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| Artist = ] |
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| Image = Tori Amos 2 pianos.jpg |
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| Image = Tori Amos 2 pianos.jpg |
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| Caption = Performing at the Glastonbury festival in 2005 |
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| Caption = Amos performing at the Glastonbury festival in 2005 |
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Subsequent albums with Atlantic were released at approximately two-year intervals. Amos' sophomore effort, '']'', co-produced with Eric Rosse, debuted in February 1994 at number 12 on the ''Billboard'' 200 and number 1 on the UK Albums Chart.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – Under the Pink Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r191411|pure_url=yes}} |access-date=August 11, 2008}}</ref> '']'', Amos' third solo album and the first album that was self-produced, debuted in January 1996 at number 2 on both the US and UK charts, making it her highest simultaneous trans-Atlantic debut.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – Boys for Pele Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r230893|pure_url=yes}} |access-date=August 11, 2008}}</ref> '']'', Amos' first album written and recorded with bandmates ] on drums, Jon Evans on bass and Steve Caton on guitar, and her first album recorded at her in-home recording studio, Martian Engineering, debuted in May 1998 at number 5 on the ''Billboard'' 200 and at number 6 on the UK Albums Chart.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – From the Choirgirl Hotel Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r348581|pure_url=yes}} |access-date=August 11, 2008}}</ref> The following year, '']'', a double album of studio and live material recorded with Chamberlain, Evans and Caton, debuted in September 1999 at number 12 in the US and at number 22 in the UK.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – To Venus and Back Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r429231|pure_url=yes}} |access-date=August 11, 2008}}</ref> In September 2001, '']'', a covers album recorded with Chamberlin on drums, Evans and ] on bass and ] on guitar, debuted at number 4 on the ''Billboard'' 200 and at number 16 on the UK Albums Chart.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – Strange Little Girls Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r551514|pure_url=yes}} |access-date=August 11, 2008}}</ref> |
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Subsequent albums with Atlantic were released at approximately two-year intervals. Amos' sophomore effort, '']'', co-produced with Eric Rosse, debuted in February 1994 at number 12 on the ''Billboard'' 200 and number 1 on the UK Albums Chart.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – Under the Pink Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r191411|pure_url=yes}} |access-date=August 11, 2008}}</ref> '']'', Amos' third solo album and the first album that was self-produced, debuted in January 1996 at number 2 on both the US and UK charts, making it her highest simultaneous trans-Atlantic debut.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – Boys for Pele Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r230893|pure_url=yes}} |access-date=August 11, 2008}}</ref> '']'', Amos' first album written and recorded with bandmates ] on drums, Jon Evans on bass and Steve Caton on guitar, and her first album recorded at her in-home recording studio, Martian Engineering, debuted in May 1998 at number 5 on the ''Billboard'' 200 and at number 6 on the UK Albums Chart.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – From the Choirgirl Hotel Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r348581|pure_url=yes}} |access-date=August 11, 2008}}</ref> The following year, '']'', a double album of studio and live material recorded with Chamberlain, Evans and Caton, debuted in September 1999 at number 12 in the US and at number 22 in the UK.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – To Venus and Back Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r429231|pure_url=yes}} |access-date=August 11, 2008}}</ref> In September 2001, '']'', a covers album recorded with Chamberlin on drums, Evans and ] on bass and ] on guitar, debuted at number 4 on the ''Billboard'' 200 and at number 16 on the UK Albums Chart.<ref name="OCC"/><ref>{{cite web |title=Tori Amos – Strange Little Girls Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r551514|pure_url=yes}} |access-date=August 11, 2008}}</ref> |
