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| {{Infobox writer | {{Infobox writer | ||
| | name = Jerry Saltz | | name = Jerry Saltz | ||
| | image = Pulitzer2018-jerry-saltz-20180530-wp.jpg | | image = Pulitzer2018-jerry-saltz-20180530-wp (cropped).jpg | ||
| | birth_date = {{birth date and age|1951|2|19}} | | birth_date = {{birth date and age|1951|2|19}} | ||
| | birth_place = ], U.S. | | birth_place = ], U.S. | ||
| Line 9: | Line 9: | ||
| | education = ] | | education = ] | ||
| | period = 1990s–present | | period = 1990s–present | ||
| | notableworks = '' |
| notableworks = ''Seeing Out Loud: The Village Voice Art Columns, 1998–2003''<br> ''Seeing Out Louder'' | ||
| | spouse = ] | | spouse = {{marriage|]|1992}} | ||
| | awards = ] | | awards = ] (2018) | ||
| }} | }} | ||
| '''Jerry Saltz''' (born February 19, 1951, in ]) is an American ]. Since 2006, he has been senior art critic and columnist for '']'' magazine. Formerly the senior art critic for '']'', he received the ] in 2018 and was nominated for the award in 2001 and 2006.<ref name=":1">Parmiggiani, Sandro (February 2011). "" (review of Italian edition of ''Seeing Out Loud''; in Italian). ''Il Giornale dell'arte''. No. 306. ilgiornaledellarte.com. Retrieved 2018-07-20.</ref> Saltz served as a visiting critic at ], ], ], and ] and the New York Studio Residency Program, and was the sole advisor for the 1995 ]. | '''Jerry Saltz''' (born February 19, 1951, in ]) is an American ]. Since 2006, he has been senior art critic and columnist for '']'' magazine. Formerly the senior art critic for '']'', he received the ] in 2018 and was nominated for the award in 2001 and 2006.<ref name=":1">Parmiggiani, Sandro (February 2011). "" (review of Italian edition of ''Seeing Out Loud''; in Italian). ''Il Giornale dell'arte''. No. 306. ilgiornaledellarte.com. Retrieved 2018-07-20.</ref> Saltz served as a visiting critic at ], ], ], and ] and the New York Studio Residency Program, and was the sole advisor for the 1995 ]. | ||
| Saltz is the recipient of three honorary doctorates, including from the ] in 2008<ref name=":2">{{Cite web|url= |
Saltz is the recipient of three honorary doctorates, including from the ] in 2008<ref name=":2">{{Cite web|url=https://www.saic.edu/life-at-saic/commencement/speakers/past-speakers|title=Past Speakers and Honorary Degree Recipients|website=School of the Art Institute of Chicago|language=en|access-date=2019-01-18}}</ref> and ] in 2011.<ref name=":3">{{Cite web|url=http://www.artnet.com/magazineus/arteducation/arteducation/doctor-jerry-saltz-4-1-11.asp|title=Jerry Saltz gets his third honorary Ph.D. - artnet Magazine|website=artnet.com|access-date=2019-01-18}}</ref> | ||
| ==Early life== | ==Early life and education== | ||
| Saltz was born in ], before moving to ]. His mother died when he was ten years old. Shortly after he recalls a memorable trip to the ], where he discovered, "Everything here is telling a story, everything here has a code, has a language—and I’m going to learn this whole language and I’m going to know the story."<ref name=":0" >{{Cite web|url=https://brooklynrail.org/2017/06/art/Jerry-Saltz-with-Jarrett-Earnest|title=Jerry Saltz with Jarrett Earnest|website=The Brooklyn Rail|access-date=2019-01-18|date=June 2017 |
Saltz was born in ], before moving to ]. His mother died when he was ten years old. Shortly after he recalls a memorable trip to the ], where he discovered, "Everything here is telling a story, everything here has a code, has a language—and I’m going to learn this whole language and I’m going to know the story."<ref name=":0" >{{Cite web|url=https://brooklynrail.org/2017/06/art/Jerry-Saltz-with-Jarrett-Earnest|title=Jerry Saltz with Jarrett Earnest|website=The Brooklyn Rail|access-date=2019-01-18|date=June 2017}}</ref> | ||
| Saltz moved to the inner city and attended the ] from 1970 to 1975 before dropping out. |
Saltz moved to the inner city and attended the ] from 1970 to 1975 before dropping out. | ||
| == |
==Career== | ||
