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{{Short description|Chinese actress (fl. 1923–1953)}} | |||
{{Use Oxford spelling|date=January 2025}} | |||
{{family name hatnote|]|lang=Chinese}} | {{family name hatnote|]|lang=Chinese}} | ||
{{Use dmy dates|date=January 2025}} | |||
{{Infobox person | {{Infobox person | ||
| name = Zhang Zhiyun | | name = Zhang Zhiyun | ||
| image = Zhang Zhiyun |
| image = Zhang Zhiyun by Jin Meisheng (1920s) in Huacheng Tobacco Company ad.jpg | ||
| alt = <!-- descriptive text for use by speech synthesis (text-to-speech) software --> | | alt = <!-- descriptive text for use by speech synthesis (text-to-speech) software --> | ||
| caption = Zhang, |
| caption = Zhang Zhiyun, painted by {{ill|Jin Meisheng|zh|金梅生}} | ||
| birth_name = {{zhi|t=張阿善 |s=张阿善|first=t}} | | birth_name = {{zhi|t=張阿善 |s=张阿善|first=t}} | ||
| birth_date = | | birth_date = | ||
Line 13: | Line 16: | ||
| other_names = | | other_names = | ||
| occupation = Actress | | occupation = Actress | ||
| years_active = |
| years_active = 1923–1953 | ||
| known_for = | | known_for = | ||
| notable_works = | | notable_works = | ||
| module={{infobox Chinese|t={{linktext|張|織|雲}}|s={{linktext|张|织|云}}|p=Zhāng Zhīyún|w={{tonesup|Chang1 Chih1yün2}}|j={{tonesup|Zoeng1 Zik1wan4}}|child=yes}} | | module={{infobox Chinese|t={{linktext|張|織|雲}}|s={{linktext|张|织|云}}|p=Zhāng Zhīyún|w={{tonesup|Chang1 Chih1yün2}}|j={{tonesup|Zoeng1 Zik1wan4}}|child=yes}} | ||
}} | }} | ||
'''Zhang Zhiyun''' ({{zh|s=张织云|t=張織雲|p=Zhāng Zhīyún|first=t}}, {{floruit|1923–1953}}) was a Chinese actress. Born in ], Guangdong, she moved to ] in her youth. Hired by the {{ill|Greater China Film Company|zh|上海大中华影片公司}} through a general ], she later transferred to ], with whom she made the commercially successful '']'' (1926) and was crowned "Movie Queen" in a newspaper poll. She left the film industry after beginning a relationship with {{ill|Tang Jishan|zh|唐季珊}}, and when they severed ties she was unable to regain her stardom despite making several films. Zhang moved to Hong Kong in her later years, where she is reported to have died homeless. | |||
'''Zhang Zhiyun''' ({{zh|s=张织云|t=張織雲|p=Zhāng Zhīyún|first=t}} was a Chinese actress. | |||
==Biography== | ==Biography== | ||
===Early life === | ===Early life === | ||
Zhang was born Zhang Ashan ({{zhi|t=張阿善 |s=张阿善|first=t}}) in ], Guangdong (now part of ]) in 1904. She was orphaned at a young age and lived with an adoptive mother.{{sfn|Qiao|2021}} She moved to Shanghai in her youth, where she completed several years of schooling. However, due to a lack of funds she dropped out in her junior secondary years.{{sfn|Jing, n.d.}} | Zhang was born Zhang Ashan ({{zhi|t=張阿善 |s=张阿善|first=t}}) in ], Guangdong (now part of ]) in 1904{{sfn|Jing, n.d.}} or 1905.{{sfn|Yu|2012|p=224}} She was orphaned at a young age and lived with an adoptive mother.{{sfn|Qiao|2021}} She moved to Shanghai in her youth, where she completed several years of schooling. However, due to a lack of funds she dropped out in her junior secondary years.{{sfn|Jing, n.d.}} | ||
===Film career=== | ===Film career=== | ||