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Due to professional conflicts, after working with Atlantic for the first 15 years of her career, Amos decided to seek another label.<ref>{{cite book |author1=Amos, Tori |author2=Powers, Ann |author-link2=Ann Powers |title=Tori Amos: Piece by Piece |url=https://archive.org/details/toriamospiecebyp00amos |url-access=registration |year=2005 |publisher=Broadway Books |location=New York |isbn=978-0-7679-1677-6 |pages=}}</ref> She joined ] and released three albums over the next five years: '']'' in October 2002, '']'' in February 2005 and '']'' in May 2007. On all three albums, Amos performed with Chamberlin on drums, Evans on bass and Mac Aladdin on guitar. Each album debuted in the Top 10 of the ''Billboard'' 200,<ref>{{cite web |title=Tori Amos – Scarlet's Walk Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r602866|pure_url=yes}} |access-date=August 11, 2008}}</ref><ref>{{cite web |title=Tori Amos – The Beekeeper Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r727126|pure_url=yes}} |access-date=August 11, 2008}}</ref><ref>{{cite web |title=Tori Amos – American Doll Posse Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r1032864|pure_url=yes}} |access-date=August 11, 2008}}</ref> placing Amos in an elite group of women who have secured five or more Top 10 album debuts.<ref>{{cite magazine |title=Chart Beat Bonus: Don't Worry, 'Bee' Charting |magazine=Billboard |url=http://www.billboard.com/articles/news/63862/chart-beat-bonus |access-date=August 26, 2008}}</ref> |
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Due to professional conflicts, after working with Atlantic for the first 15 years of her career, Amos decided to seek another label.<ref>{{cite book |author1=Amos, Tori |author2=Powers, Ann |author-link2=Ann Powers |title=Tori Amos: Piece by Piece |url=https://archive.org/details/toriamospiecebyp00amos |url-access=registration |year=2005 |publisher=Broadway Books |location=New York |isbn=978-0-7679-1677-6 |pages=}}</ref> She joined ] and released three albums over the next five years: '']'' in October 2002, '']'' in February 2005 and '']'' in May 2007. On all three albums, Amos performed with Chamberlin on drums, Evans on bass and Mac Aladdin on guitar. Each album debuted in the Top 10 of the ''Billboard'' 200,<ref>{{cite web |title=Tori Amos – Scarlet's Walk Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r602866|pure_url=yes}} |access-date=August 11, 2008}}</ref><ref>{{cite web |title=Tori Amos – The Beekeeper Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r727126|pure_url=yes}} |access-date=August 11, 2008}}</ref><ref>{{cite web |title=Tori Amos – American Doll Posse Billboard Albums |website=AllMusic |url={{AllMusic|class=album|id=r1032864|pure_url=yes}} |access-date=August 11, 2008}}</ref> placing Amos in an elite group of women who have secured five or more Top 10 album debuts.<ref>{{cite magazine |title=Chart Beat Bonus: Don't Worry, 'Bee' Charting |magazine=Billboard |url=http://www.billboard.com/articles/news/63862/chart-beat-bonus |access-date=August 26, 2008}}</ref> |
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Amos negotiated an end to her contract with Epic following the release of ''American Doll Posse'', announcing in 2008 that she will be operating independently of record labels.<ref>{{cite magazine |url=http://www.billboard.com/articles/news/1045224/tori-amos-splits-with-epic-goes-indie |magazine=Billboard |title=Tori Amos Splits With Epic, Goes Indie |date=June 2, 2008 |access-date=August 11, 2008 |author=Cohen, Jonathan}}</ref> In early 2009, Amos signed a distribution, or joint-venture, deal with ], a division of ], which granted her greater creative control over her work than traditional recording contracts.<ref>{{cite magazine |url=http://www.billboard.com/articles/news/268714/tori-amos-shes-got-the-power |magazine=Billboard |title=Tori Amos: She's Got the Power |date=May 5, 2009 |access-date=May 29, 2009 |author=Titus, Christa |url-status=dead |archive-url=https://web.archive.org/web/20140913042521/http://www.billboard.com/articles/news/268714/tori-amos-shes-got-the-power |archive-date=September 13, 2014 }}</ref> Amos released two albums her first year under the contract: '']'' in May 2009 and the seasonal album '']'', featuring reworked Christmas carols and some original songs, in November 2009. ''Abnormally Attracted to Sin'' is Amos's seventh album to debut on the US Top 10 on the ''Billboard'' 200.<ref name="Billboard200"/> Amos followed up with her first classical music album, '']'', recorded with ] of the ] and the award-winning ], ]. ''Night of Hunters'' was released in September 2011, through the ] label, the classical music division of Universal Music Group. With ''Night of Hunters'', Amos made ''Billboard'' history by being the first female artist to have an album place in the Top 10 of the Classical, Alternative, and Rock charts simultaneously.<ref>{{cite web |title=Tori Amos's Night of Hunters Makes Billboard History |work=Broadway World |url=https://www.broadwayworld.com/bwwmusic//article/Tori-Amos-Night-of-Hunters-Makes-Billboard-History-20111003 |date=October 3, 2011 |access-date=October 5, 2011}}</ref> |
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Amos negotiated an end to her contract with Epic following the release of ''American Doll Posse'', announcing in 2008 that she will be operating independently of record labels.<ref>{{cite magazine |url=http://www.billboard.com/articles/news/1045224/tori-amos-splits-with-epic-goes-indie |magazine=Billboard |title=Tori Amos Splits With Epic, Goes Indie |date=June 2, 2008 |access-date=August 11, 2008 |author=Cohen, Jonathan}}</ref> In early 2009, Amos signed a distribution, or joint-venture, deal with ], a division of ], which granted her greater creative control over her work than traditional recording contracts.