures-charvet-place-vendome.html |
|
|accessdate=November 8, 2013 |
|
|access-date=November 8, 2013 |
|
|quote=Sofia Coppola assure avoir été initiée par son père et son frère Roman à l'art de ses chemises sur mesure}}</ref> |
|
|quote=Sofia Coppola assure avoir été initiée par son père et son frère Roman à l'art de ses chemises sur mesure}}</ref> |
|
||American |
|
||American |
Line 1,015: |
Line 1,042: |
|
||1939 |
|
||1939 |
|
|- |
|
|- |
|
||]<ref name="determination"/>{{,}}<ref name="coutures"/> |
|
||]<ref name="determination"/><ref name="coutures"/> |
|
||American |
|
||American |
|
||Film director |
|
||Film director |
Line 1,021: |
Line 1,048: |
|
|- |
|
|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|url=http://travel2.nytimes.com/2006/09/24/travel/tmagazine/24coppola.html?ref=tmagazine&pagewanted=all |
|
|url=http://travel2.nytimes.com/2006/09/24/travel/tmagazine/24coppola.html?ref=tmagazine&pagewanted=all |
|
|title=Sofia Coppola's Paris |
|
|title=Sofia Coppola's Paris |
|
|last=Hirschberg |
|
|last=Hirschberg |
|
|first=Lynn |
|
|first=Lynn |
|
|date=September 24, 2006 |
|
|date=September 24, 2006 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=October 8, 2008 |
|
|access-date=October 8, 2008 |
|
|
|url-status=dead |
|
|deadurl=yes |
|
|
|archiveurl=https://web.archive.org/web/20100605110708/http://travel2.nytimes.com/2006/09/24/travel/tmagazine/24coppola.html?ref=tmagazine&pagewanted=all |
|
|archive-url=https://web.archive.org/web/20100605110708/http://travel2.nytimes.com/2006/09/24/travel/tmagazine/24coppola.html?ref=tmagazine&pagewanted=all |
|
|archivedate=June 5, 2010 |
|
|archive-date=June 5, 2010 |
|
|df= |
|
|
}}</ref> |
|
}}</ref> |
|
||American |
|
||American |
Line 1,037: |
Line 1,063: |
|
||1971 |
|
||1971 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Marchant |
|
|last=Marchant |
|
|
|first=William |
|
|first=William |
|
|year=1975 |
|
|year=1975 |
|
|title=The Privilege of His Company: Noël Coward Remembered |
|
|title=The Privilege of His Company: Noël Coward Remembered |
|
|
|page= |
|
|page=258 |
|
|
|publisher=] |
|
|publisher=] |
|
|location=Indianapolis |
|
|location=Indianapolis |
|
|isbn=0-672-51973-9}}</ref> |
|
|isbn=0-672-51973-9 |
|
|
|url=https://archive.org/details/privilegeofhisco00marc/page/258 |
|
|
}}</ref> |
|
||British |
|
||British |
|
||Actor |
|
||Actor |
Line 1,089: |
Line 1,116: |
|
||1862 |
|
||1862 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Denby |
|
|last=Denby |
|
|
|first=Edwin |
|
|first=Edwin |
|
|authorlink=Edwin Denby (poet) |
|
|authorlink=Edwin Denby (poet) |
Line 1,096: |
Line 1,122: |
|
|publisher=Random House |
|
|publisher=Random House |
|
|year=1986 |
|
|year=1986 |
|
|
|page= |
|
|page=165 |
|
|
|isbn=978-0-394-54404-5}}</ref> |
|
|isbn=978-0-394-54404-5 |
|
|
|url=https://archive.org/details/completepoems00denb/page/165 |
|
|
}}</ref> |
|
||American |
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||American |
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||Writer |
|
||Writer |
Line 1,115: |
Line 1,143: |
|
||1943 |
|
||1943 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Spencer |
|
|last=Spencer |
|
|
|first=Charles |
|
|first=Charles |
|
|year=1974 |
|
|year=1974 |
|
|title=The World of Serge Diaghilev |
|
|title=The World of Serge Diaghilev |
|
|
|page= |
|
|page=21 |
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|
|publisher=] |
|
|publisher=] |
|
|location=Washington |
|
|location=Washington |
|
|isbn=0-8092-8305-0}}</ref> |
|
|isbn=0-8092-8305-0 |
|
|
|url=https://archive.org/details/worldofsergediag00spen/page/21 |
|
|
}}</ref> |
|
||Russian |
|
||Russian |
|
||Ballet impresario |
|
||Ballet impresario |
Line 1,133: |
Line 1,162: |
|
|first=François |
|
|first=François |
|
|date=August 18, 2010 |
|
|date=August 18, 2010 |
|
|work=Le Figaro |
|
|work=Le Figaro |
|
|language=French}}</ref> |
|
|language=French}}</ref> |
|
||French |
|
||French |
Line 1,142: |
Line 1,171: |
|
|url = http://www.lib.utexas.edu/taro/uthrc/00299/00299p2-P.html |
|
|url = http://www.lib.utexas.edu/taro/uthrc/00299/00299p2-P.html |
|
|title = Edouard Dujardin: An Inventory of His Papers at the Harry Ransom Humanities Research Center |
|
|title = Edouard Dujardin: An Inventory of His Papers at the Harry Ransom Humanities Research Center |
|
|accessdate = July 3, 2009 |
|
|access-date = July 3, 2009 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20110604020605/http://www.lib.utexas.edu/taro/uthrc/00299/00299p2-P.html |
|
|archive-url = https://web.archive.org/web/20110604020605/http://www.lib.utexas.edu/taro/uthrc/00299/00299p2-P.html |
|
|archivedate = June 4, 2011 |
|
|archive-date = June 4, 2011 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
Line 1,159: |
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|
|date=March 21, 2009 |
|
|date=March 21, 2009 |
|
|url=https://www.nytimes.com/1999/03/21/magazine/style-mature-subject-matter.html |
|
|url=https://www.nytimes.com/1999/03/21/magazine/style-mature-subject-matter.html |
|
|accessdate=May 14, 2011}}</ref> |
|
|access-date=May 14, 2011}}</ref> |
|
||American |
|
||American |
|
||Actress |
|
||Actress |
|
||1941 |
|
||1941 |
|
|- |
|
|- |
|
|]<ref name="Vergani">{{cite book |
|
|]<ref>{{cite news |
|
|
|last=Gurrey |
|
|
|first=Béatrice |
|
|
|title=Marguerite Duras ou le mystère des origines |
|
|
|work=Le Monde |
|
|
|date=August 26, 2024 |
|
|
|url=https://www.lemonde.fr/series-d-ete/article/2024/08/26/marguerite-duras-ou-le-mystere-des-origines_6295033_3451060.html |
|
|
|access-date=August 26, 2024}}</ref><ref>{{cite news |
|
|
|last=Gurrey |
|
|
|first=Béatrice |
|
|
|title=La triste fin de Marguerite Duras et de Yann Andréa |
|
|
|work=Le Monde |
|
|
|date=August 31, 2024 |
|
|
|url=https://www.lemonde.fr/series-d-ete/article/2024/08/31/la-triste-fin-de-marguerite-duras-et-de-yann-andrea_6300037_3451060.html |
|
|
|access-date=September 3, 2024}}</ref> |
|
|
||French |
|
|
||Writer |
|
|
||1914 |
|
|
|- |
|
|
|]<ref name="Vergani">{{cite book |
|
|last=Vergani |
|
|last=Vergani |
|
|first=Guido |
|
|first=Guido |
Line 1,181: |
Line 1,229: |
|
|last=Wogan |
|
|last=Wogan |
|
|first=John |
|
|first=John |
|
|title=Paul Feig’s Lapel Pins, Illustrated |
|
|title=Paul Feig's Lapel Pins, Illustrated |
|
|work=New York Times |
|
|work=New York Times |
|
|date=March 2, 2018 |
|
|date=March 2, 2018 |
Line 1,190: |
Line 1,238: |
|
|1962 |
|
|1962 |
|
|- |
|
|- |
|
||]<ref>{{cite book |
|
||]<ref>{{cite book|last=Fairbanks |
|
|last=Fairbanks |
|
|
|first=Douglas |
|
|first=Douglas |
|
|authorlink=Douglas Fairbanks |
|
|authorlink=Douglas Fairbanks |
|
|title=The salad days |
|
|title=The salad days |
|
|volume=1 |
|
|year=1988 |
|
|
|volume=1 |
|
|publisher=Doubleday |
|
|publisher=Doubleday |
|
|location=New York |
|
|location=New York |
|
|
|page= |
|
|page=228 |
|
|
|isbn= 978-0-385-17404-6}}</ref> |
|
|isbn=978-0-385-17404-6 |
|
|
|url=https://archive.org/details/saladdays00fair/page/228 |
|
|
}}</ref> |
|
||American |
|
||American |
|
||Actor |
|
||Actor |
Line 1,212: |
Line 1,262: |
|
|page=103 |
|
|page=103 |
|
|language=French |
|
|language=French |
|
|date=July–December 1921}}</ref>{{,}}<ref>{{cite book |
|
|date=July–December 1921}}</ref><ref>{{cite book |
|
|last=Fargue |
|
|last=Fargue |
|
|first=Léon-Paul |
|
|first=Léon-Paul |
Line 1,232: |
Line 1,282: |
|
|work=Hedge – Issue 7 |
|
|work=Hedge – Issue 7 |
|
|url=http://issuu.com/squareupmedia/docs/h_7 |
|
|url=http://issuu.com/squareupmedia/docs/h_7 |
|
|accessdate=October 16, 2010 |
|
|access-date=October 16, 2010 |
|
|quote=Bryan Ferry has Charvet construct him ties at a szpecified, conically curtailed, schoolboy length}}</ref>{{,}}<ref>{{cite news |
|
|quote=Bryan Ferry has Charvet construct him ties at a szpecified, conically curtailed, schoolboy length}}</ref><ref>{{cite news |
|
|last=Mereu-Boulch |
|
|last=Mereu-Boulch |
|
|first=Laurent |
|
|first=Laurent |
Line 1,240: |
Line 1,290: |
|
|date=November 13, 2010 |
|
|date=November 13, 2010 |
|
|url=http://madame.lefigaro.fr/culture/enquetes/1022-en-prive-avecbryan-ferry |
|
|url=http://madame.lefigaro.fr/culture/enquetes/1022-en-prive-avecbryan-ferry |
|
|accessdate=November 29, 2010 |
|
|access-date=November 29, 2010 |
|
|language=French |
|
|language=French |
|
|quote=Les trois basiques de votre dressing ? ... Les chemises sur mesure Charvet...}}</ref> |
|
|quote=Les trois basiques de votre dressing ? ... Les chemises sur mesure Charvet...}}</ref> |
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||1945 |
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||1945 |
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|- |
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|- |
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||]<ref>{{cite book |
|
||]<ref>{{cite book|last=Crosby |
|
|last=Crosby |
|
|
|year=1968 |
|
|year=1968 |
|
|title=The Passionate Years |
|
|title=The Passionate Years |
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|
|page= |
|
|page=290 |
|
|
|publisher=Southern Illinois University Press |
|
|publisher=Southern Illinois University Press |
|
|first=Caresse |
|
|first=Caresse |
|
|isbn=0-912946-66-0}}</ref> |
|
|isbn=0-912946-66-0 |
|
|
|url=https://archive.org/details/passionateyears00cros/page/290 |
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}}</ref> |
|
||French |
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||French |
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||Pianist |
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||Pianist |
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||1886 |
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||1886 |
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|- |
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|- |
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|]<ref>{{cite news |
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|]<ref>{{cite news |
|
|url= http://www.lejdd.fr/JDD-Paris/Actualite/Le-Paris-de-Ken-Follett-85680/ |
|
|url= http://www.lejdd.fr/JDD-Paris/Actualite/Le-Paris-de-Ken-Follett-85680/ |
|
|title= Le Paris de Ken Follett |
|
|title= Le Paris de Ken Follett |
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|
|date= October 21, 2008 |
|
|date= October 21, 2008 |
|
|work= Le Journal du Dimanche |
|
|work= Le Journal du Dimanche |
|
|accessdate=March 4, 2010 |
|
|access-date=March 4, 2010 |
|
}}</ref>{{,}}<ref>{{cite news |
|
}}</ref><ref>{{cite news |
|
|title = Ken Follett talks to Sandie George |
|
|title = Ken Follett talks to Sandie George |
