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{{Short description|Notable images of 7th U.S. president}} |
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{{Short description|Notable images of 7th U.S. president}} |
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This is a list of portraits of ], who was the seventh president of the United States. |
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This is a list of portraits of ], who was the seventh president of the United States. |
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'''Color key:''' {{nbsp}}{{nbsp}} Pre- and post-presidential portraits {{color box|white}} {{nbsp}}{{nbsp}} Presidential-era portraits {{color box|#87ceeb}} |
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==Paintings== |
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==Paintings== |
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|Oil on canvas |
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|Oil on canvas |
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|There are no known images of Andrew Jackson before 1815,<ref name=":2">{{Cite web |title=Who’s Who? |url=https://www.americanheritage.com/whos-who |access-date=2024-12-30 |website=AMERICAN HERITAGE |language=en}}</ref> this was painted from life in 1815 after the battle of New Orleans<ref name=":0">{{Cite web |title=Putting a Face on the Man (1815–1821) {{!}} The Historic New Orleans Collection |url=https://www.hnoc.org/virtual/andrew-jackson/putting-face-man-1815%E2%80%931821 |access-date=2024-12-30 |website=www.hnoc.org}}</ref><ref>{{Cite news |title=Andrew Jackson |url=https://americaspresidents.si.edu/es/object/npg_1917.1.DUP8 |access-date=2024-12-30 |work=America's Presidents: National Portrait Gallery |language=es}}</ref> |
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|There are no known images of Andrew Jackson before 1815,<ref name=":2">{{Cite web |title=Who's Who? |url=https://www.americanheritage.com/whos-who |access-date=2024-12-30 |website=AMERICAN HERITAGE |language=en}}</ref> this was painted from life in 1815 after the battle of New Orleans<ref name=":0">{{Cite web |title=Putting a Face on the Man (1815–1821) {{!}} The Historic New Orleans Collection |url=https://www.hnoc.org/virtual/andrew-jackson/putting-face-man-1815%E2%80%931821 |access-date=2024-12-30 |website=www.hnoc.org}}</ref><ref>{{Cite news |title=Andrew Jackson |url=https://americaspresidents.si.edu/es/object/npg_1917.1.DUP8 |access-date=2024-12-30 |work=America's Presidents: National Portrait Gallery |language=es}}</ref> |
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|National Portrait Gallery |
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|Oil on wood panel |
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|Oil on wood panel |
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|1824 |
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|Oil<ref>{{Cite web |title=Andrew Jackson (1767–1845), (painting). |url=https://siris-artinventories.si.edu/ipac20/ipac.jsp?uri=full=3100001~!177127!0 |access-date=2024-12-30 |website=siris-artinventories.si.edu}}</ref> |
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|Painted from life, "the original 1824 study was privately owned by Mrs. Breckenridge Long in 1940, but its current location is unknown."<ref name=":1" /> |
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|Painted from life, "the original 1824 study was privately owned by Mrs. Breckenridge Long in 1940, but its current location is unknown."<ref name=":1" /> |
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|1828 |
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|Oil<ref>{{Cite web |title=Andrew Jackson (1767–1845), (painting). |url=https://siris-artinventories.si.edu/ipac20/ipac.jsp?uri=full=3100001~!177127!0 |access-date=2024-12-30 |website=siris-artinventories.si.edu}}</ref> |
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|"After John Vanderlyn," collection of ], New York{{Sfnp|Stephens|2018|p=188}} |
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|Original image lost (?) |
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|Original image lost (?) |
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|1830 |
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|63 |
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|Ralph Eleaser Whiteside Earl |
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|]{{Sfnp|Stephens|2018|loc=illustration insert}} |
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|Oil on canvas<ref name=":4">{{Cite web |title=Collections Object Detail |url=https://collections.dar.org/mDetail.aspx?rID=3800&db=objects&dir=DARCOLL |access-date=2024-12-31 |website=Daughters of the American Revolution |language=en}}</ref> |
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|"The Jockey Club Portrait"{{Sfnp|Stephens|2018|loc=illustration insert}} Jackson is sitting in a chair ordered by ] from ], in the distance is the ] with the "]," which is distinct from the present dome.<ref name=":4" /> |
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|1830 |
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|63 |
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|Ralph Eleaser Whiteside Earl |
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|Private collection{{Sfnp|Stephens|2018|loc=illustration insert}} |
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|"Farmer Jackson" portrait{{Sfnp|Stephens|2018|loc=illustration insert}} |
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|61–66 |
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|61–66 |
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|Ralph Eleaser Whiteside Earl |
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|Ralph Eleaser Whiteside Earl |
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|Andrew Jackson's Hermitage, Nashville |
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|"Tennessee gentleman" portrait{{Sfnp|Stephens|2018|loc=illustration insert}} |
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|1832 |
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|Ralph Eleaser Whiteside Earl |
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|1833 |
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|1830 |
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|Ralph Eleaser Whiteside Earl |
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|Ralph Eleaser Whiteside Earl |
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|], Memphis |
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|1833 |
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|66 |
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|Ralph Eleaser Whiteside Earl |
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|Andrew Jackson's Hermitage, Nashville |
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|''Andrew Jackson Astride Sam Patch'' |
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|1835 |
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|"]" |
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|Per biographer ], he was "refusing to wear his ]" when he sat for this portrait<ref>{{Cite book |last=Remini |first=Robert Vincent |url=https://archive.org/details/andrewjacksoncou0000remi/mode/1up |title=Andrew Jackson and the course of American democracy, 1833-1845 |date=1984 |publisher=New York, N.Y. : Harper & Row |others=Internet Archive |isbn=978-0-06-015279-6}}</ref> |