<ref>{{cite magazine |url=http://www.billboard.com/articles/news/268714/tori-amos-shes-got-the-power |magazine=Billboard |title=Tori Amos: She's Got the Power |date=May 5, 2009 |access-date=May 29, 2009 |author=Titus, Christa |url-status=dead |archive-url=https://web.archive.org/web/20140913042521/http://www.billboard.com/articles/news/268714/tori-amos-shes-got-the-power |archive-date=September 13, 2014 }}</ref> Amos released two albums her first year under the contract: '']'' in May 2009 and the seasonal album '']'', featuring reworked Christmas carols and some original songs, in November 2009. ''Abnormally Attracted to Sin'' is Amos's seventh album to debut on the US Top 10 on the ''Billboard'' 200.<ref name="Billboard200"/> Amos followed up with her first classical music album, '']'', recorded with ] of the ] and the award-winning ], ]. ''Night of Hunters'' was released in September 2011, through the ] label, the classical music division of Universal Music Group. With ''Night of Hunters'', Amos made ''Billboard'' history by being the first female artist to have an album place in the Top 10 of the Classical, Alternative, and Rock charts simultaneously.<ref>{{cite web |title=Tori Amos's Night of Hunters Makes Billboard History |work=Broadway World |url=https://www.broadwayworld.com/bwwmusic//article/Tori-Amos-Night-of-Hunters-Makes-Billboard-History-20111003 |date=October 3, 2011 |access-date=October 5, 2011}}</ref> |
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==with Y Kant Tori Read== |
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==with Y Kant Tori Read== |
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{| class="wikitable plainrowheaders" style="text-align:center;" |
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|+ List of albums, with selected chart positions |
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! scope="col" style="width:12em;"| Title |
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! scope="col" style="width:16em;"| Album details |
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! scope="col" style="width:13em;"| Sales |
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! scope="row" | '']'' |
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! style="width:220px;"| Album details |
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| style="text-align:center;"| 1988 |
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* Released: 1988 |
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* Released: 1988 |
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* Label: ] |
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* Label: ] |
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==Solo== |
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==Solo== |
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===Studio albums=== |
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===Studio albums=== |
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{| class="wikitable plainrowheaders" style="text-align:center;" border="1" |
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{| class="wikitable plainrowheaders" style="text-align:center;" |
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|+ List of albums, with selected chart positions |
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|+ List of albums, with selected chart positions |
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! scope="col" rowspan="2" style="width:12em;"| Title |
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*]: 2× Platinum<ref name="RIAA Awards">{{cite web |url=https://www.riaa.com/goldandplatinumdata.php?table=SEARCH |title=RIAA Gold & Platinum Database |website=] |access-date=July 24, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20070626050454/http://www.riaa.com/goldandplatinumdata.php?table=SEARCH |archive-date=June 26, 2007 }} Note: User must define search parameters, i.e. "Amos, Tori".</ref> |
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*]: 2× Platinum<ref name="RIAA Awards">{{cite web |url=https://www.riaa.com/goldandplatinumdata.php?table=SEARCH |title=RIAA Gold & Platinum Database |website=] |access-date=July 24, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20070626050454/http://www.riaa.com/goldandplatinumdata.php?table=SEARCH |archive-date=June 26, 2007 }} Note: User must define search parameters, i.e. "Amos, Tori".</ref> |
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*]: Gold<ref name=ryan>{{cite book|last=Ryan|first=Gavin |title=Australia's Music Charts 1988–2010 |year=2011 |website=Moonlight Publishing |location=Mt. Martha, VIC, Australia|edition=pdf|page=14}}</ref> |
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*]: Gold<ref name=ryan>{{cite book|last=Ryan|first=Gavin |title=Australia's Music Charts 1988–2010 |year=2011 |publisher=Moonlight Publishing |location=Mt. Martha, VIC, Australia|edition=pdf|page=14}}</ref> |
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*]: Gold<ref name="BEA2003">{{cite web |url=https://www.ultratop.be/nl/goud-platina/2003/albums|title=Goud en platina - Albums 2003|website=]|access-date=April 7, 2024}}</ref> |
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*]: Gold<ref name="BPI">{{cite certification|region=United Kingdom|artist=Tori Amos |access-date=December 12, 2021}}</ref> |
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*]: Gold<ref name="BPI">{{cite certification|region=United Kingdom|artist=Tori Amos |access-date=December 12, 2021}}</ref> |
