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The first segment is usually an action segment to hook the viewer, followed by a slower, or more "lyrical" segment, and concluding with a more "thoughtful" segment. This has been the formula and visual style of COPS as the first network reality TV series and has remained so from episode one until the present day. Other innovations for its time included Langley's insistence that as few edits as possible be used, that all cameramen throw away their tripods and shoot exclusively handheld, and that natural audio be the score of the series. The first segment is usually an action segment to hook the viewer, followed by a slower, or more "lyrical" segment, and concluding with a more "thoughtful" segment. This has been the formula and visual style of COPS as the first network reality TV series and has remained so from episode one until the present day. Other innovations for its time included Langley's insistence that as few edits as possible be used, that all cameramen throw away their tripods and shoot exclusively handheld, and that natural audio be the score of the series.


Since season 2, COPS ends each episode with a sound clip over the closing credits, of an officer and a dispatcher conversing over the radio, "132 and Bush, I've got him at gunpoint... Okay, gunpoint, 132 and Bush, coverage code three." This is extracted from a conversation between a Portland, Oregon, police officer and the radio dispatcher during the arrest of a suspect in the 13200 block of SE Bush St 45.49536°N 122.52743°W. However, the first season episodes on the credit screen used a different sound clip from Broward County, Florida. Along with Florida, other early episode localities include the Pacific Northwest cities of Portland, Oregon and Tacoma, Washington.
The show ends with a recorded communication between a dispatcher and police officer before playing the closing credit music, which it has done since it first went on the air.


''COPS'' has traditionally aired on Fox's Saturday night lineup since its debut, where the series has had a regular time slot at 8:00 p.m. Eastern Time. The series lost its permanent spot on the lineup in January 2012, when Fox began carrying a ] anthology series featuring ], ], ], and ] events. ''COPS'' is expected to return in January 2013. ''COPS'' has traditionally aired on Fox's Saturday night lineup since its debut, where the series has had a regular time slot at 8:00 p.m. Eastern Time. The series lost its permanent spot on the lineup in January 2012, when Fox began carrying a ] anthology series featuring ], ], ], and ] events. ''COPS'' is expected to return in January 2013.

Revision as of 16:25, 3 July 2012

This article is about the FOX Reality TV Show. For the DiC Cartoon series, see C.O.P.S.
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1989 American TV series or program
Cops
File:COPS intertitle.png
Created byJohn Langley
Malcolm Barbour
Narrated byHarry Newman
Country of originUnited States
Original languageEnglish
No. of seasons24
No. of episodes982 (as of December 3, 2011)
Production
Executive producersJohn Langley
Malcom Barbour (1989–1994)
ProducersPaul Stojanovich (1989–1990)
Bertram van Munster
(1990–1997)
Murray Jordan
(1997–2001)
Jimmy Langley
(2001–present)
Morgan Langley
(2007–present)
Running timeapprox. 22 min.
(excluding commercials)
Production companiesBarbour/Langley Productions (1989–2001)
Langley Productions (2002–present)
Fox Television Stations
Original release
NetworkFox
ReleaseMarch 11, 1989 –
present

Cops (stylized as COPS) is an American documentary/reality television series that follows police officers, constables, and sheriff's deputies during patrols and other police activities. It is one of the longest-running television programs in the United States and in May 2011 became the longest-running show on Fox with the announcement that America's Most Wanted was being canceled after 23 years.

Created by John Langley and Malcolm Barbour, it premiered on March 11, 1989, and has aired 982 episodes as of December 3, 2011. It won the American Television Award in 1993 and has earned four Emmy nominations. COPS began its 24th season on September 10, 2011 and ended on April 7, 2012. The series is currently one of only two remaining first-run prime-time programs airing on Saturday nights on the four major U.S. broadcast television networks along with CBS's 48 Hours Mystery.

COPS is broadcast by Fox (with repeats from earlier seasons syndicated to local television stations and other cable networks, including truTV and G4), and follows the activities of police officers by embedding camera crews with police units. The show's formula follows the cinéma vérité convention, with no narration or scripted dialog, depending entirely on the commentary of the officers and on the actions of the people with whom they come into contact.

The show has followed officers in 140 different cities in the United States and in Hong Kong, London, and the former Soviet Union. Each episode is approximately 22 minutes in length and typically consists of three segments, with each segment being one or two self-contained police incidents.