|
|work = The French Paper |
|
|work = The French Paper |
Line 1,286: |
Line 1,337: |
|
|quote = My favourite place to shop is the Charvet shirt shop in the Place Vendôme |
|
|quote = My favourite place to shop is the Charvet shirt shop in the Place Vendôme |
|
|url = http://iphone.pickanews.com/extrait.php?recherche=charvet¶m=YTozOntzOjI6Im5iIjtpOjM7czo2OiJzb3VyY2UiO2k6MTMwMDcyO3M6MTQ6ImRhdGVUcmFpdGVtZW50IjtzOjE5OiIyMDEwLTEwLTI5IDEwOjI2OjExIjt9 |
|
|url = http://iphone.pickanews.com/extrait.php?recherche=charvet¶m=YTozOntzOjI6Im5iIjtpOjM7czo2OiJzb3VyY2UiO2k6MTMwMDcyO3M6MTQ6ImRhdGVUcmFpdGVtZW50IjtzOjE5OiIyMDEwLTEwLTI5IDEwOjI2OjExIjt9 |
|
|accessdate = December 1, 2010 |
|
|access-date = December 1, 2010 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20110715082916/http://iphone.pickanews.com/extrait.php?recherche=charvet¶m=YTozOntzOjI6Im5iIjtpOjM7czo2OiJzb3VyY2UiO2k6MTMwMDcyO3M6MTQ6ImRhdGVUcmFpdGVtZW50IjtzOjE5OiIyMDEwLTEwLTI5IDEwOjI2OjExIjt9 |
|
|archive-url = https://web.archive.org/web/20110715082916/http://iphone.pickanews.com/extrait.php?recherche=charvet¶m=YTozOntzOjI6Im5iIjtpOjM7czo2OiJzb3VyY2UiO2k6MTMwMDcyO3M6MTQ6ImRhdGVUcmFpdGVtZW50IjtzOjE5OiIyMDEwLTEwLTI5IDEwOjI2OjExIjt9 |
|
|archivedate = July 15, 2011 |
|
|archive-date = July 15, 2011 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
|
||English |
|
||English |
|
||Writer |
|
||Writer |
|
||1949 |
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||1949 |
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|- |
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|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
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|
|first = Stelio |
|
|first = Stelio |
|
|title = Cultural Escapes |
|
|title = Cultural Escapes |
|
|accessdate = May 21, 2009 |
|
|access-date = May 21, 2009 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20080808141126/http://www.cesil.com/giugno01/inglese/6soling.htm |
|
|archive-url = https://web.archive.org/web/20080808141126/http://www.cesil.com/giugno01/inglese/6soling.htm |
|
|archivedate = August 8, 2008 |
|
|archive-date = August 8, 2008 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
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||1914 |
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||1914 |
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|- |
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|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite magazine |
|
|last=O'Neil |
|
|last=O'Neil |
|
|first=Paul |
|
|first=Paul |
|
|title=The amazing Hugo Gernsback, prophet of science. Barnum of the Space age |
|
|title=The amazing Hugo Gernsback, prophet of science. Barnum of the Space age |
|
|work=] |
|
|magazine=] |
|
|date=July 26, 1963 |
|
|date=July 26, 1963 |
|
|url=https://books.google.com/books?id=JlIEAAAAMBAJ&pg=PA62#v=onepage&q&f=false |
|
|url=https://books.google.com/books?id=JlIEAAAAMBAJ&pg=PA62 |
|
|accessdate=April 7, 2010}}</ref> |
|
|access-date=April 7, 2010}}</ref> |
|
||American |
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||American |
|
||Writer |
|
||Writer |
Line 1,355: |
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|
|date=January 2012 |
|
|date=January 2012 |
|
|url=http://horstson.de/ein-konigreich-fur-ein-hemd-charvet/2012/01/ |
|
|url=http://horstson.de/ein-konigreich-fur-ein-hemd-charvet/2012/01/ |
|
|accessdate=May 26, 2012 |
|
|access-date=May 26, 2012 |
|
|quote=Daphne Guinness lässt alle ihre Blusen dort machen.}}</ref> |
|
|quote=Daphne Guinness lässt alle ihre Blusen dort machen.}}</ref> |
|
||British |
|
||British |
Line 1,367: |
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|
|title=Le secret des mousquetaires |
|
|title=Le secret des mousquetaires |
|
|date=November 22, 1999 |
|
|date=November 22, 1999 |
|
|work=Le Figaro |
|
|work=Le Figaro |
|
|language=French |
|
|language=French |
|
|url=http://recherche.lefigaro.fr/recherche/access/lefigaro_fr.php?archive=BszTm8dCk78Jk8uwiNq9T8CoS9GECSHiCTfu%2B2AH52i7DG6hCS7BxFo8cXCnj5%2FyIhlNtnXIPECZy6BaSOXVcw%3D%3D |
|
|url=http://recherche.lefigaro.fr/recherche/access/lefigaro_fr.php?archive=BszTm8dCk78Jk8uwiNq9T8CoS9GECSHiCTfu%2B2AH52i7DG6hCS7BxFo8cXCnj5%2FyIhlNtnXIPECZy6BaSOXVcw%3D%3D |
|
|accessdate=October 29, 2010}}</ref> |
|
|access-date=October 29, 2010}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||French |
|
||French |
Line 1,396: |
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|
|work=The Miami News |
|
|work=The Miami News |
|
|date=September 30, 1957 |
|
|date=September 30, 1957 |
|
|url=https://news.google.com/newspapers?id=8QxgAAAAIBAJ&sjid=mOoFAAAAIBAJ&pg=1069,5462409 |
|
|url=https://news.google.com/newspapers?id=8QxgAAAAIBAJ&pg=1069,5462409 |
|
|accessdate=April 9, 2011}}</ref> |
|
|access-date=April 9, 2011}}</ref> |
|
|American |
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|American |
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|Writer |
|
|Writer |
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|
|volume=22–23 |
|
|volume=22–23 |
|
|page=88 |
|
|page=88 |
|
|year=1948}}</ref>{{,}}<ref>{{cite book |
|
|year=1948}}</ref><ref>{{cite book |
|
|last=Kellner |
|
|last=Kellner |
|
|first=Bruce |
|
|first=Bruce |
Line 1,429: |
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|
|1937 |
|
|1937 |
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|- |
|
|- |
|
|
||]<ref>{{cite book |
|
|
|last=Caloni |
|
|
|first=Philippe |
|
|
|title=Longtemps, je me suis levé de bonne heure: Livre d'irraison |
|
|
|publisher=Belfond |
|
|
|year=1987 |
|
|
|page=74 |
|
|
|isbn=978-2-7144-9181-7 |
|
|
|url=https://books.google.com/books?id=D2X_EAAAQBAJ&pg=PA74 |
|
|
}}</ref><ref>{{cite book |
|
|
|last=Ruggieri |
|
|
|first=Eve |
|
|
|title=Au cas où je mourrais |
|
|
|publisher=Flammarion |
|
|
|year=2023 |
|
|
|page=154 |
|
|
|isbn=978-2-08-041909-5 |
|
|
|url=https://books.google.com/books?id=1_nTEAAAQBAJ&pg=PT154}}</ref> |
|
|
||American |
|
|
||Pianist |
|
|
||1903 |
|
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |
|
|last=Lancaster |
|
|last=Lancaster |
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|
|date=June 18, 2011 |
|
|date=June 18, 2011 |
|
|url=http://www.irishtimes.com/newspaper/ireland/2011/0618/1224299141093.html |
|
|url=http://www.irishtimes.com/newspaper/ireland/2011/0618/1224299141093.html |
|
|accessdate=June 24, 2011}}</ref> |
|
|access-date=June 24, 2011}}</ref> |
|
||American |
|
||American |
|
||editor |
|
||editor |
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|
|work=New York Times |
|
|work=New York Times |
|
|date=March 17, 1991 |
|
|date=March 17, 1991 |
|
|accessdate=May 9, 2009}}</ref> |
|
|access-date=May 9, 2009}}</ref> |
|
||English |
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||English |
|
||Actor |
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||Actor |
Line 1,479: |
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|
|work=New York Times |
|
|work=New York Times |
|
|date=December 15, 2002 |
|
|date=December 15, 2002 |
|
|accessdate=July 29, 2010}}</ref> |
|
|access-date=July 29, 2010}}</ref> |
|
||American |
|
||American |
|
||Writer |
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||Writer |
|
||1889 |
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||1889 |
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|- |
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|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |
Line 1,503: |
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|
|quote=I thought about my friend Fran Lebowitz, who wears a ... white Charvet shirt ... a uniform she claims is the ideal for "not writing". |
|
|quote=I thought about my friend Fran Lebowitz, who wears a ... white Charvet shirt ... a uniform she claims is the ideal for "not writing". |
|
|url=http://www.ft.com/cms/s/2/31c5a374-0316-11e0-80eb-00144feabdc0.html#axzz189bZaL3U |
|
|url=http://www.ft.com/cms/s/2/31c5a374-0316-11e0-80eb-00144feabdc0.html#axzz189bZaL3U |
|
|accessdate=December 15, 2010}}</ref> |
|
|access-date=December 15, 2010}}</ref> |
|
||American |
|
||American |
|
||Writer |
|
||Writer |
|
||1950 |
|
||1950 |
|
|- |
|
|- |
|
||]<ref>{{cite book |
|
||]<ref>{{cite book|last1=Brothers |
|
|last=Brothers |
|
|first1=Barbara |
|
|
|last2=Gergits |first2=Julia Marie |
|
|first=Barbara |
|
|
|
|title=British travel writers, 1940–1997 |
|
|author2=Gergits, Julia Marie |
|
|
|title=British travel writers, 1940–1997 |
|
|
|publisher=Gales Group |
|
|publisher=Gales Group |
|
|location=Detroit |
|
|location=Detroit |
|
|isbn= 0-7876-3098-5 |
|
|isbn=0-7876-3098-5 |
|
|year=1999 |
|
|year=1999 |
|
|
|page= |
|
|page=80 |
|
|
|quote=The gear these upper-class British adventurers took with them included Charvet pajamas and fourteen bottles of airport whiskey}}</ref> |
|
|quote=The gear these upper-class British adventurers took with them included Charvet pajamas and fourteen bottles of airport whiskey |
|
|
|url=https://archive.org/details/britishtravelwri204brot/page/80 |
|
|
}}</ref> |
|
||British |
|
||British |
|
||Writer |
|
||Writer |
|
||1915 |
|
||1915 |
|
|
|- |
|
|
||]<ref>{{cite book |
|
|
|last=Mabille |
|
|
|first=Bernard |
|
|
|title=Thierry Le Luron: Il m'appelait Maboule |
|
|
|publisher=Seghers |
|
|
|location=Paris |
|
|
|year=1987 |
|
|
|page=82 |
|
|
|isbn=978-2-232-12711-3 |
|
|
|url=https://books.google.com/books?id=vnj_EAAAQBAJ&pg=PA82 |
|
|
}}</ref> |
|
|
||French |
|
|
||Humorist |
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|
||1952 |
|
|- |
|
|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
Line 1,543: |
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|
|work=] |
|
|work=] |
|
|date=October 20, 2008 |
|
|date=October 20, 2008 |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> His shirt style has become a signature,<ref>{{cite news |
|
}}</ref> His shirt style has become a signature,<ref>{{cite news |
|
|url=http://www.observer.com/node/50664 |
|
|url=http://www.observer.com/node/50664 |
Line 1,551: |
Line 1,640: |
|
|work=] |
|
|work=] |
|
|date=April 17, 2005 |
|
|date=April 17, 2005 |
|
|accessdate=May 8, 2009 |
|
|access-date=May 8, 2009 |
|
}}</ref> but he says he "has no interest discussing the suavely unbuttoned garment that for his fans and his detractors alike has become synonymous with his name."<ref>{{cite news |
|
}}</ref> but he says he "has no interest discussing the suavely unbuttoned garment that for his fans and his detractors alike has become synonymous with his name."<ref>{{cite news |
|