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*]: Gold<ref name="CRIA">{{cite web |title=CRIA Searchable Database |url=http://www.cria.ca/cert_db_search.php |website=] |access-date=July 25, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20100331121149/http://www.cria.ca/cert_db_search.php |archive-date=March 31, 2010 }}</ref> |
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*]: Gold<ref name="CRIA">{{cite web |title=CRIA Searchable Database |url=http://www.cria.ca/cert_db_search.php |website=] |access-date=July 25, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20100331121149/http://www.cria.ca/cert_db_search.php |archive-date=March 31, 2010 }}</ref> |
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*]: Gold<ref name="nvpi">{{cite web |url=https://nvpi.nl/nvpi-audio/marktinformatie/goud-platina-diamant/|title=Goud/Platina/Diamant - Tori Amos|website=]|access-date=April 7, 2024}}</ref> |
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*WW: 3,000,000<ref>{{cite news|url=https://www.washingtonpost.com/archive/lifestyle/style/1998/05/17/tori-amos-local-legend/2b9f3367-9567-4af5-809a-5a653327c134/|title=Tori Amos, Local Legend|newspaper=]|date=May 17, 1998|access-date=July 7, 2021}}</ref> |
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*WW: 3,000,000<ref>{{cite news|url=https://www.washingtonpost.com/archive/lifestyle/style/1998/05/17/tori-amos-local-legend/2b9f3367-9567-4af5-809a-5a653327c134/|title=Tori Amos, Local Legend|newspaper=]|date=May 17, 1998|access-date=July 7, 2021}}</ref> |
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*US: 1,900,000<ref name="soundscan2008">{{cite magazine|title=How Many Dolls Are in a Posse|url=http://www.billboard.com/articles/news/1045442/ask-billboard|magazine=]|url-status=dead |archive-url=https://web.archive.org/web/20130414021002/http://www.billboard.com/articles/news/1045442/ask-billboard|archive-date=April 14, 2013|access-date=July 4, 2021}}</ref> |
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*US: 1,900,000<ref name="soundscan2008">{{cite magazine|title=How Many Dolls Are in a Posse|url=http://www.billboard.com/articles/news/1045442/ask-billboard|magazine=]|url-status=dead |archive-url=https://web.archive.org/web/20130414021002/http://www.billboard.com/articles/news/1045442/ask-billboard|archive-date=April 14, 2013|access-date=July 4, 2021}}</ref> |
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*CAN: 60,000<ref name="rpm1994">{{cite web|url=https://worldradiohistory.com/CANADA/RPM/90s/1994/RPM-1994-03-14.pdf|title=Tori Amos breaking out of the box and on radio|publisher=]|access-date=July 11, 2021}}</ref> |
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*CAN: 60,000<ref name="rpm1994">{{cite web|url=https://worldradiohistory.com/CANADA/RPM/90s/1994/RPM-1994-03-14.pdf|title=Tori Amos breaking out of the box and on radio|publisher=]|access-date=July 11, 2021}}</ref> |
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* UK: 200,000<ref>{{cite web|url=https://books.google.com/books?id=zg4EAAAAMBAJ&pg=PA66|title=Tori Amos bares soul on Atlantic set|publisher=]|date=January 13, 1996|access-date=September 6, 2023}}</ref> |
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! scope="row" | '']'' |
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! scope="row" | '']'' |
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*BPI: Platinum<ref name="BPI"/> |
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*BPI: Platinum<ref name="BPI"/> |
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*MC: Gold<ref name="CRIA"/> |
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*MC: Gold<ref name="CRIA"/> |
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*NVPI: Gold<ref name="nvpi"/> |
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*WW: 2,000,000<ref>{{cite news|url=https://www.yessaid.com/int/1996-01-12_Frontiers.html|title=Finding Her Fire|newspaper=]|date=January 12, 1996|access-date=February 26, 2024}}</ref> |
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*US: 1,400,000<ref name="soundscan2008"/> |
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*US: 1,400,000<ref name="soundscan2008"/> |
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*CAN: 42,000<ref name="rpm1994"/> |
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*CAN: 42,000<ref name="rpm1994"/> |
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! scope="row" | '']'' |
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! scope="row" | '']'' |
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*Released: September 20, 1999 |
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*Released: September 21, 1999 |
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*Label: Atlantic |
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*Label: Atlantic |
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*US: 618,000<ref name="soundscan2008"/> |
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*US: 618,000<ref name="soundscan2008"/> |
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! scope="row" | '']'' |
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! scope="row" | '']'' |
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*Released: February 20, 2005 |
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*Released: February 20, 2005 |
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*US: 18,000<ref>{{cite magazine|title=Tony Bennett scores first #1 on Billboard 200|url=http://www.mtv.com/news/1671676/tony-bennett-duets-billboard-sales/|magazine=]|access-date=July 11, 2021}}</ref> |
