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==NB: Grave Epitaph in "death" section==
== "Finishing his epic poem 'Endymion'..." ==
The epitaph on the gravestone was purposely laid out by Brown and Severn as a poem (they were poets. Keats was a poet). Please respect the poems lineation and line breaks for this reason. Every week at the moment someone changes it back to a prose format. Yes, there is a one day difference between the headstone's given date of death and the official date. Thanks ] (]) 13:07, 29 January 2010 (UTC)

Though Keats intended to write Endymion as an epic, the critical consensus is that Keats did not succeed at epic poetry until Hyperion. At the very least, you might mention that Endymion's status as an epic poem is debatable (esp if we accept the categorical "boundaries" worked out by M. Bakhtin in the Dialogic Imagination)

" Oscar Wilde, the aestheticist non pareil was '''to later write''': "" this is split-infinitive and hurts my eyes greatly.

The following paragraph is ridiculous. The first part is irrelevant, and the last part inaccurate (he moved to the isle of wight...the reason for his criticial rejection is more complicated...)

: "It should be remembered that the Romantic movement flowered during a period of major catharsis in world history: the American War of Independence and the French Revolution had cast long shadows across the existing world order; existing bourgeois values were being challenged as never before. Romanticism was the very cultural epitome of this rebellion, and its adherents work became the target of critical denigration. Keats' poetry was consequently not well received, and he moved to the Isle of Man."

Yeah, you're right. I don't think that the parts about the French revolution are irrelevant however. The Romantics were hopeful that the French revolution would spread to England. I know Keats was at the end of that era, but other people in the group like Mary Stone-Wool... whatever her name was, who wrote the Rights Of Women were doing so because of the unrest caused by the French and American revolutions. ] 11:22, 26 Sep 2003 (UTC).

: "the reason for his criticial rejection is more complicated" is true - most of his early work is unreadable. ] 11:25, 26 Sep 2003 (UTC).

"The rejection of Keats' poetry, particularly the early work such as "Endymion" has very little to do with his position as a romantic. In fact Keats' panning was as said above because his early work is generally awful, but also because Keats, unlike many of his contempories did not deal with the politics of the day. It was his continual use of escapism and indulgence which riled his critics, not his politics." Cbs

Escapism and indulgence in Endymion yes, but also his politics to a degree: the Tory critics at Blackwood's Edinburgh Magazine in 1818 associated Keats politically with the radical Leigh Hunt, the author of the Story of Rimini, a key poetic influence on Keats but also the editor of the oppositionalist Examiner. For Blackwood's, Keats was a politically 'seditious' voice: 'We had almost forgot to mention that Keats belongs to the Cockney School of Politics, as well as the Cockney School of Poetry. It is fit that he who holds Rimini to be the first poem should believe The Examiner to be the first politician of the day. We admire consistency, even in folly. Hear how their bantling has already learned to lisp sedition'. (Baviad)
It is fit that he who holds Rimini to be the first poem should believe The Examiner to be the first politician of the day


== ] merge ==

The article for ] should be merged into this article, as it does not have enough information to stand on its own, and is only 3 sentences. ] 20:20, 11 October 2005 (UTC)

== Fanny Brawne Merge ==

Fanny Brawne can stand just fine by herself. Perhaps her section should be expanded. Throw a picture of her on! Or maybe the famous lines that were written about her?

Not to mention the inaccuracy (or rather, the misleading nature) of "the romance was not successful"; She was also in love with him (I would have changed this but did not see the "edit" link on that article), and they did become engaged. The only reason the romance didn't work was because of Keats's health--he had to leave for warmer climes and died while abroad. Otherwise he would no doubt have married her. Douglas Bush cites Brawne's apparent reciprocation of love in his book "John Keats: His Life and Writings."

* Is Fanny Brawne famous for anything except being being loved by Keats? I'd say merge.

== Fanny Brawne Merge ==

Fanny Brawne can stand just fine by herself. Perhaps her section should be expanded. Throw a picture of her on! Or maybe the famous lines that were written about her?

It will soon be 1 year since someone suggested merging Fanny Brawne's entry, and during this time no one has added much to Brawne's own article in defense of its autonomy. I am sure there is a lot that could be said about Brawne, but during the past year no one has known what it is. So let's '''merge''' the two. ] 21:32, 26 August 2006 (UTC)

: Merge! The only reason why people know about this girl is because a famous poet was in love with her. It's not like she was a Laura or a Beatrice, inspiring his poetry in any way. Though I don't think having a picture of her on Keats' page would hurt anything.


::I vote merge. There is only one link to her that is not connected to Keats. ] 16:56, 16 September 2006 (UTC)

== Link to WikiSource? ==
Should we have a link to WikiSource here, possibly instead of the one for Wikiquote, as that seems to have some works by him and not most like WikiSource does? Wikiquote has a better looking style than WikiSource, but isn't Wikiquote for quotations, things he said, and WikiSource for works by and about him? Feel free to change as you see appropriate. --] 20:21, 27 October 2005 (UTC)

I've always been astouded at how poets like Keats get smaller sections than lesser poets like Emily Dickinson

: I agree, but part of it's probably how little we know of his life. Or maybe all the Keats fans out there just haven't gotten around to this page yet.


Keats's request regarding the inscription on his gravestone ("here lies one who's name was writ in water") was rather unfortunately disregarded by Severn, etc. The actual gravestone (based on a design by Severn) features a lyre with half the strings unstrung, and a bathetic blurb about a "young English poet" who had been driven to such misery by harsh reviews that he asked for the line "here lies..&c." to be carved on his headstone. Maybe dude was just cranky from..., umm..., *dying*? Random note: I hate this sentimentalized vision of Keats as this delicate, wilting little sensitive p-ssy, this loser who was indeed "snuffed out by an article". Keats was actually a courageous, pugnacious character, as the testimony of his friends and the evidence of his own poetry and letters prove.