In 1923, Zhang responded to an advertisement from the {{ill|Greater China Film Company|zh|上海大中华影片公司}} seeking interested women to act in its films. More than ten thousand women who submitted their photograph.{{sfn|Jing, n.d.}} Initially, Zhang's portrait was not included in the pictures reviewed by Greater China. It was later found that ten photographs, including Zhang's, had been taken by a journalist with the '']''{{sndash}}whose mailbox the company had used{{sndash}} after he deemed them the most beautiful.{{sfn|Qiao|2021}} Zhang was selected from these recovered pictures for the company's upcoming productions, and the theft of her portrait was used to generate hype.{{sfn|Jing, n.d.}} Zhang spent two years with Greater China, completing such films as ''The Human Heart''<!--人心--> and ''Valour in War''<!--战功-->.{{sfn|Jing, n.d.}} | In 1923, Zhang responded to an advertisement from the {{ill|Greater China Film Company|zh|上海大中华影片公司}} seeking interested women to act in its films. More than ten thousand women who submitted their photograph.{{sfn|Jing, n.d.}} Initially, Zhang's portrait was not included in the pictures reviewed by Greater China. It was later found that ten photographs, including Zhang's, had been taken by a journalist with the '']''{{sndash}}whose mailbox the company had used{{sndash}} after he deemed them the most beautiful.{{sfn|Qiao|2021}} Zhang was selected from these recovered pictures for the company's upcoming productions, and the theft of her portrait was used to generate hype.{{sfn|Jing, n.d.}} Zhang spent two years with Greater China, completing such films as ''The Human Heart''<!--人心--> and ''Valour in War''<!--战功-->.{{sfn|Jing, n.d.}} | ||
Zhang signed with the ] in 1925,{{sfn|Jing, n.d.}} making her first appearance in ''A Sincerely Pitiful Girl''. Over the next three years she made seven films for the company, including '']'',{{sfn|Huang|2014|pp=284–315}} in which she portrayed the dual role of a lovelorn young woman and the servant whose death is mistaken for hers.<ref>{{harvnb|Huang|2014|pp=165–166}}; {{harvnb|Zhang|2018|p=152, 156}}</ref> Between August and September 1926, the Shanghai-based newspaper '']'' held a reader's choice award for favourite actress; Zhang won the poll, receiving 2,146 vallots and being crowned the newspaper's "Movie Queen".{{sfn|Jing, n.d.}} | Zhang signed with the ] in 1925,{{sfn|Jing, n.d.}} making her first appearance in ''A Sincerely Pitiful Girl''. Over the next three years she made seven films for the company, including '']'',{{sfn|Huang|2014|pp=284–315}} in which she portrayed the dual role of a lovelorn young woman and the servant whose death is mistaken for hers.<ref>{{harvnb|Huang|2014|pp=165–166}}; {{harvnb|Zhang|2018|p=152, 156}}</ref> The film was one of the most successful Chinese films of the ],{{sfn|Huang|2014|p=88}} pulling in a reported 132,300 ] (equivalent to ¥{{formatnum:{{#expr:({{Inflation|CN|132300|cursign=¥|1925|r=-3}} / 676.199) round -3}}}} in 2019) in Shanghai alone.{{sfn|The Paper, 2020}} Between August and September 1926, the Shanghai-based newspaper '']'' held a reader's choice award for favourite actress; Zhang won the poll, receiving 2,146 vallots and being crowned the newspaper's "Movie Queen".{{sfn|Jing, n.d.}} | ||