The show is well known for its theme song, "Bad Boys", performed by reggae group Inner Circle.

Production

COPS was created by John Langley and his producing partner Malcolm Barbour. In 1983, Langley was working on Cocaine Blues, a television series about drugs. As part of his research he went on a drug raid with drug enforcement officers and was inspired to create a show focusing on real-life law enforcement.

In the late 1980s, after producing a series of live syndicated specials called American Vice: The Doping of a Nation with Geraldo Rivera, Langley and Barbour pitched the COPS show concept to Stephen Chao, a Fox programming executive who would one day become president of the Fox Television Stations Group and later USA Network. Chao liked the concept and pitched it to Barry Diller, then CEO of the Fox Network.

A Writers Guild of America strike was occurring at the time and the network needed new material. An unscripted show that did not require writers was ideal for Fox. The first episode aired in 1989, and featured the Broward County, Florida, Sheriff's Office.

The original concept of the show was to follow officers home and tape their home lives along with their work. After a while the idea of following officers home was deemed too artificial by Langley and was abandoned. Thereafter, the format of three self-contained segments with no narrator, no music and no scripts would become the show's formula.

The first segment is usually an action segment to hook the viewer, followed by a slower, or more "lyrical" segment, and concluding with a more "thoughtful" segment. This has been the formula and visual style of COPS as the first network reality TV series and has remained so from episode one until the present day. Other innovations for its time included Langley's insistence that as few edits as possible be used, that all cameramen throw away their tripods and shoot exclusively handheld, and that natural audio be the score of the series.

Since season 2, COPS ends each episode with a sound clip over the closing credits, of an officer and a dispatcher conversing over the radio, "132 and Bush, I've got him at gunpoint... Okay, gunpoint, 132 and Bush, coverage code three." This is extracted from a conversation between a Portland, Oregon, police officer and the radio dispatcher during the arrest of a suspect in the 13200 block of SE Bush St 45.49536°N 122.52743°W. However, the first season episodes on the credit screen used a different sound clip from Broward County, Florida. Along with Florida, other early episode localities include the Pacific Northwest cities of Portland, Oregon and Tacoma, Washington.

COPS has traditionally aired on Fox's Saturday night lineup since its debut, where the series has had a regular time slot at 8:00 p.m. Eastern Time. The series lost its permanent spot on the lineup in January 2012, when Fox began carrying a Fox Sports anthology series featuring baseball, auto racing, mixed martial arts, and college football events. COPS is expected to return in January 2013.

Camera crew assistance

The camera crew that follows the officers are instructed to maintain a fly on the wall position , not interfering or making their presence known on camera unless necessary for the safety of officers and civilians on scene. There have been multiple instances where the safety of the officers has necessitated their involvement, however.

In one episode, the sound mixer for the camera crew, a former EMT, assisted a police officer in performing CPR. In another episode in season 11 that took place in 1998 in Atlanta, COPS camera operator Si Davis, who was coincidentally a Las Vegas Reserve Police Officer, had to drop the camera and assist an Atlanta police officer in wrestling a suspect into custody. The APD officer, it turned out, had been severely injured during a foot pursuit; meanwhile, sound mixer Steve Kiger, picked up the camera and continued recording the action which eventually made air. Because the camera crew was dressed in tactical gear, no one noticed that it was the camera operator in front of the camera.

In another episode a rape suspect fled and outran the cops only to have the cameraman follow him the entire time until police caught up and subdued him.

In an episode of season 14 (2001–2002) during the arrest of a man after a car chase in Hillsborough County, Florida, the sound mixer held the sister of the man away from the deputy after she tried to intervene in the arrest of her brother. Also, during the first episode of Season 22, a Las Vegas officer was scuffling with a suspect high on PCP, who eventually tackled the officer and required the camera operator and Las Vegas paramedics to wrestle the suspect off of the officer.

Soundtrack

Inner Circle – Bad Boys
Problems playing this file? See media help.

All episodes of COPS, with the exception of the first season, begin with the disclaimer, "COPS is filmed on location with the men and women of law enforcement. All suspects are innocent until proven guilty in a court of law." The first season disclaimer was slightly different by stating, "COPS is filmed on location as it happens. All suspects are considered innocent until proven guilty in a court of law." Burt Lancaster provided the following narration on the pilot episode. "COPS is about real people, and real criminals. It was filmed entirely on location, with the men and women who work in law enforcement."