| Saltz worked briefly at ] before co-founding, with Barry Holden and artists from the ], N.A.M.E. Gallery, an artist-run gallery. Saltz moved to ] in 1980.<ref name="br">{{cite web |url=http://brooklynrail.org/2008/09/art/jerry-saltz-in-conversation-with-irving-sandler |title=Jerry Saltz with Irving Sandler |last=Sandler |first=Irving |date=12 September 2012 |website=brooklynrail.org |publisher=Brooklyn Rail|access-date=12 September 2016}}</ref> | |||
| ⚫ | Since 2006, Saltz has been senior art critic and columnist for '']'' magazine. Formerly the senior art critic for '']'', he has also contributed to ''], ], ], and ]'', among other art publications.<ref name=":1" /> | ||
| ===Art criticism=== | |||
| ⚫ | Since 2006, Saltz has been senior art critic and columnist for '']'' magazine. Formerly the senior art critic for '']'', he has also contributed to ''], ], ], and ]'', ] among other art publications.<ref name=":1" /><ref name=impostor>{{cite web|url=https://wmich.edu/humanities/jerry-saltz|website=wmich.edu|title=How To Be an Artist; or at Least Think More Freely and Creatively About Your Everyday Life|quote=What if you have Imposter Syndrome? Almost everyone does; it’s the price of admission to the House of Creativity|first=Jerry|last=Saltz|publisher=]|year=2019|archiveurl=https://web.archive.org/web/20191028231606/https://wmich.edu/humanities/jerry-saltz|archivedate=2019-10-28}}</ref> | ||
| In an article in '']'' magazine, Saltz codified his outlook: "All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art...Skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks."<ref>Saltz, Jerry, , ''www.artnet.com'', December 20, 2005. Retrieved 2015-10-01.</ref> In 2008 Saltz said, "I'm looking for what the artist is trying to say and what he or she is actually saying, what the work reveals about society and the timeless conditions of being alive".<ref>Thornton, Sarah. Seven Days in the Art World. New York: W. W. Norton & Company. 2008. (174–75)</ref> | In an article in '']'' magazine, Saltz codified his outlook: "All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art...Skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks."<ref>Saltz, Jerry, , ''www.artnet.com'', December 20, 2005. Retrieved 2015-10-01.</ref> In 2008 Saltz said, "I'm looking for what the artist is trying to say and what he or she is actually saying, what the work reveals about society and the timeless conditions of being alive".<ref>Thornton, Sarah. Seven Days in the Art World. New York: W. W. Norton & Company. 2008. (174–75)</ref> | ||
| . Time Out: Chicago |
]In ''Seeing Out Loud'', his collection of ''Village Voice'' columns published in 2003, he said he considers himself the kind of critic that ] calls a "goalie," someone who says "It's going to have to be pretty good to get by me."<ref>Saltz, Jerry. Seeing Out Loud: the Village Voice Art Columns Fall 1998 – Winter 2003. The Figures. 2003 (20–21).</ref> | ||
| Saltz has cited Manny Farber's "termite art" and ]'s "Babylon" as well as other wide-ranging systemic metaphors for the ]. Although he's defended the art market, he's also called out faddy market behavior and the fetish for youth, saying "the art world eats its young."<ref>Saltz, Jerry. . ''Artnet Magazine''. September 13, 2000</ref> | Saltz has cited Manny Farber's "termite art" and ]'s "Babylon" as well as other wide-ranging systemic metaphors for the ]. Although he's defended the art market, he's also called out faddy market behavior and the fetish for youth, saying "the art world eats its young."<ref>Saltz, Jerry. . ''Artnet Magazine''. September 13, 2000</ref> | ||
| On a ] panel in February 2007, Saltz commented, "We live in a Misplaced Pages art world. Twenty years ago, there were only four to five encyclopedias—and I tried to get into them. Now, all writing is in the Misplaced Pages. Some entries are bogus, some are the best. We live in an open ]." | On a ] panel in February 2007, Saltz commented, "We live in a Misplaced Pages art world. Twenty years ago, there were only four to five encyclopedias—and I tried to get into them. Now, all writing is in the Misplaced Pages. Some entries are bogus, some are the best. We live in an open ]." | ||