: I agree. He'd hate to see how everybody sentimentalizes his life and poetry today. He had a lot of that zest for life in him. In fact, he was often his own most harsh critic.

== Interesting idea ==
I'm not suggesting it needs to be included in the article at all, but here's something to think about: An English professor of mine once said that if Keats had lived, he would undoubtedly be remembered as a Victorian poet. How strange!

---

I think about that sometimes too. Of the younger generation of major Romantics, it's likely that Byron would have turned political reactionary had he lived past 36; I can see him as a sardonic MP in old age, wryly savaging his social enemies over port at the club while men like Arnold and Dickens nod admiringly in assent. Keats and Shelley would have likewise aged into Grand Old Men of letters, and their continued presence in the Victorian era would have prevented the moronic establishment of that 'beautiful ineffectual angel' myth. Ah well, one can dream - think of all the lost poems!




Byron as an MP? Ha! When the British govt. would have had him dead if they could? Byron was too much the deviant politically, sexually, socially, to become his generation's Wordsworth. Now Keats and Shelley as Victorians? I dunno. Hemans is the only remaining figure before Browning and Tennyson come in. But they start from somewhere else then K and S. You know, I think the Modernists pick up where Keats and Shelley abruptly break off. Just read the Triumph of Life and the Fall of Hyperion. From those two poems you can make up all sorts of trajectories.] (]) 08:01, 10 December 2007 (UTC)

== Onaya ==

In an episode of ] entitled "]", there is a character named Onaya who can (vaguely, at least) be described as a type of psychic vampire. She befriends someone with artistic talents, and stimulates something in them which greatly enhances their talent and output, while providing her with some sort of energy. This "feeding" sustains her, but if it goes on for too long, kills her protoge. After she's confronted (because she almost killed the son of the station's commander) she lists some of the great names that she has touched in the past, and suggests that even though they died young due to her interference, it was worth it for them because they gained immortality through their works thanks to her. Of course, the reason I mention this is that Keats is among the victims she names. I thought that it might be a worthwhile trivia item to add somewhere (if nothing else, it's a sci-fi "theory" regarding his death), but I'm not good at summarizing, as evidenced by the above explanation, so I'm mentioning it here in hopes that someone can reduce it to a 2-sentence blurb and add it somewhere appropriate. - ] 17:04, 8 February 2007 (UTC)

== Removed some vandalism ==


:ATTENTION!!!! take note that in the photo of the article is represented the grave of Shelley, NOT THE GRAVE OF KEATS!!!!!! Consequently the epitaph too rephers to Shelley. See in http://www.facebook.com/photo.php?fbid=4107598936204&set=a.1588097030231.2076526.1469982095&type=3&theater a photo of either the grave of Shelley (on left) and the grave of Keats (on right, with his name). The photo is mine, taken in March 2010 and I allows the use in Misplaced Pages. Paolo Bottoni <span style="font-size: smaller;" class="autosigned">— Preceding ] comment added by ] (]) 06:59, 3 June 2012 (UTC)</span><!-- Template:Unsigned IP --> <!--Autosigned by SineBot-->
I removed some vandalism under Lord Byron's poem on Keats' death. I am commenting here to let others know and because I am new to wikipedia (as editing something). ] 12:56, 14 February 2007 (UTC)


:::No, in your photo the grave on the left is that of Keats inscribed with the line 'Here lies One Whose Name was writ in Water,' the same in as the photo pictured in the article. The grave on the right in your picture is that of Severn, who wanted to be buried next to his friend. You can see that Keats's grave is engraved with a lyre (with a broken string) and Severn's pictures a palette, as he was a painter. You can see Shelley's grave stone at ]. <span style="font-family:Monotype Corsiva; font-size:15px;">] (])</span> 10:44, 3 June 2012 (UTC)
==John "Doctor" Keats (1795-1821)==
John Keats was born on 31 October 1795 (probably), first child of Thomas Keats and Frances Jennings Keats, who had apparently eloped1. Everything was pretty ordinary for all concerned for a while--the Keatses had three more sons (George and Thomas, plus Edward who died as a baby) and one daughter, Frances, by 1803. That was also the year when John went away to school at Enfield. In 1804, John's father was killed in a fall from a horse. Just over two months later, for mysterious reasons, Frances remarried, to a London bank clerk named William Rawlings. Frances quickly decided she'd made some sort of terrible error and left, taking nothing with her since the laws of the time decreed that all her property and even her children belonged to her husband. Frances' mother, Alice, swept in and took custody of the children, but she could do nothing about the Swan and Hoop, which Rawlings sold immediately before disappearing. It was around this time that John became prone to fistfights, which he rarely lost even though he was small for his age2.


==Bright Star poem added==
Frances reappeared suddenly in 1809, ill and depressed from many years of depending on the kindness of strangers3. John was overjoyed to see her and took care of her devotedly, but it was soon obvious that she had consumption4. She died in 1810, a year or so after her brother died of the same disease. John was crushed, and turned from fighting to studying. A year later, one of his financial guardians, a man named Abbey, sat him down and asked John what he'd like to do for a living. John had already considered the question, and replied that he'd like to be a surgeon5. So he was duly apprenticed to a surgeon named Hammond who lived in the neighborhood.
As part of a year's ongoing adding of content to this article you'll notice that ''Bright star'' is the only poem quoted in its entirety. This is because it is a sonnet (a short 14 lines), it is well known, it has demonstrable links through Keats's letters to Isabella Jones and Fanny Brawne, it highlights his conflicted state and was one of the last poems that Keats revised before he died. This is why it is emphasised as an image as much as a poem. If anyone feels this is adding undue emphasis, please discuss. Thanks ] (]) 12:30, 4 February 2010 (UTC)
:Thank you for discussing this on the talk page; I hope you will not continue to make unliateral decisions about the article. I consider it undue emphasis. But I did not delete the poem itself because this can be a matter of discussion. You went further than quoting the entire poem, however. You set it apart by placing in within a box with a blue background. And now you have done it again (with a different color). I have never seen this done on the page of a writer who produced numerous notable works. Until some sort of consensus is reached about including the poem, please respect the ] process and the fact that Misplaced Pages is group process (not your personal webpage) by not doing so again. And contrary to your statement on my talk page ("By the end of February 15 2010, if not, I will add colouration to the image"), you do not set deadlines for consensus on Misplaced Pages. And now that an opinion opposing your edits has been made, the default decision in the absence of a consensus is not your position.
:Some of your arguments about the poem being the only one quoted in its entirety may have merit, but "''it is well known''" and "''it highlights his conflicted state''" are not acceptable rationales because these factors apply to more than this one poem.
:Thank you. ] (]) 17:09, 4 February 2010 (UTC)