Release

Syndication

In 1993, COPS went into syndication on cable and over-the-air channels. As of 2012, it currently appears on cable on truTV and G4.

On May 29, 2007, COPS 2.0 premiered on G4, featuring repeats of episodes with trivia, expert commentary, live web-enabled chat, and facts about the law enforcement officers featured in each program.

COPS has produced 982 episodes, well above the 100 episodes typically required for broadcast syndication. COPS is syndicated to more than 95% of the United States market and currently airs internationally in over 120 countries.

COPS is broadcast in the UK on FX and CBS Reality. In Portugal the show is aired on Fox Crime, in Brazil on TruTV, in Australia on One and CI Network, In Japan on Fox Crime, in India on STAR World and FOX Crime, in Norway on Viasat 4, in Sweden on Viasat 6 and in Denmark on Canal9.

Home media

Recently, several themed DVDs have been released, some of which include profanity and sexually explicit footage cut from the network version. They are entitled COPS: Shots Fired, COPS: Bad Girls (a play of words of the show's theme song "Bad Boys") and COPS: Caught in the Act. A COPS: 20th Season Anniversary two disc DVD was released in the US and Canada on February 19, 2008,

Tie-ins

In 1999, COPS associate producer and sound mixer Hank Barr published The Jump-Out Boys, a book giving a behind the scenes look at the production and taping of COPS.

Reception

Criticism

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The show has been criticized for its predominant focus on the criminal activities among the poor. Critics of this aspect of the show say it unfairly presents the poor as responsible for most crime in society while ignoring the "white-collar crimes" that are typical of the more wealthy. Controversial documentary filmmaker Michael Moore raises this tenet in an interview with a former associate producer of COPS, Richard Herlan, in Moore's 2002 film Bowling for Columbine.

His response to Moore was that television is primarily a visual medium, requiring regular footage on a weekly basis to sustain a show, and police officers "busting in" on an office where identity theft papers are being created or other high-level crime rings are operating does not happen very often. It is therefore not likely to be recorded and thus not shown. The low-level crime featured on the show happens every day, providing large quantities of material suitable for taping.

Chicago Police Department Deputy Director of News Affairs Patrick Camden in 2005 stated in response to a request for COPS taping that "police work is not entertainment. What they do trivializes policing. We've never seriously even considered taping."

Impact of filming on the Dalia Dippolio case

During the trial of Dalia Dippolito, convicted of solicitation to commit first-degree murder, the defense attorney claimed Dippolito was tricked into signing the COPS release form. Also the defense claimed the husband orchestrated the plot to get aired on COPS.

Influence

The show X-Files released an episode "X-Cops" (season 7, episode 12) where Mulder and Scully collaborate with the policemen in order to catch a mysterious, shapeshifting entity. In the tradition of the real-life COPS program, the entire episode is shot on video.

See also

References

  1. Ben Deci (May 17, 2011). "Fox Cancels America's Most Wanted". KTXL. Retrieved June 15, 2011.
  2. Our Foreign Staff (May 17, 2011). "America's Most Wanted is cancelled". Daily Telegraph. Retrieved June 15, 2011.
  3. "The Official COPS Website". Cops.com. Retrieved June 15, 2011.
  4. "Episode Detail: Arrests With a Twist - Cops". TV Guide. Retrieved September 10, 2011.
  5. http://www.tvguide.com/tvshows/cops-2012/episode-22-season-24/first-respond/191459
  6. G4 (May. 24, 2007). "Cops 2.0 Press Release" (Press release). G4. Retrieved 28 July, 2007. {{cite press release}}: Check date values in: |accessdate= and |date= (help)CS1 maint: numeric names: authors list (link)
  7. "Cops 20th Anniversary". Copsdvd.com. Retrieved June 15, 2011.
  8. Ben Grossman (July 31, 2005). "Bad Boys=Big Money; Cops has no stars, no plot and no contests, and it's a killer on TV". Broadcasting & Cable. Retrieved June 15, 2011.
  9. David Lohr (September 22, 2011). "Dalia Dippolito Murder-For-Hire Case Featured In Controversial COPS Episode". Huffington Post. Retrieved March 10, 2012.
  10. Andrea Canning (April 27, 2011). "Florida Woman Dalia Dippolito Uses Reality TV Defense in Murder for Hire Trial". ABC News. Retrieved March 10, 2012. {{cite news}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)

External links

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Animation Domination (High-Def)
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