After completing ''Fallen Plum Blossoms'' for Mingxing,{{sfn|Huang|2014|p=298}} Zhang left the company for its rival ]. For her role in ''Pure as Ice'', she gained audience recognition as a tragedy performer, with the magazine ''Movie Life'' ({{zhi|t=影戲生活 |s=影戏生活|first=t}}) comparing her to ].{{sfn|Jing, n.d.}} | After completing ''Fallen Plum Blossoms'' for Mingxing,{{sfn|Huang|2014|p=298}} Zhang left the company for its rival ]. For her role in ''Pure as Ice'', she gained audience recognition as a tragedy performer, with the magazine ''Movie Life'' ({{zhi|t=影戲生活 |s=影戏生活|first=t}}) comparing her to ].{{sfn|Jing, n.d.}} | ||
===Later life and career=== | ===Later life and career=== | ||
In the mid-1920s, Zhang moved in with |
In the mid-1920s, Zhang moved in with ], a cinematographer and director. As Zhang became more famous, the two began to fight, and Zhang{{sndash}}under pressure from her adoptive mother to find a wealthier man{{sndash}}left him by 1927.<ref name="JP">{{harvnb|Jing, n.d.}}; {{harvnb|Qiao|2021}}</ref> She later began dating {{ill|Tang Jishan|zh|唐季珊}}, a tea merchant, leaving the film industry to spend time with him in the United States.{{sfn|Qiao|2021}} However, the couple separated after Tang began romancing fellow actress ].{{sfn|Jing, n.d.}} An agreement that Tang would provide her with financial support in case of a separation went unhonoured.{{sfn|Qiao|2021}} | ||
Zhang was asked by ] to return to Mingxing for ''Lovelorn'' in 1933.{{sfn|Qiao|2021}} Intended to tell her life's story, the ] suffered because of Zhang's poor command of ]{{sndash}}the language of dialogue{{sndash}}and was received negatively. She appeared in several further films, including 1935's ''Fan of Peach Blossoms'' and 1937's ] ''Proud Daughter of Heaven'', |
Zhang was asked by ] to return to Mingxing for ''Lovelorn'' in 1933.{{sfn|Qiao|2021}} Intended to tell her life's story, the ] suffered because of Zhang's poor command of ]{{sndash}}the language of dialogue{{sndash}}and was received negatively. She appeared in several further films, including 1935's ''Fan of Peach Blossoms'' and 1937's ] ''Proud Daughter of Heaven''.{{sfn|Jing, n.d.}} She spent time in ], toured Southeast Asia, and lived briefly in ] and ].{{sfn|The Paper, 2020}} She ultimately settled in ] in the 1950s with her husband Zhang Shuping.{{sfn|Jing, n.d.}} They had divorced by the end of the decade.{{sfn|The Paper, 2020}} | ||
Zhang made her final film appearance, a cameo as a beauty pageant |
Zhang made her final film appearance, a cameo as a beauty pageant panellist alongside ] and ], in 1953's ''Heavenly Beauty''.<ref>{{harvnb|The Chinese Mirror, Wu Suxin}}; {{harv|Jing, n.d.}}</ref> She died in Hong Kong sometime in the mid-1970s,<ref>{{harvnb|Jing, n.d.}}; {{harvnb|Yu|2012|p=224}}</ref> having reportedly spent the last decade of her life living on the streets under her childhood name.{{sfn|The Paper, 2020}} In subsequent years, she has received less coverage than contemporary actresses such as Ruan Lingyu and ].{{sfn|Qiao|2021}} | ||
==Filmography== | ==Filmography== | ||
] | |||
{| class="wikitable" | {| class="wikitable" | ||
|+ Key | |+ Key | ||
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|{{sfn|Jing, n.d.}} | |{{sfn|Jing, n.d.}} | ||
|- | |- | ||
! scope="row" | '' |
! scope="row" | ''Heavenly Beauty'' | ||
| {{zhi|t=天堂美女}} | | {{zhi|t=天堂美女}} | ||
| {{zhi|s=天堂美女}} | | {{zhi|s=天堂美女}} | ||
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|archiveurl=https://web.archive.org/web/20240625094015/https://www.archives.sh.cn/datd/hsrw/202209/t20220930_67799.html | |archiveurl=https://web.archive.org/web/20240625094015/https://www.archives.sh.cn/datd/hsrw/202209/t20220930_67799.html | ||