|url=https://www.nytimes.com/indexes/2008/09/07/style/t/index.html#pageName=07levy |
|
|url=https://www.nytimes.com/indexes/2008/09/07/style/t/index.html#pageName=07levy |
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|
|last=Weber |
|
|last=Weber |
|
|first=Caroline |
|
|first=Caroline |
|
|
|authorlink = Caroline Weber (author) |
|
|date=September 2008 |
|
|date=September 2008 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=October 4, 2008 |
|
|access-date=October 4, 2008 |
|
}}</ref> Nevertheless, his critics consider this unbuttoned white shirt "is an important element of BHL's TV and public images and it tells a lot about the man. If you tried it with your own shirt, the collar would sag. But BHL's shirts are specially designed by the famous shirt-maker Charvet, with collars that withstand the unbuttoning and never disappear under his jacket",<ref>{{cite news |
|
}}</ref> Nevertheless, his critics consider this unbuttoned white shirt "is an important element of BHL's TV and public images and it tells a lot about the man. If you tried it with your own shirt, the collar would sag. But BHL's shirts are specially designed by the famous shirt-maker Charvet, with collars that withstand the unbuttoning and never disappear under his jacket",<ref>{{cite news |
|
|url=http://www.inthesetimes.com/article/the_lies_of_bernard_henri_leacutevy/ |
|
|url=http://www.inthesetimes.com/article/the_lies_of_bernard_henri_leacutevy/ |
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|
|first=Doug |
|
|first=Doug |
|
|title=The lies of Bernard-Henry Lévy |
|
|title=The lies of Bernard-Henry Lévy |
|
|work= ] |
|
|work= ] |
|
|date= March 3, 2006 |
|
|date= March 3, 2006 |
|
|accessdate=November 16, 2008 |
|
|access-date=November 16, 2008 |
|
}}</ref> also made by Charvet.<ref>{{cite news |
|
}}</ref> also made by Charvet.<ref>{{cite news |
|
|title=French Philosopher Bernard-Henri Lévy On Style and Why People Hate Him |
|
|title=French Philosopher Bernard-Henri Lévy On Style and Why People Hate Him |
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|
|date=February 25, 2011 |
|
|date=February 25, 2011 |
|
|url=https://www.wsj.com/articles/SB10001424052748704364004576132202535791500 |
|
|url=https://www.wsj.com/articles/SB10001424052748704364004576132202535791500 |
|
|accessdate=April 5, 2011 |
|
|access-date=April 5, 2011 |
|
}}</ref> |
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
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|
|language=French |
|
|language=French |
|
|url=http://iphone.pickanews.com/extrait.php?recherche=charvet¶m=YTozOntzOjI6Im5iIjtpOjI7czo2OiJzb3VyY2UiO2k6MjIwNTM7czoxNDoiZGF0ZVRyYWl0ZW1lbnQiO3M6MTk6IjIwMTAtMTAtMTkgMDI6NTc6NTQiO30= |
|
|url=http://iphone.pickanews.com/extrait.php?recherche=charvet¶m=YTozOntzOjI6Im5iIjtpOjI7czo2OiJzb3VyY2UiO2k6MjIwNTM7czoxNDoiZGF0ZVRyYWl0ZW1lbnQiO3M6MTk6IjIwMTAtMTAtMTkgMDI6NTc6NTQiO30= |
|
|accessdate=December 1, 2010 |
|
|access-date=December 1, 2010 |
|
|quote=C'est le seul chemisier... Charvet, tu oublies sinon. C'est le seul luxe, ne pas voir tomber la manche au milieu de la main.}}</ref> |
|
|quote=C'est le seul chemisier... Charvet, tu oublies sinon. C'est le seul luxe, ne pas voir tomber la manche au milieu de la main. |
|
|
|archive-url=https://web.archive.org/web/20110715083117/http://iphone.pickanews.com/extrait.php?recherche=charvet¶m=YTozOntzOjI6Im5iIjtpOjI7czo2OiJzb3VyY2UiO2k6MjIwNTM7czoxNDoiZGF0ZVRyYWl0ZW1lbnQiO3M6MTk6IjIwMTAtMTAtMTkgMDI6NTc6NTQiO30= |
|
|
|archive-date=July 15, 2011 |
|
|
|url-status=dead |
|
|
}}</ref> |
|
||French |
|
||French |
|
||Actor |
|
||Actor |
|
||1951 |
|
||1951 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book|last=Nowell |
|
|last=Nowell |
|
|
|first=Iris |
|
|first=Iris |
|
|year=2004 |
|
|year=2004 |
|
|title=Generation Deluxe: Consumerism and Philanthropy of the New Super-rich |
|
|title=Generation Deluxe: Consumerism and Philanthropy of the New Super-rich |
|
|
|page= |
|
|page=137 |
|
|
|publisher=Dundurn Press Ltd |
|
|publisher=Dundurn Press Ltd |
|
|isbn=1-55002-503-1}}</ref> |
|
|isbn=1-55002-503-1 |
|
|
|url=https://archive.org/details/generationdeluxe00nowe/page/137 |
|
|
}}</ref> |
|
||French |
|
||French |
|
||Painter |
|
||Painter |
Line 1,621: |
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|
||editor |
|
||editor |
|
||1877 |
|
||1877 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |last1 = Azoulay |
|
|
|first1 = Claude |
|
|last1=Azoulay |
|
|
| first1= Claude |
|
|last2 = Thérond |
|
|
|first2 = Roger |
|
|last2=Thérond |
|
|
|
|title = Encounters with great painters: the artists, Bacon ... |
|
|first2=Roger |
|
|
|
|quote = Matisse's shirts! — he had them hand tailored at Charvet's. |
|
| title= Encounters with great painters: the artists, Bacon ... |
|
|
|
|publisher = Harry N. Abrams |
|
| quote= Matisse's shirts! — he had them hand tailored at Charvet's. |
|
|
|
|year = 2001 |
|
|publisher= Harry N. Abrams |
|
|
|
|isbn = 978-0-8109-4396-4 |
|
|year=2001 |
|
|
|
|page = |
|
|isbn=978-0-8109-4396-4 |
|
|
|
|url = https://archive.org/details/encounterswithgr0000unse/page/14 |
|
|page=14}}</ref><ref name=Duheme>{{cite book |
|
|
|
}}</ref><ref name=Duheme>{{cite book |
|
|last=Duhême |
|
|last=Duhême |
|
|first=Jacqueline |
|
|first=Jacqueline |
Line 1,651: |
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|
|date=May 11, 2002 |
|
|date=May 11, 2002 |
|
|url=https://www.welt.de/print-welt/article388557/Durch_Nein_Sagen_zum_Glueck.html |
|
|url=https://www.welt.de/print-welt/article388557/Durch_Nein_Sagen_zum_Glueck.html |
|
|accessdate=December 14, 2010}}</ref> |
|
|access-date=December 14, 2010}}</ref> |
|
||British |
|
||British |
|
||Writer |
|
||Writer |
Line 1,662: |
Line 1,758: |
|
|title= You're Only Human Once |
|
|title= You're Only Human Once |
|
|year= 1944 |
|
|year= 1944 |
|
|publisher=Double day, Doran Co |
|
|publisher= ], Doran Co |
|
|location= Garden City |
|
|location= Garden City |
|
|page= 171 |
|
|page= |
|
|quote= All proceedings were held up while the day's gown was discussed with much thumbing and much guessing whether it was a home-grown design or a creation of the great Charvet of Paris for Menjou himself. |
|
|quote= All proceedings were held up while the day's gown was discussed with much thumbing and much guessing whether it was a home-grown design or a creation of the great Charvet of Paris for Menjou himself. |
|
|isbn= 0-405-09698-4 |
|
|isbn= 0-405-09698-4 |
|
|
|url= https://archive.org/details/youreonlyhumanon0000moor/page/171 |
|
}}</ref> |
|
|
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
|| American |
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|| American |
Line 1,684: |
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|
|title=Le Point |
|
|title=Le Point |
|
|url=https://books.google.com/books?id=g4w7AQAAIAAJ |
|
|url=https://books.google.com/books?id=g4w7AQAAIAAJ |
|
|accessdate=September 14, 2011 |
|
|access-date=September 14, 2011 |
|
|year=1989 |
|
|year=1989 |
|
|language=French}}</ref> |
|
|language=French}}</ref> |
Line 1,707: |
Line 1,804: |
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|- |
|
|- |
|
|]<ref name="Munhall"/>{{#tag:ref |
|
|]<ref name="Munhall"/>{{#tag:ref |
|
|In a letter to Montesquiou, ] alludes to a caricature by ] of Montesquiou examining fabrics at Charvet.<ref>{{cite book |
|
|In a letter to Montesquiou, ] alludes to a caricature by ] of Montesquiou examining fabrics at Charvet.<ref>{{cite journal |
|
|title=Bulletin de la Société des amis de Marcel Proust et des amis de Combray |
|
|journal=Bulletin de la Société des amis de Marcel Proust et des amis de Combray |
|
|editor=Société des amis de Marcel Proust et des amis de Combray |
|
|publisher=Société des amis de Marcel Proust et des amis de Combray |
|
|location=Combray |
|
|location=Combray |
|
|year=1957 |
|
|year=1957 |
Line 1,717: |
Line 1,814: |
|
|language=French |
|
|language=French |
|
|quote=Dans la lettre n°66 de Proust à Robert de Montesquiou, il est question d'une caricature montrant ce dernier, qui se fait présenter des étoffes par Charvet. |
|
|quote=Dans la lettre n°66 de Proust à Robert de Montesquiou, il est question d'une caricature montrant ce dernier, qui se fait présenter des étoffes par Charvet. |
|
}}</ref> |
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||French |
|
||French |
Line 1,723: |
Line 1,820: |
|
||1855 |
|
||1855 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |
|
|last=Bulteau |
|
|last=Bulteau |
|
| first= Michel |
|
| first= Michel |
Line 1,736: |
Line 1,833: |
|
||1888 |
|
||1888 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |
|
|last=Noiret |
|
|last=Noiret |
|
| first= Philippe |
|
| first= Philippe |
Line 1,744: |
Line 1,841: |
|
| publisher= Laffont |
|
| publisher= Laffont |
|
| year=2007 |
|
| year=2007 |
|
| isbn=2-221-10793-4 |
|
| isbn=978-2-221-10793-5 |
|
| language= French}}</ref> |
|
| language= French}}</ref> |
|
||French |
|
||French |
Line 1,773: |
Line 1,870: |
|
|work=Forbes |
|
|work=Forbes |
|
|date=December 13, 1997 |
|
|date=December 13, 1997 |
|
|accessdate=January 13, 2010 |
|
|access-date=January 13, 2010 |
|
|url=https://www.forbes.com/1997/12/13/feat.html}}</ref> |
|
|url=https://www.forbes.com/1997/12/13/feat.html}}</ref> |
|
||Canadian |
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||Canadian |
Line 1,780: |
Line 1,877: |
|
|- |
|
|- |
|
|] {{#tag:ref |
|
|] {{#tag:ref |
|
|"His shirts and waistcoasts were from Charvet, he told me. What interested him in Charvet was the sign of a certain world, of a certain elegance"<ref>{{cite book |
|
|"His shirts and waistcoasts were from Charvet, he told me. What interested him in Charvet was the sign of a certain world, of a certain elegance"<ref>{{cite book|last=Albaret |
|
|last=Albaret |
|
|
|first=Céleste |
|
|first=Céleste |
|
|title=Monsieur Proust |
|
|title=Monsieur Proust |
|
|publisher= New York Review Books |
|
|publisher=New York Review Books |
|
|year= 2003 |
|
|year=2003 |
|
|
|page= |
|
| page=286 |
|
|
|isbn=1-59017-059-8}}</ref> |
|
|isbn=1-59017-059-8 |
|
|
|url=https://archive.org/details/monsieurproust00alba_1/page/286 |
|
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||French |
|
||French |
Line 1,813: |
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|
|- |
|
|- |
|
||]<ref>{{cite book |
|
||]<ref>{{cite book |
|
|last=Richman |
|
|last1=Richman |
|
|first=Harry |
|
|first1=Harry |
|
|authorlink=Harry Richman |
|
|authorlink=Harry Richman |
|
|author2=Gehman, Richard |
|
|last2=Gehman |first2=Richard |
|
|title=A hell of a life |