== Last born/First to die ==
It was in 1813 that John first started reading lyric poetry6, most notably works by Sir Edmund Spenser like "The Faerie Queen." It was also around this time that John began to really rebel against Hammond7. The following year, Grandmother Jennings died, and the family was split up, it being improper at that time for younger sisters to live with older brothers without a parental type around. Frances was sent to live with the kids' other financial guardian and the two boys went to work. John just kept to himself and wrote really sad poems8. These poems still weren't very good, and he kept right on with learning to be a surgeon (in fact, he was doing so well, he'd jumped ahead of the curriculum) but over the next couple of years, poetry gradually became the overriding ambition of his life and medicine was left in the dust.


In the name of accuracy, I have changed the sentence that begins this page, "John Keats was the last born of the English Romantic poets and, at 25, the youngest to die" to "John Keats was an English Romantic poet." While the former statement is nicely poetic, it is simply not true. Keats was the last born of the Big Six (Blake, Wordsworth, Coleridge, Byron, Shelley, Keats), but he was not the last born of all English Romantic poets, of whom there were dozens. Thomas Lovell Beddoes, for instance, was born in 1803--eight years after Keats.
One of John's sonnets, called "To Solitude, " was printed in 1816, in the liberal newspaper, The Examiner9. This sonnet was good, but it wasn't until a little later in the year that he wrote "On First Looking Into Chapman's Homer," which proved that he was the man to watch. His first volume of poetry appeared on 3 March 1817, and it didn't sell very well at all. John was depressed, but kept writing. Shelley had challenged him to an epic poetry writing contest over the summer, and for that contest, John wrote Endymion, though he didn't finish it within the time limit, so I guess Shelley won. But John was the sought-after young poet in London, and he lived in a whirl of parties and dances, even though he didn't much like crowds.


] (]) 02:01, 21 November 2010 (UTC)
In June of 1818, John apparently became convinced that he would have only three more years to live10. He'd already written many of his most famous poems, but he was still convinced that he hadn't yet done enough to leave his mark on the literary world. His brother George had announced plans to emigrate to Illinois with his new wife, and his brother Tom had just started showing signs of consumption and needed John to look after him. And to top it all off, John had just fallen madly in love with a young woman named Frances Brawne. All of this overwhelmed and depressed him11. He tried to lose himself in his latest poem, Hyperion, but that's hard to do when you're spending most of your time in a sickroom.


==had made several large loans that he could ill afford.==
Tom died in December of 1818. Though John should have received £500 from Tom's estate, Abbey (the guardian) decreed that he couldn't have it until his sister Frances turned 21. It wasn't until a year or so after John's death that anyone realized that Abbey had misappropriated nearly £1000 from Alice Jennings' estate. To make matters worse, brother George had gone broke12 and was begging John to send him whatever he could scavenge from the family funds. Desparate, John convinced his publishers to issue another volume of his poetry, but this was not a stunning success. Dead broke, he still allowed George to have the remnants of the family estate. John was rapidly becoming dependant on the help of his friends, people like Leigh Hunt (who'd gotten married and settled down some) and Charles Brown. John was also developing consumption, coughing up blood in February of 1820.
"had made several large loans that he could ill afford." begs the question, Who was he loaning money to and what were the consequences? In the context it might also be worth checking the sources in case this should actually have been " had taken on several large loans that he could ill afford to repay". '']]<span style="color:#CC5500">Chequers</span>'' 06:18, 10 September 2012 (UTC)
::Thanks for the comment. I have added more detail about loans to ] and George. Keats's financial straits and their impact are discussed at various points in the article. "Money was always a great concern and difficulty for him, as he struggled to stay out of debt and make his way in the world independently"; "Keats's long and expensive medical training with Hammond and at Guy's Hospital led his family to assume that medicine would be his lifelong career, assuring financial security"; "Sometime before the end of June , he arrived at some sort of understanding with Brawne, far from a formal engagement as he still had too little to offer, with no prospects and financial stricture". I hope the burden of his financial situation comes across. <span style="font-family:Monotype Corsiva; font-size:15px;">] (])</span> 09:48, 10 September 2012 (UTC)
:::Thanks, that resolves that nicely. His financial straights were clear, but not that he was taking on such extra commitments. One detail that might help would be to resolve the loose ends of his own inheritances from relatives. Some legacies are mentioned and it is implied that he never saw them, what eventually happened to that money? '']]<span style="color:#CC5500">Chequers</span>'' 09:55, 10 September 2012 (UTC)


==He had a significant influence on a diverse range of later poets and writers.==
It was around this time that, without consulting John, Charles began arrangements for sending John to Italy13. John didn't want to be so far away from his ladylove, but he felt incapable of arguing. He left in September of1820, accompanied by Joseph Severn, an up and coming portrait artist. Once in Rome, the two men moved into lodgings across the piazza from an English doctor named Clark14. John was not allowed to write poetry and only given the dullest books to read, as emotional excitement was considered very bad for consumptive patients. John was definitely in a state; he stopped opening letters, even from his beloved Frances, after a month or so. In December, he tried to commit suicide by taking laudanum, but Severn stopped him. Later, delirious from the disease and the starvation diet Clark prescribed, John would rant at Severn for stopping him and even went so far as to accuse his friends of having poisoned him back in London.
''He had a significant influence on a diverse range of later poets and writers.'' Implies to me that he influenced subsequent but not current generations of writers. If he is still influencing writers today then perhaps ''He has had a significant influence on a diverse range of later poets and writers.'' would be more apt. '']]<span style="color:#CC5500">Chequers</span>'' 09:50, 10 September 2012 (UTC)
::Clarified. <span style="font-family:Monotype Corsiva; font-size:15px;">] (])</span> 23:17, 13 September 2012 (UTC)


