| Revision as of 19:44, 10 October 2018 editSer Amantio di Nicolao (talk | contribs)Autopatrolled, Administrators6,288,913 editsm Removing from Category:20th-century Nigerian people using Cat-a-lot← Previous edit | Latest revision as of 02:49, 5 January 2025 edit undo108.31.101.142 (talk) Added short description | ||
| (22 intermediate revisions by 12 users not shown) | |||
| Line 1: | Line 1: | ||
| {{short description|Yoruba artist}} | |||
| ], London)]] | ], London)]] | ||
| '''Olowe of Ise''' |
'''Olowe of Ise''' (]: ''Ọlọ́wẹ̀ of Ìsẹ̀''; {{circa|1873}}{{spnd}}c. 1938)<ref>{{cite book|url=https://books.google.com/books?id=6s6QN-rVWcIC&dq=Olowe+of+Ise+19th+century+artist+nigeria&pg=PA42|title=The Art of Africa: A Resource for Educators|volume= 1|author1=Christa Clarke|author2=Rebecca Arkenberg|publisher=Metropolitan Museum of Art (New York, N.Y.)|year=2006|isbn=978-158-8391-902}}</ref><ref>{{cite book|url=https://books.google.com/books?id=rofCBAAAQBAJ&dq=Olowe+of+Ise+19th+century+artist+nigeria&pg=PT122|title=Gardner's Art through the Ages: Backpack Edition, Book F: Non-Western Art Since 1300|author=Fred S. Kleiner|publisher=Cengage Learning|year=2015|isbn=978-1-305-5449-49}}</ref> is considered by Western art historians and collectors to be one of the most important 20th century ]s of the ] of what is today ].<ref>http://www.nmafa.si.edu/exhibits/olowe/anon/anon2.htm ], ] exhibition of Olowe's art</ref><ref>'''', Mary Hollingsworth, 2003, Giunti, {{ISBN|88-09-03474-0}}</ref><ref>'''', Roderick J. McIntosh & Peter Ridgeway Schmidt, 1996, Indiana University Press, {{ISBN|0-253-21054-2}}</ref> He was a ] ] and master innovator in the African style of design known as ''oju-ona''. | ||
| Olowe was born in ], a town known as a major cultural centre in Yorubaland, but he lived most of his life in the city of ]. He was initially employed as a messenger at the court of |
Olowe, originally Olowere, was born in ], a town known as a major cultural centre in Yorubaland, but he lived most of his life in the city of ]. He was initially employed as a messenger at the court of King Arinjale, the ] of Ise. It is a matter of dispute whether his artistic career began as an ] or arose purely from his own natural talent. His fame as a sculptor appears to have begun at Ise under the ] of Arinjale before spreading throughout eastern Yorubaland. Olowe was summoned to ], ], ], ], Ogbagi and other towns located within a 60-mile radius (96.75 kilometers) to create elaborate household (such as doors and ] posts), personal and ] objects for wealthy families. | ||
| Olowe's celebrated status as an artist was recorded by his contemporaries in Yoruba oral praise poetry known as '']''. |
Olowe's celebrated status as an artist was recorded by his contemporaries in Yoruba oral praise poetry known as '']''.<ref>{{Cite web |last=Clarke |first=Christa |title=Olowe of Ise, veranda post (Yoruba peoples) |url=https://smarthistory.org/olowe-of-ise-veranda-post/ |access-date=2022-09-28 |website=smarthistory.org}}</ref> For instance, a song sung by one of his wives was recorded in 1988.<ref>http://www.nmafa.si.edu/exhibits/olowe/song/song.htm</ref> | ||
| ==International |
==International fame== | ||
| In 1924, Olowe's art was exhibited overseas for the first time when a door and ] ensemble from the royal palace at Ikere was selected for the Nigerian Pavilion at the ] at ], ]. This work of art was subsequently acquired by the ]. | In 1924, Olowe's art was exhibited overseas for the first time when a door and ] ensemble from the royal palace at Ikere was selected for the Nigerian Pavilion at the ] at ], ]. This work of art was subsequently acquired by the ]. | ||
| ==Other influence== | |||
| The stacked trapezoidal shapes of the “corona” facade of the ] are inspired by the top of a sculpture by Olowe of Ise.<ref>{{Cite web |title=Architectural Design, The Corona |url= https://nmaahc.si.edu/architectural-design-corona |access-date=2024-03-08 |website=nmaahc.si.edu}}</ref> | |||
