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Revision as of 22:07, 13 January 2025 editEssNS (talk | contribs)Extended confirmed users5,064 edits ←Created page with '{{Short description|Austrian photographer (1863–1918)}} {{Infobox artist |name=Hugo Henneberg | birth_name =Hugo Henneberg | honorific_prefix = |birth_date=27 July 1863 |death_date=11 July 1918 |birth_place=Vienna, Austrian Empire |death_place=Vienna, Austria |image= |resting_place= |image_size= |caption= |nickname= |signature= |nationality= Austrian | education = | occupation = {{hlist|Scientist|Photographer}} | field = Ph...'  Latest revision as of 11:31, 15 January 2025 edit undoEssNS (talk | contribs)Extended confirmed users5,064 editsm →The Viennese Trifolium: General edit to grammar. 
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Hugo Henneberg was born on 27 July 1863 in ], ].<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> Hugo Henneberg was born on 27 July 1863 in ], ].<ref name="Photographische Rundschau und Mitteilungen. (1918)"/>


Henneberg departed from his family home at the age of eleven to go to grammar school at ].<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> In 1882, Henneberg devoted himself to studies in physics, chemistry, astronomy, and mathematics at the ] and later in ].<ref>Harker, M. F. (1979). The linked ring: the secession movement in photography in Britain, 1892-1910. London: Random House.</ref><ref>Impressionist Camera: Pictorial Photography in Europe, 1888-1918. (2006). United Kingdom: Merrell.</ref> Henneberg departed from his family home at the age of eleven to go to grammar school at ].<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> Upon his return, he completed his high school studies in Vienna.<ref>David, L. (1905). Photographisches Praktikum: ein Handbuch für Fachmänner und Freunde der Photographie. Germany: W. Knapp.</ref> He was attending Vienna's K.K. Franz-Joseph-Gymnasium in the early 1880s.<ref>Jahresbericht über das K.K. Franz-Joseph-Gymnasium in Wien. (1881). Austria: (n.p.).</ref> In 1882, Henneberg devoted himself to studies in physics, chemistry, astronomy, and mathematics at the ] and later in ].<ref>Harker, M. F. (1979). The linked ring: the secession movement in photography in Britain, 1892-1910. London: Random House.</ref><ref>Impressionist Camera: Pictorial Photography in Europe, 1888-1918. (2006). United Kingdom: Merrell.</ref>


He partnered with Vienna's Richard O. Lorenz on a patent filed under the 'Electrical apparatus and telegraphy' category for electric ]s on 26 May 1883.<ref>Illustrirtes Österreichisch-Ungarisches Patent-Blatt. (1883). Austria: Verlag von H. Palm (Michalecki & Company).</ref> In December 1884, they entered a patent in Berlin for innovations in regulators for electric arc lamps.<ref>Patentblatt. (1884). Germany: Heymanns.</ref> He partnered with Vienna's Richard O. Lorenz on a patent filed under the 'Electrical apparatus and telegraphy' category for electric ]s on 26 May 1883.<ref>Illustrirtes Österreichisch-Ungarisches Patent-Blatt. (1883). Austria: Verlag von H. Palm (Michalecki & Company).</ref> In December 1884, they entered a patent in Berlin for innovations in regulators for electric arc lamps.<ref>Patentblatt. (1884). Germany: Heymanns.</ref>


Henneberg received his doctorate at the ] in 1887.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> Shortly after, Dr. Hugo Henneberg travelled to North America in 1888.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> In 1889, he published an article on the thermal conductivity of mixtures of ] and water in the scientific journal, ].<ref>Naturwissenschaftliche Rundschau: wöchentliche Berichte über die Fortschritte auf dem Gesammtgebiete der Naturwissenschaften. (1889). Germany: Druck und verlag von Friedrich Vieweg und Sohn.</ref> In 1890, he visited Egypt and Greece.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> Henneberg received his doctorate in physics at the ] in 1887.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> Shortly after, Dr. Hugo Henneberg travelled to North America in 1888.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> In 1889, he published an article on the thermal conductivity of mixtures of ] and water in the scientific journal, ].<ref>Naturwissenschaftliche Rundschau: wöchentliche Berichte über die Fortschritte auf dem Gesammtgebiete der Naturwissenschaften. (1889). Germany: Druck und verlag von Friedrich Vieweg und Sohn.</ref> In 1890, he visited Egypt and Greece.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/>


