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| {{Short description|Subgenre of punk music}} | |||
| {{refimprove|date=November 2008}} | |||
| {{redirect|Artcore|the punk zine|Artcore Fanzine|the electric guitars|Ibanez Artcore series}} | |||
| {{genrebox|name=Art punk | |||
| {{infobox music genre | |||
| |color=crimson | |||
| | name = Art punk | |||
| |bgcolor=white | |||
| | stylistic_origins = {{flatlist| | |||
| |stylistic_origins= ]<br>]<br>]<br>]<br>]<br>] | |||
| ⚫ | *] | ||
| ⚫ | |cultural_origins= |
||
| ⚫ | *] | ||
| |instruments=], ], ], ], ] | |||
| *] | |||
| |popularity=Mostly underground | |||
| }} | |||
| |derivatives=] <br /> ] | |||
| ⚫ | | cultural_origins = 1970s, United Kingdom and United States | ||
| ⚫ | |||
| | derivatives = | |||
| ⚫ | |||
| | subgenrelist = | |||
| ⚫ | |fusiongenres= | ||
| | subgenres = | |||
| ⚫ | |regional_scenes= | ||
| ⚫ | | fusiongenres = | ||
| ⚫ | | regional_scenes = | ||
| | other_topics = * ] | |||
| ⚫ | * ] | ||
| ⚫ | * ] | ||
| ⚫ | * ] | ||
| * ] | |||
| ⚫ | * ] | ||
| }} | }} | ||
| '''Art punk''' (also known as '''avant-punk''') refers to punk rock of an experimental bent, or with connections to ] or the ]. | |||
| '''Art punk''', or '''artcore''', is a subgenre of ] in which artists go beyond the genre's rudimentary ] and are considered more sophisticated than their peers.{{sfn|Gittins|2004|p=5}} These groups still generated punk's aesthetic of being simple, offensive, and free-spirited, but essentially attracted audiences other than the angry, working-class ones that surrounded ].<ref name="pm01">{{cite web|last1=Desrosiers|first1=Mark|title=25 Up: Punk's Silver Jubilee: Aesthetic Anesthetic: Liberating the Punk Canon|url=http://www.popmatters.com/feature/011108-25up4/|website=]|date=November 8, 2001}}</ref> | |||
| == Styles of art punk == | |||
| ===Anarcho-punk=== | |||
| ⚫ | {{ |
||
| *]<ref></ref> | |||
| *]<ref></ref><ref></ref> | |||
| == |
==History== | ||
| In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive".<ref name="ArtPunkMurray">{{cite web|last1=Murray|first1=Noel|title=60 minutes of music that sum up art-punk pioneers Wire|url=http://www.avclub.com/article/60-minutes-music-sum-art-punk-pioneers-wire-219113|website=]|date=May 28, 2015}}</ref> Musicologists ] and Howard Horne described the band managers of the 1970s punk bands as "the most articulate theorists of the art punk movement", with Bob Last of ] identified as one of the first to apply art theory to marketing, and ]'s ] described as "applying the ] principle of the same 'look' for all the company's goods".<ref name="Frith">Frith, Simon & Horne, Howard (1987) ''Art into Pop'', Methuen, {{ISBN|978-0-416-41540-7}}, p. 129-130</ref> ]'s ] described art punk in 2006 as "the drug of choice of a whole generation".<ref name="Newman">Newman, Colin (2006) "", '']'', 17 February 2006</ref>'' ]'' attributes ] of ] as "the primary oracle for a generation of ], ], and ] scientists".<ref>{{cite web |date=22 June 2006 |title=The Red Krayola: Introduction Album Review |url=https://pitchfork.com/reviews/albums/9107-introduction/ |website=]}}</ref> ] stated "it would take a few decades of ] experimentalism before Mayo Thompson's vision would have a truly suitable context."<ref>{{Citation |title=The Red Krayola - God Bless the Red Krayola and All Who Sail with It Album Reviews, Songs & More {{!}} AllMusic |url=https://www.allmusic.com/album/god-bless-the-red-krayola-and-all-who-sail-with-it-mw0000115045 |access-date=2023-04-20 |language=en}}</ref> | |||
| {{main|Dance-punk}} | |||
| Anna Szemere traces the beginnings of the ] art-punk subculture to 1978, when punk band the Spions performed three concerts which drew on conceptualist ] and ]'s '']'', with neo-avant-garde/] manifestos handed out to the audience.<ref name="Szemere">Szemere, Anna (1997) ''Up from the Underground: The Culture of Rock Music in Postsocialist Hungary'', Pennsylvania State University Press, {{ISBN|978-0-271-02133-1}}, p. 41</ref> | |||