|
|title=A hell of a life |
|
|publisher=Duell, Sloan and Pearce |
|
|publisher=Duell, Sloan and Pearce |
Line 1,840: |
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|
||1868 |
|
||1868 |
|
|- |
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|- |
|
||]<ref>{{cite book |
|
||]<ref>{{cite book |
|
|last=Rostand |
|
|last=Rostand |
|
| first= Maurice |
|
| first= Maurice |
Line 1,873: |
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|
|title = Leo Schofield's personal addresses in Paris |
|
|title = Leo Schofield's personal addresses in Paris |
|
|work = France Guide |
|
|work = France Guide |
|
|accessdate = May 21, 2009 |
|
|access-date = May 21, 2009 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20090227113504/http://au.franceguide.com/special/luxe/The-pleasure-of-French-Wine-Tasting.html?nodeID=887&EditoID=196164 |
|
|archive-url = https://web.archive.org/web/20090227113504/http://au.franceguide.com/special/luxe/The-pleasure-of-French-Wine-Tasting.html?nodeID=887&EditoID=196164 |
|
|archivedate = February 27, 2009 |
|
|archive-date = February 27, 2009 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
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|
|first=François |
|
|first=François |
|
|date=December 31, 2009 |
|
|date=December 31, 2009 |
|
|work=Le Figaro |
|
|work=Le Figaro |
|
|language=French |
|
|language=French |
|
|url=http://www.lefigaro.fr/sortir-paris/2010/12/31/03013-20101231ARTFIG00012-andre-le-roi-de-la-nuit-est-un-petit-prince-.php |
|
|url=http://www.lefigaro.fr/sortir-paris/2010/12/31/03013-20101231ARTFIG00012-andre-le-roi-de-la-nuit-est-un-petit-prince-.php |
|
|accessdate=October 30, 2010}}</ref>{{,}}<ref>{{cite news |
|
|access-date=October 30, 2010}}</ref><ref>{{cite news |
|
|title=Andréwear |
|
|title=Andréwear |
|
|date=October 5, 2008 |
|
|date=October 5, 2008 |
|
|work=New York Times |
|
|work=New York Times |
|
|url=https://query.nytimes.com/gst/fullpage.html?res=9F03EFDA173DF936A35753C1A96E9C8B63 |
|
|url=https://query.nytimes.com/gst/fullpage.html?res=9F03EFDA173DF936A35753C1A96E9C8B63 |
|
|accessdate=October 29, 2010}}</ref> |
|
|access-date=October 29, 2010}}</ref> |
|
||French |
|
||French |
|
||Graffiti artist |
|
||Graffiti artist |
|
||1971 |
|
||1971 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |
|
|last=Carly |
|
|last=Carly |
|
|first=Michel |
|
|first=Michel |
Line 1,919: |
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|
|language = Italian |
|
|language = Italian |
|
|url = http://archivio.panorama.it/home/articolo/idA020001019619 |
|
|url = http://archivio.panorama.it/home/articolo/idA020001019619 |
|
|accessdate = May 14, 2011 |
|
|access-date = May 14, 2011 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20110726144249/http://archivio.panorama.it/home/articolo/idA020001019619 |
|
|archive-url = https://web.archive.org/web/20110726144249/http://archivio.panorama.it/home/articolo/idA020001019619 |
|
|archivedate = July 26, 2011 |
|
|archive-date = July 26, 2011 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
Line 1,937: |
Line 2,035: |
|
|location=London |
|
|location=London |
|
|isbn=978-1-85619-646-8 |
|
|isbn=978-1-85619-646-8 |
|
|page=40}}</ref>{{,}}<ref>{{cite book |
|
|page=40}}</ref><ref>{{cite book |
|
|first=John |
|
|first=John |
|
|last=Pearson |
|
|last=Pearson |
|
|title=Facades: Edith, Osbert, and Sacheverell Sitwell |
|
|title=Facades: Edith, Osbert, and Sacheverell Sitwell |
|
|publisher=Bloomsbury Publishing |
|
|publisher=Bloomsbury Publishing |
|
|year=2011 |
|
|year=2011 |
|
|page=64 |
|
|page=64 |
|
|
|isbn=9781448207800 |
|
|url=https://books.google.com/books?id=rwKqKQDW3P8C&pg=PT64 |
|
|
|
|url=https://books.google.com/books?id=rwKqKQDW3P8C&pg=PT64 |
|
|accessdate=November 8, 2013}}</ref> |
|
|
|
|access-date=November 8, 2013}}</ref> |
|
||English |
|
||English |
|
||Writer |
|
||Writer |
Line 1,967: |
Line 2,066: |
|
|year=1997 |
|
|year=1997 |
|
|title=Virgil Thomson: Composer on the Aisle |
|
|title=Virgil Thomson: Composer on the Aisle |
|
|
|page= |
|
|page=215 |
|
|
|publisher=W.W. Norton |
|
|publisher=W.W. Norton |
|
|isbn=0-393-04006-2}}</ref> |
|
|isbn=0-393-04006-2 |
|
|
|url=https://archive.org/details/virgilthomsoncom0000tomm/page/215 |
|
|
}}</ref> |
|
||American |
|
||American |
|
||Composer |
|
||Composer |
Line 1,976: |
Line 2,077: |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|title=Brady's Bunch; U.S. through French eyes |
|
|title=Brady's Bunch; U.S. through French eyes |
|
|last=Brady |
|
|last=Brady |
|
|first=James |
|
|first=James |
|
|date=April 18, 2005 |
|
|date=April 18, 2005 |
Line 1,990: |
Line 2,091: |
|
|- |
|
|- |
|
||]<ref>{{cite journal |
|
||]<ref>{{cite journal |
|
|title=The Yale literary magazine |
|
|journal=The Yale Literary Magazine |
|
|volume=89 |
|
|volume=89 |
|
|year=1923 |
|
|year=1923 |
Line 2,004: |
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|
|year=1973 |
|
|year=1973 |
|
|title=Evelyn Waugh and His World |
|
|title=Evelyn Waugh and His World |
|
|
|page= |
|
|page=35 |
|
|
|publisher=Weidenfeld and Nicolson |
|
|publisher=Weidenfeld and Nicolson |
|
|isbn=0-297-76570-1}}</ref> |
|
|isbn=0-297-76570-1 |
|
|
|url=https://archive.org/details/evelynwaughhiswo0000pryc/page/35 |
|
|
}}</ref> |
|
||English |
|
||English |
|
||Writer |
|
||Writer |
Line 2,018: |
Line 2,121: |
|
|title = The Artz of Cigars |
|
|title = The Artz of Cigars |
|
|publisher = CigarMedia.tv |
|
|publisher = CigarMedia.tv |
|
|accessdate = May 22, 2010 |
|
|access-date = May 22, 2010 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20101201023550/http://www.cigarmedia.tv/the-arzt-of-cigars/2010/2/15/todays-world-is-filled-with-annoyances.html |
|
|archive-url = https://web.archive.org/web/20101201023550/http://www.cigarmedia.tv/the-arzt-of-cigars/2010/2/15/todays-world-is-filled-with-annoyances.html |
|
|archivedate = December 1, 2010 |
|
|archive-date = December 1, 2010 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
Line 2,046: |
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|
|title=I Give You Oscar Wilde: A Biographical Novel |
|
|title=I Give You Oscar Wilde: A Biographical Novel |
|
|page=335 |
|
|page=335 |
|
|publisher=A. Barker}}</ref>{{,}}<ref>{{cite book |
|
|publisher=A. Barker}}</ref><ref>{{cite book |
|
|last=Wiesenthal |
|
|last=Wiesenthal |
|
|first=Mauricio |
|
|first=Mauricio |
Line 2,072: |
Line 2,175: |
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||1906 |
|
||1906 |
|
|- |
|
|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|url=http://www.bild.de/BTO/leute/standards/koerzdoerfer/2007/06/18/koerzdoerfers-gesellschaft/willis-bruce-tod-interview.html |
|
|url=http://www.bild.de/BTO/leute/standards/koerzdoerfer/2007/06/18/koerzdoerfers-gesellschaft/willis-bruce-tod-interview.html |
|
|title=Ich umarme jeden Tag den Tod |
|
|title=Ich umarme jeden Tag den Tod |
|
|last=Körzdörfer |
|
|last=Körzdörfer |
|
|first=Norbert |
|
|first=Norbert |
|
|date=June 18, 2007 |
|
|date=June 18, 2007 |
|
|work=Bild |
|
|work=Bild |
|
|language= German |
|
|language= German |
|
|accessdate=October 21, 2008}}</ref> |
|
|access-date=October 21, 2008}}</ref> |
|
||American |
|
||American |
|
||Actor |
|
||Actor |
Line 2,088: |
Line 2,191: |
|
|url=https://www.nytimes.com/2004/10/31/magazine/31WOLFE.html |
|
|url=https://www.nytimes.com/2004/10/31/magazine/31WOLFE.html |
|
|title=Wolfe's World |
|
|title=Wolfe's World |
|
|last=McGrawth |
|
|last=McGrawth |
|
|first=Charles |
|
|first=Charles |
|
|date=October 31, 2004 |
|
|date=October 31, 2004 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=October 21, 2008}}</ref> |
|
|access-date=October 21, 2008}}</ref> |
|
||American |
|
||American |
|
||Writer |
|
||Writer |
|
||1931 |
|
||1931 |
|
|- |
|
|- |
|
|]<ref>{{cite book |
|
|]<ref>{{cite book |
|
|last=Huxtable |
|
|last=Huxtable |
Line 2,138: |
Line 2,241: |
|
|first=William |
|
|first=William |
|
| date= August 22, 2004 |
|
| date= August 22, 2004 |
|
|accessdate=February 1, 2010 |
|
|access-date=February 1, 2010 |
|
}}</ref> "He has bought his dress shirts at Charvet in Paris for the last 15 years", wrote the '']'' in 2004.<ref>{{cite news |
|
}}</ref> "He has bought his dress shirts at Charvet in Paris for the last 15 years", wrote the '']'' in 2004.<ref>{{cite news |
|
|url=https://query.nytimes.com/gst/fullpage.html?res=9F03E3DD163EF931A1575BC0A9629C8B63 |
|
|url=https://query.nytimes.com/gst/fullpage.html?res=9F03E3DD163EF931A1575BC0A9629C8B63 |
|
|title=Noticed; The Message of the Bottle |
|
|title=Noticed; The Message of the Bottle |
|
|last=Hamilton |
|
|last=Hamilton |
|
|first=William L. |
|
|first=William L. |
|
|date=August 22, 2004 |
|
|date=August 22, 2004 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=October 21, 2008}}</ref> |
|
|access-date=October 21, 2008}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||French |
|
||French |
Line 2,154: |
Line 2,257: |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|title=Ma deuxième saison sous mon nom était inspirée par "The other side of Aspen" |
|
|title=Ma deuxième saison sous mon nom était inspirée par "The other side of Aspen" |
|
|publisher=Têtu |
|
|
|date=April 20, 2011 |
|
|date=April 20, 2011 |
|
|newspaper=Têtu |
|
|newspaper=Têtu |
Line 2,170: |
Line 2,272: |
|
|newspaper=] |
|
|newspaper=] |
|
|url=http://www.howtospendit.com/#/articles/3093-the-aesthete-manolo-blahnik-part-one |
|
|url=http://www.howtospendit.com/#/articles/3093-the-aesthete-manolo-blahnik-part-one |
|
|accessdate=November 24, 2010}}</ref> |
|
|access-date=November 24, 2010}}</ref> |
|
||Spanish |
|
||Spanish |
|
||Designer |
|
||Designer |
|
||1942 |
|
||1942 |
|
|- |
|
|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite magazine |
|
|title=Ozwald Boateng |
|
|title=Ozwald Boateng |
|
|work=Vanity Fair |
|
|magazine=Vanity Fair |
|
|issue=553 |
|
|issue=553 |
|
|date=2006 |
|
|date=2006 |
Line 2,187: |
Line 2,289: |
|
|]<ref>{{cite web |
|
|]<ref>{{cite web |
|
|title=Style Compass |
|
|title=Style Compass |
|
|work=1stdibs |
|
|work=] |
|
|url=http://www.1stdibs.com/articles/style_compass/hamish_bowles/index.php |
|
|url=http://www.1stdibs.com/articles/style_compass/hamish_bowles/index.php |
|
|accessdate=June 10, 2010 |
|
|access-date=June 10, 2010 |
|
|quote=I love Charvet ties and pocketsquares for their sensational and subtle colors, prints and weaves}}</ref> |
|
|quote=I love Charvet ties and pocketsquares for their sensational and subtle colors, prints and weaves}}</ref> |
|
||British |
|
||British |
Line 2,202: |
Line 2,304: |