==Career== ==Career==
As a young man, he was drawn to photography, beginning by constructing a camera from an opera glass lens housed in a cigar box.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> As a young man, he was drawn to photography, beginning by constructing a camera from an opera glass lens housed in a cigar box.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> By 1887, he took up ].<ref>Hoffmeister, B., Joppien, R. (1991). European Art Nouveau. Germany: Museum für Kunst und Gewerbe.</ref>


===Vienna Camera Club=== ===Vienna Camera Club===
By 1890, he took up ]. Hugo Henneberg made his first appearance at the 1893 Salzburg exhibition, and by 1894, he had become a member of Vienna's photographic society, Vienna Camera Club ({{langx|de|Wiener Camera-Klub}}).<ref>Dutkiewicz, M. .., Eder, J. M., Haack, C., Hornig, E., Schrank, L. (1894). Photographische Correspondenz. Technische artistische und commerzielle Mittheilungen ... red. u. hrsg. von Ludwig Schrank. Austria: Gerold.</ref> In 1891, he had become a member of Vienna's photographic society, the Vienna Camera Club ({{langx|de|Wiener Camera-Klub}}).<ref>Schulze, D. (2004). Der Photograph in Garten und Park: Aspekte historischer Photographien öffentlicher Gärten in Deutschland von 1880 bis 1930. Germany: Königshausen & Neumann.</ref> That year, the club arranged the premiere International Exhibition of Artistic Photography, where several English pictorialists were featured for the first time in Vienna.<ref>Galassi, P. (1977). Photo-secession. Israel: Lunn Gallery.</ref> Henneberg displayed a landscape of Nasswald, Austria, at the 1891 Photographic Exhibition of Artistic Photographs held in the ].<ref>Dutkiewicz, M. .., Eder, J. M., Haack, C., Hornig, E., Schrank, L. (1891). Photographische Correspondenz. Technische artistische und commerzielle Mittheilungen ... red. u. hrsg. von Ludwig Schrank. Austria: Gerold.</ref>

Hugo Henneberg made an appearance at an exhibition of the Salzburg Amateur Club in the Marble Hall of the ] in June 1893.<ref>Dutkiewicz, M. .., Eder, J. M., Haack, C., Hornig, E., Schrank, L. (1894). Photographische Correspondenz. Technische artistische und commerzielle Mittheilungen ... red. u. hrsg. von Ludwig Schrank. Austria: Gerold.</ref> In Salzburg, Henneberg was recognized for presenting finely executed landscapes. His entries in the exhibition catalogue, including "Sailing Ship," "Still Waters," "Autumn Evening," and "Villa Floridiana near Naples," were praised for their atmospheric quality, scenic beauty, and the skillful execution of each photograph. While examining Henneberg's pictures, the ] of Salzburg showed their admiration, commenting, "The man must have excellent glasses."<ref>Photographische Korrespondenz: internationale Zeitschrift für wissenschaftliche und angewandte Photographie und die gesamte Reproduktionstechnik ; offizielles Organ der Deutschen Gesellschaft fürPhotographie in Köln, der Photographischen Gesellschaft in Wien und der Höheren Graphischen Bundes-Lehr- und Versuchsanstalt in Wien. (1893). Austria: Verlag d. Photogr. Correspondenz.</ref>

Henneberg's photographic works were part of the ]'s "Première Exposition d'art photographique" at the ] in ] in January 1894.<ref>Photograms of the Year: The Annual Review for ... of the World's Pictorial Photographic Work. (1896). United Kingdom: Iliffe & Sons Limited.</ref>