|archivedate=25 June 2024 | |archivedate=25 June 2024 | ||
|author1-mask=Jing Zhiyu (景智宇) | |||
|last=Jing | |last=Jing | ||
|first=Zhiyu | |first=Zhiyu | ||
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|language=Chinese | |language=Chinese | ||
|ref={{SfnRef|Jing, n.d.}} | |ref={{SfnRef|Jing, n.d.}} | ||
⚫ | }} | ||
⚫ | * {{cite journal | ||
⚫ | |title=Wu Suxin, Zhang Huimin, and the Huaju Studio Silents | ||
⚫ | |url=https://chinesemirror.com/index/2010/05/wu-suxin-huaju-studio.html | ||
⚫ | |archiveurl=https://web.archive.org/web/20100529122414/https://chinesemirror.com/index/2010/05/wu-suxin-huaju-studio.html | ||
⚫ | |archivedate=29 May 2010 | ||
⚫ | |accessdate=6 January 2025 |journal=The Chinese Mirror: A Journal of Chinese Film History | ||
⚫ | |ref={{sfnRef|The Chinese Mirror, Wu Suxin}} | ||
}} | }} | ||
*{{cite news | *{{cite news | ||
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|work=The Paper | |work=The Paper | ||
|date=11 May 2021 | |date=11 May 2021 | ||
|accessdate=10 January 2025 | |||
|archiveurl= https://web.archive.org/web/20250110205847/https://www.thepaper.cn/newsDetail_forward_12601596 | |||
|last=Qiao | |last=Qiao | ||
|first=Ran | |first=Ran | ||
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|archivedate=10 January 2025 | |archivedate=10 January 2025 | ||
}} | }} | ||
*{{cite news | |||
|script-title=zh:中国第一位"影后","悲剧圣手"张织云的悲剧人生 | |||
|url=https://m.thepaper.cn/baijiahao_7134029 | |||
|title=The Tragic Life of Zhang Zhiyun, China's First "Movie Queen" and "Tragedy Master" | |||
|work=The Paper | |||
|date=26 April 2020 | |||
|accessdate=10 January 2025 | |||
|archiveurl=https://web.archive.org/web/20250110213620/https://m.thepaper.cn/baijiahao_7134029 | |||
|ref={{sfnRef|The Paper, 2020}} | |||
|archivedate=10 January 2025 | |||
⚫ | }} | ||
⚫ | * {{cite journal | ||
⚫ | |title=Wu Suxin, Zhang Huimin, and the Huaju Studio Silents | ||
⚫ | |url=https://chinesemirror.com/index/2010/05/wu-suxin-huaju-studio.html | ||
⚫ | |archiveurl=https://web.archive.org/web/20100529122414/https://chinesemirror.com/index/2010/05/wu-suxin-huaju-studio.html | ||
⚫ | |archivedate=29 May 2010 | ||
⚫ | |accessdate=6 January 2025 |journal=The Chinese Mirror: A Journal of Chinese Film History | ||
⚫ | |ref={{sfnRef|The Chinese Mirror, Wu Suxin}} | ||
}} | |||
*{{cite book | |||
|url=https://books.google.com/books?id=HW9nMGuYtGkC | |||
| title=A Companion to Chinese Cinema | |||
| isbn=978-1-4443-3029-8 | |||
| editor1-last=Zhang | |||
| editor1-first=Yingjin | |||
| date=2012 | |||
| publisher=John Wiley & Sons | |||
| location=Hoboken, New York | |||
| chapter=Vulnerable Chinese Stars: From ''Xizi'' to Film Worker | |||
|pages=218-238 | |||
|last=Yu | |||
|first=Sabrina Qiong | |||
}} | |||
*{{cite journal | *{{cite journal | ||
|script-title=ja:1920年代の中国における黒岩涙香野の花の受容 | |script-title=ja:1920年代の中国における黒岩涙香野の花の受容 | ||
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}} | }} | ||
{{refend}} | {{refend}} | ||
{{Template:Mingxing}} | |||
{{DEFAULTSORT:Zhang, Zhiyun}} | |||
] | |||
] | |||
] | |||
] |
Latest revision as of 08:02, 13 January 2025
Chinese actress (fl. 1923–1953)In this Chinese name, the family name is Zhang.