|
|date=December 2012 |
|
|date=December 2012 |
|
|url=http://www.elledecor.com/celebrity-style/shortlist/metropolitan-museum-art-thomas-campbell-charvet#slide-1 |
|
|url=http://www.elledecor.com/celebrity-style/shortlist/metropolitan-museum-art-thomas-campbell-charvet#slide-1 |
|
|accessdate=December 4, 2013}}</ref> |
|
|access-date=December 4, 2013}}</ref> |
|
||American |
|
||American |
|
||Museum director |
|
||Museum director |
Line 2,220: |
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|
|date=January 19, 2006 |
|
|date=January 19, 2006 |
|
|url=http://www.lexpress.fr/styles/mode-beaute/mode/un-cas-dans-la-mode_483299.html?p=2 |
|
|url=http://www.lexpress.fr/styles/mode-beaute/mode/un-cas-dans-la-mode_483299.html?p=2 |
|
|accessdate=June 26, 2010 |
|
|access-date=June 26, 2010 |
|
|language=French}}</ref> |
|
|language=French}}</ref> |
|
||French |
|
||French |
Line 2,255: |
Line 2,357: |
|
|- |
|
|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|title='I'm typically male in my approach to clothes. I don't like waste. I like uniform; What's in the wardrobe of one of the UK's top fashion designers? |
|
|
|date=December 4, 2005 |
|
|
|work=The Mail on Sunday}}</ref><ref>{{cite news |
|
|
|last=Swengley |
|
|last=Swengley |
|
|first=Nicole |
|
|first=Nicole |
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||1936 |
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|]<ref>{{cite news |
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||]<ref>{{cite book |
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|
|last=O' Keefe |
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|
|first=Linda |
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|
|title=Shoes : a celebration of pumps, sandals, slippers & more |
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|
|publisher=Workman |
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|year=1996 |
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|page=211}}</ref> |
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||American |
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||Shoe designer |
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||1909 |
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|- |
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|]<ref>{{cite magazine |
|
|title=2007 Best-dressed couples |
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|title=2007 Best-dressed couples |
|
|work=Vanity Fair |
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|magazine=Vanity Fair |
|
|date=September 2007}}</ref> |
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|date=September 2007}}</ref> |
|
||French |
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||French |
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|last=Zinko |
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|last=Zinko |
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|first=Carolyne |
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|first=Carolyne |
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|title=A New Expression / Classic fashion designer James Galanos finds salvation – for now – in creating art ||newspaper=San francisco Chronicle|date=September 17, 2006}}</ref> |
|
|title=A New Expression / Classic fashion designer James Galanos finds salvation – for now – in creating art ||newspaper=San francisco Chronicle|date=September 17, 2006}}</ref> |
|
||American |
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||American |
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||Designer |
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||Designer |
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|title=Cuando Christian Dior fulminó la posguerra |
|
|title=Cuando Christian Dior fulminó la posguerra |
|
|last=de la Torriente |
|
|last=de la Torriente |
|
|
|first=Eugenia |
|
|first=Eugenia|url=http://www.elpais.com/articulo/revista/agosto/Christian/Dior/fulmino/posguerra/elpeputec/20070819elpepirdv_1/Tes |
|
|
|work=] |
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|work=] |
|
|date=August 19, 2007 |
|
|date=August 19, 2007 |
|
|language=Spanish |
|
|language=Spanish |
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|
|url=http://www.elpais.com/articulo/revista/agosto/Christian/Dior/fulmino/posguerra/elpeputec/20070819elpepirdv_1/Tes |
|
|accessdate=June 8, 2009}}</ref>{{,}}<ref>{{cite web |
|
|
|
|access-date=June 8, 2009}}</ref><ref>{{cite web |
|
|title = 2010 Best Dressed List – Men |
|
|title = 2010 Best Dressed List – Men |
|
|work = Menstylepower |
|
|work = Menstylepower |
|
|quote = Favorite fashion purchase of 2010: "My robe from Charvet." |
|
|quote = Favorite fashion purchase of 2010: "My robe from Charvet." |
|
|url = http://www.menstylepower.com/wp-content/plugins/flagallery-skins/default_int/xml.php |
|
|url = http://www.menstylepower.com/wp-content/plugins/flagallery-skins/default_int/xml.php |
|
|accessdate = November 24, 2010 |
|
|access-date = November 24, 2010 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20110714072507/http://www.menstylepower.com/wp-content/plugins/flagallery-skins/default_int/xml.php |
|
|archive-url = https://web.archive.org/web/20110714072507/http://www.menstylepower.com/wp-content/plugins/flagallery-skins/default_int/xml.php |
|
|archivedate = July 14, 2011 |
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|archive-date = July 14, 2011 |
|
|df = mdy-all |
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|df = mdy-all |
|
}}</ref>{{,}}<ref>{{cite news |
|
}}</ref><ref>{{cite news |
|
|last = Foulkes |
|
|last = Foulkes |
|
|first = Nick |
|
|first = Nick |
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|quote = Mr Galliano is a fellow worshipper at the shrine to shirting that is Charvet. |
|
|quote = Mr Galliano is a fellow worshipper at the shrine to shirting that is Charvet. |
|
|url = http://www.finchsquarterly.com/5481/the-city-of-light/ |
|
|url = http://www.finchsquarterly.com/5481/the-city-of-light/ |
|
|accessdate = December 31, 2010 |
|
|access-date = December 31, 2010 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20110521233140/http://www.finchsquarterly.com/5481/the-city-of-light/ |
|
|archive-url = https://web.archive.org/web/20110521233140/http://www.finchsquarterly.com/5481/the-city-of-light/ |
|
|archivedate = May 21, 2011 |
|
|archive-date = May 21, 2011 |
|
|df = mdy-all |
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|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
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|last=Biggs Bradley |
|
|last=Biggs Bradley |
|
|first=Melissa |
|
|first=Melissa |
|
|title=Living It Up in Paris |
|
|title=Living It Up in Paris |
|
|work=Town & Country |
|
|work=Town & Country |
|
|date=August 1999 |
|
|date=August 1999 |
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|url=http://www.highbeam.com/doc/1G1-110277374.html |
|
|url=http://www.highbeam.com/doc/1G1-110277374.html |
|
|archive-url=https://web.archive.org/web/20160315071028/https://www.highbeam.com/doc/1G1-110277374.html |
|
|archive-url=https://web.archive.org/web/20160315071028/https://www.highbeam.com/doc/1G1-110277374.html |
|
|dead-url=yes |
|
|url-status=dead |
|
|archive-date=March 15, 2016 |
|
|archive-date=March 15, 2016 |
|
|accessdate=April 15, 2012 |
|
|access-date=April 15, 2012 |
|
|subscription=yes}}</ref> |
|
|url-access=subscription }}</ref> |
|
||American |
|
||American |
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||Designer |
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||Designer |
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||Designer |
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||Designer |
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||1933 |
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||1933 |
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|- |
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|- |
|
|] {{#tag:ref |
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|] {{#tag:ref |
|
|Louboutin wears Charvet shirts<ref>{{cite news |
|
|Louboutin wears Charvet shirts<ref>{{cite news |
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|last=Taupin |
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|last=Taupin |
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|first=Astrid |
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|first=Astrid |
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|work=Le Figaro |
|
|work=Le Figaro |
|
|language=French |
|
|language=French |
|
|date=November 20, 2008 |
|
|date=November 20, 2008 |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> and collects Charvet ties, which he owns in hundreds<ref>{{cite news |
|
}}</ref> and collects Charvet ties, which he owns in hundreds<ref>{{cite news |
|
|last=Miles |
|
|last=Miles |
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|title=Christian Louboutin on what makes a great shoe |
|
|title=Christian Louboutin on what makes a great shoe |
|
|date=October 13, 2010 |
|
|date=October 13, 2010 |
|
|work=The Times |
|
|work=The Times |
|
}}</ref>" If I go shopping, it might be to buy two or three more ties, which I never wear, or shirts from Charvet on Place Vendôme. Here they have the most magnificent colored ties: it's like looking at a lovely garden. I have tons of them at home and I am perfectly happy not to wear them."<ref>{{cite web |
|
}}</ref>" If I go shopping, it might be to buy two or three more ties, which I never wear, or shirts from Charvet on Place Vendôme. Here they have the most magnificent colored ties: it's like looking at a lovely garden. I have tons of them at home and I am perfectly happy not to wear them."<ref>{{cite web |
|
|url=http://shoes.about.com/od/designersmanufacturers/qt/c_louboutin.htm |
|
|url=http://shoes.about.com/od/designersmanufacturers/qt/c_louboutin.htm |
|
|title=Christian Louboutin Fast Facts |
|
|title=Christian Louboutin Fast Facts |
|
|last=Stimper |
|
|last=Stimper |
|
|first=Désirée |
|
|first=Désirée |
|
|accessdate=October 9, 2008 |
|
|access-date=October 9, 2008 |
|
}}</ref> One of his line of lady shoes had "witty, wicked designs made of Charvet tie fabric".<ref name=louboutin>{{cite news |
|
}}</ref> One of his line of lady shoes had "witty, wicked designs made of Charvet tie fabric".<ref name=louboutin>{{cite news |
|
|url=http://www.newsweek.com/id/63166?tid=relatedcl |
|
|url=http://www.newsweek.com/id/63166?tid=relatedcl |
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|work=Newsweek |
|
|work=Newsweek |
