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Rishabhanatha
First Tirthankara
RishabhanathaImage of Rishabhanatha at Kundalpur pilgrimage site in Madhya Pradesh, India
Other namesAdinatha, Adish Jina (first conqueror), Adi Purush (first Perfect Man), Ikshvaku
SuccessorAjitanatha
SymbolBull
Height500 arc-lengths (800 ells, 1200 feet)
Age8,400,000 purva years
TreeBanyan
ColorGolden
Genealogy
BornAyodhya
DiedMount Kailash
Parents
SpouseSunanda and Sumangala
Children100 sons including Bharata and Bahubali, and 2 daughters: Sundari, Brahmi
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Rishabhanatha (also Ṛṣabhadeva, Rishabhadeva, or Ṛṣabha which literally means "bull") is the first Tirthankara (ford maker) in Jainism. A mythical leader, he is believed in Jainism to have lived millions of years ago. He was the first of twenty four teachers in the present half cycle of time in Jain cosmology, and called a ford maker because his teachings helped one across the sea of interminable rebirths and deaths (saṃsāra). He is also known as Ādinātha of Jainism which translates into "First (Adi) Lord (nātha)", as well as Adishvara (first ishvara), Yugadideva (deva of yuga), Prathamaraja (first king), and Nebheya (son of Nabhi). Along with Mahavira, Parshvanatha and Neminatha, Rishabhanatha is one of the four Tirthankaras that attract the most devotional worship among the Jains.

According to Jain traditional accounts, he was born to King Nabhi and Queen Marudevi in north Indian city of Ayodhya, also called Vinita. He had two wives, Sunanda and Sumangala. Sumangala is described as the mother of his ninety-nine sons (including Bharata) and one daughter, Brahmi. Sunanda is depicted as the mother of Bahubali and Sundari. The sudden death of Nilanjana, one of the dancers of Indra, reminded him of the world's transitory nature and he developed a desire for renunciation. After renouncing, the Jain legends state he wandered without food for a whole year. The day on which he got his first ahara (food), is celebrated as Akshaya Tritiya by Jains. He is said to have attained Moksha on Mount Kailash. The text Adi Purana by Jinasena is an account of the events of his life. His iconography includes colossal statues such as Statue of Ahimsa, Bawangaja and those erected in Gopachal hill. His icons include the eponymous bull as his emblem, the Nyagrodha tree, Gomukha (bull-faced) Yaksha, and Chakreshvari Yakshi.

Introduction

According to Jain cosmology, the universe does not have a temporal beginning or end. Its "Universal History" divides the cycle of time into two halves (avasarpiṇī and utsarpiṇī) with six aras (spokes) in each half, and the cycles keep repeating perpetually. Twenty-four Tirthankaras appear in every ara, the first Tirthankara founding Jainism each time. In the present time cycle, Rishabhanatha is credited as being the first tīrthaṅkara, born at the end of the third ara (known as suṣama-duṣamā).

According to Jain texts, Rishabhanatha was born in a king's family in the age when there was happiness all around with no one needing to do any work because of Kalpavriksha (miraculous wish-fulfilling trees). Gradually as the cycle progressed, the efficacy of these trees decreased, people rushed to their king for help. Rishabhanatha is then said to have taught the men six main professions. These were: (1) Asi (swordsmanship for protection), (2) Masi (writing skills), (3) Krishi (agriculture), (4) Vidya (knowledge), (5) Vanijya (trade and commerce) and (6) Shilp (crafts). In other words, he is credited with introducing karma-bhumi (the age of action) by founding arts and professions to enable householders to sustain themselves. He is, in the Jain belief, the one who organized a social system that created the varna based on professions.

Rishabhanatha is credited in Jainism to have invented and taught fire, cooking, and all skills needed for human beings to live. In total, Rishabhanatha is said to have taught seventy-two sciences to men, and sixty-four to women. These included arithmetic, the plastic and visual arts, the art of lovemaking, singing and dancing. According to Paul Dundas, Rishabhanatha in Jain mythology is thus not merely a spiritual teacher but one who founded knowledge in its various forms and a form of culture hero for the current cosmological cycle.