==Keats' letters were first published in 1848 and 1878.==
On 23 February 1821, John died. Frances, upon hearing the news, seemed all right for a few weeks, then fell ill, and after recovering began wearing widows' weeds15. John had requested that his tomstone read only "Here lies one whose name was writ in water." Charles Brown, feeling that was too brusque, had this carved on the stone instead: "This Grave contains all that was Mortal of a YOUNG ENGLISH POET Who on his Death Bed, in the Malicious Power of his Enemies, Desired these Words to be engraven on his Tomb Stone 'Here lies One Whose Name was writ in Water'"16.
"Keats' letters were first published in 1848 and 1878." This reads oddly to me, and could perhaps be rephrased as "Some of Keats' letters were first published in 1848, with his letters to Fanny Brawne added in 1878. '']]<span style="color:#CC5500">Chequers</span>'' 23:08, 13 September 2012 (UTC)
:Clarified. The first publication date is fine. <span style="font-family:Monotype Corsiva; font-size:15px;">] (])</span> 23:18, 13 September 2012 (UTC)


==The Epitaph==
Ward, Eileen. John Keats: The Making of a Poet. New York: Viking Press, 1963.
This page previously read "His last request was to be placed under an unnamed tombstone which contained only the words (in ]), 'Here lies one whose name was writ in water.'" The problem here is not the highlighted word Pentameter (all that is seen on the page), but the link to the article on ''Iambic'' pentameter.


The most straightforward scansion of the intended epitaph as one line of pentameter is trochaic: "HERE lies ONE whose NAME was WRIT in WAter." It would be completely unnatural to try to pronounce it as a regular iambic line: "Here LIES one WHOSE name IS writ IN waTER." True, true, if we found this line at the beginning of an otherwise iambic poem, we could rationalize it by scanning it as a headless first foot (the missing unstressed first syllable) on a line with a feminine ending (the extra unstressed syllable at the end). But we have no reason to shoehorn the line into an iambic pattern because Keats gave us only one line. And it consists of five trochaic feet.
I hope that this helps... <small> — The preceding ] comment was added by ] (] • ]) 14:44, 16 April 2007 (UTC).</small><!-- HagermanBot Auto-Unsigned -->


Although I have corrected "iambic" with "trochaic," other corrections are possible. We could leave it described only as pentameter, with no hyperlink. We could leave out "pentameter" (since Severn and Brown have broken the line) and use some other formula, such as "an unnamed tombstone marked only with the following metric line, 'Here lies one whose name was writ in water'", etc. But please don't revert it to "iambic pentameter," which simply makes no sense, at least not without discussing it here first. Thanks. ] (]) <span style="font-size: smaller;" class="autosigned">—Preceding ] comment added 13:39, 28 September 2012 (UTC)</span><!--Template:Undated--> <!--Autosigned by SineBot-->
I believe the entire of section 2 Career and Criticism represents original research and ought to be
removed. I also note that it appears to be a piece of post-modern criticism, with the obligatory
reference to Walter Benjamin and a dense, obfuscatory prose that provides no useful information for
the average reader who wants to find out about, well, Keat's Career and Criticism of it. Could
someone who is interested in informing the public rather than furthering his own career rewrite this
section? Please?


::It ''is'' a minor point, as you say. I'm working the article up for a ] submission and I added the iambic pentameter mention to the article quite a while ago. I did add a ref the other day that supports the line as iambic. I personally think it could be read either way - trochaic or iambic. Nobody has suggested it is ''good'' iambic pentameter (with the stresses in the right places). How about leaving it as just 'pentameter'? <span style="font-family:Monotype Corsiva; font-size:15px;">] (])</span> 16:34, 28 September 2012 (UTC)
Ken M Quirici 19:48, 18 April 2007 (UTC)


:::''"I did add a ref the other day that supports the line as iambic."'' (?) I don't see this ref, or any source citation at all on the two paragraphs about the tombstone. (Regarding ] submission, this lack of source citations is a bigger problem than the lack of irrelevant hyperlinks to literary jargon, by the way.) "The stresses in the right places" are the very definition of the meter, and they aren't there, period. So let's agree that "iambic" is out. And "pentameter" isn't that meaningful for a single line by itself; as I noted, Severn and Brown didn't even choose to present it as a single line, so it isn't pentameter on the stone. The simplest version would also be the most accurate, and more eloquent: "a tombstone bearing no name or date, only the words, 'Here lies One whose Name was writ in Water.'" (Keeping the capitalized nouns of Keats's original, dropping the cap on Whose added by Severn and Brown when they broke the line; since here we are referring to what Keats wrote them about his wishes, not how they rewrote it.) I would be happy to make the change, it that's acceptable. ] (]) 00:14, 29 September 2012 (UTC)
== Lack of Influences ==
::::There's currently no ref because you reverted it. WP tends to work by what can be verified and sourced rather than by personal opinion. But I agree with the line of your argument. <span style="font-family:Monotype Corsiva; font-size:15px;">] (])</span> 07:15, 29 September 2012 (UTC)
:::::I apologize for not noticing the ref added during your undo. I am glad that you now see it won't sustain the argument: any trochaic line can be laid across two lines of an iambic poem (or vice versa) by breaking it in the middle of a foot; all it goes to show is that the stresses do in fact fall as I said. But we're in agreement now, and I certainly agree it's intrusive and unnecessary to insist on the trochaic pentameter nature of the line as first proposed by Keats. The line's metrical nature speaks more eloquently for itself, so that's the change I'll make. Thank you for setting a superior example of WP courtesy; I fear my own tone was testier than I intended. ] (]) 08:43, 29 September 2012 (UTC)
::::::Well, WP can be a testy place sometimes. Thanks for flagging up the question. Best wishes <span style="font-family:Monotype Corsiva; font-size:15px;">] (])</span> 13:24, 29 September 2012 (UTC)


== Use of word "encroached", 3rd paragraph under "Early Career" ==
This does not only apply to Keats, but listing the range of literary influences to each of the literati would surely be beneficial?