===The Linked Ring=== ===The Linked Ring===
The Austrian amateur photographer was admitted to the British photographic society, ], in 1894 with ] and became closely associated with ].<ref>Spangenberg, K. L. (1989). Photographic Treasures from the Cinc innati Art Museum. United States: The Museum.</ref> That year, Henneberg's artworks were part of the 1894 Photographic Salon, an exhibition organized by the Linked Ring Brotherhood, held at the ] within the ] in ]. He exhibited various works including "Evening Calm", "November", and "Landscape".<ref>Photography. Volume 6. (1894). United Kingdom: (n.p.).</ref> The following London Photographic Salon in 1895 also included an exhibit of Henneberg's works.<ref>Liverpool and Manchester Photographic Journal. (1895). United Kingdom: H. Greenwood.</ref> The Austrian amateur photographer was admitted to the British photographic society, ], in 1894 with ] and became closely associated with ].<ref>Spangenberg, K. L. (1989). Photographic Treasures from the Cinc innati Art Museum. United States: The Museum.</ref> That year, the Linked Ring Brotherhood featured Henneberg's artworks in their 1894 Photographic Salon at the ] in the ], ]. He exhibited various works including "Evening Calm", "November", and "Landscape".<ref>Photography. Volume 6. (1894). United Kingdom: (n.p.).</ref> The following London Photographic Salon in 1895 also included an exhibit of Henneberg's works.<ref>Liverpool and Manchester Photographic Journal. (1895). United Kingdom: H. Greenwood.</ref>

In January 1895, at an award ceremony of the Viennese Photographic Society, he was awarded a silver medal for four atmospheric landscape studies by the jury of the society.<ref>Photographische Korrespondenz: internationale Zeitschrift für wissenschaftliche und angewandte Photographie und die gesamte Reproduktionstechnik ; offizielles Organ der Deutschen Gesellschaft fürPhotographie in Köln, der Photographischen Gesellschaft in Wien und der Höheren Graphischen Bundes-Lehr- und Versuchsanstalt in Wien. (1895). Austria: Verlag d. Photogr. Correspondenz.</ref>


===Gum Printing=== ===Gum Printing===
After witnessing French photographer ]'s work with gum prints, Henneberg brought the gum bichromate process to the attention of Kühn in 1895.<ref>A New History of Photography. (1998). Germany: Könemann.</ref> The process revived by Demachy was soon studied and practiced to perfection by Henneberg, Watzek, and Kühn. The men verified, corrected, and completed the previous studies of Rouillé-Ladevéze. Through experimentation, Henneberg and Kühn discovered that ] was key to printing from high-contrast ] using the gum process. They advocated for more gum for richer tones and softer colors, suggesting a solution of an equal mix of gum and water, without preservatives. Henneberg highlighted that the critical aspect was the correct application of gum, pointing out previous mistakes like using too much or too little gum, thin coatings, overprinting, and overly hot water.<ref>The British Journal Photographic Almanac and Photographer's Daily Companion. (1898). United Kingdom: Henry Greenwood.</ref> Hugo Henneberg published an article titled "The Gum Bichromate Process" in the March 1896 issue of the ''Wiener Photographische Blätter''. It was a practical article on the technique of gum printing.<ref>Bulletin. Volume 24. (1897). Belgium: Association belge de photographie, Brussels.</ref> Hugo Henneberg witnessed French photographer ]'s work with single-layer gum prints at a photographic exhibition in 1895.<ref>Kempe, F. (1977). Photographie: zwischen Daguerreotypie und Kunstphotographie. Germany: Museum für Kunst und Gewerbe.</ref> Henneberg brought the gum bichromate process to the attention of Kühn that year.<ref>A New History of Photography. (1998). Germany: Könemann.</ref> The process revived by Demachy was soon studied and practiced to perfection by Henneberg, Watzek, and Kühn. The men verified, corrected, and completed the previous studies of Rouillé-Ladevéze. Through experimentation, Henneberg and Kühn discovered that ] was key to printing from high-contrast ] using the gum process. They advocated for more gum for richer tones and softer colors, suggesting a solution of an equal mix of gum and water, without preservatives. Henneberg highlighted that the critical aspect was the correct application of gum, pointing out previous mistakes like using too much or too little gum, thin coatings, overprinting, and overly hot water.<ref>The British Journal Photographic Almanac and Photographer's Daily Companion. (1898). United Kingdom: Henry Greenwood.</ref> Hugo Henneberg published an article titled "The Gum Bichromate Process" in the March 1896 issue of the ''Wiener Photographische Blätter''. It was a practical article on the technique of gum printing.<ref>Bulletin. Volume 24. (1897). Belgium: Association belge de photographie, Brussels.</ref>