| ===No wave=== | |||
| {{main|No wave}} | |||
| ===Post-hardcore=== | |||
| {{main|Post-hardcore}} | |||
| *] | |||
| *]<ref></ref> | |||
| *] | |||
| ⚫ | |||
| {{main|Post-punk}} | |||
| *]<ref name="Strong">Strong, Martin C.: "The Great Alternative & Indie Discography", 1999, Canongate, ISBN 0-86241-913-1</ref> | |||
| *] | |||
| *] | |||
| *] | |||
| *] | |||
| ===Post-punk revival=== | |||
| {{main|post-punk revival}} | |||
| *] | |||
| *] | |||
| *] | |||
| *] | |||
| ===Noise rock=== | |||
| {{main|Noise rock}} | |||
| ⚫ | *] | ||
| *]<ref></ref> | |||
| ===Punk jazz=== | |||
| {{main|Punk jazz}} | |||
| == See also == | |||
| ⚫ | *] | ||
| *] | |||
| ==References== | ==References== | ||
| {{ |
{{Reflist}} | ||
| == |
==Bibliography== | ||
| * {{cite book|last=Gittins|first=Ian|title=Talking Heads: Once in a Lifetime : the Stories Behind Every Song|url=https://books.google.com/books?id=ZvhoZyTzspYC&pg=PA5|year=2004|publisher=Hal Leonard|isbn=978-0-634-08033-3}} | |||
| * | |||
| ⚫ | {{Post-punk}} | ||
| {{Punk}} | {{Punk}} | ||
| ] | ] | ||
| ] | ] | ||
| ⚫ | ] | ||
| ] | |||
| ] | |||
| ⚫ | ] | ||
| ⚫ | ] | ||
| ] | |||
| ] | |||
Latest revision as of 21:46, 16 December 2024
Subgenre of punk music "Artcore" redirects here. For the punk zine, see Artcore Fanzine. For the electric guitars, see Ibanez Artcore series.| Art punk | |
|---|---|
| Stylistic origins | |
| Cultural origins | 1970s, United Kingdom and United States |
| Other topics | |
Art punk, or artcore, is a subgenre of punk rock in which artists go beyond the genre's rudimentary garage rock and are considered more sophisticated than their peers. These groups still generated punk's aesthetic of being simple, offensive, and free-spirited, but essentially attracted audiences other than the angry, working-class ones that surrounded pub rock.
History
In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive". Musicologists Simon Frith and Howard Horne described the band managers of the 1970s punk bands as "the most articulate theorists of the art punk movement", with Bob Last of Fast Product identified as one of the first to apply art theory to marketing, and Tony Wilson's Factory Records described as "applying the Bauhaus principle of the same 'look' for all the company's goods". Wire's Colin Newman described art punk in 2006 as "the drug of choice of a whole generation". Pitchfork attributes Mayo Thompson of Red Krayola as "the primary oracle for a generation of art punks, industrial savants, and new-wave scientists". AllMusic stated "it would take a few decades of post-punk experimentalism before Mayo Thompson's vision would have a truly suitable context."
Anna Szemere traces the beginnings of the Hungarian art-punk subculture to 1978, when punk band the Spions performed three concerts which drew on conceptualist performance art and Antonin Artaud's Theatre of Cruelty, with neo-avant-garde/anarchist manifestos handed out to the audience.
References
- Gittins 2004, p. 5.
- Desrosiers, Mark (November 8, 2001). "25 Up: Punk's Silver Jubilee: Aesthetic Anesthetic: Liberating the Punk Canon". PopMatters.
- Murray, Noel (May 28, 2015). "60 minutes of music that sum up art-punk pioneers Wire". The A.V. Club.
- Frith, Simon & Horne, Howard (1987) Art into Pop, Methuen, ISBN 978-0-416-41540-7, p. 129-130
- Newman, Colin (2006) "Wire: the art-punk band's journey and legacy", The Independent, 17 February 2006
- "The Red Krayola: Introduction Album Review". Pitchfork. 22 June 2006.
- The Red Krayola - God Bless the Red Krayola and All Who Sail with It Album Reviews, Songs & More | AllMusic, retrieved 2023-04-20
- Szemere, Anna (1997) Up from the Underground: The Culture of Rock Music in Postsocialist Hungary, Pennsylvania State University Press, ISBN 978-0-271-02133-1, p. 41
Bibliography
- Gittins, Ian (2004). Talking Heads: Once in a Lifetime : the Stories Behind Every Song. Hal Leonard. ISBN 978-0-634-08033-3.