I don't know much about Keats, but I was reading this, and the following sentence seemed to me to not use the word "encroached" correctly:
However, Keats increasingly encroached on his writing time, and he grew ambivalent about his medical career.


I think it should maybe be changed to something like the following:


However, Keats increasingly felt that his study of medicine encroached on his writing time, and he grew ambivalent about his medical career.


Thank you.
To what end? Any poet who even finds him/herself on one of these wikipedias would necessarily be influenced by all Others before him/her.] (]) 07:56, 10 December 2007 (UTC)


Julia <span style="font-size: smaller;" class="autosigned">— Preceding ] comment added by ] (]) 15:15, 9 March 2014 (UTC)</span><!-- Template:Unsigned IP --> <!--Autosigned by SineBot-->
== Images ==


== Conversation with Coleridge ==
I scream at the sight of the empty space at the beginning of ''Life''. Shouldn't these images be moved to make the article more aesthetically pleasing?! ] (]) 22:40, 6 December 2007 (UTC)
"On 11 April 1818, Keats and Coleridge had a long walk together on Hampstead Heath. In a letter to his brother George, Keats wrote that they talked about 'a thousand things,... nightingales, poetry, poetical sensation, metaphysics.' " This report is inaccurate. The letter it is cited from was a long one, more like a set of diary entries, written to George and Georgiana Keats (not just George), covering the period 14 Feb. to 3 May 1819 (not 1818). The quotation comes from the section covering 15 April 1819, and in the original letter it's quite clear that the two did not have a long walk together. Keats bumped into Coleridge and his companion, Joseph Green, the latter of whom he knew from Guy's Hospital (Green was a demonstrator there), and the three of them walked together for about two miles. Coleridge and Green then peeled off, and Keats continued on his way. The letter makes it quite clear that it was not a conversation. Coleridge, as was his wont, simply monologued, and neither expected nor really solicited any response from Keats or Green; the letter strongly implies that Coleridge didn't let either of them get a word in edgewise. Calling it a conversation, then, is somewhat misleading. They neither met nor talked as equals, that is, as both poets. Coleridge discoursed, the others listened, fascinated, no doubt by the range of his interests, but regarding him with some amusement and distance. ] (]) 22:52, 25 March 2016 (UTC)


::Done. You had the right idea, it was just a few minutes work shifting images down the article - ] (]) 22:50, 6 December 2007 (UTC) ::I've amended the language in the 'Coleridge walk' section a little to reflect that fact that it was Keats' report of the walk. <font style="font-family:Monotype Corsiva; font-size:15px;">] (])</font> 12:07, 11 November 2017 (UTC)
:::Looks great, thanks. Much improved. ] (]) 03:23, 11 December 2007 (UTC)


== Grammar == == Will and testament? ==
I don't know which of "Keats's" and 'Keats'" is the more correct, but it seems that the article is inconsistent in its use of these terms. Can someone make a decision and edit it?
] (]) 00:48, 18 January 2008 (UTC)


I have heard someone on the radio mention that Keats had a "last will and testament", including an instruction to divide his books among his friends. I think it would be good if the article included mention of this document, which I could not find in the article or on Wikisource. Unfortunately, I have no good source at hand, so I am recording the need here. ] (]) 20:51, 4 July 2016 (UTC)
The simple, traditional, correct form is Keats' . If there is an s, you just add an apostrophe ; if there is no s, you add 's.
Unfortunately, someone, at some point, invented a complicated, newer set of alternative rules.
Under the old rules, x's = correct ; s' = correct ( x being any non-s letter ). One apostrophe, one s.
Under the complicated, newfangled, alternative rules, x's might be correct, or might not ; s' might be correct, or might not, & the new s's might be correct, or might not. You suddenly have to take into consideration singularity versus plurality. Plus, half the time, they will allow exceptions to their new rules, anyway, allowing Keats', Augustus', Dickens', for goodness' sake.
I strongly advise adhering to the traditional, ONE s rule.
Don't worry. I'm not going to start an edit war.
I just want to reassure anyone using the traditional, simple rule (ONE s)
that they are correct & should continue to stand up to any bullying on the subject. Peace. ] (])
:That is not true. You always add apostraphe "s" unless there is an "s" signifying plural. That has always been the case. Otherwise, Keats becomes multiple people. That would be ridiculous. ] (]) 13:06, 20 September 2009 (UTC)


::Keats didn't leave a will or testament, saying he should divide his books between his friends. I'm not sure it's very significant, other than to note that Keats was broke when he died. But we knew that already. It's a small detail in a long article. <font style="font-family:Monotype Corsiva; font-size:15px;">] (])</font> 01:04, 7 November 2017 (UTC)
Sorry, but that has not always been the case. The traditional (simple) rule produces Keats'. One apostrophe, one s. So much simpler than the new rule with singular no-s versus singular with s versus plural no-s versus plural with s plus exception after exception. The old rule ignored number completely : 2 forms ( old, traditional, simple way ) versus 5 forms ( new, complicated way ). Why re-invent the wheel? But, look, if you can seriously write or speak a sentence like : Jane Coss's supporters protested yesterday. ( invented name ), or speak or write something like : goodness's sake ; then, bless you, go ahead. But most of us are not lemmings wishing to throw ourselves off the cliffs to be drowned in such silly s-s-s seas. :0 :) But I'm going to be quiet & leave it at that. We're arguing about the letter S ! S-s-s so long ! ] (])
: books and says you are 100% wrong. Apostraphe "s" after a name ending with an s has -always- been the rule in the UK and the US for hundreds of years. ] (]) 02:49, 4 October 2009 (UTC)