| His humor, irreverence, ] and volubility have led some to call him the ] of the art world.<ref name=HAH/> He has expressed doubt about art critics' influence as purveyors of taste, saying they have little effect on the success of an artist's career. Nonetheless, ] called him the 73rd most powerful person in the art world in their 2009 Power 100 list.<ref name=HAH>Harrison, Helen A. . Sag Harbor Express. August 7, 2010. Retrieved 2015-10-01.</ref> | His humor, irreverence, ] and volubility have led some to call him the ] of the art world.<ref name=HAH/> He has expressed doubt about art critics' influence as purveyors of taste, saying they have little effect on the success of an artist's career. Nonetheless, ] called him the 73rd most powerful person in the art world in their 2009 Power 100 list.<ref name=HAH>Harrison, Helen A. {{Webarchive|url=https://web.archive.org/web/20151002105332/http://sagharboronline.com/artists-dont-get-no-respect/ |date=October 2, 2015 }}. Sag Harbor Express. August 7, 2010. Retrieved 2015-10-01.</ref> | ||
| In 2007, he received the ] Award for art criticism from the ].<ref name="caa">{{cite web|url=http://www.collegeart.org/awards/matherpast|title=Awards|publisher=The College Art Association|access-date=October 11, 2010}}</ref> | In 2007, he received the ] Award for art criticism from the ].<ref name="caa">{{cite web|url=http://www.collegeart.org/awards/matherpast|title=Awards|publisher=The College Art Association|access-date=October 11, 2010}}</ref> | ||
| In a 2018 interview, Saltz maintained, |
In a 2018 interview, Saltz maintained, "To this day I wake up early and I have to get to my desk to write almost immediately. I mean fast. Before the demons get me. I got to get writing. And once I’ve written almost anything, I’ll pretty much write all day, I don’t leave my desk, I have no other life. I’m not part of the world except when I go to see shows."<ref>{{Cite web|url=https://longform.org/posts/longform-podcast-311-jerry-saltz|title=Longform Podcast #311: Jerry Saltz · Longform|website=]|date=September 26, 2018 |language=en|access-date=2019-01-18}}</ref> | ||
| That same year, Saltz reviewed American-Canadian artist ] exhibit featuring portraits of little known Americans who bring to light current socio-political issues.<ref>{{Cite web |title=Past Visiting Artists |url=https://visualart.brown.edu/visiting-artist-program/past-visiting-artists |access-date=2023-11-16 |website=Visual Art {{!}} Brown University |language=en}}</ref><ref>{{Cite web |title=Carole Freeman |url=https://www.jimkempnerfineart.com/carole-freeman |access-date=2023-11-16 |website=Jim Kempner Fine Art |language=en-US}}</ref> Saltz wrote: "''These transporting portraits are beautiful meditations in paint... Each is rendered lovingly and intensely; the works impart that the chariot to greatness comes in many forms and that every artist is also one of these mighty figures, laboring with passion in private shadows."''<ref>{{Cite web |last=Saltz |first=Jerry |date=April 15, 2018 |title=What to Do in New York: Twenty-five things to see, hear, watch, and read. |url=https://nymag.com/arts/all/to-do-2018-04-16/}}</ref> | |||
| ===Dialogue with readers through Facebook=== | ===Dialogue with readers through Facebook=== | ||
| Saltz uses Facebook more actively than many other art critics, posting daily questions and diatribes to his audience of friends, which numbered 94,039 people in December 2020. He has stated that he wants to demystify the art critic to artists and a general art audience. His posts are less polished and restrained than his writing for ''New York Magazine'' and '']'', and he has shared personal matters including family tragedies, career bumps and his diet. He told the '']'', "It's exciting to be in this room with 5,000 people. It's like the Cedar Bar for me, or ]."<ref>Neyfakh, Leon. . New York Observer. February 16, 2010.</ref> | Saltz uses Facebook more actively than many other art critics, posting daily questions and diatribes to his audience of friends, which numbered 94,039 people in December 2020. He has stated that he wants to demystify the art critic to artists and a general art audience. His posts are less polished and restrained than his writing for '']'' and '']'', and he has shared personal matters including family tragedies, career bumps and his diet. He told the '']'', "It's exciting to be in this room with 5,000 people. It's like the Cedar Bar for me, or ]."<ref>Neyfakh, Leon. . New York Observer. February 16, 2010.</ref> | ||