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|{{ill|David Rent Etter|WD=Q97603587|short=yes}} |
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|], ], Philadelphia |
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|Depicts Jackson, seated at the White House, pointing a copy of the ]<ref>{{Citation |last=Gobetz |first=Wally |title=Philadelphia - Old City: Second Bank Portrait Gallery - Andrew Jackson |date=2008-06-01 |url=https://www.flickr.com/photos/wallyg/2554221653 |access-date=2024-12-31}}</ref> |
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|Ralph Eleaser Whiteside Earl |
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|Ralph Eleaser Whiteside Earl |
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|Andrew Jackson's Hermitage, Nashville |
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|1836 |
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|Ralph Eleaser Whiteside Earl |
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|], Columbia, South Carolina |
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|69–70 |
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|69–70 |
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|Ralph Eleaser Whiteside Earl |
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|Ralph Eleaser Whiteside Earl |
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|Smithsonian Museum of American Art |
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|"The National Picture," possession transferred to museum from ]{{Sfnp|Stephens|2018|loc=illustration insert}} |
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|National Portrait Gallery |
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|National Portrait Gallery |
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|1847? 1865? |
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|National Portrait Gallery |
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|Painted from life when Jackson was near death, painted a portrait of ] during the same sittings<ref name=":5">{{Cite web |title=The Hermitage, home of Old Hickory, by Stanley F. Horn |url=https://babel.hathitrust.org/cgi/pt?id=mdp.39015026798523&seq=266 |access-date=2025-01-05 |website=HathiTrust |language=en}}</ref> |
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|J. E. Moore of New Orleans was "reported in March of 1842 as practicing the daguerrean art at the rooms of Madame Berniaud at the corner of Baronne and Canal streets. Specimens of the daguerreotype on view at his rooms included a likeness of General Andrew Jackson."<ref>{{Cite journal |last=Smith |first=Margaret Denton |date=1979 |title=Checklist of Photographers Working in New Orleans, 1840–1865 |url=https://www.jstor.org/stable/4231938 |journal=Louisiana History: The Journal of the Louisiana Historical Association |volume=20 |issue=4 |pages=393–430 |issn=0024-6816}}</ref> |
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|J. E. Moore of New Orleans was "reported in March of 1842 as practicing the daguerrean art at the rooms of Madame Berniaud at the corner of Baronne and Canal streets. Specimens of the daguerreotype on view at his rooms included a likeness of General Andrew Jackson."<ref>{{Cite journal |last=Smith |first=Margaret Denton |date=1979 |title=Checklist of Photographers Working in New Orleans, 1840–1865 |url=https://www.jstor.org/stable/4231938 |journal=Louisiana History: The Journal of the Louisiana Historical Association |volume=20 |issue=4 |pages=393–430 |jstor=4231938 |issn=0024-6816}}</ref> |
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|Dan Adams, enlarged by Charles Truscott<ref>{{Cite journal |date=2023-11-21 |title=Portrait of Andrew Jackson (1767-1845) |url=https://digitaltennessee.tnsos.gov/portraitphotography/2/ |journal=Tennesseans Through the Lens: Portrait Photography in Tennessee}}</ref> |
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|Dan Adams, enlarged by Charles Truscott<ref>{{Cite journal |date=2023-11-21 |title=Portrait of Andrew Jackson (1767-1845) |url=https://digitaltennessee.tnsos.gov/portraitphotography/2/ |journal=Tennesseans Through the Lens: Portrait Photography in Tennessee}}</ref> |
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|Daguerreotype |
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|Daguerreotype |
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|This version hand-tinted; per Remini this image captures Jackson "bloated, grumpy, formally attired, and propped up against a pillow"<ref name=":3" /> |
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|This version hand-tinted; per Remini this image captures Jackson "bloated, grumpy, formally attired, and propped up against a pillow";<ref name=":3" /> possibly apocryphal story about Jackson's comment on the image: "Humph! Looks like a monkey!"<ref name=":5" /> |
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== Notable engravings and lithographs == |
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== Engravings == |
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{| class="wikitable sortable" |
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{| class="wikitable sortable" |
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|James Barton Longacre |
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|James Barton Longacre |
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|"Drawn from life" |
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|"Drawn from life" |
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|1845 |
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|], posthumous |
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* {{cite web |url=https://www.govinfo.gov/content/pkg/GPO-CDOC-109sdoc2/pdf/GPO-CDOC-109sdoc2-6.pdf |title=Senate Art |work=govinfo.gov }} |
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* {{cite web |url=https://www.govinfo.gov/content/pkg/GPO-CDOC-109sdoc2/pdf/GPO-CDOC-109sdoc2-6.pdf |title=Senate Art |work=govinfo.gov }} |
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* {{Cite book |last=Remini |first=Robert V. |author-link=Robert V. Remini |title=Andrew Jackson and the Course of American Empire, 1767–1821 |date=1977 |publisher=Harper & Row |isbn=978-0-8018-5912-0 |location=New York |lccn=77003766 |oclc=1145801830}} |
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* {{Cite book |last=Remini |first=Robert V. |author-link=Robert V. Remini |title=Andrew Jackson and the Course of American Empire, 1767–1821 |date=1977 |publisher=Harper & Row |isbn=978-0-8018-5912-0 |location=New York |lccn=77003766 |oclc=1145801830}} |
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* {{Cite book |last=Stephens |first=Rachel |title=Selling Andrew Jackson: Ralph E. W. Earl and the Politics of Portraiture |date=2018 |publisher=University of South Carolina Press |isbn=978-1-6111-7867-8 |location=Columbia, South Carolina |id={{Project MUSE|59054 |type=book}} |oclc=1023818256 | lccn=2017041622}} |
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{{Andrew Jackson}} |
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{{Andrew Jackson}} |