===Trifolium=== ===The Viennese Trifolium===
By 1897, the trio of Henneberg, Kühn, and Watzek formed the 'Vienesse Trifolium,' or 'The Clover Leaf' ({{langx|de|Das Kleeblatt}}) with each member adopting a three-leaf clover in their signature.<ref>Sun Pictures. (1987). United States: Hans P. Kraus, Jr., Incorporated.</ref> The three internationally known photographers traveled together to northern and southern Germany, to Italy and Holland and engaged in photography and collective exhibitions.<ref>Wood, J. (1993). The art of the autochrome: the birth of color photography. Iowa City: University of Iowa Press.</ref> The Das Kleeblatt collective developed the gum bichromate technique, inventing a multi-layer gum print that allowed for the separation of tones in their images.<ref>Art Photography in Germany Around 1900. (1983). Germany: Institut für Auslandsbeziehungen.</ref> By 1896, the trio of Henneberg, Kühn, and Watzek formed the 'Vienesse Trifolium,' or 'The Clover Leaf' ({{langx|de|Das Kleeblatt}}) with each member adopting a three-leaf clover in their signature.<ref>Sun Pictures. (1987). United States: Hans P. Kraus, Jr., Incorporated.</ref> The three internationally known photographers traveled together to northern and southern Germany, to Italy and Holland and engaged in photography and collective exhibitions.<ref>Wood, J. (1993). The art of the autochrome: the birth of color photography. Iowa City: University of Iowa Press.</ref> Engaging with the photographic societies in the Netherlands, they made several visits to ] and ].<ref>Bulletin: Volume 49, Issues 1-4. (2001). Netherlands: Rijksmuseum.</ref> The Clover Leaf collective adopted the gum bichromate technique, inventing a multi-layer gum print that allowed for the separation of tones in their images.<ref>Art Photography in Germany Around 1900. (1983). Germany: Institut für Auslandsbeziehungen.</ref>


In January 1897, Henneberg did a German translation of an article by Demachy for ''Wiener Photographische Blätter'', the periodical of the Vienna Camera Club.<ref name="Photographische rundschau centralblatt für amateurphotographie. (1897)"/> In January 1897, Henneberg did a German translation of an article by Demachy for ''Wiener Photographische Blätter'', the periodical of the Vienna Camera Club.<ref name="Photographische rundschau centralblatt für amateurphotographie. (1897)"/>


The Vienesse artist was among the exhibitors showcasing gum prints at the London Photographic Exhibition in October 1897.<ref>The Art Journal. (1897). United Kingdom: Virtue and Company.</ref> Three of Henneberg's photos were exhibited at the ] in ].<ref name="Chemist & Druggist. (1897)"/> The Viennese artist was among the exhibitors showcasing gum prints at the London Photographic Salon in October 1897.<ref>The Art Journal. (1897). United Kingdom: Virtue and Company.</ref> Three of Henneberg's photos were exhibited at the ] in ].<ref name="Chemist & Druggist. (1897)"/>


He was named a corresponding member of the Society for the Promotion of Amateur Photography ({{langx|de|Gesellschaft zur Förderung der Amateur Photographie}}) in ], ] on 19 November 1897.<ref name="Photographische rundschau centralblatt für amateurphotographie. (1897)">Photographische rundschau centralblatt für amateurphotographie. (1897). Germany: Druck und Verlag von Wilhelm Knapp.</ref> On 25 January 1898, M. Pichier of the Association of Friends of Photography ] ({{langx|de|Verein von Freunden der Photographie Königsberg}}) proposed Henneberg as an honorary member, recognizing his significance in artistic photography and the association's growth following his 1897 exhibition.<ref>Photographische Rundschau. (1898). Germany: Knapp.</ref> He was named a corresponding member of the Society for the Promotion of Amateur Photography ({{langx|de|Gesellschaft zur Förderung der Amateur Photographie}}) in ], ] on 19 November 1897.<ref name="Photographische rundschau centralblatt für amateurphotographie. (1897)">Photographische rundschau centralblatt für amateurphotographie. (1897). Germany: Druck und Verlag von Wilhelm Knapp.</ref> On 25 January 1898, M. Pichier of the Association of Friends of Photography ] ({{langx|de|Verein von Freunden der Photographie Königsberg}}) proposed Henneberg as an honorary member, recognizing his significance in artistic photography and the association's growth following his 1897 exhibition.<ref>Photographische Rundschau. (1898). Germany: Knapp.</ref>