| He has used his page to defend the use of ] in art, arguing against adherents of "the New Seriousness", whom he calls the "Purity Police".<ref>Butler, Sharon L. . Brooklyn Rail. March 2009.</ref> | He has used his page to defend the use of ] in art, arguing against adherents of "the New Seriousness", whom he calls the "Purity Police".<ref>Butler, Sharon L. . Brooklyn Rail. March 2009.</ref> | ||
| Line 51: | Line 56: | ||
| In 2010, artist ] exhibited an artwork called "What Are We Not Shutting Up About?" at the FLAG Foundation in New York that statistically analyzed five months of Facebook conversations between Saltz and his online friends.<ref>Johnson, Ken. . ''New York Times''. August 13, 2010.</ref> In an interview with ], Dalton said of the work, “I became interested in Jerry Saltz's Facebook page as an amazing site of written dialogue and as a place where culture is being created on the spot. I think my piece, and Jerry Saltz's Facebook page itself, tells us that a lot of people in the art world crave dialogue and community, and when a space is welcoming enough people really flock to it.”<ref>. Artinfo. July 7, 2010.</ref> | In 2010, artist ] exhibited an artwork called "What Are We Not Shutting Up About?" at the FLAG Foundation in New York that statistically analyzed five months of Facebook conversations between Saltz and his online friends.<ref>Johnson, Ken. . ''New York Times''. August 13, 2010.</ref> In an interview with ], Dalton said of the work, “I became interested in Jerry Saltz's Facebook page as an amazing site of written dialogue and as a place where culture is being created on the spot. I think my piece, and Jerry Saltz's Facebook page itself, tells us that a lot of people in the art world crave dialogue and community, and when a space is welcoming enough people really flock to it.”<ref>. Artinfo. July 7, 2010.</ref> | ||
| In 2010, Saltz asked his Facebook friends about art studio (or office) door signs—and then later sought someone to compile the replies. The result was a book featuring Saltz and dozens of his page's followers' quotes: '' |
In 2010, Saltz asked his Facebook friends about art studio (or office) door signs—and then later sought someone to compile the replies. The result was a book featuring Saltz and dozens of his page's followers' quotes: ''JERRY SALTZ ART CRITIC's Fans, Friends, & The Tribes Suggested ART STUDIO DOOR SIGNS of Real Life or Fantasy''.<ref>{{ISBN|978-0-9798261-0-8}}</ref><ref></ref> | ||
| In 2015, Saltz was briefly suspended from Facebook after the site received complaints from users about provocative posts.<ref name=nyt.fb>{{cite news |date=4 March 2015 |title=Jerry Saltz, New York Magazine Art Critic, Suspended From Facebook |url=https://artsbeat.blogs.nytimes.com/2015/03/04/jerry-saltz-new-york-magazine-art-critic-suspended-from-facebook/ |newspaper=New York Times |
In 2015, Saltz was briefly suspended from Facebook after the site received complaints from users about provocative posts.<ref name=nyt.fb>{{cite news |date=4 March 2015 |title=Jerry Saltz, New York Magazine Art Critic, Suspended From Facebook |url=https://artsbeat.blogs.nytimes.com/2015/03/04/jerry-saltz-new-york-magazine-art-critic-suspended-from-facebook/ |newspaper=New York Times |access-date=5 February 2017 }}</ref><ref>{{Cite web|url=https://www.artspace.com/magazine/interviews_features/qa/jerry-saltz-on-facebook-and-medieval-porn-52674|title=Jerry Saltz on His (Brief) Exile From Facebook, and the Virtues of Medieval Torture Porn|website=Artspace|language=en|access-date=2018-09-18}}</ref> | ||
| ===Art critic as television personality=== | ===Art critic as television personality=== | ||
