Revision as of 20:42, 25 January 2008 edit205.161.196.138 (talk)No edit summary← Previous edit | Revision as of 20:43, 25 January 2008 edit undo205.161.196.138 (talk) ←Replaced page with ' Hi!!!!!!!!!!!!!'Next edit → | ||
Line 1: | Line 1: | ||
{{Infobox Brazilian rock}} | |||
'''Brazilian rock''' refers to ] produced in ] and usually sung in ]. | |||
Rock entered the ]ian scene in ], with the screening of the film '']'', featuring ]'s "]", which would later be covered by singer ]<ref>{{cite web | last = Cravo Albin | first = Ricardo | authorlink = | coauthors = | title = Dicionário Cravo Albin da Música Popular Brasileira | work = | publisher = Instituto Cultural Cravo Albin | date = | url = http://www.dicionariompb.com.br/detalhe.asp?nome=Nora+Ney&tabela=T_FORM_A&qdetalhe=art | format = | doi = | accessdate = 2007-04-22 }}</ref> and have a ] version. In ] ] wrote the first original rock 'n' roll song "Rock and roll em Copacabana", recorded by ]. The song was #52 in the year's charts<ref>{{cite web | last = | first = | authorlink = | coauthors = | title = Hot100Brasil | work = | publisher = Hot100Brasil | date = | url = http://www.hot100brasil.com/timemachine1957.html | format = | doi = | accessdate = 2007-04-22 }}</ref>. Other rock artists of the 1950s were ] and ], singing covers and versions from the ] and ]. | |||
Hi!!!!!!!!!!!!! | |||
Throughout the ] rock music was marginalized as crude and ]. This stance led several ] artists to participate in a protest that would later be called the ''passeata contra a guitarra elétrica'' ("demonstration against the ]")<ref name="rcd">{{cite book | last = Araújo | first = Paulo César de | authorlink = | coauthors = | title = Roberto Carlos em detalhes | publisher = Editora Planeta do Brasil | date = 2006 | location = São Paulo | pages = | url = | doi = | id = ISBN 85-7665-225-5 }}</ref>. Thanks to the combined influence of ], ] and the increasing acceptance of electric guitars, this position diminished to the point that ] could produce Beatles-influenced songs and still be regarded as "serious music". | |||
During the ], a new generation of rockers influenced by punk, post-punk and new wave, positioning themselves against MPB (much as punk did against ])<ref name="brock">{{cite book | last = Dapieve | first = Arthur | authorlink = | coauthors = | title = BRock - o rock brasileiro dos anos 80 | publisher = DBA | date = 2000 | location = São Paulo | pages = | url = | doi = | id = ISBN 85-7234-253-2 }}</ref> achieved mainstream success, even producing the best selling album in Brazilian history: ] by ] sold about 2,200,000 copies<ref name="brock"/>. The initial antagonism turned to cross-pollination when ] musicians (], ], ]) recorded songs by the new bands, while the latter experimented with fusions between rock, ], ], ] and ]<ref name="brock"/><ref name="notrop">{{cite book | last = Motta | first = Nelson | authorlink = | coauthors = | title = Noites Tropicais | publisher = Objetiva | date = 2001 | location = Rio de Janeiro | pages = | url = | doi = | id = ISBN 85-7302-292-2 }}</ref>. | |||
==Early period== | |||
In ] ] wrote the first original rock 'n' roll song "]", recorded by ] and #52 on the year's charts. | |||
In Brazil many bands continued to perform translations of English lyrics, though many avoided this problem by playing ]. Inspired by such instrumental bands ] and ], ] saw the release of the first Brazilian instrumental rock song, "Here's the Blue Jean Rockers" by ]. Later that year, ] recorded the first purely instrumental LP. This helped make rock the most popular style of Brazilian youth music. More bands, like ], ], ], ], ], ], ], ], ] and ], arose. | |||
==1959== | |||
1959 was a breakthrough year for ''']ian ]''' as its pioneers emerged and became true stars. Out of thousands of performers, ], ], ], ], ], ], ], ], ] and ] climbed to success seemingly overnight. A number of instrumental bands like ], ], ] and "]" became girls´ heart-throbs. They enjoyed the same success in Brazil as the ] did in Europe and America years later. | |||
==Social development== | |||