|
|date=February 23, 2003 |
|
|date=February 23, 2003 |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> |
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
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|
|work=Toledo Blade |
|
|work=Toledo Blade |
|
|date=September 6, 1944 |
|
|date=September 6, 1944 |
|
|url=https://news.google.com/newspapers?id=qdhOAAAAIBAJ&sjid=vf8DAAAAIBAJ&pg=4478,553797 |
|
|url=https://news.google.com/newspapers?id=qdhOAAAAIBAJ&pg=4478,553797 |
|
|accessdate=April 20, 2011}}</ref> |
|
|access-date=April 20, 2011}}</ref> |
|
||French |
|
||French |
|
||Designer |
|
||Designer |
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|
|work=L'Officiel Homme |
|
|work=L'Officiel Homme |
|
|language=French |
|
|language=French |
|
|accessdate=November 3, 2008}}</ref> |
|
|access-date=November 3, 2008}}</ref> |
|
||French |
|
||French |
|
||Designer |
|
||Designer |
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|
|work=GQ/Glenn O'Brien Blog |
|
|work=GQ/Glenn O'Brien Blog |
|
|date=November 2006 |
|
|date=November 2006 |
|
|accessdate=May 9, 2009}}</ref><ref>{{cite news |
|
|access-date=May 9, 2009}}</ref><ref>{{cite news |
|
|last=Delhomme |
|
|last=Delhomme |
|
|first=Jean-Philippe |
|
|first=Jean-Philippe |
|
|title=Glenn O'Brien Solves Your Sartorial Conundrums |
|
|title=Glenn O'Brien Solves Your Sartorial Conundrums |
|
|work=GQ |
|
|work=GQ |
|
|date=November 2009 |
|
|date=November 2009 |
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|date=January 21, 2008 |
|
|date=January 21, 2008 |
|
|url=http://tmagazine.blogs.nytimes.com/2008/01/21/meet-lucas-ossendrijver/ |
|
|url=http://tmagazine.blogs.nytimes.com/2008/01/21/meet-lucas-ossendrijver/ |
|
|accessdate=April 13, 2011}}</ref> |
|
|access-date=April 13, 2011}}</ref> |
|
||Dutch |
|
||Dutch |
|
||Artistic director |
|
||Artistic director |
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|
|date=October 2009 |
|
|date=October 2009 |
|
|url=http://issuu.com/pbmg/docs/npi.1009.issuu |
|
|url=http://issuu.com/pbmg/docs/npi.1009.issuu |
|
|accessdate=January 3, 2011}}</ref> |
|
|access-date=January 3, 2011}}</ref> |
|
||American |
|
||American |
|
||Designer |
|
||Designer |
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|
|first = Andy |
|
|first = Andy |
|
|date = September 29, 2010 |
|
|date = September 29, 2010 |
|
|accessdate = October 16, 2010 |
|
|access-date = October 16, 2010 |
|
|location = London |
|
|location = London |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20110723055158/http://fashion.telegraph.co.uk/videos/TMG8032753/57/Video-exclusive-Carine-Roitfeld-interview.html |
|
|archive-url = https://web.archive.org/web/20110723055158/http://fashion.telegraph.co.uk/videos/TMG8032753/57/Video-exclusive-Carine-Roitfeld-interview.html |
|
|archivedate = July 23, 2011 |
|
|archive-date = July 23, 2011 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> |
|
}}</ref> |
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|
|] {{#tag:ref |
|
|] {{#tag:ref |
|
|A "crisp white Charvet shirt, made to his own specifications by the famed Paris menswear store"<ref>{{cite news |
|
|A "crisp white Charvet shirt, made to his own specifications by the famed Paris menswear store"<ref>{{cite news |
|
| url=http://articles.latimes.com/2005/jun/04/entertainment/et-rucci4 |
|
| url=https://www.latimes.com/archives/la-xpm-2005-jun-04-et-rucci4-story.html |
|
| title= His designs are suitable for framing |
|
| title= His designs are suitable for framing |
|
| last= Moore |
|
| last= Moore |
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|
| work= Los Angeles Times |
|
| work= Los Angeles Times |
|
| date= June 4, 2005 |
|
| date= June 4, 2005 |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> is Rucci's "signature".<ref>{{cite news |
|
}}</ref> is Rucci's "signature".<ref>{{cite magazine |
|
|last=Middletown |
|
|last=Middletown |
|
|first=William |
|
|first=William |
|
|title=The rise of Ralph Rucci |
|
|title=The rise of Ralph Rucci |
|
|work=Harper's Bazaar |
|
|magazine=Harper's Bazaar |
|
|date=April 1, 2004 |
|
|date=April 1, 2004 |
|
}}</ref> His fabric of choice is "the "heavy, white piqué" that he replenishes three times a year. There is a tradition of care that the want to be perfect. It is really couture for men" declares Rucci estimates that he now owns at least 110 of the shirts that have become his trademark, every last one in white piqué with "two lowercase Rs embroidered in cinnabar at the base of the neck I must have tried 25 other fabrics but I always end up giving them away My white piqué shirts empowers me."<ref name="right"/> |
|
}}</ref> His fabric of choice is "the "heavy, white piqué" that he replenishes three times a year. There is a tradition of care that the want to be perfect. It is really couture for men" declares Rucci estimates that he now owns at least 110 of the shirts that have become his trademark, every last one in white piqué with "two lowercase Rs embroidered in cinnabar at the base of the neck I must have tried 25 other fabrics but I always end up giving them away My white piqué shirts empowers me."<ref name="right"/> |
Line 2,555: |
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|
||1936 |
|
||1936 |
|
|- |
|
|- |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|first=Dale Anne |
|
|first=Dale Anne |
|
|title=Classic designs and black lace |
|
|title=Classic designs and black lace |
Line 2,572: |
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|
|url=http://www.highbeam.com/doc/1G1-105543094.html |
|
|url=http://www.highbeam.com/doc/1G1-105543094.html |
|
|archive-url=https://web.archive.org/web/20181117103530/https://www.highbeam.com/doc/1G1-105543094.html |
|
|archive-url=https://web.archive.org/web/20181117103530/https://www.highbeam.com/doc/1G1-105543094.html |
|
|dead-url=yes |
|
|url-status=dead |
|
|archive-date=November 17, 2018 |
|
|archive-date=November 17, 2018 |
|
|subscription=yes |
|
|url-access=subscription |access-date=April 15, 2012 }}</ref> |
|
|accessdate=April 15, 2012 }}</ref> |
|
|
||American |
|
||American |
|
||Designer |
|
||Designer |
Line 2,590: |
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|
|title=Pool aux oeufs d'art |
|
|title=Pool aux oeufs d'art |
|
|date=April 13, 2006 |
|
|date=April 13, 2006 |
|
|work=Libération |
|
|work=Libération |
|
|language=French |
|
|language=French |
|
|quote=Lui, très cool, en chemise de bonne coupe (Charvet, Paris. Benedikt est un peu hors norme: bras longs, nuque forte, il fait faire ses chemises sur mesure) |
|
|quote=Lui, très cool, en chemise de bonne coupe (Charvet, Paris. Benedikt est un peu hors norme: bras longs, nuque forte, il fait faire ses chemises sur mesure) |
|
|url=http://www.liberation.fr/portrait/010145125-pool-aux-oeufs-d-art |
|
|url=http://www.liberation.fr/portrait/010145125-pool-aux-oeufs-d-art |
|
|accessdate=March 23, 2011}}</ref> |
|
|access-date=March 23, 2011}}</ref> |
|
||German |
|
||German |
|
||Art publisher |
|
||Art publisher |
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|
|work=The ] |
|
|work=The ] |
|
|date=May 18, 2006 |
|
|date=May 18, 2006 |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> He is also keen about Charvet shirts:"I have a wonderful white cotton shirt. I always love white cotton shirts. Pique collar and cuffs, from Paris. It wasn't imported from Paris; I went to Paris and had it fitted. I had fittings. I have fittings for my neckties. My neckties from Charvet. You have to have fittings for your tie ... so it's the right length. My socks are from Charvet. I don't have fittings for those".<ref name="Tavis">{{cite news |
|
}}</ref> He is also keen about Charvet shirts:"I have a wonderful white cotton shirt. I always love white cotton shirts. Pique collar and cuffs, from Paris. It wasn't imported from Paris; I went to Paris and had it fitted. I had fittings. I have fittings for my neckties. My neckties from Charvet. You have to have fittings for your tie ... so it's the right length. My socks are from Charvet. I don't have fittings for those".<ref name="Tavis">{{cite news |
|
|title=Interview: Andre Leon Talley discusses the fashion industry |
|
|title=Interview: Andre Leon Talley discusses the fashion industry |
Line 2,614: |
Line 2,724: |
|
|date=June 18, 2003 |
|
|date=June 18, 2003 |
|
|work=NPR ] |
|
|work=NPR ] |
|
}}</ref> He explains: "I admire perfection in small details. Look at these cuffs. (He holds his shirt under eyes) Look at the stitches on the piqué. Where can this be done today? Only Charvet in Paris, Place Vendôme. All my shirts are custom made at Charvet."<ref>{{cite news |
|
}}</ref> He explains: "I admire perfection in small details. Look at these cuffs. (He holds his shirt under eyes) Look at the stitches on the piqué. Where can this be done today? Only Charvet in Paris, Place Vendôme. All my shirts are custom made at Charvet."<ref>{{cite news |
|
|url=http://www.weltwoche.ch/ausgaben/2003-09/artikel-2003-09-wir-schwarzen-haben-einfach-ein-herz-fuer-modische-dinge.html |
|
|url=http://www.weltwoche.ch/ausgaben/2003-09/artikel-2003-09-wir-schwarzen-haben-einfach-ein-herz-fuer-modische-dinge.html |
|
|title=Königsmacher:"Wir Schwarzen haben einfach ein Herz für modische Dinge." |
|
|title=Königsmacher:"Wir Schwarzen haben einfach ein Herz für modische Dinge." |
Line 2,623: |
Line 2,733: |
|
|date=September 2003 |
|
|date=September 2003 |
|
|language = German |
|
|language = German |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> In a January issue of Vogue, he wrote his New Year's fashion resolution was "to order custom Charvet pique tennis shorts and silk kneesocks the color of clotted cream".<ref>{{cite web |
|
}}</ref> In a January issue of Vogue, he wrote his New Year's fashion resolution was "to order custom Charvet pique tennis shorts and silk kneesocks the color of clotted cream".<ref>{{cite web |
|
|url = http://www.glossedover.com/glossed_over/andr_leon_talley/ |
|
|url = http://www.glossedover.com/glossed_over/andr_leon_talley/ |
|
|title = Lowest Common Denominator: Vogue, January |
|
|title = Lowest Common Denominator: Vogue, January |
|
|date = January 11, 2008 |
|
|date = January 11, 2008 |
|
|accessdate = November 22, 2008 |
|
|access-date = November 22, 2008 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20090130113333/http://www.glossedover.com/glossed_over/andr_leon_talley/ |
|
|archive-url = https://web.archive.org/web/20090130113333/http://www.glossedover.com/glossed_over/andr_leon_talley/ |
|
|archivedate = January 30, 2009 |