Zhang Zhiyun | |||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Zhang Zhiyun, painted by Jin Meisheng [zh] | |||||||||||||
Born | 張阿善; 张阿善 Panyu County, Guangdong | ||||||||||||
Died | Hong Kong | ||||||||||||
Occupation | Actress | ||||||||||||
Years active | 1923–1953 | ||||||||||||
Chinese name | |||||||||||||
Traditional Chinese | 張織雲 | ||||||||||||
Simplified Chinese | 张织云 | ||||||||||||
| |||||||||||||
Zhang Zhiyun (traditional Chinese: 張織雲; simplified Chinese: 张织云; pinyin: Zhāng Zhīyún, fl. 1923–1953) was a Chinese actress. Born in Panyu County, Guangdong, she moved to Shanghai in her youth. Hired by the Greater China Film Company [zh] through a general casting call, she later transferred to Mingxing, with whom she made the commercially successful Lonely Orchid (1926) and was crowned "Movie Queen" in a newspaper poll. She left the film industry after beginning a relationship with Tang Jishan [zh], and when they severed ties she was unable to regain her stardom despite making several films. Zhang moved to Hong Kong in her later years, where she is reported to have died homeless.
Biography
Early life
Zhang was born Zhang Ashan (張阿善; 张阿善) in Panyu County, Guangdong (now part of Guangzhou) in 1904 or 1905. She was orphaned at a young age and lived with an adoptive mother. She moved to Shanghai in her youth, where she completed several years of schooling. However, due to a lack of funds she dropped out in her junior secondary years.
Film career
In 1923, Zhang responded to an advertisement from the Greater China Film Company [zh] seeking interested women to act in its films. More than ten thousand women who submitted their photograph. Initially, Zhang's portrait was not included in the pictures reviewed by Greater China. It was later found that ten photographs, including Zhang's, had been taken by a journalist with the Shen Bao – whose mailbox the company had used – after he deemed them the most beautiful. Zhang was selected from these recovered pictures for the company's upcoming productions, and the theft of her portrait was used to generate hype. Zhang spent two years with Greater China, completing such films as The Human Heart and Valour in War.
Zhang signed with the Mingxing Film Company in 1925, making her first appearance in A Sincerely Pitiful Girl. Over the next three years she made seven films for the company, including Lonely Orchid, in which she portrayed the dual role of a lovelorn young woman and the servant whose death is mistaken for hers. The film was one of the most successful Chinese films of the silent era, pulling in a reported 132,300 yuan (equivalent to ¥12,675,000 in 2019) in Shanghai alone. Between August and September 1926, the Shanghai-based newspaper Shen Bao held a reader's choice award for favourite actress; Zhang won the poll, receiving 2,146 vallots and being crowned the newspaper's "Movie Queen".
After completing Fallen Plum Blossoms for Mingxing, Zhang left the company for its rival Minxin. For her role in Pure as Ice, she gained audience recognition as a tragedy performer, with the magazine Movie Life (影戲生活; 影戏生活) comparing her to Lillian Gish.
Later life and career
In the mid-1920s, Zhang moved in with Bu Wancang, a cinematographer and director. As Zhang became more famous, the two began to fight, and Zhang – under pressure from her adoptive mother to find a wealthier man – left him by 1927. She later began dating Tang Jishan [zh], a tea merchant, leaving the film industry to spend time with him in the United States. However, the couple separated after Tang began romancing fellow actress Ruan Lingyu. An agreement that Tang would provide her with financial support in case of a separation went unhonoured.
Zhang was asked by Zhang Shichuan to return to Mingxing for Lovelorn in 1933. Intended to tell her life's story, the sound film suffered because of Zhang's poor command of Mandarin – the language of dialogue – and was received negatively. She appeared in several further films, including 1935's Fan of Peach Blossoms and 1937's Cantonese-language Proud Daughter of Heaven. She spent time in Hankou, toured Southeast Asia, and lived briefly in Tianjin and Beijing. She ultimately settled in Hong Kong in the 1950s with her husband Zhang Shuping. They had divorced by the end of the decade.
Zhang made her final film appearance, a cameo as a beauty pageant panellist alongside Yang Naimei and Wu Suxin, in 1953's Heavenly Beauty. She died in Hong Kong sometime in the mid-1970s, having reportedly spent the last decade of her life living on the streets under her childhood name. In subsequent years, she has received less coverage than contemporary actresses such as Ruan Lingyu and Hu Die.