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*US: 18,000<ref>{{cite magazine|title=Tony Bennett scores first #1 on Billboard 200|url=http://www.mtv.com/news/1671676/tony-bennett-duets-billboard-sales/|archive-url=https://web.archive.org/web/20140628052338/http://www.mtv.com/news/1671676/tony-bennett-duets-billboard-sales/|url-status=dead|archive-date=June 28, 2014|magazine=]|access-date=July 11, 2021}}</ref> |
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! scope="row" | '']'' |
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Although all of Amos' singles released by Atlantic were in an ]-style format, only two of her releases are labeled as such. To date, ''Scarlet's Hidden Treasures'' and ''Christmastide'' are Amos' only EPs completely comprising non-LP tracks. |
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Although all of Amos' singles released by Atlantic were in an ]-style format, only two of her releases are labeled as such. To date, ''Scarlet's Hidden Treasures'' and ''Christmastide'' are Amos' only EPs completely comprising non-LP tracks. |
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*Released: December 4, 2020 |
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*Released: December 4, 2020 |
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*Label: ] |
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*Label: ] |
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| —{{efn|group=upper-alpha|"Christmastide" did not enter the ''Billboard'' 200, but peaked at number 79 on the Current Album Sales chart.<ref>{{cite web|url=https://www.billboard.com/artist/tori-amos/chart-history/tcl/|title=Tori Amos Chart History: Top Current Album Sales|work=Billboard|access-date=December 12, 2022}}</ref>}} |
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| —{{efn|group=upper-alpha|"Christmastide" did not enter the ''Billboard'' 200, but peaked at number 79 on the Current Album Sales chart.<ref>{{cite magazine|url=https://www.billboard.com/artist/tori-amos/chart-history/tcl/|title=Tori Amos Chart History: Top Current Album Sales|magazine=Billboard|access-date=December 12, 2022}}</ref>}} |
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===Compilations=== |
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===Compilations=== |
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{| class="wikitable plainrowheaders" style="text-align:center;" border="1" |
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===Live albums=== |
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===Live albums=== |
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{| class="wikitable plainrowheaders" style="text-align:center;" border="1" |
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*Released: September 22, 2008 |
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*Released: September 22, 2008 |
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*Label: ] |
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*Label: ] |
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! scope="row"| '']'' |
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*Released: December 6, 2024 |
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*Label: Decca |
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| colspan="6" {{TBA|To be released}} |
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|colspan="8" style="font-size:90%"| "—" denotes a recording that did not chart or was not released in that territory. |
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|colspan="8" style="font-size:90%"| "—" denotes a recording that did not chart or was not released in that territory. |
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===Official bootlegs=== |
|
===Official bootlegs=== |
|
{| class="wikitable plainrowheaders" style="text-align:center;" border="1" |
|
{| class="wikitable plainrowheaders" style="text-align:center;" |
|
! scope="col" style="width:12em;"| Title |
|
! scope="col" style="width:12em;"| Title |
|
! scope="col" style="width:16em;"| Album details |
|
! scope="col" style="width:16em;"| Album details |
Line 586: |
Line 597: |
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|
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===Singles=== |
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===Singles=== |
|
{| class="wikitable plainrowheaders" style="text-align:center;" border="1" |
|
{| class="wikitable plainrowheaders" style="text-align:center;" |
|
|+ List of singles, with selected chart positions |
|
|+ List of singles, with selected chart positions |
|
! scope="col" rowspan="2" style="width:25em;"| Title |
|
! scope="col" rowspan="2" style="width:25em;"| Title |
Line 604: |
Line 615: |
|
! scope="col" style="width:3em;font-size:90%;"| ]<br><ref>{{cite web |url=http://irishcharts.ie/search/placement |title=Irish chart positions |website=] |access-date=July 25, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20060630122742/http://www.irishcharts.ie/search/placement |archive-date=June 30, 2006 }}</ref> |
|
! scope="col" style="width:3em;font-size:90%;"| ]<br><ref>{{cite web |url=http://irishcharts.ie/search/placement |title=Irish chart positions |website=] |access-date=July 25, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20060630122742/http://www.irishcharts.ie/search/placement |archive-date=June 30, 2006 }}</ref> |
