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<div id="mp-tfa-img" style="float: left; margin: 0.5em 0.9em 0.4em 0em;">{{main page image|Rogier van der Weyden - The Last Judgment Polyptych - WGA25625.jpg|title=The Beaune Altarpiece|width=245}}</div>
{{TFAIMAGE|Rogier van der Weyden (1399of1400-1464) Het Laatste Oordeel - Hôtel-Dieu Beaune 22-10-2016 13-55-42.JPG}}
The ''''']''''' (c. 1445–50) is a large ] altarpiece by the ] artist ]. It was painted in oil on ], with parts later ]. It consists of fifteen paintings on nine panels; six are painted on both sides. It retains some of its original frames. Six outer panels (or shutters) are hinged; when folded they show an exterior view of saints and the donors. The inner panels contain scenes from the ] arranged across two registers. The large central panel, which spans both registers, shows Christ seated on a rainbow in judgment, with his feet resting on a golden globe. Below him the ] holds scales as he weighs souls. The panel on Christ's far right shows the gates of ], that to his far left the entrance to ]. The panels of the lower register form a continuous landscape, with figures depicted moving from the central panel to their final destinations after receiving judgement. The altarpiece was commissioned in 1443 for the ] by ], Chancellor of the ], and his wife ], who is buried in front of the altarpiece's original location in the hospice. It is one of van der Weyden's most ambitious works, equal to his Prado '']'' and lost '']''. It remains in the hospice today, although not in its original position. It is in poor condition and was moved in the 20th century to shield it from sunlight and better protect it from the almost 300,000 visitors it receives annually. It has suffered from extensive paint loss, the wearing and darkening of its colours, and an accumulation of dirt. In addition, a heavy layer of over-paint was applied during restoration. The two painted sides of the outer panels have been separated so both can be shown simultaneously; traditionally, the shutters would have been opened only on selected Sundays or church holidays. The ''''']''''' is a large ] altarpiece by the ] artist ]. It was commissioned in 1443 for the ] by ], Chancellor of the ], and his wife ], who was buried in front of the altarpiece. The polyptych consists of fifteen paintings spread across nine panels, of which six are painted on both sides. The inner panels contain scenes from the ], with a central image that shows Christ seated in judgement, and the ] holding scales as he ]. The panel on Christ's far right depicts the gates of ], that to his far left the entrance to ]; souls are shown moving towards each after being judged. The altarpiece is in poor condition, having suffered from extensive paint loss, darkening of its colours and accumulations of dirt.

{{TFAFULL|Beaune Altarpiece}} {{TFAFULL|Beaune Altarpiece}}



Latest revision as of 23:47, 27 December 2019

The Beaune Altarpiece

The Beaune Altarpiece is a large polyptych altarpiece by the Early Netherlandish artist Rogier van der Weyden. It was commissioned in 1443 for the Hospices de Beaune by Nicolas Rolin, Chancellor of the Duchy of Burgundy, and his wife Guigone de Salins, who was buried in front of the altarpiece. The polyptych consists of fifteen paintings spread across nine panels, of which six are painted on both sides. The inner panels contain scenes from the Last Judgement, with a central image that shows Christ seated in judgement, and the Archangel Michael holding scales as he weighs souls. The panel on Christ's far right depicts the gates of Heaven, that to his far left the entrance to Hell; souls are shown moving towards each after being judged. The altarpiece is in poor condition, having suffered from extensive paint loss, darkening of its colours and accumulations of dirt. (Full article...)

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