Right after rock'n'roll took America by storm, ] and ] also became liberating icons for Brazilian youth. The youth of Brazil felt that they were under sexual and educational oppression, as Brazilian society had been based on the standards and rules of the ] colonization. For example, looking at a strange boy or girl in public meant falling into public disgrace. With the advent of rock'n'roll, the Brazilian world began to change. Teenagers were not "only to be seen but not heard" anymore. However, the youth's first reaction was violent. Many movie theaters were totally wrecked during the showing of rock'n'roll movies. This went on for a couple of years until finally the young people decided that if American kids could do it, why couldn't they? So, some radio disc-jockeys and recording companies set out to find new talents that could not only sing but who would also do it in perfect ]. | |||
This new social era led to a total transformation of customs, and outlived many other attempts to keep Brazil's social structure rooted in the older traditions and religious dogmas. | |||
In ], ] had two hits: "]" (Portuguese lyrics by ] for the ] song) and ], the first Roberto Carlos/Erasmo Carlos collaboration<ref name="rcd"/>. | |||
==BRock - the 1980s boom== | |||
Even though the ] witnessed the phenomenon of ] and the ] saw the appearance of many prolific artists, like ], and bands like ], it was in the ] that the Brazilian rock scene made its great breakthrough, with the spawning of many bands from diverse centres of the country (], ] and ] from ]; ], ], ] and ] from ]; ] from ]; ], ] and ] from ]; ] from ] and so on), in addition to the ] event, which took over a million people to "Cidade do Rock" (where the event was held) in the ten days that it lasted, and established Brazil as a venue for international artists - some artists, like ], ] and ], had come before this event, but the number of international attractions rose abruptly after Rock In Rio. The underground scene had ] and ] bands such as ], ] and ] from the mid to late ]. | |||
==Contemporary== | |||
In modern times, the ] saw a resurgence in instrumental rock's popularity, and some of the classic bands from previous decades reformed. ] also became popular, especially ] and ]. But none of these styles could keep up with the new bands who were a large success, like ] (which was formed in the late 1980s, but only released its first album in 1994), ], ] and ] in later years. Also, ] ] format brought back bands whose career was considered over, like the Titãs in 1996, Capital Inicial in 2000 and, more recently, Ira! in 2004. | |||
] is currently one of the most popular rock genres of the country: bands like ], ], ] and ] often hit high spots on the hit parade, thanks mostly to heavy airplay on Brazilian ].Ultimately in brazilian rock scene the bands that most gained attention were ] and ]. | |||
== Underground == | |||
The Brazilian underground bands is a division: part is influenced by the hardcore or metal and other part is influenced by the 90's ], after ] boom, a large number of bands were created; among these are ], ], ], ], ], ], ] and ]. Today, the independent scene have a lot of opportunities with the festivals (like ], ], ]) and ] labels (like ], ], ] etc.). | |||
==See also== | |||
*] | |||
*] | |||
*] | |||
==Notes== | |||
<references/> | |||
==References== | |||
{{cite web | last = Cravo Albin | first = Ricardo | authorlink = | coauthors = | title = Dicionário Cravo Albin da Música Popular Brasileira | work = | publisher = Instituto Cultural Cravo Albin | date = | url = http://www.dicionariompb.com.br/default.asp | format = | doi = | accessdate = 2007-04-22 }} | |||
{{cite book | last = Dapieve | first = Arthur | authorlink = | coauthors = | title = BRock - o rock brasileiro dos anos 80 | publisher = DBA | date = 2000 | location = São Paulo | pages = | url = | doi = | id = ISBN 85-7234-253-2 }} | |||
{{cite book | last = Alexandre | first = Ricardo | authorlink = | coauthors = | title = Dias de Luta - o Rock e o Brasil dos Anos 80 | publisher = Objetiva | date = 2001 | location = Rio de Janeiro | pages = | url = | doi = | id = ISBN 85-7302-292-2 }} | |||
{{cite book | last = Motta | first = Nelson | authorlink = | coauthors = | title = Noites Tropicais | publisher = Objetiva | date = 2001 | location = Rio de Janeiro | pages = | url = | doi = | id = ISBN 85-7302-292-2 }} | |||
{{cite book | last = Araújo | first = Paulo César de | authorlink = | coauthors = | title = Roberto Carlos em detalhes | publisher = Editora Planeta do Brasil | date = 2006 | location = São Paulo | pages = | url = | doi = | id = ISBN 85-7665-225-5 }} | |||
{{Worldrock}} | |||
] | |||
] | |||
] | |||
] |
Revision as of 20:43, 25 January 2008
Hi!!!!!!!!!!!!!