|
|archive-date = January 30, 2009 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> In a sequence of the movie ''The September Issue'', he says: "I have these custom nightshirts made at Charvet in Paris. I only wear them when I am at Mr. Karl Laggerfield's summer house vacationing. For if you pass Mr. Karl Laggerfield in the hallway, you must be appropriately attired at all times!".<ref>{{cite web |
|
}}</ref> In a sequence of the movie ''The September Issue'', he says: "I have these custom nightshirts made at Charvet in Paris. I only wear them when I am at Mr. Karl Laggerfield's summer house vacationing. For if you pass Mr. Karl Laggerfield in the hallway, you must be appropriately attired at all times!".<ref>{{cite web |
Line 2,638: |
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|
|date=June 15, 2010 |
|
|date=June 15, 2010 |
|
|url=http://johnsciacca.webs.com/apps/blog/entries/show/4035194-quick-take-the-last-10-films-we-ve-watched |
|
|url=http://johnsciacca.webs.com/apps/blog/entries/show/4035194-quick-take-the-last-10-films-we-ve-watched |
|
|accessdate=August 24, 2010 |
|
|access-date=August 24, 2010 |
|
}}</ref> |
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
Line 2,652: |
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|
|publisher=Counterpoint |
|
|publisher=Counterpoint |
|
|quote=Testino was loosely attired in a Charvet painterly green shirt open at the collar |
|
|quote=Testino was loosely attired in a Charvet painterly green shirt open at the collar |
|
|isbn= 978-1-58243-286-1}}</ref><ref> |
|
|isbn= 978-1-58243-286-1}}</ref> |
|
{{cite news |
|
|
|last=Shulman |
|
|
|first=Alexandra |
|
|
|title=How to get more bag for your bucks ; The hugely respected editor of Vogue joins the Mail to write on fashion, style, what's hot and, more pertinently... what's not! |
|
|
|newspaper=Daily Mail |
|
|
|date=December 16, 2006}}</ref> |
|
|
||Peruvian |
|
||Peruvian |
|
||Photographer |
|
||Photographer |
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|
|language=French |
|
|language=French |
|
|url=http://archives.lesechos.fr/archives/2013/SerieLimitee/00125-047-SLI.htm |
|
|url=http://archives.lesechos.fr/archives/2013/SerieLimitee/00125-047-SLI.htm |
|
|accessdate=November 7, 2013}}</ref> |
|
|access-date=November 7, 2013}}</ref> |
|
||Italian |
|
||Italian |
|
||Designer |
|
||Designer |
Line 2,676: |
Line 2,780: |
|
|]<ref>{{cite news |
|
|]<ref>{{cite news |
|
|url=https://www.nytimes.com/2001/07/03/nyregion/review-fashion-in-milan-too-few-muscles-instead-of-too-many.html |
|
|url=https://www.nytimes.com/2001/07/03/nyregion/review-fashion-in-milan-too-few-muscles-instead-of-too-many.html |
|
|title=Review/Fashion; In Milan, Too Few Muscles Instead of Too Many |
|
|title=Review/Fashion; In Milan, Too Few Muscles Instead of Too Many |
|
|last=Bellafante |
|
|last=Bellafante |
|
|first=Ginia |
|
|first=Ginia |
|
|date=July 3, 2001 |
|
|date=July 3, 2001 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=October 21, 2008}}</ref> |
|
|access-date=October 21, 2008}}</ref> |
|
||American |
|
||American |
|
||Editor |
|
||Editor |
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|- |
|
|- |
|
|] {{#tag:ref |
|
|] {{#tag:ref |
|
|Berry Wall, nicknamed the "King of the Dudes, added to Charvet's fame by the caricatures of him produced by ]. At that time, Wall was living with his wife and chow dog Chi-Chi in the ], near Charvet, where he had the same signature ties and "spread eagle" collar shirts made for himself and his dog. Wall's famous "startling" striped shirts in red and sky blue were well known, with their very high ]s of a pattern different from the shirt's. His dog not only dined with him,<ref>{{cite book |
|
|Berry Wall, nicknamed the "King of the Dudes, added to Charvet's fame by the caricatures of him produced by ]. At that time, Wall was living with his wife and chow dog Chi-Chi in the ], near Charvet, where he had the same signature ties and "spread eagle" collar shirts made for himself and his dog. Wall's famous "startling" striped shirts in red and sky blue were well known, with their very high ]s of a pattern different from the shirt's. His dog not only dined with him,<ref>{{cite book| last = Beebe |
|
| last = Beebe |
|
| first = Lucius |
|
| first = Lucius |
|
| title = The Lucius Beebe Reader |
|
| title = The Lucius Beebe Reader |
|
| publisher = Doubleday |
|
| publisher = Doubleday |
|
| year = 1967 |
|
|
| page = |
|
| year = 1967 |
|
|
| page =214 |
|
| isbn = 0-09-096050-5 |
|
|
| url = https://archive.org/details/luciusbeebereade00beeb/page/214 |
|
| isbn = 0-09-096050-5 |
|
|
}}</ref> but also wore Charvet collars and ties in the same style and fabric as his master's.<ref>{{cite news|url=https://timesmachine.nytimes.com/timesmachine/1902/06/22/101218744.pdf |
|
}}</ref> but also wore Charvet collars and ties in the same style and fabric as his master's.<ref>{{cite news|url=https://timesmachine.nytimes.com/timesmachine/1902/06/22/101218744.pdf |
|
|title=With well dressed men |
|
|title=With well dressed men |
|
|date=June 22, 1902 |
|
|date=June 22, 1902 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=November 11, 2008 |
|
|access-date=November 11, 2008 |
|
| format=PDF}}</ref> The caricature shown had so much success that the Paris restaurant Ciro's, where Wall was a regular patron, had a reproduction of the dog made, in stuffed fabric, with his master's false collar around the neck, to be offered to guests.<ref>{{cite book |
|
}}</ref> The caricature shown had so much success that the Paris restaurant Ciro's, where Wall was a regular patron, had a reproduction of the dog made, in stuffed fabric, with his master's false collar around the neck, to be offered to guests.<ref>{{cite book |
|
| last = Wall |
|
| last = Wall |
|
| first = E. Berry, Mrs |
|
| first = E. Berry |
|
| title = The Memoirs of Chi-Chi the Chow: (A Famous Dog Who Put Paw To Paper) |
|
| title = The Memoirs of Chi-Chi the Chow: (A Famous Dog Who Put Paw To Paper) |
|
| publisher = ] |
|
| publisher = ] |
|
| year = 1932 |
|
| year = 1932 |
|
| page = 132 |
|
| page = 132 |
|
}}</ref> The caricature (top, right) is reproduced in François Chaille's ''Book of Ties'',<ref name="Chaille"/> but Chaille fails to identify Wall. |
|
}}</ref> The caricature (top, right) is reproduced in François Chaille's ''Book of Ties'',<ref name="Chaille"/> but Chaille fails to identify Wall. |
|
|group=n.}} |
|
|group=n.}} |
Line 2,770: |
Line 2,874: |
|
|location=Chicago |
|
|location=Chicago |
|
|isbn=0-226-46970-0 |
|
|isbn=0-226-46970-0 |
|
|url=https://books.google.com/?id=cRVqHhTQPcYC&printsec=frontcover&dq=No+Place+of+Grace:+Antimodernism+and+the+Transformation+of+American+Culture |
|
|url=https://books.google.com/books?id=cRVqHhTQPcYC&q=No+Place+of+Grace:+Antimodernism+and+the+Transformation+of+American+Culture |
|
|accessdate=November 21, 2008 |
|
|access-date=November 21, 2008 |
|
}}</ref> particularly neckties<ref>{{cite book |
|
}}</ref> particularly neckties<ref>{{cite book |
|
|last=Van Wyck |
|
|last=Van Wyck |
Line 2,781: |
Line 2,885: |
|
|page=30 |
|
|page=30 |
|
|url= https://archive.org/stream/fenollosaandhisc010991mbp/fenollosaandhisc010991mbp_djvu.txt |
|
|url= https://archive.org/stream/fenollosaandhisc010991mbp/fenollosaandhisc010991mbp_djvu.txt |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> and silk shirts. Charvet "disapprove of the silk shirts, the use of which, he allege, confined to Mr ] and a few bounders of his class. Yet, to please , Mr Charvet kindly consent to make a pattern silk shirt, provided he accompany it by a pattern linen pleated shirt, to be made up starchless, like a handkerchief.".<ref>{{cite book |
|
}}</ref> and silk shirts. Charvet "disapprove of the silk shirts, the use of which, he allege, confined to Mr ] and a few bounders of his class. Yet, to please , Mr Charvet kindly consent to make a pattern silk shirt, provided he accompany it by a pattern linen pleated shirt, to be made up starchless, like a handkerchief.".<ref>{{cite book|title=The Letters of Henry Adams: 1858–1892 |
|
|title=The Letters of Henry Adams: 1858–1892 |
|
|
|editor=J.C. Levenson |
|
|editor=J.C. Levenson |
|
|
|page= |
|
|page=386 |
|
|
|publisher=Harvard University Press |
|
|publisher=Harvard University Press |
|
|location=Cambridge |
|
|location=Cambridge |
|
|year=1988 |
|
|year=1988 |
|
|isbn=0-674-52685-6 |
|
|isbn=0-674-52685-6 |
|
|
|url=https://archive.org/details/lettersofhenryad01henr/page/386 |
|
}}</ref> |
|
|
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
|
||American |
|
||American |
Line 2,804: |
Line 2,908: |
|
|date=May 31, 2007 |
|
|date=May 31, 2007 |
|
|work=Chicago Tribune |
|
|work=Chicago Tribune |
|
|accessdate=October 19, 2008 |
|
|access-date=October 19, 2008 |
|
}}</ref> Charvet is noted as his "preferred brand".<ref>{{cite news |
|
}}</ref> Charvet is noted as his "preferred brand".<ref>{{cite news |
|
|url=http://www.thetiebar.com/pdf/trib11-13-05-full.pdf |
|
|url=http://www.thetiebar.com/pdf/trib11-13-05-full.pdf |
Line 2,812: |
Line 2,916: |
|
|work=Chicago Tribune |
|
|work=Chicago Tribune |
|
|date=November 13, 2005 |
|
|date=November 13, 2005 |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
|
|archive-url=https://web.archive.org/web/20060827072012/http://www.thetiebar.com/pdf/trib11-13-05-full.pdf |
|
}}</ref> During his ], court records established that he bought at ] at least two of those ties there, paying $170 for one in 2007 and $195 for the other in 2008".<ref>{{cite news |
|
|
|
|archive-date=August 27, 2006 |
|
|
|url-status=dead |
|
|
}}</ref> During his ], court records established that he bought at ] at least two of those ties there, paying $170 for one in 2007 and $195 for the other in 2008".<ref>{{cite news |
|
|url=https://www.nytimes.com/2010/08/19/fashion/19ties.html |
|
|url=https://www.nytimes.com/2010/08/19/fashion/19ties.html |
|
|last=Graves Fitzsimmons |
|
|last=Graves Fitzsimmons |
Line 2,820: |
Line 2,927: |
|
|work=New York Times |
|
|work=New York Times |
|
|date=August 18, 2010 |
|
|date=August 18, 2010 |
|
|accessdate=August 24, 2010 |
|
|access-date=August 24, 2010 |
|
}}</ref> A ] associate said over the phone that he believed another associate there had sold Charvet ties at $195 to Blagojevich.<ref>{{cite news |
|
}}</ref> A ] associate said over the phone that he believed another associate there had sold Charvet ties at $195 to Blagojevich.<ref>{{cite news |
|
|last=Donahue |
|
|last=Donahue |
Line 2,827: |
Line 2,934: |
|
|work=Chicago Tribune |
|