== Correct info on Keats alma mater? ==
::This is style issue, not a right and wrong issue. Take the most successful work of fiction ever, The Bible. You will never see Jesus's in it, but you'll see Jesus' numerous times (as well as other examples). I think that book out dates your books on Keats. ] (]) 03:00, 4 October 2009 (UTC)
:::Every major critic uses "Keats's". Lord Byron used Keats's. All of the others used "Keats's". This isn't a style or grammar issue. It is what is actual vs fantasy. ] (]) 03:08, 4 October 2009 (UTC)
::::Can you stop for a second, and please just search for evidence that xxxs' is acceptable as well, and not just stuff you want to back up your claim. This is not actual vs fantasy, it is actual vs actual. ] (]) 03:17, 4 October 2009 (UTC)
:::::What does Harold Bloom use? What does Walter Jackson Bate use? What does MH Abrams use? What does Robert Gittings use? What does Helen Vendler use? Ever wonder why all of the major critics are in agreement against you? ] (]) 03:19, 4 October 2009 (UTC)
::::::Is that you admitting that I am right and it is acceptable, or have you still done no research? ] (]) 03:25, 4 October 2009 (UTC)
:::::::As I just pointed out, all uses of the possessive is "Keats's" by every major critic and even the people who were Keats's contemporaries. There is no possible way that you can be right. If you don't like it, please write to all of the major critics and convince them that they are wrong. You are verifiably incorrect and WP:FRINGE at the very least would be enough to dismiss your argument. ] (]) 03:32, 4 October 2009 (UTC)
::::::::Interesting new adverb there. Anyway, it is not a fringe theory. This is a pointless debate anyway for a couple of reasons. The primary one being that I don't care enough to argue with someone who is so repulsive. ] (]) 03:42, 4 October 2009 (UTC)
:::::::::Fringe says that we follow naming patterns based on verifiable sources, and every major Keats biography and study uses Keats's. Do you know who Walter Jackson Bate is? Or Robert Kittings? Or Helen Vendler? Or Andrew Motion? Or Harold Bloom? Or any of the others even are? You are acting as if you are some kind of expert with mystical truth supporting you yet you are rebelling against -the- works on the subject. ] (]) 03:47, 4 October 2009 (UTC)
I'm the one acting like the expert? You're the one throwing around stupid block warnings, and listing names which really have nothing to do with the debate at the moment. Let's be honest - the argument very quickly became about whether xxxs' was wrong or not. Will you admit that it is acceptable, that doesn't mean we need to change the article, and then we can end this and the stupid threats. ] (]) 03:52, 4 October 2009 (UTC)
:So, you are saying the Pulitzer prize winning biographer of Keats has nothing to do with the discussion of what is a proper spelling of his name? You are saying that one of the greatest modern critics has nothing to do with the discussion of what is a proper spelling of his name? You are saying that the British poet laureate and scholar on Keats has nothing to do with the discussion of what is a proper spelling of his name? I can go on, but the putting up of the link with over 6000 hits to it was more than enough evidence to reveal that you have no basis for argument here. Your statements are beyond ridiculous. ] (]) 03:59, 4 October 2009 (UTC)
::Yes that is what I'm saying, because we are no longer talking about his name. We went on to whether or not my way of doing it is acceptable or purely "fantasy", as you put it, a long time ago, and you're kidding yourself if you think otherwise. This would have ended a long time ago if you would only admit that it is an acceptable way of doing it. ] (]) 04:06, 4 October 2009 (UTC)
:::This is a page about Keats. We are talking about Keats and only Keats. The sources are very clear that it is "Keats's". There is no other discussion to be had here. If you want to talk about others, I suggest you start up on their talk pages. ] (]) 04:09, 4 October 2009 (UTC)
::::We have not been talking about Keats. You can say "there is no other discussion to be had here" but that is clearly not the case. There should be not other discussion here, but there was/is. And I would raise it on your talk page, but then again you would just remove it. It's amazing how some people can be completely different in public and private. ] (]) 04:12, 4 October 2009 (UTC)
:::::"We have not been talking about Keats." I have been talking about Keats. This is on a Keats talk page. The first post in the topic directly mentions Keats. If you don't want to talk about Keats, please follow the talk page guidelines which would suggest not putting such off topic commentary here. ] (]) 13:56, 4 October 2009 (UTC)
::::::I wasn't talking about Keats, and you were engaged in a conversation with me - you responded to all my comments (none of which really talked about Keats). So the idea that this has been a conversation about Keats is rubbish. Now I'm both fed up with this discussion, and you, so don't bother replying. ] (]) 18:36, 4 October 2009 (UTC)
:::::::"I wasn't talking about Keats" ] - "Keep on topic: Talk pages are for discussing the article". ] (]) 18:48, 4 October 2009 (UTC)
::::::::Let's be honest, . This is over, finished, done. There is no need to continue this here. ] (]) 18:54, 4 October 2009 (UTC)
:::::::::Do you know how many of those admin were desysopped or later found to be acting inappropriately? If you want to be honest, you are here trolling and the last post is a trolling post. You were asked multiple times to stay on topic. You are here because your mother told you something and it turned out to be wrong. Misplaced Pages is not therapy, so please stop trying to treat it like so. ] (]) 19:12, 4 October 2009 (UTC)
::::::::::2, and the score is 12 & 8 on block/unblock. But hey, of course the world is out to get you - that is the obvious answer. And there is no need to worry, I don't need therapy - or at least not because of this - so this is surely the end of things. Nobody can be trolling or going of topic if you don't respond to this, yes? Wait! Don't answer that! ] (]) 21:51, 4 October 2009 (UTC)
:::::::::::Read again. I was blocked 6 times. 1 was CoI, 1 was by a desysopped admin, 1 was reversed as completely improper, and two were at the behest of a group of individuals in which one was revealed to be an admin with a sock puppet as part of a harassment campaign. ] (]) 22:02, 4 October 2009 (UTC)
::::::::::::Either way, the fact that you have gotten into these situations says what exactly about how you handle yourself? ] (]) 22:17, 4 October 2009 (UTC)
:::::::::::::Gotten myself into situations? You are trying to defy thousands of critics in pushing your own view against our policies. That is how I get into these situations - standing up against people who want to push their own strange claims in defiance of what Misplaced Pages stands for, and that is why I have always prevailed while such people were removed from power and pushed out. Your continual pursuit of the subject in defiance of WP:TALK is telling. ] (]) 22:22, 4 October 2009 (UTC)
I'm not sure whether you're just pathetic at following a conversation from start to finish, or are just trying to pretend that you are staying on topic, but this is not one of the situations we were talking about. I am not defying thousands of critics, I accepted your method ages ago in this conversation, yet you still defy every manual of style around (including the world famous Chicago MoS) by saying that my method is either "fantasy" or at best "fringe". It's odd that you continue to say "fantasy" and "fringe" when things like the Chicago MoS say it is simply a style issue, and that neither should be given preferential treatment - and something worth considering is a lot of the first English texts (like the ]) use my method over yours. ] (]) 22:31, 4 October 2009 (UTC)
:] says to talk about the article or say nothing at all. ] (]) 22:58, 4 October 2009 (UTC)