|
! scope="col" style="width:3em;font-size:90%;"| ]<br><ref name="OCC"/> |
|
! scope="col" style="width:3em;font-size:90%;"| ]<br><ref name="OCC"/> |
|
|
|- |
|
|
! scope="row"| "]" |
|
|
| 1980 |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
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|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| |
|
|
| Non-album single |
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|- |
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|- |
|
! scope="row"| "]" |
|
! scope="row"| "]" |
Line 820: |
Line 846: |
|
| 1 |
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| 1 |
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| |
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| |
|
|
* ARIA: Gold<ref name="AUScharts"/> |
|
* BPI: Silver<ref name=BPI/> |
|
* BPI: Silver<ref name=BPI/> |
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|- |
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|- |
Line 1,069: |
Line 1,096: |
|
| — |
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| — |
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| |
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| |
|
|rowspan="3"|'']'' |
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|rowspan="3"|'']'' |
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|- |
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|- |
|
! scope="row"| "]" |
|
! scope="row"| "]" |
Line 1,308: |
Line 1,335: |
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| — |
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| — |
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| |
|
| |
|
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|- |
|
|
! scope="row"| "Tequila" <small>(Paul Woolford Remix)</small> |
|
|
| 2023 |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
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|
| — |
|
|
| — |
|
|
| — |
|
|
| — |
|
|
| |
|
|
| {{N/A|Non-album single}} |
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|- |
|
|- |
|
|colspan="13" style="font-size:90%"| "—" denotes a recording that did not chart or was not released in that territory. |
|
|colspan="13" style="font-size:90%"| "—" denotes a recording that did not chart or was not released in that territory. |
Line 1,422: |
Line 1,464: |
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|- |
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|- |
|
| "Garlands" |
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| "Garlands" |
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| '']'' DVD |
|
| '']'' DVD |
|
| style="text-align:center;"| — |
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| style="text-align:center;"| — |
|
| 2005 |
|
| 2005 |
Line 1,502: |
Line 1,544: |
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|- |
|
|- |
|
| "Miracle" |
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| "Miracle" |
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|
| '']'' (iTunes edition) |
|
| digital download |
|
|
| style="text-align:center;"| — |
|
| style="text-align:center;"| — |
|
| 2007 |
|
| 2007 |
Line 1,508: |
Line 1,550: |
|
| "Mountain" |
|
| "Mountain" |
|
| unreleased (streamed on Scarlet's Web) |
|
| unreleased (streamed on Scarlet's Web) |
|
|
| '']'' (2023 remaster) |
|
| style="text-align:center;"| — |
|
|
|
| 2002, 2023 |
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| style="text-align:center;"| — |
|
|
|- |
|
|- |
|
| "My Posse Can Do" |
|
| "My Posse Can Do" |
Line 1,543: |
Line 1,585: |
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| "Operation Peter Pan" |
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| "Operation Peter Pan" |
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| "]" single |
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| "]" single |
|
|
| ] (2023 remaster) |
|
| style="text-align:center;"| — |
|
|
| 2002 |
|
| 2002, 2023, |
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|- |
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|- |
|
| "Over It" |
|
| "Over It" |
Line 1,689: |
Line 1,731: |
|
==Video albums== |
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==Video albums== |
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{| class="wikitable" style="text-align:center" |
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{| class="wikitable" style="text-align:center" |
|
!width:40px"|Year |
|
! width:40px"|Year |
|
!Video |
|
! Video |
|
!]<br /><small>{{nowrap|(])}}</small> |
|
! <small>]</small><ref name="OCC"/> |
|
|
! ]<br /><small>{{nowrap|(])}}</small> |
|
|- |
|
|- |
|
| style="text-align: center" | 1992 |
|
| style="text-align: center" | 1992 |
Line 1,698: |
Line 1,741: |
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*Label: ] |
|
*Label: ] |
|
*Format: VHS |
|
*Format: VHS |
|
|
|10 |
|
|width=33px style="border:0px; text-align: left" | US: Gold<ref name="RIAA Awards"/> |
|
|width=33px style="border:0px; text-align: left" | US: Gold<ref name="RIAA Awards"/> |
|
|- |
|
|- |
Line 1,705: |
Line 1,749: |
|
*Label: Warner Music Vision |
|
*Label: Warner Music Vision |
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*Format: VHS |
|
*Format: VHS |
|
|
|24 |
|
| |
|
| |
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|- |