The institution of marriage is stated to have come into existence after he married to set an example for other humans to follow. His life is also credited by Jains with starting the institution of charity (daana) from layperson to mendicants, when he received surgarcane juice in his hand from king Sreyamsa, to break his fast. This is accepted in the Jain tradition as what started the tradition of alms giving in its various forms, and one that has continued since ancient times in India.

Historicity

Rishabhanatha is said to be the founder of Jainism by the different Jain sub-traditions. Jain chronology places Rishabhanatha in ahistorical terms, as someone who lived millions of years ago. He is stated to have lived for 8,400,000 purvas (592.704 x 10 years). His height is described in the Jain texts to be 500 arc lengths (800 ells), or about 1,200 feet. Such descriptions of non-human heights and age are also found for the next 21 Tirthankaras in Jain texts, and according to Kristi Wiley – a scholar at University of California Berkeley known for her publications in Jainism, most Indologists and scholars consider all the first 22 of 24 Tirthankaras to be prehistorical, or ahistorical and a part of Jain mythology. However, among Jain writers and some Indian scholars, some of the first 22 Tirthankaras are considered to reflect historical figures, with a few conceding that the inflated biographical statistics as mythical.

According to Sarvepalli Radhakrishnan, a scholar of comparative religions and philosophy at Oxford, there is evidence to show that Ṛṣabhadeva, the first tīrthaṅkara, was being worshipped by the first century BC. The Yajurveda mentions the name of three Tīrthaṅkaras – Ṛṣabha, Ajitanatha and Arishtanemi, states Radhakrishnan, and "the Bhāgavata Purāṇa endorses the view that Ṛṣabha was the founder of Jainism".

Vedic literature

The Vedas mention the name Rishabha. However, the context in the Rigveda, Atharvaveda and the Upanishads suggests that it means the bull, sometimes "any male animal" or "most excellent of any kind", or "a kind of medicinal plant". Elsewhere it is an epithet for the Hindu god Shiva (Rudra). Later Hindu mythical texts such as the Bhagavata Purana include Rishabha Jina as an avatar of Vishnu.

Biography per Jain traditions

Rishabhanatha is known by many names among Jains including Adinatha, Adisvara, Yugadeva and Nabheya. Ādi purāṇa, a major Jain text records the life accounts of Rishabhanatha as well as ten previous incarnations.

Birth

Main article: Marudevi § Birth of Rishabhanatha See also: Panch Kalyanaka
Janma kalyāṇaka from the Kalpa Sutra, c. 14th–15th Century CE

Rishabhanatha was born to King Nabhi and Queen Marudevi in Ayodhya, on the ninth day of the dark half of the month of Chaitra-caitra krişna navamĩ. This is the second auspicious event and is known as Janma Kalyanaka. The association of Rishabhanatha to Ayodhya makes it a sacred town for Jains, as it is in Hinduism for the birth of mythical god Rama.

In Jain tradition, the birth of a Tirthankara is marked by auspicious signs such as certain dreams. Garbha kalyanaka is the first auspicious event out of five auspicious events (Panch Kalyanaka). It means enlivening of the embryo through the descent of the life (soul) in the mortal body. On the second day of Ashadha (a month of the Hindu calendar) Krishna (dark fortnight), Queen Marudevi is said to have seen sixteen auspicious dreams. King Nabhi explained these dreams to her as a sign of Tirthankara's birth. Rishabhanatha, according to Jain mythology, was born after these dreams.

Rishabhanatha is said to have lived for 84 lakh (8.4 million) purva years, of which 20 lakh pūrvas were spent as a youth (kumāra kāla), and 63 lakh pūrvas as the King (rājya kāla).

Marriage and children

Rishabhanatha had two wives, Sunanda and Sumangala. Sumangala was the mother of ninety-nine sons (including Bharata) and one daughter, Brahmi. Sunanda was the mother of Bahubali and Sundari.