This is a question on possible inaccuracy, but I don't know the answer. John Keats's page says his alma mater was Kings College London, but the linked Misplaced Pages page for that college says it was founded in 1829, eight years after Keats died. I don't see anything on the Kings College page that suggests an explanation for this discrepancy in timing. Does the Keats page give an incorrect college name, and/or is the college's name linked to the wrong Wiki page? --] (]) 18:39, 8 August 2016 (UTC)Lisa Lapp, 08 August 2016
== NOT a Keats fan site ==


::As is mentioned in the article, Keats attended ] (founded 1721) which later became part of Kings. <font style="font-family:Monotype Corsiva; font-size:15px;">] (])</font> 00:55, 7 November 2017 (UTC)
Please be aware of Misplaced Pages policy:
{{criticism}}
Nor is it a place for Keats fans to publish their ]. Nor does a pop figure's mention of Keats warrant inclusion. This is trivia:
{{trivia}}
Misplaced Pages is for ''articles'', not school essays or personal reflections. If you wish to publish your insight and analysis, please find a blog. Thanks.


== Place of birth ==
— ] (]) 06:10, 22 March 2008 (UTC)


Where exactly was Keats born and why can't it be linked? The plaque commemorating his birth place is at the site of the "Swan & Hoop" , in front of The Globe pub on Moorgate? Thanks. ] (]) 19:41, 28 April 2018 (UTC)
== Personal Reflection Tag ==
::Moorgate is fine. Moorfields was more of a medieval name for the fields nearby before 19th C development. I should have fixed the link. Apols. <font style="font-family:Monotype Corsiva; font-size:15px;">] (])</font> 22:41, 28 April 2018 (UTC)
:::Thanks, Anna. It was just that Moorgate was (and is) a street, In fact the ] article opens with "Moorgate was a postern in the London Wall originally built by the Romans" and it doesn't seem to be clearly defined there as an area or district. That's not the kind of sentence that opens most articles on London streets. I'm fine with the link in the infobox, but should "Early life" begin slightly differently, e.g. "John Keats was born '''at''' ], East London.." or something? In fact, it might even say: "John Keats was born in ], London above the public house the Swan and Hoop, now known as 'Keats at the Globe'" or even "John Keats was born at 24 Moorfields Pavement Row, ], on what is now ].... " as per e.g. ? I see that the birthplace plaque currently doesn't even get a mention in the entire article. ] (]) 07:15, 29 April 2018 (UTC)
:::Or maybe someone else has some ideas, as I now see you may be gone for a while on a long break? ] (]) 14:47, 30 April 2018 (UTC)
::::Sure. You're right. My article edit was apropos of the link to Moorgate as opposed to Moorfields, which is somewhere slightly different and would cause confusion. The area and names have changed so much and shifted around so much (particularly after WWII bombing) that it's good to be as specific as poss. I wouldn't include 'Finsbury' - that's even more complicated. Apols for the late reply. <font style="font-family:Monotype Corsiva; font-size:15px;">] (])</font> 18:22, 29 May 2018 (UTC)
:::::Thanks, Anna. ] (]) 18:33, 29 May 2018 (UTC)


== Date on gravestone ==
Starting this section so alleged material can be identified (or not) and addressed. ] (]) 10:43, 5 July 2008 (UTC)