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|- |
Line 1,711: |
Line 1,756: |
|
*Label: Warner Music Vision |
|
*Label: Warner Music Vision |
|
*Format: VHS |
|
*Format: VHS |
|
|
|6 |
|
|width=33px style="border:0px; text-align: left" | US: Gold<ref name="RIAA Awards"/> |
|
|width=33px style="border:0px; text-align: left" | US: Gold<ref name="RIAA Awards"/> |
|
|- |
|
|- |
Line 1,718: |
Line 1,764: |
|
*Label: Sony Music Enterprises |
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*Label: Sony Music Enterprises |
|
*Format: DVD <small>(jewel or DVD case)</small> |
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*Format: DVD <small>(jewel or DVD case)</small> |
|
|
|– |
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| |
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| |
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|- |
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|- |
Line 1,725: |
Line 1,772: |
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*Label: Sony Music Enterprises |
|
*Label: Sony Music Enterprises |
|
*Format: DVD/CD <small>(jewel or DVD case)</small> |
|
*Format: DVD/CD <small>(jewel or DVD case)</small> |
|
|
|1 |
|
|width=33px style="border:0px; text-align: left" | US: Gold<ref name="RIAA Awards"/> |
|
|width=33px style="border:0px; text-align: left" | US: Gold<ref name="RIAA Awards"/> |
|
|- |
|
|- |
Line 1,732: |
Line 1,780: |
|
*Label: ] |
|
*Label: ] |
|
*Format: DVD |
|
*Format: DVD |
|
|
|5 |
|
| |
|
| |
|
|- |
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|- |
Line 1,739: |
Line 1,788: |
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*Label: ] |
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*Label: ] |
|
*Format: DVD, Blu-ray |
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*Format: DVD, Blu-ray |
|
|
|21 |
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| |
|
| |
|
|- |
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|- |
Line 1,746: |
Line 1,796: |
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*Label: TBA |
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*Label: TBA |
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*Format: DVD |
|
*Format: DVD |
|
|
|– |
|
| |
|
| |
|
|} |
|
|} |
Line 1,839: |
Line 1,890: |
|
|rowspan="2"|2005 |
|
|rowspan="2"|2005 |
|
| style="text-align: left" | "]" |
|
| style="text-align: left" | "]" |
|
|rowspan="2"|'']'' |
|
|rowspan="2"|'']'' |
|
| style="text-align: left" | Laurent Briet |
|
| style="text-align: left" | Laurent Briet |
|
|- |
|
|- |
Line 1,951: |
Line 2,002: |
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| style="text-align: left" | '']'' |
|
| style="text-align: left" | '']'' |
|
|- |
|
|- |
|
|rowspan="2"| 1998 |
|
|rowspan="1"| 1998 |
|
| style="text-align: left" | "Finn", "Siren",<ref>{{cite web |last=Erlewine |first=Stephen Thomas |title=Great Expectations – Original Soundtrack |website=AllMusic |url={{AllMusic|class=album|id=r330635|pure_url=yes}} |access-date=August 30, 2008}}</ref> "Paradiso Perduto"<ref>{{cite web |last=Erlewine |first=Stephen Thomas |title=Great Expectations – Original Score |website=AllMusic |url={{AllMusic|class=album|id=r330636|pure_url=yes}} |access-date=August 30, 2008}}</ref> |
|
| style="text-align: left" | "Finn", "Siren",<ref>{{cite web |last=Erlewine |first=Stephen Thomas |title=Great Expectations – Original Soundtrack |website=AllMusic |url={{AllMusic|class=album|id=r330635|pure_url=yes}} |access-date=August 30, 2008}}</ref> "Paradiso Perduto"<ref>{{cite web |last=Erlewine |first=Stephen Thomas |title=Great Expectations – Original Score |website=AllMusic |url={{AllMusic|class=album|id=r330636|pure_url=yes}} |access-date=August 30, 2008}}</ref> |
|
| style="text-align: left" | '']'' |
|
| style="text-align: left" | '']'' |
|
|- |
|
|- |
|
|
|rowspan="1"| 1999 |
|
| style="text-align: left" | "Me & You"<small>‡</small> |
|
| style="text-align: left" | "Me & You"<small>‡</small> |
|
| style="text-align: left" | ''Hand of Fate'' |
|
| style="text-align: left" | ''Hand of Fate'' |
Line 1,989: |
Line 2,041: |
|
| style="text-align: left" | '']'' |
|
| style="text-align: left" | '']'' |
|
|- |
|
|- |
|
|style="text-align: center" colspan="16" style="font-size: 8pt"| ° Duet with ] of ], track unreleased<ref>{{cite news |title=Interview with Michael Stipe |periodical= ] |date=February 1995 }}</ref><br>‡ Film and soundtrack unreleased<ref>{{cite web |title= |website=handoffate.com |publisher=handoffate.com |url=http://www.handoffate.com/main.html |archive-url=https://web.archive.org/web/20040825115305/http://handoffate.com/main.html |url-status=dead |archive-date=August 25, 2004 |access-date=August 30, 2008}}</ref> |
|
|style="text-align: center" colspan="16" style="font-size: 8pt"| ° Duet with ] of ], track unreleased<ref>{{cite news |title=Interview with Michael Stipe |periodical= ] |date=February 1995 }}</ref><br>‡ Film and soundtrack unreleased<ref>{{cite web |title=Archived |website=handoffate.com |url=http://www.handoffate.com/main.html |archive-url=https://web.archive.org/web/20050308064304/http://handoffate.com/main.html |archive-date=March 8, 2005 |access-date=2023-05-24 |url-status=unfit}}{{dl|date=May 2023}}</ref> |
|
|} |
|
|} |
|
|
|
|
Line 2,047: |
Line 2,099: |
|
| style="text-align: left" | "Merman" |
|
| style="text-align: left" | "Merman" |
|
| style="text-align: left" | ''No Boundaries: A Benefit for the Kosovar Refugees'' |