Rishabhanatha is stated in Jain texts to have taught his daughters Brahmi and Sundari, the Brahmi lipi (ancient Brahmi script) and the science of numbers (Ank-Vidya) respectively. The Pannavana Sutra (2nd century BCE) and the Samavayanga Sutra (3rd century BCE) list many other writing scripts known to the ancient Jaina tradition, of which the Brahmi script named after Rishabha's daughter tops the list.

His eldest son Bharata Chakravartin is stated as one who ruled ancient India from an ancient capital of Ayodhya. Bharata is described in Jain texts as a just and kind ruler, who was not attached to wealth or vices.

Renunciation

Statuary representing meditation by Rishabhanatha in Kayotsarga posture. (Photo:Ajmer Jain temple)

One day god Indra of the first heaven arranged a dance by celestial dancers in the assembly hall of Rishabhanatha. One of the dancers was Nilanjana. While in the midst of a series of vigorous dance movements, she died. The sudden death of Nilanjana reminded Rishabhanatha of the world's transitory nature, triggering him to renounce his kingdom along with his family and material wealth. He gave his kingdom to his hundred sons, of whom Bharata got the city of Vinita (Ayodhya) and Bahubali got the city of Podanapur (Taxila). He became an ascetic on the ninth day of the month of Chaitra Krishna (Hindu calendar). According to Jain mythologies, he practiced severe austerities for 1,000 years, then gained enlightenment, became a Jina.

Akshaya Tritiya

Main article: Akshaya Tritiya § In Jainism

Akshaya Tritya is considered holy and supremely auspicious by Jains. It is believed that Rishabhanatha took his first ahara (alms) after becoming an ascetic on this day. Rishabhanatha, Jains believe, was the first monk of the present half cycle of time (avasarpini). Therefore, people did not know how to offer food (ahara) to monks. King Shreyansa of Hastinapur offered sugarcane juice (ikshu-rasa) to Rishabhanatha. Jains attach great importance to this day as it was only after one year that Rishabhanatha was offered food. The day is celebrated in the Jain tradition on the third day of the bright fortnight of the month Vaishaka (usually April).

Omniscience

Rishabhanatha's moving over lotus after attaining omniscience

Rishabhanatha spent a thousand years performing austerities and then attained Kevala Jnana (omniscience) on the 11th day of Falgun Krishna (Hindu calendar) under a banyan tree. The Devas (heavenly beings) created a divine preaching hall known as samavasarana. This is the fourth of Panch Kalyanaka and is known as Kevala Jnāna Kalyanaka. Rishabhanatha attracted a large community of followers that included Sramanas, male and female mendicants, sages and disciples.

As an Omniscient, Tirthankara Rishabhanatha is said to have preached for 1 lakh pūrva less thousand years (kevalakāla).

Nirvana kalyanaka, death

Kailash Parvat Rachna, Hastinapur

Rishabhanatha is said to have preached Jainism far and wide. At his death, he attained Nirvana kalyanaka (also called Moksha), all four of his ghati karma where destroyed, his soul was liberated from the endless cycle of rebirths, to stay eternally at siddhaloka. His death is believed in Jainism to have occurred on Ashtapada (also known as Mount Kailash) on the fourteenth day of Magha Krishna (Hindu Calendar) at the age of 84 lakh purva when three years and eight and a half months were remaining of the third ara.

In literature

  • The Ādi purāṇa, a 9th-century Sanskrit poem, and a 10th-century Kannada commentary on it by the poet Adikavi Pampa (fl. 941 CE), written in Champu style, a mix of prose and verse and spread over sixteen cantos, deals with the ten lives of Rishabhanatha and his two sons. The life of Rishabhanatha is also detailed in Mahapurana of Jinasena, Trisasti-salaka-purusa-caritra by the scholar Hemachandra, Kalpa Sutra a Jain text containing the biographies of the Jain Tirthankaras, and Jambudvipa-prajnapti.
The Rishabhanatha iconography is identified by the bull stamped or carved below his feet. On the center of his chest is a shrivatsa mark identifier of Jain statues.