| Saltz served as a judge in the ] television series '']'' which ran from June 9, 2010, to December 21, 2011. | Saltz served as a judge in the ] television series '']'' which ran from June 9, 2010, to December 21, 2011. | ||
| == |
===Publications=== | ||
| Saltz received the ] in 2018 and was nominated for the award in 2001 and 2006. | |||
| ⚫ | Saltz is the recipient of three ]s, including from the ] in 2008<ref name=":2" /> and ] in 2011.<ref name=":3" /> | ||
| ⚫ | ==Personal life== | ||
| ⚫ | Saltz lives in New York City with his wife ], co-chief art critic for the '']''. They were married in 1992.<ref>{{cite news|url=https://news.artnet.com/opinion/kenny-schachter-jerry-saltz-777836|title=Jerry Saltz and the Future of the Critic-Artist|date=2016-12-09|work=artnet News|access-date=2018-03-18|language=en-US}}</ref> | ||
| ==Books== | |||
| * Saltz, Jerry. ''Seeing Out Loud: The Village Voice Art Columns'', 1998–2003. Gt Barrington: The Figures, 2003; reprinted 2007; 410 pp. (paperback), {{ISBN|978-1-930589-17-9}}. | * Saltz, Jerry. ''Seeing Out Loud: The Village Voice Art Columns'', 1998–2003. Gt Barrington: The Figures, 2003; reprinted 2007; 410 pp. (paperback), {{ISBN|978-1-930589-17-9}}. | ||
| Line 74: | Line 71: | ||
| *Saltz, Jerry. ''Art is Life.'' Penguin Random House, 2022; 354 pp. ISBN 978-0593086490 | *Saltz, Jerry. ''Art is Life.'' Penguin Random House, 2022; 354 pp. ISBN 978-0593086490 | ||
| == |
===Awards=== | ||
| Saltz received the ] in 2018<ref>{{Cite web |title=The 2018 Pulitzer Prize Winner in Criticism: Jerry Saltz of New York magazine |url=https://www.pulitzer.org/winners/jerry-saltz-new-york-magazine |website=The Pulitzer Prizes}}</ref> and was a finalist for the award in 2001<ref>{{Cite web |title=The 2001 Pulitzer Prize Finalist in Criticism: Finalist: Jerry Saltz of The Village Voice, a New York City weekly |url=https://www.pulitzer.org/finalists/jerry-saltz |website=The Pulitzer Prizes}}</ref> and 2006.<ref>{{Cite web |title=The 2006 Pulitzer Prize Finalist in Criticism: Finalist: Jerry Saltz of The Village Voice, a New York City weekly |url=https://www.pulitzer.org/finalists/jerry-saltz-0 |website=The Pulitzer Prizes}}</ref> | |||
| *'']'', 2021 film in which Saltz is interviewed | |||
| ⚫ | Saltz is the recipient of three ]s, including from the ] in 2008<ref name=":2" /> and ] in 2011.<ref name=":3" /> | ||
| ⚫ | ==Personal life== | ||
| ⚫ | Saltz lives in New York City with his wife ], co-chief art critic for the '']''. They were married in 1992.<ref>{{cite news|url=https://news.artnet.com/opinion/kenny-schachter-jerry-saltz-777836|title=Jerry Saltz and the Future of the Critic-Artist|date=2016-12-09|work=artnet News|access-date=2018-03-18|language=en-US}}</ref> Saltz is ].<ref>{{cite tweet|number=955670547572158464|user=jerrysaltz|title=And as a Jew I ask, what is your point? And what should be done? Fire them? Have 51% of the employees be women be…|date=January 23, 2018}}</ref><ref>{{cite web |url=https://www.vulture.com/2020/05/jerry-saltz-my-appetites.html |title = Jerry Saltz: My Appetites| date=May 12, 2020 }}</ref> | ||
| ==References== | ==References== | ||
Latest revision as of 04:11, 14 January 2025
American art critic & historian, b. 1951
| Jerry Saltz | |
|---|---|
.jpg) | |
| Born | (1951-02-19) February 19, 1951 (age 73) Oak Park, Illinois, U.S. |
| Occupation | Journalist, Author, Art critic |
| Education | School of the Art Institute of Chicago |
| Period | 1990s–present |
| Notable works | Seeing Out Loud: The Village Voice Art Columns, 1998–2003 Seeing Out Louder |
| Notable awards | Pulitzer Prize for Criticism (2018) |
| Spouse |
Roberta Smith (m. 1992) |
Jerry Saltz (born February 19, 1951, in Chicago, Illinois) is an American art critic. Since 2006, he has been senior art critic and columnist for New York magazine. Formerly the senior art critic for The Village Voice, he received the Pulitzer Prize for Criticism in 2018 and was nominated for the award in 2001 and 2006. Saltz served as a visiting critic at School of Visual Arts, Columbia University, Yale University, and The School of the Art Institute of Chicago and the New York Studio Residency Program, and was the sole advisor for the 1995 Whitney Biennial.