| ==References== | ==References== | ||
| Line 17: | Line 21: | ||
| Note that Olowe's sculptures were originally painted, but the paint has typically since worn down. | Note that Olowe's sculptures were originally painted, but the paint has typically since worn down. | ||
| * at the ] ] | * at the ] ] | ||
| * | * | ||
| * ''Female ] and ] Figure'' before 1938 | * ''Female ] and ] Figure'' before 1938 | ||
| * ''Caryatid'', 20th century | * ''Caryatid'', 20th century | ||
| Line 24: | Line 28: | ||
| {{Authority control}} | {{Authority control}} | ||
| ] | |||
| ] | ] | ||
| ] | ] | ||
| ] | ] | ||
| ] | |||
| ] | ] | ||
| ] | ] | ||
| ] | ] | ||
| ] | ] | ||
Latest revision as of 02:49, 5 January 2025
Yoruba artist
Olowe of Ise (Yoruba: Ọlọ́wẹ̀ of Ìsẹ̀; c. 1873 – c. 1938) is considered by Western art historians and collectors to be one of the most important 20th century artists of the Yoruba people of what is today Nigeria. He was a wood sculptor and master innovator in the African style of design known as oju-ona.
Olowe, originally Olowere, was born in Efon-Alaiye, a town known as a major cultural centre in Yorubaland, but he lived most of his life in the city of Ise. He was initially employed as a messenger at the court of King Arinjale, the Oba of Ise. It is a matter of dispute whether his artistic career began as an apprenticeship or arose purely from his own natural talent. His fame as a sculptor appears to have begun at Ise under the patronage of Arinjale before spreading throughout eastern Yorubaland. Olowe was summoned to Ilesa, Ikere, Akure, Idanre, Ogbagi and other towns located within a 60-mile radius (96.75 kilometers) to create elaborate household (such as doors and veranda posts), personal and ritual objects for wealthy families.
Olowe's celebrated status as an artist was recorded by his contemporaries in Yoruba oral praise poetry known as oriki. For instance, a song sung by one of his wives was recorded in 1988.
International fame
In 1924, Olowe's art was exhibited overseas for the first time when a door and lintel ensemble from the royal palace at Ikere was selected for the Nigerian Pavilion at the British Empire Exhibition at Wembley, London. This work of art was subsequently acquired by the British Museum.
Other influence
The stacked trapezoidal shapes of the “corona” facade of the National Museum of African American History and Culture are inspired by the top of a sculpture by Olowe of Ise.
References
- Christa Clarke; Rebecca Arkenberg (2006). The Art of Africa: A Resource for Educators. Vol. 1. Metropolitan Museum of Art (New York, N.Y.). ISBN 978-158-8391-902.
- Fred S. Kleiner (2015). Gardner's Art through the Ages: Backpack Edition, Book F: Non-Western Art Since 1300. Cengage Learning. ISBN 978-1-305-5449-49.
- http://www.nmafa.si.edu/exhibits/olowe/anon/anon2.htm National Museum of African Art, Smithsonian Institution exhibition of Olowe's art
- Art in World History, Mary Hollingsworth, 2003, Giunti, ISBN 88-09-03474-0
- Plundering Africa's Past, Roderick J. McIntosh & Peter Ridgeway Schmidt, 1996, Indiana University Press, ISBN 0-253-21054-2
- Clarke, Christa. "Olowe of Ise, veranda post (Yoruba peoples)". smarthistory.org. Retrieved 2022-09-28.
- http://www.nmafa.si.edu/exhibits/olowe/song/song.htm
- "Architectural Design, The Corona". nmaahc.si.edu. Retrieved 2024-03-08.
External links and references
Note that Olowe's sculptures were originally painted, but the paint has typically since worn down.
- Exhibition at the Smithsonian National Museum of African Art
- Assorted sculptures
- Veranda post Female Caryatid and Equestrian Figure before 1938
- Veranda post Caryatid, 20th century
- Veranda post 1910-1914
- Veranda post Enthroned King and Senior Wife 1910-1914