Filmography
† | Indicates film is extant |
English title | Traditional Chinese | Simplified Chinese | Release | Ref(s) |
---|---|---|---|---|
The Human Heart | 人心 | 人心 | – | |
Valour in War | 戰功 | 战功 | – | |
A Sincerely Pitiful Girl | 可憐的閨女 | 可怜的闺女 | 1925 | |
A New Family † | 新人的家庭 | 新人的家庭 | 1926 | |
Lonely Orchid | 空谷蘭 | 空谷兰 | 1926 | |
Fiancée | 未婚妻 | 未婚妻 | 1926 | |
Love and Gold | 愛情與黃金 | 爱情与黄金 | 1926 | |
Sacrifice for the Family | 為親犧牲 | 为亲牺牲 | 1927 | |
Fallen Plum Blossoms | 梅花落 | 梅花落 | 1927 | |
Pure as Ice | 玉潔冰清 | 玉洁冰清 | ||
Lovelorn | 失戀 | 失恋 | 1933 | |
Fan of Peach Blossoms | 新桃花扇 | 新桃花扇 | 1935 | |
Proud Daughter of Heaven | 天之驕女 | 天之骄女 | 1937 | |
Heavenly Beauty | 天堂美女 | 天堂美女 | 1953 |
References
- ^ Jing, n.d.
- Yu 2012, p. 224.
- ^ Qiao 2021.
- Huang 2014, pp. 284–315.
- Huang 2014, pp. 165–166; Zhang 2018, p. 152, 156
- Huang 2014, p. 88.
- ^ The Paper, 2020.
- ^ Huang 2014, p. 298.
- ^ Jing, n.d.; Qiao 2021
- The Chinese Mirror, Wu Suxin; (Jing, n.d.)
- Jing, n.d.; Yu 2012, p. 224
- Huang 2014, p. 294.
- Huang 2014, pp. 309–310.
- Huang 2014, pp. 294–295.
- Huang 2014, pp. 306–307.
- Huang 2014, p. 284.
- Huang 2014, p. 307.
- Huang 2014, p. 304.
Works cited
- Huang, Xuelei (2014). Shanghai Filmmaking: Crossing Borders, Connecting to the Globe, 1922–1938. Leiden: Brill. ISBN 978-90-04-27933-9.
- Jing Zhiyu (景智宇). 张织云:中国第一位电影皇后 [Zhang Zhiyun: China's First Movie Queen] (in Chinese). Huangpu District Archives. Archived from the original on 25 June 2024.
- Qiao Ran (樵髯) (11 May 2021). "Zhang Zhiyun: The Life She Easily Gave Up Was Exactly What Ruan Lingyu Dreamed Of" 张织云:她轻易放弃的生活,正是阮玲玉梦寐以求的. The Paper. Archived from the original on 10 January 2025. Retrieved 10 January 2025.
- "The Tragic Life of Zhang Zhiyun, China's First "Movie Queen" and "Tragedy Master"" 中国第一位"影后","悲剧圣手"张织云的悲剧人生. The Paper. 26 April 2020. Archived from the original on 10 January 2025. Retrieved 10 January 2025.
- "Wu Suxin, Zhang Huimin, and the Huaju Studio Silents". The Chinese Mirror: A Journal of Chinese Film History. Archived from the original on 29 May 2010. Retrieved 6 January 2025.
- Yu, Sabrina Qiong (2012). "Vulnerable Chinese Stars: From Xizi to Film Worker". In Zhang, Yingjin (ed.). A Companion to Chinese Cinema. Hoboken, New York: John Wiley & Sons. pp. 218–238. ISBN 978-1-4443-3029-8.
- Zhang Yu (張玉) (2018). 1920年代の中国における黒岩涙香野の花の受容 [The Reception of Kurogan Ruikou's No No Hana in China in the 1920s: Focusing on the Silent Film Lonely Orchid] (PDF). Border Crossings: The Journal of Japanese-Language Literature Studies (in Japanese). 6 (1): 147–163. doi:10.22628/bcjjl.2018.6.1.147. Archived from the original (PDF) on 9 March 2020. Retrieved 21 December 2024.
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