Saltz is the recipient of three honorary doctorates, including from the School of the Art Institute of Chicago in 2008 and Kansas City Art Institute in 2011.
Early life and education
Saltz was born in Oak Park, before moving to River Forest, Illinois. His mother died when he was ten years old. Shortly after he recalls a memorable trip to the Art Institute of Chicago, where he discovered, "Everything here is telling a story, everything here has a code, has a language—and I’m going to learn this whole language and I’m going to know the story."
Saltz moved to the inner city and attended the School of the Art Institute of Chicago from 1970 to 1975 before dropping out.
Career
Saltz worked briefly at Jan Cicero Gallery before co-founding, with Barry Holden and artists from the Art Institute of Chicago, N.A.M.E. Gallery, an artist-run gallery. Saltz moved to New York City in 1980.
Art criticism
Since 2006, Saltz has been senior art critic and columnist for New York magazine. Formerly the senior art critic for The Village Voice, he has also contributed to Art in America, Flash Art International, Frieze, and Modern Painters, Vulture.com among other art publications.
In an article in Artnet magazine, Saltz codified his outlook: "All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art...Skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks." In 2008 Saltz said, "I'm looking for what the artist is trying to say and what he or she is actually saying, what the work reveals about society and the timeless conditions of being alive".
.jpg)
In Seeing Out Loud, his collection of Village Voice columns published in 2003, he said he considers himself the kind of critic that Peter Plagens calls a "goalie," someone who says "It's going to have to be pretty good to get by me."
Saltz has cited Manny Farber's "termite art" and Joan Didion's "Babylon" as well as other wide-ranging systemic metaphors for the art world. Although he's defended the art market, he's also called out faddy market behavior and the fetish for youth, saying "the art world eats its young."
On a College Art Association panel in February 2007, Saltz commented, "We live in a Misplaced Pages art world. Twenty years ago, there were only four to five encyclopedias—and I tried to get into them. Now, all writing is in the Misplaced Pages. Some entries are bogus, some are the best. We live in an open art world."
His humor, irreverence, self-deprecation and volubility have led some to call him the Rodney Dangerfield of the art world. He has expressed doubt about art critics' influence as purveyors of taste, saying they have little effect on the success of an artist's career. Nonetheless, ArtReview called him the 73rd most powerful person in the art world in their 2009 Power 100 list.
In 2007, he received the Frank Jewett Mather Award for art criticism from the College Art Association.
In a 2018 interview, Saltz maintained, "To this day I wake up early and I have to get to my desk to write almost immediately. I mean fast. Before the demons get me. I got to get writing. And once I’ve written almost anything, I’ll pretty much write all day, I don’t leave my desk, I have no other life. I’m not part of the world except when I go to see shows."
That same year, Saltz reviewed American-Canadian artist Carole Freeman's exhibit featuring portraits of little known Americans who bring to light current socio-political issues. Saltz wrote: "These transporting portraits are beautiful meditations in paint... Each is rendered lovingly and intensely; the works impart that the chariot to greatness comes in many forms and that every artist is also one of these mighty figures, laboring with passion in private shadows."