In March 1899, Hugo Henneberg work was exhibited at the Exhibition of Pictorial Photography in ], ]. He was credited by Hugo Müller as one of the first who tried to introduce color using the gum-bichromate process.<ref>The Amateur Photographer. (1899). United Kingdom: Hazell, Watson & Viney.</ref> In March 1899, Hugo Henneberg's work was exhibited at the Exhibition of Pictorial Photography in ], ]. He was credited by Hugo Müller as one of the first who tried to introduce color using the gum-bichromate process.<ref>The Amateur Photographer. (1899). United Kingdom: Hazell, Watson & Viney.</ref>

Henneberg had a villa designed and built by architect ] of the ] between 1900 and 1901 in the ] district in Vienna.<ref>Schweiger, W. J. (1984). Design in Vienna, 1903-1932. United Kingdom: Abbeville Press.</ref> The Villa Henneberg was situated at Steinfeldgasse no. 4.<ref>Mahler, G., La Grange, H. d., Weiss, G., Martner, K. (1995). Ein Glück ohne Ruh': die Briefe Gustav Mahlers an Alma : erste Gesamtausgabe. Germany: Siedler.</ref> He resided within an ] where the residences of Friedrich Viktor Spitzer, ], and ] were located.<ref>Mahler Foundation. (2024, March 5). 1901-1902 House Carl Moll i Vienna – Steinfeldgasse No. 8. Retrieved from https://mahlerfoundation.org/mahler/locations/austria/vienna/house-moll-vienna/</ref> He had a ] and ] installed in his home.<ref>Camera-Club. (n.d.). Retrieved from https://www.klimt-database.com/en/network-vienna-1900/spheres-of-activity/camera-club/</ref> At the 8th Exhibition of the Vienna Secession in late 1900, Henneberg bought a ] smoker's cabinet for his nearly completed Hoffman-designed house.<ref>Mackintosh, C. R. (1985). Charles Rennie Mackintosh: アールヌーボー, アールデコのインテリアアーティスト : マッキントッシュ展. Japan: Japan Art & Culture Association.</ref>


In 1901-1902, Henneberg notably commissioned his friend ] to create a portrait of his wife, Marie Henneberg.<ref>Moriz Nähr - photographer of Viennese modernism. (2018). Germany: Verlag der Buchhandlung Walther König.</ref>
Henneberg had a villa designed by ] of the ] between 1900 and 1901 on the ] in Vienna.<ref>Schweiger, W. J. (1984). Design in Vienna, 1903-1932. United Kingdom: Abbeville Press.</ref> He had a photo studio and darkroom installed in his home.<ref>Camera-Club. (n.d.). Retrieved from https://www.klimt-database.com/en/network-vienna-1900/spheres-of-activity/camera-club/</ref>


After Watzek's untimely death in 1903, Henneberg's enthusiasm for photography faded. By 1904, he shifted towards ], revisiting themes from his earlier gum prints. He immersed himself in etching, drawing, painting nudes, and landscapes, driven by a passion for broadening his artistic scope.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> After Watzek's untimely death in 1903, Henneberg's enthusiasm for photography faded. By 1904, he shifted towards ], revisiting themes from his earlier gum prints. He immersed himself in etching, drawing, painting nudes, and landscapes, driven by a passion for broadening his artistic scope.<ref name="Photographische Rundschau und Mitteilungen. (1918)"/>
Line 73: Line 81:
*Italian Villa in Autumn *Italian Villa in Autumn
*Baltic Sea Beach *Baltic Sea Beach
*Old Cypresses *Old Cypress
*Motif at Stillfried<ref name="Photographische Korrespondenz (1898)">Photographische Korrespondenz: internationale Zeitschrift für wissenschaftliche und angewandte Photographie und die gesamte Reproduktionstechnik ; offizielles Organ der Deutschen Gesellschaft fürPhotographie in Köln, der Photographischen Gesellschaft in Wien und der Höheren Graphischen Bundes-Lehr- und Versuchsanstalt in Wien. (1898). Austria: Verlag d. Photogr. Correspondenz.</ref>
*Motif at Stillfried<ref name="Photographische Korrespondenz (1898)"/>
*An Orchard *An Orchard
*After Sunset<ref name="Chemist & Druggist. (1897)">Chemist & Druggist. (1897). United Kingdom: Benn Brothers.</ref> *After Sunset<ref name="Chemist & Druggist. (1897)">Chemist & Druggist. (1897). United Kingdom: Benn Brothers.</ref>
*Villa Torlonia<ref name="Photographische Rundschau und Mitteilungen. (1918)"/> *Villa Torlonia<ref name="Photographische Rundschau und Mitteilungen. (1918)"/>
*At the Rushy Pool<ref>Camera Notes. (1978). United States: Da Capo Press.</ref>