|
| style="text-align: left" | ''No Boundaries: A Benefit for the Kosovar Refugees'' |
|
|
|- |
|
|
| 2023 |
|
⚫ |
| style="text-align: left" | "Swimming Pools (Drank)" |
|
|
| style="text-align: left" | '']'' (]) |
|
|- |
|
|- |
|
|} |
|
|} |
Line 2,077: |
Line 2,133: |
|
|- |
|
|- |
|
| 1994 |
|
| 1994 |
|
| style="text-align: left" | '']'' |
|
| style="text-align: left" | '']'' |
|
| style="text-align: left" | ] |
|
| style="text-align: left" | ] |
|
| style="text-align: left" | Backing vocals on "I Wanna Get Back With You" |
|
| style="text-align: left" | Backing vocals on "I Wanna Get Back With You" |
Line 2,109: |
Line 2,165: |
|
|- |
|
|- |
|
|} |
|
|} |
|
|
|
|
|
==See also== |
|
|
* ] |
|
|
|
|
|
==References== |
|
==References== |
Subsequent albums with Atlantic were released at approximately two-year intervals. Amos' sophomore effort, Under the Pink, co-produced with Eric Rosse, debuted in February 1994 at number 12 on the Billboard 200 and number 1 on the UK Albums Chart. Boys for Pele, Amos' third solo album and the first album that was self-produced, debuted in January 1996 at number 2 on both the US and UK charts, making it her highest simultaneous trans-Atlantic debut. From the Choirgirl Hotel, Amos' first album written and recorded with bandmates Matt Chamberlain on drums, Jon Evans on bass and Steve Caton on guitar, and her first album recorded at her in-home recording studio, Martian Engineering, debuted in May 1998 at number 5 on the Billboard 200 and at number 6 on the UK Albums Chart. The following year, To Venus and Back, a double album of studio and live material recorded with Chamberlain, Evans and Caton, debuted in September 1999 at number 12 in the US and at number 22 in the UK. In September 2001, Strange Little Girls, a covers album recorded with Chamberlin on drums, Evans and Justin Meldal-Johnsen on bass and Adrian Belew on guitar, debuted at number 4 on the Billboard 200 and at number 16 on the UK Albums Chart.
Due to professional conflicts, after working with Atlantic for the first 15 years of her career, Amos decided to seek another label. She joined Epic Records and released three albums over the next five years: Scarlet's Walk in October 2002, The Beekeeper in February 2005 and American Doll Posse in May 2007. On all three albums, Amos performed with Chamberlin on drums, Evans on bass and Mac Aladdin on guitar. Each album debuted in the Top 10 of the Billboard 200, placing Amos in an elite group of women who have secured five or more Top 10 album debuts.
Amos negotiated an end to her contract with Epic following the release of American Doll Posse, announcing in 2008 that she will be operating independently of record labels. In early 2009, Amos signed a distribution, or joint-venture, deal with Universal Republic Records, a division of Universal Music Group, which granted her greater creative control over her work than traditional recording contracts. Amos released two albums her first year under the contract: Abnormally Attracted to Sin in May 2009 and the seasonal album Midwinter Graces, featuring reworked Christmas carols and some original songs, in November 2009. Abnormally Attracted to Sin is Amos's seventh album to debut on the US Top 10 on the Billboard 200. Amos followed up with her first classical music album, Night of Hunters, recorded with Andreas Ottensamer of the Berlin Philharmonic and the award-winning string quartet, Apollon Musagète. Night of Hunters was released in September 2011, through the Deutsche Grammophon label, the classical music division of Universal Music Group. With Night of Hunters, Amos made Billboard history by being the first female artist to have an album place in the Top 10 of the Classical, Alternative, and Rock charts simultaneously.
To date in her solo career, Amos has recorded and released a total of 16 solo studio albums, multiple live releases, three compilation albums, one of which is a five-disc box set released through Rhino Entertainment, and numerous singles and EPs. Amos has contributed to numerous film soundtracks as well.
Early in her career Amos released many CD singles in conjunction with her albums—so many that a book called Tori Amos Collectibles was published in 1997 cataloging her worldwide releases, test pressings and bootlegs to that date. One of Amos' best selling early releases is the five-track Crucify EP. Amos' penchant for including non-album B-sides on each of her singles was a major factor in her initial popularity, particularly her cover of the Nirvana song "Smells Like Teen Spirit" from the aforementioned EP, which garnered significant press attention and critical praise. Many of Amos' B-sides are featured on the box set A Piano: The Collection (2006). With the production of CD singles becoming less common in the music business around the turn of the century, Amos has released far fewer B-sides since her contract with Epic Records began. As a result, B-sides for Scarlet's Walk were released through the internet and on an EP titled Scarlet's Hidden Treasures (2004), the sole B-side for The Beekeeper was released as on the DVD included in the album's limited edition version, and B-sides for American Doll Posse were distributed depending on packaging and place of purchase.
Below is an alphabetical list of all of Amos' known B-sides, including information on initial and subsequent releases.