Dialogue with readers through Facebook
Saltz uses Facebook more actively than many other art critics, posting daily questions and diatribes to his audience of friends, which numbered 94,039 people in December 2020. He has stated that he wants to demystify the art critic to artists and a general art audience. His posts are less polished and restrained than his writing for New York Magazine and vulture.com, and he has shared personal matters including family tragedies, career bumps and his diet. He told the New York Observer, "It's exciting to be in this room with 5,000 people. It's like the Cedar Bar for me, or Max's Kansas City."
He has used his page to defend the use of irony in art, arguing against adherents of "the New Seriousness", whom he calls the "Purity Police".
- Some Facebook-related Jerry Saltz activity
-
Saltz and Bill Clinton pose at an art gallery exhibit opening—side view of the scene long used as the user-avatar on Saltz's official Facebook page
-
At the public opening reception of an art exhibit at a gallery in New York City, Saltz (center) is flanked by wife Roberta Smith and artist and Facebook friend Terry Ward.
In 2010, artist Jennifer Dalton exhibited an artwork called "What Are We Not Shutting Up About?" at the FLAG Foundation in New York that statistically analyzed five months of Facebook conversations between Saltz and his online friends. In an interview with Artinfo, Dalton said of the work, “I became interested in Jerry Saltz's Facebook page as an amazing site of written dialogue and as a place where culture is being created on the spot. I think my piece, and Jerry Saltz's Facebook page itself, tells us that a lot of people in the art world crave dialogue and community, and when a space is welcoming enough people really flock to it.”
In 2010, Saltz asked his Facebook friends about art studio (or office) door signs—and then later sought someone to compile the replies. The result was a book featuring Saltz and dozens of his page's followers' quotes: JERRY SALTZ ART CRITIC's Fans, Friends, & The Tribes Suggested ART STUDIO DOOR SIGNS of Real Life or Fantasy.
In 2015, Saltz was briefly suspended from Facebook after the site received complaints from users about provocative posts.
Art critic as television personality
Saltz served as a judge in the Bravo television series Work of Art: The Next Great Artist which ran from June 9, 2010, to December 21, 2011.
Publications
- Saltz, Jerry. Seeing Out Loud: The Village Voice Art Columns, 1998–2003. Gt Barrington: The Figures, 2003; reprinted 2007; 410 pp. (paperback), ISBN 978-1-930589-17-9.
- Saltz, Jerry. Seeing Out Louder. Hudson Hills Press LLC, 2009; 420 pp. (hardcover), ISBN 978-1-55595-318-8.
- Saltz, Jerry. Beyond Boundaries: New York's New Art. 1986; 128 pp. ISBN 978-0-912383-31-6
- Saltz, Jerry. How to Be an Artist. 2020; 144 pp. ISBN 9780593086469
- Saltz, Jerry. Art is Life. Penguin Random House, 2022; 354 pp. ISBN 978-0593086490
Awards
Saltz received the Pulitzer Prize for Criticism in 2018 and was a finalist for the award in 2001 and 2006.
Saltz is the recipient of three honorary doctorates, including from the School of the Art Institute of Chicago in 2008 and Kansas City Art Institute in 2011.
Personal life
Saltz lives in New York City with his wife Roberta Smith, co-chief art critic for the New York Times. They were married in 1992. Saltz is Jewish.
References
- ^ Parmiggiani, Sandro (February 2011). "Il 90% dell’arte è pessima, il 9% buona, l’1% favolosa (e forse resterà)" (review of Italian edition of Seeing Out Loud; in Italian). Il Giornale dell'arte. No. 306. ilgiornaledellarte.com. Retrieved 2018-07-20.
- ^ "Past Speakers and Honorary Degree Recipients". School of the Art Institute of Chicago. Retrieved January 18, 2019.
- ^ "Jerry Saltz gets his third honorary Ph.D. - artnet Magazine". artnet.com. Retrieved January 18, 2019.
- "Jerry Saltz with Jarrett Earnest". The Brooklyn Rail. June 2017. Retrieved January 18, 2019.
- Sandler, Irving (September 12, 2012). "Jerry Saltz with Irving Sandler". brooklynrail.org. Brooklyn Rail. Retrieved September 12, 2016.
