| Revision as of 12:57, 9 November 2007 edit85.70.229.177 (talk)No edit summary← Previous edit | Latest revision as of 20:49, 12 August 2020 edit undoJohnpacklambert (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers603,353 edits added Category:1999 establishments in the Czech Republic using HotCat | ||
| (13 intermediate revisions by 11 users not shown) | |||
| Line 1: | Line 1: | ||
| {{primary sources|date=January 2010}} | |||
| '''Collegium 419''' is a Czech mixed chamber ] (5 ]s, 5 ]s, 6 ]s, 5 ]es), specialised for an authentic interpretation of ]. The ensemble often introduces unprecedented repertoire from European as well as Czech ], particularly multi-parted pieces and cycles. Some of them reconstructed from period musical manuscripts. Concerts based on selection from the works of one composer as well as concerts intent on one period or region (i.e. early North German baroque etc.). | |||
| '''Collegium 419''' is a ] specializing in music of the 16th to 18th century, aiming at historical performance praxis of ] as well as early and high Baroque ] with or without ]. | |||
| In addition, Collegium 419 performs also pieces from the other periods. Collegium 419 keeps a high vocal standard, its colour balance and an ability of solo singing of each member are determining for an along-lasting image of the ensemble. | |||
| There are still relatively few ensembles with similar specialization in the ]. Collegium 419 therefore aims for studying and staging ensemble and choral works, which are well-known and often shown in ] but which still remain undiscovered or rare in ]. | |||
| The ] of Collegium 419 is Čeněk Svoboda. | |||
| The ensemble puts high demands on the vocal culture of its own members; most singers study privately solo singing and have wide experience with ensemble or solo singing. Shared interest in old music and refined aesthetical taste are the main motivations for their collaboration in Collegium 419. | |||
| This ] has published ] with recordings for internal purposes only up to the present day. | |||
| When interpreting works with orchestral accompaniment, Collegium 419 works with outstanding ]s that follow historical performance praxis of ], e.g. Hipocondria Ensemble, La Gambetta, ] and others. | |||
| ⚫ | == |
||
| ⚫ | * – Collegium 419 | ||
| The ensemble was founded by ] in 1999 with the main aim of discovering German Baroque Protestant music (Schein, Schutz, Buxtehude, Bach…).<br /> | |||
| ⚫ | ] | ||
| In 2004, '''Čeněk Svoboda''' started working with the ensemble and broadened the range of the repertoire with music of European high Renaissance (Victoria, Palestrina, Tallis, Lassus, Gallus…) and Italian Baroque music (Monteverdi, Lotti, Caldara, Astorga…). | |||
| In autumn 2007 he took the role of artistic leader of the whole ensemble. | |||
| Collegium 419 pays special attention to preparation of coherent ], takes into consideration liturgical and thematic affinity of its programmes and tries to perform according to period praxis. | |||
| ] | |||
| The most successful projects of Collegium 419 in the past few years were, in particular:<br /> | |||
| 2003: ] - Membra Jesu nostri<br /> | |||
| 2004: ] - Musikalische Exequien<br /> | |||
| 2005: ] - Officium defunctorum<br /> | |||
| 2006: ] - Motets<br /> | |||
| 2007: Dolorosi martir (Musical Inspiration in Rudolphine Prague)<br /> | |||
| 2007: Richte uns, Gott! (Felix Mendelssohn-Bartholdy - Psalms and Te Deum) | |||
| ⚫ | ==External links== | ||
| {{euro-band-stub}} | |||
| ⚫ | * – Collegium 419 | ||
| {{authority control}} | |||
| ⚫ | ] | ||
| ] | |||
| ] | |||
Latest revision as of 20:49, 12 August 2020
 | This article relies excessively on references to primary sources. Please improve this article by adding secondary or tertiary sources. Find sources: "Collegium 419" – news · newspapers · books · scholar · JSTOR (January 2010) (Learn how and when to remove this message) |
Collegium 419 is a vocal ensemble specializing in music of the 16th to 18th century, aiming at historical performance praxis of high Renaissance as well as early and high Baroque vocal music with or without instrumental accompaniment.
There are still relatively few ensembles with similar specialization in the Czech Republic. Collegium 419 therefore aims for studying and staging ensemble and choral works, which are well-known and often shown in Europe but which still remain undiscovered or rare in Bohemia.
The ensemble puts high demands on the vocal culture of its own members; most singers study privately solo singing and have wide experience with ensemble or solo singing. Shared interest in old music and refined aesthetical taste are the main motivations for their collaboration in Collegium 419.
When interpreting works with orchestral accompaniment, Collegium 419 works with outstanding instrumental ensembles that follow historical performance praxis of early music, e.g. Hipocondria Ensemble, La Gambetta, Ritornello and others.
The ensemble was founded by Marika Pečená in 1999 with the main aim of discovering German Baroque Protestant music (Schein, Schutz, Buxtehude, Bach…).
In 2004, Čeněk Svoboda started working with the ensemble and broadened the range of the repertoire with music of European high Renaissance (Victoria, Palestrina, Tallis, Lassus, Gallus…) and Italian Baroque music (Monteverdi, Lotti, Caldara, Astorga…).
In autumn 2007 he took the role of artistic leader of the whole ensemble.
Collegium 419 pays special attention to preparation of coherent dramaturgy, takes into consideration liturgical and thematic affinity of its programmes and tries to perform according to period praxis.
The most successful projects of Collegium 419 in the past few years were, in particular:
2003: Dietrich Buxtehude - Membra Jesu nostri
2004: Heinrich Schütz - Musikalische Exequien
2005: Tomás Luis de Victoria - Officium defunctorum
2006: Johann Sebastian Bach - Motets
2007: Dolorosi martir (Musical Inspiration in Rudolphine Prague)
2007: Richte uns, Gott! (Felix Mendelssohn-Bartholdy - Psalms and Te Deum)