== Gallery == == Gallery ==

Latest revision as of 11:31, 15 January 2025

Austrian photographer (1863–1918)
Hugo Henneberg
BornHugo Henneberg
27 July 1863
Vienna, Austrian Empire
Died11 July 1918 (aged 54)
Vienna, Austria
NationalityAustrian
Occupations
Known forPhotography
MovementPictorialism

Hugo Henneberg (27 July 1863 – 11 July 1918) was an Austrian scientist, graphic artist, and art photographer.

Early life and education

Hugo Henneberg was born on 27 July 1863 in Vienna, Austrian Empire.

Henneberg departed from his family home at the age of eleven to go to grammar school at Schnepfenthal Salzmann School. Upon his return, he completed his high school studies in Vienna. He was attending Vienna's K.K. Franz-Joseph-Gymnasium in the early 1880s. In 1882, Henneberg devoted himself to studies in physics, chemistry, astronomy, and mathematics at the Vienna University and later in Jena.

He partnered with Vienna's Richard O. Lorenz on a patent filed under the 'Electrical apparatus and telegraphy' category for electric arc lamps on 26 May 1883. In December 1884, they entered a patent in Berlin for innovations in regulators for electric arc lamps.

Henneberg received his doctorate in physics at the University of Jena in 1887. Shortly after, Dr. Hugo Henneberg travelled to North America in 1888. In 1889, he published an article on the thermal conductivity of mixtures of ethyl alcohol and water in the scientific journal, Annalen der Physik. In 1890, he visited Egypt and Greece.

Career

As a young man, he was drawn to photography, beginning by constructing a camera from an opera glass lens housed in a cigar box. By 1887, he took up artistic photography.

Vienna Camera Club

In 1891, he had become a member of Vienna's photographic society, the Vienna Camera Club (German: Wiener Camera-Klub). That year, the club arranged the premiere International Exhibition of Artistic Photography, where several English pictorialists were featured for the first time in Vienna. Henneberg displayed a landscape of Nasswald, Austria, at the 1891 Photographic Exhibition of Artistic Photographs held in the Museum of Applied Arts.

Hugo Henneberg made an appearance at an exhibition of the Salzburg Amateur Club in the Marble Hall of the Mirabell Palace in June 1893. In Salzburg, Henneberg was recognized for presenting finely executed landscapes. His entries in the exhibition catalogue, including "Sailing Ship," "Still Waters," "Autumn Evening," and "Villa Floridiana near Naples," were praised for their atmospheric quality, scenic beauty, and the skillful execution of each photograph. While examining Henneberg's pictures, the dignitaries of Salzburg showed their admiration, commenting, "The man must have excellent glasses."

Henneberg's photographic works were part of the Photo-club de Paris's "Première Exposition d'art photographique" at the Galerie Georges Petit in Paris in January 1894.

The Linked Ring

The Austrian amateur photographer was admitted to the British photographic society, The Linked Ring, in 1894 with Hans Watzek and became closely associated with Heinrich Kühn. That year, the Linked Ring Brotherhood featured Henneberg's artworks in their 1894 Photographic Salon at the Dudley Gallery in the Egyptian Hall, Piccadilly, London. He exhibited various works including "Evening Calm", "November", and "Landscape". The following London Photographic Salon in 1895 also included an exhibit of Henneberg's works.

In January 1895, at an award ceremony of the Viennese Photographic Society, he was awarded a silver medal for four atmospheric landscape studies by the jury of the society.

Gum Printing

Hugo Henneberg witnessed French photographer Robert Demachy's work with single-layer gum prints at a photographic exhibition in 1895. Henneberg brought the gum bichromate process to the attention of Kühn that year. The process revived by Demachy was soon studied and practiced to perfection by Henneberg, Watzek, and Kühn. The men verified, corrected, and completed the previous studies of Rouillé-Ladevéze. Through experimentation, Henneberg and Kühn discovered that burnt sienna was key to printing from high-contrast negatives using the gum process. They advocated for more gum for richer tones and softer colors, suggesting a solution of an equal mix of gum and water, without preservatives. Henneberg highlighted that the critical aspect was the correct application of gum, pointing out previous mistakes like using too much or too little gum, thin coatings, overprinting, and overly hot water. Hugo Henneberg published an article titled "The Gum Bichromate Process" in the March 1896 issue of the Wiener Photographische Blätter. It was a practical article on the technique of gum printing.