Iconography

Rishabhanatha is usually depicted in the lotus position or kayotsarga, a standing posture of meditation. The distinguishing features of Rishabhanatha are his long locks of hair which fall on his shoulders, and an image of a bull in sculptures of him. Paintings of him usually depict legendary events of his life. Some of these include his marriage, and Indra performing a ritual known as abhisheka (consecration). He is sometimes shown presenting a bowl to his followers and teaching them the art of pottery, painting a house, or weaving textiles. The visit of his mother Marudevi is also shown extensively in painting. He is also associated with his Bull emblem, the Nyagrodha tree, Gomukha (bull-faced) Yaksha, and Chakreshvari Yakshi.

Idols

Colossal statues

Statue of Ahimsa, carved out of a single rock, is a 108 feet (33 m) tall (121 feet (37 m) including pedestal) statue of Rishabhanatha and is 1,840 sq feet in size. It is said to be the world's tallest Jain idol. It is located 4,343 feet (1,324 m) above from sea level, near Mangi-Tungi hills near Nashik (Maharashtra). Officials from the Guinness Book of World Records visited Mangi Tungi and awarded the engineer of the 108 ft tall Rishabhdeva statue, C R Patil, the official certificate for the world's tallest Jain idol.

In Madhya Pradesh, there is the Bawangaja (meaning 52 yards (156 ft)) hill, near Barwani with a Gommateshvara figure covered on the top of it. This site is important to Jain pilgrims particularly on the full moon day in January. The site has a Rishabanatha statue carved from a volcanic rock.

The 58.4 feet (17.8 m) Rishabhanatha Statue at Gopachal Hill, Gwalior Fort, Madhya Pradesh. Thousands of Jain idols including 58.4 foot idol of Rishabhanatha were carved in the Gopachal Hill idol from 1398 A.D. to 1536 A.D. by rulers of Tomar dynasty rulers — Viramdev, Dungar Singh and Kirti Singh.

Temples

See also

References

Notes

  1. a non-Jain, Hindu text
  2. For example: ऋषभं मा समानानां सपत्नानां विषासहिम् । हन्तारं शत्रूणां कृधि विराजं गोपतिं गवाम् ॥१॥ – Rigveda 10.166.1 Other examples of Rishabha appearing in the Vedic literature include verses 6.16.47 of Rigveda, 9.4.14-15 of Atharvaveda, 3.7.5.13 and 4.7.10.1 of Taittiriya Brahmana, etc.