- Saltz, Jerry (2019). "How To Be an Artist; or at Least Think More Freely and Creatively About Your Everyday Life". wmich.edu. Western Michigan University. Archived from the original on October 28, 2019.
What if you have Imposter Syndrome? Almost everyone does; it's the price of admission to the House of Creativity
- Saltz, Jerry, "Seeing Out Loud", www.artnet.com, December 20, 2005. Retrieved 2015-10-01.
- Thornton, Sarah. Seven Days in the Art World. New York: W. W. Norton & Company. 2008. (174–75)
- Parsi, Novid (May 27, 2010). "Jerry Saltz: Interview". Time Out: Chicago. Archived from the original on May 28, 2010.
- "'You Will Be Poor… Accept It': 11 Pieces of Advice for Struggling Artists From Pulitzer Prize Winner Jerry Saltz". artnet News. May 4, 2018. Retrieved January 18, 2019.
- Saltz, Jerry. Seeing Out Loud: the Village Voice Art Columns Fall 1998 – Winter 2003. The Figures. 2003 (20–21).
- Saltz, Jerry. "Babylon Calling". Artnet Magazine. September 13, 2000
- ^ Harrison, Helen A. "Artists Don't Get No Respect" Archived October 2, 2015, at the Wayback Machine. Sag Harbor Express. August 7, 2010. Retrieved 2015-10-01.
- "Awards". The College Art Association. Retrieved October 11, 2010.
- "Longform Podcast #311: Jerry Saltz · Longform". Longform. September 26, 2018. Retrieved January 18, 2019.
- "Past Visiting Artists". Visual Art | Brown University. Retrieved November 16, 2023.
- "Carole Freeman". Jim Kempner Fine Art. Retrieved November 16, 2023.
- Saltz, Jerry (April 15, 2018). "What to Do in New York: Twenty-five things to see, hear, watch, and read".
- Neyfakh, Leon. "The Many Friends of Jerry Saltz". New York Observer. February 16, 2010.
- Butler, Sharon L. "The Art World on Facebook:A Primer". Brooklyn Rail. March 2009.
- Johnson, Ken. "Art in Review: Jennifer Dalton – Making Sense". New York Times. August 13, 2010.
- "Jennifer Dalton Makes Art From Jerry Saltz's Facebook Page". Artinfo. July 7, 2010.
- ISBN 978-0-9798261-0-8
- "Art studio door signs book online preview portal"
- "Jerry Saltz, New York Magazine Art Critic, Suspended From Facebook". New York Times. March 4, 2015. Retrieved February 5, 2017.
- "Jerry Saltz on His (Brief) Exile From Facebook, and the Virtues of Medieval Torture Porn". Artspace. Retrieved September 18, 2018.
- "Beyond Boundaries New Yorks New Art Jerry Saltz Author Van Der Marck Editions". publishersweekly.com. Retrieved January 18, 2019.
- "How to Be an Artist by Jerry Saltz: 9780593086469 | PenguinRandomHouse.com: Books". PenguinRandomhouse.com. Retrieved October 30, 2019.
- "The 2018 Pulitzer Prize Winner in Criticism: Jerry Saltz of New York magazine". The Pulitzer Prizes.
- "The 2001 Pulitzer Prize Finalist in Criticism: Finalist: Jerry Saltz of The Village Voice, a New York City weekly". The Pulitzer Prizes.
- "The 2006 Pulitzer Prize Finalist in Criticism: Finalist: Jerry Saltz of The Village Voice, a New York City weekly". The Pulitzer Prizes.
- "Jerry Saltz and the Future of the Critic-Artist". artnet News. December 9, 2016. Retrieved March 18, 2018.
- @jerrysaltz (January 23, 2018). "And as a Jew I ask, what is your point? And what should be done? Fire them? Have 51% of the employees be women be…" (Tweet) – via Twitter.
- "Jerry Saltz: My Appetites". May 12, 2020.
External links
- Seeing Out Loud Archived July 6, 2007, at the Wayback Machine is available direct from the publisher.
- Jerry Saltz Article Archives on Artnet.com
- Jerry Saltz Archive at New York Magazine
- Jerry Saltz with Irving Sandler: an interview by Irving Sandler published in The Brooklyn Rail
- Official page on Facebook
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