|work=Chicago Tribune |
|
|date=July 1, 2010 |
|
|date=July 1, 2010 |
|
|url=http://articles.chicagotribune.com/2010-07-01/news/ct-met-blagojevich-clothes-0702-20100701_1_oxxford-blagojeviches-saks-fifth-avenue |
|
|url=https://www.chicagotribune.com/2010/07/01/blagojeviches-spent-400000-on-clothes-over-7-years/ |
|
|accessdate=August 24, 2010 |
|
|access-date=August 24, 2010 |
|
}}</ref> |
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
Line 2,840: |
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|
|first=Patrice |
|
|first=Patrice |
|
|title=Esprit d'époque: essai sur l'âme contemporaine et le conformisme naturel de nos sociétés |
|
|title=Esprit d'époque: essai sur l'âme contemporaine et le conformisme naturel de nos sociétés |
|
|
|url=https://archive.org/details/espritdepoqueess0000boll |
|
|page=57 |
|
|
|
|url-access=registration |
|
|
|page= |
|
|language=French |
|
|language=French |
|
|isbn=978-2-02-013367-8 |
|
|isbn=978-2-02-013367-8 |
Line 2,857: |
Line 2,966: |
|
|work = ] |
|
|work = ] |
|
|date = October 2008 |
|
|date = October 2008 |
|
|accessdate = November 22, 2008 |
|
|access-date = November 22, 2008 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20090109051156/http://www.mensvogue.com/magazine/articles/2008/10/raymond-kelly-questions |
|
|archive-url = https://web.archive.org/web/20090109051156/http://www.mensvogue.com/magazine/articles/2008/10/raymond-kelly-questions |
|
|archivedate = January 9, 2009 |
|
|archive-date = January 9, 2009 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> Often noted for wearing Charvet ties,<ref>{{cite news |
|
}}</ref> Often noted for wearing Charvet ties,<ref>{{cite news |
|
|url=http://www.observer.com/2008/politics/kelly-vogue |
|
|url=http://www.observer.com/2008/politics/kelly-vogue |
|
|
|archive-url=https://web.archive.org/web/20090114164626/http://www.observer.com/2008/politics/kelly-vogue |
|
|
|url-status=dead |
|
|
|archive-date=January 14, 2009 |
|
|last=Paybarah |
|
|last=Paybarah |
|
|first=Azi |
|
|first=Azi |
Line 2,869: |
Line 2,981: |
|
|date=October 8, 2008 |
|
|date=October 8, 2008 |
|
|work=] |
|
|work=] |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> he admits a "personal weakness for Charvet neckwear",<ref>{{cite news |
|
}}</ref> he admits a "personal weakness for Charvet neckwear",<ref>{{cite news |
|
|url=https://query.nytimes.com/gst/fullpage.html?res=9A07EEDC1638F936A25755C0A9659C8B63&scp=1&sq=Beware%20The%20Gift%20That%20Bites%20Back&st=cse |
|
|url=https://query.nytimes.com/gst/fullpage.html?res=9A07EEDC1638F936A25755C0A9659C8B63&scp=1&sq=Beware%20The%20Gift%20That%20Bites%20Back&st=cse |
Line 2,877: |
Line 2,989: |
|
|date=June 5, 2003 |
|
|date=June 5, 2003 |
|
|work=New York Times |
|
|work=New York Times |
|
|accessdate=October 4, 2008 |
|
|access-date=October 4, 2008 |
|
}}</ref> which is "high quality and look the best"<ref>{{cite news |
|
}}</ref> which is "high quality and look the best"<ref>{{cite news |
|
|title=Many Splendid Ties, but Just One Knot |
|
|title=Many Splendid Ties, but Just One Knot |
Line 2,888: |
Line 3,000: |
|
|work=NYPD Confidential |
|
|work=NYPD Confidential |
|
|date=December 29, 2008 |
|
|date=December 29, 2008 |
|
|accessdate=May 9, 2009 |
|
|access-date=May 9, 2009 |
|
}}</ref> Mr. Kelly says he "can tell when someone's wearing Charvet from a distance – even dark colors stand out".<ref name="Wolfe"/> |
|
}}</ref> Mr. Kelly says he "can tell when someone's wearing Charvet from a distance – even dark colors stand out".<ref name="Wolfe"/> |
|
|group=n.}} |
|
|group=n.}} |
Line 2,896: |
Line 3,008: |
|
|- |
|
|- |
|
|] {{#tag:ref |
|
|] {{#tag:ref |
|
|An ] of articles once belonging to Bernard Madoff was organized on November 13, 2010 by the ]<ref>{{cite web |
|
|An ] of articles once belonging to Bernard Madoff was organized on November 13, 2010, by the ]<ref>{{cite web |
|
|title=Upcoming Madoff Personal Property Auction |
|
|title=Upcoming Madoff Personal Property Auction |
|
|work=U.S. Marshalls Office |
|
|work=U.S. Marshalls Office |
|
|url=http://www.usmarshals.gov/madoff/ |
|
|url=http://www.usmarshals.gov/madoff/ |
|
|accessdate=November 24, 2010 |
|
|access-date=November 24, 2010 |
|
}}</ref> to compensate victims of Madoff's ].<ref name="smh">{{cite news |
|
}}</ref> to compensate victims of Madoff's ].<ref name="smh">{{cite news |
|
|title=Auction is a small step in compensating Madoff victims |
|
|title=Auction is a small step in compensating Madoff victims |
|
|last=Boroff |
|
|last=Boroff |
|
|first=Philip |
|
|first=Philip |
Line 2,908: |
Line 3,020: |
|
|date=November 12, 2010 |
|
|date=November 12, 2010 |
|
|url=http://www.smh.com.au/world/auction-is-a-small-step-in-compensating-madoff-victims-20101111-17ph4.html |
|
|url=http://www.smh.com.au/world/auction-is-a-small-step-in-compensating-madoff-victims-20101111-17ph4.html |
|
|accessdate=November 24, 2010 |
|
|access-date=November 24, 2010 |
|
}}</ref> The auction included many items from Charvet, such as 138 pairs of socks,<ref>{{cite news |
|
}}</ref> The auction included many items from Charvet, such as 138 pairs of socks,<ref>{{cite news |
|
|title=Madoff bidder is a sox fan |
|
|title=Madoff bidder is a sox fan |
Line 2,916: |
Line 3,028: |
|
|date=November 16, 2010 |
|
|date=November 16, 2010 |
|
|url=http://www.nypost.com/p/news/local/manhattan/madoff_bidder_is_sox_fan_MCxVluWGfZHmN3ftQr71hM |
|
|url=http://www.nypost.com/p/news/local/manhattan/madoff_bidder_is_sox_fan_MCxVluWGfZHmN3ftQr71hM |
|
|accessdate=November 24, 2010 |
|
|access-date=November 24, 2010 |
|
}}</ref> 11 boxer shorts,<ref>{{cite news |
|
}}</ref> 11 boxer shorts,<ref>{{cite news |
|
|title=Madoff's Bed, Underwear Snapped Up in $2 Million New York Sale |
|
|title=Madoff's Bed, Underwear Snapped Up in $2 Million New York Sale |
Line 2,924: |
Line 3,036: |
|
|date=November 15, 2010 |
|
|date=November 15, 2010 |
|
|url=http://www.businessweek.com/news/2010-11-15/madoff-s-bed-underwear-snapped-up-in-2-million-new-york-sale.html |
|
|url=http://www.businessweek.com/news/2010-11-15/madoff-s-bed-underwear-snapped-up-in-2-million-new-york-sale.html |
|
|
|archive-url=https://web.archive.org/web/20101119025822/http://www.businessweek.com/news/2010-11-15/madoff-s-bed-underwear-snapped-up-in-2-million-new-york-sale.html |
|
|accessdate=November 24, 2010 |
|
|
|
|url-status=dead |
|
|
|archive-date=November 19, 2010 |
|
|
|access-date=November 24, 2010 |
|
}}</ref> "loads of neckties"<ref>{{cite web |
|
}}</ref> "loads of neckties"<ref>{{cite web |
|
|last = Janjigian |
|
|last = Janjigian |
Line 2,932: |
Line 3,047: |
|
|date = November 23, 2010 |
|
|date = November 23, 2010 |
|
|url = http://www.palmbeachdailynews.com/blogs/content/shared-blogs/palmbeach/style1/ |
|
|url = http://www.palmbeachdailynews.com/blogs/content/shared-blogs/palmbeach/style1/ |
|
|accessdate = November 24, 2010 |
|
|access-date = November 24, 2010 |
|
|deadurl = yes |
|
|url-status = dead |
|
|archiveurl = https://web.archive.org/web/20101115063522/http://www.palmbeachdailynews.com/blogs/content/shared-blogs/palmbeach/style1/ |
|
|archive-url = https://web.archive.org/web/20101115063522/http://www.palmbeachdailynews.com/blogs/content/shared-blogs/palmbeach/style1/ |
|
|archivedate = November 15, 2010 |
|
|archive-date = November 15, 2010 |
|
|df = mdy-all |
|
|df = mdy-all |
|
}}</ref> and "hundreds of sweaters, polo shirts, and custom-made monogrammed Charvet dress shirts."<ref name="smh"/> |
|
}}</ref> and "hundreds of sweaters, polo shirts, and custom-made monogrammed Charvet dress shirts."<ref name="smh"/> |
Line 2,953: |
Line 3,068: |
|
|quote=Zu Hause trage ich gern den ganzen Tag Pyjamas – maßgeschneiderte, baumwollene von Charvet. |
|
|quote=Zu Hause trage ich gern den ganzen Tag Pyjamas – maßgeschneiderte, baumwollene von Charvet. |
|
|date=April 23, 2005 |
|
|date=April 23, 2005 |
|
|accessdate=November 22, 2008 |
|
|access-date=November 22, 2008 |
|
}}</ref> has Charvet embroider " "Do not disturb DT" or "DT sleeping" on the pocket. the most luxurious thing is to change your fine Egyptian-cotton pyjamas and sheets each day"<ref>{{cite news |
|
}}</ref> has Charvet embroider " "Do not disturb DT" or "DT sleeping" on the pocket. the most luxurious thing is to change your fine Egyptian-cotton pyjamas and sheets each day"<ref>{{cite news |
|
|url=http://women.timesonline.co.uk/tol/life_and_style/women/the_way_we_live/article1803225.ece |
|
|url=http://women.timesonline.co.uk/tol/life_and_style/women/the_way_we_live/article1803225.ece |
|
|
|archive-url=https://web.archive.org/web/20081202053224/http://women.timesonline.co.uk/tol/life_and_style/women/the_way_we_live/article1803225.ece |
|
|
|url-status=dead |
|
|
|archive-date=December 2, 2008 |
|
|title=A life in the day: David Tang |
|
|title=A life in the day: David Tang |
|
|last=Fox |
|
|last=Fox |
|
|first=Sue |
|
|first=Sue |
|
|date=May 20, 2007 |
|
|date=May 20, 2007 |
|
|work=The Sunday Times |
|
|work=The Sunday Times |
|
|accessdate=October 9, 2008 |
|
|access-date=October 9, 2008 |
|
|location=London |
|
|location=London |
|
}}</ref>{{,}}<ref>{{cite news |
|
}}</ref><ref>{{cite news |
|
|last=Robson |
|
|last=Robson |
|
|first=David |
|
|first=David |
Line 2,970: |
Line 3,088: |
|
|date=November 16, 2010 |
|
|date=November 16, 2010 |
|
|url=http://www.express.co.uk/posts/view/211837/Pyjamas-they-re-the-tops-and-the-bottoms- |
|
|url=http://www.express.co.uk/posts/view/211837/Pyjamas-they-re-the-tops-and-the-bottoms- |
|
|accessdate=December 2, 2010 |
|
|access-date=December 2, 2010 |
|
}}</ref> and considers Charvet "the best shirtmaker in the world".<ref>{{cite news |
|
}}</ref> and considers Charvet "the best shirtmaker in the world".<ref>{{cite news |
|
|last=Tang |
|
|last=Tang |
Line 2,979: |
Line 3,097: |
|
|date=September 16, 2011 |
|
|date=September 16, 2011 |
|
|url=http://www.ft.com/cms/s/2/d6b04a92-d930-11e0-884e-00144feabdc0.html#axzz1YCYjIW4j |
|
|url=http://www.ft.com/cms/s/2/d6b04a92-d930-11e0-884e-00144feabdc0.html#axzz1YCYjIW4j |
|
|accessdate=September 17, 2011 |
|
|access-date=September 17, 2011 |
|
}}</ref> |
|
}}</ref> |
|
|group=n.}} |
|
|group=n.}} |
Line 2,989: |
Line 3,107: |
|
|
|
|
|
==Notes== |
|
==Notes== |
|
{{Reflist|group="n."|colwidth=20em}} |
|
{{Reflist|group="n."}} |
|
|
|
|
|
==Sources== |
|
==Sources== |
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{{reflist|colwidth=20em}} |
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== External links == |
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== External links == |