Citations

  1. ^ von Glasenapp 1925, p. 16.
  2. ^ Hermann Jacobi (1968). Jaina Sutras. Motilal Banarsidass. pp. 284–285.
  3. Dayanand Saraswati (1908). An English translation of Satyarth Prakash (Reprinted in 1970). p. 444.
  4. ^ Dalal 2010, p. 311.
  5. Zimmer 1953, p. 208-09.
  6. ^ Sangave 2001, p. 131.
  7. ^ Britannica 2000.
  8. ^ Umakant P. Shah 1987, p. 112.
  9. Manohar Laxman Varadpande (1983). Religion and Theatre. Abhinav Publications. pp. 26–27. ISBN 978-0-391-02794-7.
  10. Dundas 2002, p. 40.
  11. ^ Dundas 2002, p. 21.
  12. ^ Jaini 2000, p. 327. sfn error: multiple targets (2×): CITEREFJaini2000 (help)
  13. Champat Rai Jain 1929, p. xiv.
  14. Dalal 2010, p. 27.
  15. Vijay K. Jain 2015, p. 78.
  16. Champat Rai Jain 1929, p. 88.
  17. Champat Rai Jain 1929, p. x.
  18. Sangave 2001, p. 103.
  19. ^ Kailash Chand Jain 1991, p. 5.
  20. Champat Rai Jain 1929, p. 89.
  21. Jaini, Padmanabh (2000). Collected papers on Jaina studies. Motilal Banarsidass Publishers. pp. 340–341. ISBN 978-81-208-1691-6.
  22. George 2008, p. 318.
  23. Champat Rai Jain 1929, p. xv.
  24. Kristi L. Wiley (2004). Historical Dictionary of Jainism. Scarecrow Press. p. xxix. ISBN 978-0-8108-6558-7.
  25. Phyllis G. Jestice (2004). Holy People of the World: A Cross-cultural Encyclopedia. ABC-CLIO. p. 419. ISBN 978-1-57607-355-1.
  26. Sangave 2001, pp. 103–104.
  27. Radhakrishnan 1923, p. 287.
  28. Plinio Prioreschi, Creighton University (1996). A History of Medicine: Primitive and ancient medicine. Horatius. p. 205. ISBN 978-1-888456-01-1.
  29. Rishabha, Monier Monier-Williams, Sanskrit English Dictionary and Etymology, Oxford University Press, page 226, 3rd column
  30. ऋग्वेद: सूक्तं १०.१६६, Rigveda, Wikisource
  31. Maurice Bloomfield (1906). A Vedic Concordance: Being an Alphabetic Index to Every Line of Every Stanza of the Published Vedic Literature and to the Liturgical Formulas Thereof. Harvard University Press. p. 293.
  32. Roshen Dalal (2010). Hinduism: An Alphabetical Guide. Penguin Books. p. 88. ISBN 978-0-14-341421-6.
  33. D Dennis Hudson (2008). The Body of God: An Emperor's Palace for Krishna in Eighth-Century Kanchipuram. Oxford University Press. pp. 19–22. ISBN 978-0-19-970902-1.
  34. ^ Upinder Singh 2016, p. 26.
  35. ^ Vijay K. Jain 2015, p. 181.
  36. Champat Rai Jain 1929, p. 83.
  37. Jaini 1998, p. 7.
  38. Zimmer 1953, p. 195.
  39. Champat Rai Jain 1929, p. 76-79.
  40. Champat Rai Jain 1929, p. 64–66.
  41. ^ Sangave 2001, p. 105.
  42. Richard Salomon (1998). Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the other Indo-Aryan Languages. Oxford University Press. p. 9 with footnotes. ISBN 978-0-19-535666-3.
  43. Dalal 2010, p. 42.
  44. Kristi L. Wiley (2004). Historical Dictionary of Jainism. Scarecrow Press. p. 54. ISBN 978-0-8108-6558-7.
  45. ^ Cort 2010, p. 25.
  46. ^ Titze 1998, p. 8.
  47. ^ Vijay K. Jain 2015, p. 182.
  48. B.K. Jain 2013, p. 31.
  49. Phyllis G. Jestice (2004). Holy People of the World: A Cross-cultural Encyclopedia. ABC-CLIO. p. 738. ISBN 978-1-57607-355-1.
  50. Titze 1998, p. 138.
  51. Krishna & Amirthalingam 2014, p. 46.
  52. Cort 2010, p. 115.
  53. Dalal 2010, pp. 183, 368.
  54. Cort 2010, pp. 115, 135.
  55. Popular Prakashan 2000, p. 78.
  56. "Kamat's Potpourri: History of the Kannada Literature -II". kamat.com.
  57. ^ Jaini 2000, p. 326. sfn error: multiple targets (2×): CITEREFJaini2000 (help)
  58. Gupta 1999, p. 133.
  59. "Shri Bhaktamara Mantra (भक्तामर स्त्रोत)", digambarjainonline.com
  60. Rao 1989, p. 13.
  61. Doniger 1999, p. 549.
  62. Umakant P. Shah 1987, p. 113.
  63. Jain & Fischer 1978, p. 16.
  64. Tandon 2002, p. 44.
  65. "Amit Shah felicitated by Jain community", The Statesman, Nashik, PTI, 14 February 2016
  66. "Guinness Book to certify Mangi Tungi idol", The Times of India, 6 March 2016
  67. "108-feet Jain Teerthankar idol enters "Guinness book of records"", The Hindu, 7 March 2016
  68. Bhattacharyya 1977, p. 269.
  69. R Sengupta (1996). Explorations in Art and Archaeology of South Asia. Directorate of Archaeology and Museums, Government of West Bengal. pp. 596–600.
  70. "On a spiritual quest", Deccan Herald, 29 March 2015

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