The Viennese Trifolium

By 1896, the trio of Henneberg, Kühn, and Watzek formed the 'Vienesse Trifolium,' or 'The Clover Leaf' (German: Das Kleeblatt) with each member adopting a three-leaf clover in their signature. The three internationally known photographers traveled together to northern and southern Germany, to Italy and Holland and engaged in photography and collective exhibitions. Engaging with the photographic societies in the Netherlands, they made several visits to Noordwijk and Katwijk. The Clover Leaf collective adopted the gum bichromate technique, inventing a multi-layer gum print that allowed for the separation of tones in their images.

In January 1897, Henneberg did a German translation of an article by Demachy for Wiener Photographische Blätter, the periodical of the Vienna Camera Club.

The Viennese artist was among the exhibitors showcasing gum prints at the London Photographic Salon in October 1897. Three of Henneberg's photos were exhibited at the Dudley Gallery in Piccadilly, London.

He was named a corresponding member of the Society for the Promotion of Amateur Photography (German: Gesellschaft zur Förderung der Amateur Photographie) in Hamburg, Germany on 19 November 1897. On 25 January 1898, M. Pichier of the Association of Friends of Photography Königsberg (German: Verein von Freunden der Photographie Königsberg) proposed Henneberg as an honorary member, recognizing his significance in artistic photography and the association's growth following his 1897 exhibition.

In March 1899, Hugo Henneberg's work was exhibited at the Exhibition of Pictorial Photography in Berlin, Germany. He was credited by Hugo Müller as one of the first who tried to introduce color using the gum-bichromate process.

Henneberg had a villa designed and built by architect Josef Hoffmann of the Vienna Secession between 1900 and 1901 in the Hohe Warte district in Vienna. The Villa Henneberg was situated at Steinfeldgasse no. 4. He resided within an artist colony where the residences of Friedrich Viktor Spitzer, Koloman Moser, and Carl Moll were located. He had a photo studio and darkroom installed in his home. At the 8th Exhibition of the Vienna Secession in late 1900, Henneberg bought a Charles Rennie Mackintosh smoker's cabinet for his nearly completed Hoffman-designed house.

In 1901-1902, Henneberg notably commissioned his friend Gustav Klimt to create a portrait of his wife, Marie Henneberg.

After Watzek's untimely death in 1903, Henneberg's enthusiasm for photography faded. By 1904, he shifted towards woodcutts, revisiting themes from his earlier gum prints. He immersed himself in etching, drawing, painting nudes, and landscapes, driven by a passion for broadening his artistic scope.

Death

Hugo Henneberg died on 11 July 1918 in Vienna, Austria. His final request while on his deathbed was to wear a work coat.

Works

  • Evening Calm
  • On the Highway
  • Village in Pomerania
  • Stormy Weather
  • Italian Villa in Autumn
  • Baltic Sea Beach
  • Old Cypress
  • Motif at Stillfried
  • An Orchard
  • After Sunset
  • Villa Torlonia
  • At the Rushy Pool

Gallery

  • Photos by Hugo Henneberg
  • November (1894) November (1894)
  • En Eté (1894) En Eté (1894)
  • At the Rushy Pool (1895) At the Rushy Pool (1895)
  • Le Pont (1896) Le Pont (1896)
  • Auf Der Landstrasse (1897) Auf Der Landstrasse (1897)
  • Italienische Villa Im Herbst (1897) Italienische Villa Im Herbst (1897)
  • Am Kanal (1899) Am Kanal (1899)
  • Ruhige See (1899) Ruhige See (1899)

References

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  9. Hoffmeister, B., Joppien, R. (1991). European Art Nouveau. Germany: Museum für Kunst und Gewerbe.
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  30. Cite error: The named reference Chemist & Druggist. (1897) was invoked but never defined (see the help page).
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  42. Chemist & Druggist. (1897). United Kingdom: Benn Brothers.
  43. Camera Notes. (1978). United States: Da Capo Press.

External links

Media related to Hugo Henneberg at Wikimedia Commons

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