Despite Keats' own wishes, his gravestone bears the date "Feb 24 1821". I removed the previous observation "There is a discrepancy of one day between the official date of death and that on the gravestone", and the explanation added by ], as it was all unsourced (although the simple observation seems to be correct). Also, we currently don't know when the headstone was installed, which might or might not make things clearer? Happy to re-add if there are good sources for this (or any) explanation. Thanks. ] (]) 10:23, 1 July 2018 (UTC)
: Looks like must have already been removed, so removing tag also. ] (]) 10:45, 5 July 2008 (UTC)
::I wrote this quite sometime ago and so don't remember the detail, but it's easy enough to check views in the biographies. <span style="font-family:Monotype Corsiva;">] (])</span> 11:31, 1 July 2018 (UTC)
:: The Paris Review? https://www.theparisreview.org/blog/2016/02/23/writ-in-water/ ] (]) 13:18, 1 July 2018 (UTC)
:::An interesting source, but not sure if it explains the discrepancy. ] (]) 15:02, 1 July 2018 (UTC)
:::: As far as literature goes, the ] is 'interesting' just as ] is 'interesting'. As it states 'Here lies One Whose Name was writ in Water. 24 February 1821. ' & sets out the context. It also references Keats quoting ]'s ]; 'Tis strange the mind, that very fiery particle / Should let itself be snuffed out by an article.' Ah, to be to be snuffed out by an article (or in one), aren't the poetic ] cruel? ] (]) 18:38, 1 July 2018 (UTC)
:::::Are the Muses so cruel they deliberately get the date wrong on your tombstone? Or perhaps we can find a better explanation. Thanks. ] (]) 18:50, 1 July 2018 (UTC)
::::::In genealogical research, of the three civil/religious records, such as birth/baptism, marriage/wedding &, finally, death/burial, are respected in that order. Why? You're not in a position to lie about baptism/birth & you might fudge the dates & details for marriage/wedding. But death/burial are 100% based on who is around you at said time & what what they choose to believe & say. Yes, getting a date wrong on a tombstone is no more unusual than upping or downing age at marriage. Tomb/gravestones reflect what you've said & what those after your death, in a position of authority (executors, etc) chose to see recorded. It doesn't make it fact. ] (]) 19:35, 1 July 2018 (UTC)
:::::::I'm sure you're right. I'd just expect an encyclopedia to say something like: "the recorded date of death is correct, the date on the gravestone is wrong, the reason is xx". Academia has had 197 years to establish the truth? ] (]) 20:17, 1 July 2018 (UTC)
:::::::: In one case, at least, (& I've just been generally browsing) academia seems to accept his death but, understandably, questions the 'truth' around the recording of it, starting with that gravestone https://books.google.com.au/books?id=WDMfDAAAQBAJ&pg=PA43 Why can't this ] ambiguity be included in the page? ] (]) 21:00, 1 July 2018 (UTC)
::::::::: I see no reason. But then I can't actually see the pages in that source you've linked either. Maybe someone else, who can see them, or maybe who has a real copy, could advise you. If you can find conflicting sources, of equal merit, over the date of death, I'd suggest they should each or all be used. ] (]) 22:09, 1 July 2018 (UTC)
It does often happen with historical notables, along with uncertain/differing birth/baptism records. I would say the Keats discrepancy is interesting rather than terribly important. If you have access to the various good biographies, I would check what they say. I suspect most of Keats mates were off their tits a lot of the time. All the more so in grief. 🌱 <span style="font-family:Monotype Corsiva;">] (])</span>
:If Academia has failed to determine "the truth", at least it's had 197 years to consider the evidence? <small>Pass me that slug of ], would you? </small> ] (]) 22:17, 1 July 2018 (UTC)
:: Once again, why not include the ambiguity? Surely that 'Academia' has 'had 197 years to consider the evidence' & 'has failed to determine "the truth"' is that not, in & of itself, worthy of note? ] (]) 21:04, 2 July 2018 (UTC)
:::Once again, why not. Except at the moment, to me, it looks less like ambiguity and more like contradiction. ] (]) 21:32, 2 July 2018 (UTC)
:::: I must be dense, obviously, as there's ] sources, academic & otherwise, regarding the issue of his date of death. Where there is ] contradiction there is also ambiguity. But this ambiguity can't be clearly set out within the article because... ] (]) 21:49, 2 July 2018 (UTC)
::::: I have no idea. You tell me. ] (]) 22:00, 2 July 2018 (UTC)
:::::: Well, the obvious progression from this, as you have 'no idea', would be for me to start a new Talk Page section suggesting that Reliable Sources (RS) be used to create a new addition to the article setting out reasons for ambiguity in his date of death & asking if such an inclusion requires a new sub-section or could be incorporated to the main body text. Any ideas, or even opinions, on that? ] (]) 18:04, 3 July 2018 (UTC)
:::::::Perhaps your question was a rhetorical one. I still see no reason why "this ambiguity can't be clearly set out within the article". I'd prefer just suggestions for good sources on the topic, from whichever angle. Sorry, I couldn't see anything very useful in that ''The Paris Review'' source. If you feel a new thread is called for here, I have no objection. ] (]) 19:07, 3 July 2018 (UTC)


== Keats death - acknowledge the ambiguity ==
== Confused chronology? ==


Following on from the previous discussion I propose that the ambiguity over the date of Keats death & burial should be acknowledged in the article body. Whether in the existing sections or a new one, to be supported by ]. An
Hi, I've been reading the biography and the timeline seems slightly confused:
example, from 'Undefinitive Keats' by ] in 'Literature and Authenticity, 1780–1900: Essays in Honour of Vincent Newey'. Edited by Michael Davies, published by Routledge, 6 May 2016, page 43 : follows:


"Comparable ambiguities gather around the moment of Keats death. From Joseph Severn's contemporary letters and later reminiscences it seems clear that Keats dies at around 11.00 p.m. on friday 23 February 1821. However, the register of burials for the Non-Catholic cemetery at Rome tells a different story:
<blockquote>Keats travelled to the Isle of Wight in <b>the spring of 1819</b>, where he spent a week. Later that year he stayed in Winchester. It was here that Keats wrote Isabella, St. Agnes' Eve and Lamia. Parts of Hyperion and the five-act poetic tragedy Otho The Great were also written in Winchester.</blockquote>
<blockquote>''John Keats, English Poet.<br>
''Died the 24th of February, 1821.<br>
''Buried the 25th ditto in the<br>
''Morning at 15 o'clock. Aged 26.''<br></blockquote>
24 February? Aged 26? Much later in the nineteenth century, these details were repeated on the white marble slab placed on the wall of the house where Keats died at 26 Piazza di Spagna, where they can still be seen with the age altered by some later hand to read '25'. the peculiar hour of the burial, 'in the morning at 15 o'clock', is based on the Roman way of reckoning the hours of the day from six o'clock the preceding evening. At 6.00 p.m. English time, 24 April became 25 April in Rome, so the burial that took place on the 25th at '15 o'clock' Roman time was 9.00 a.m when reckoned on the English system".
<br>
] (]) 19:50, 3 July 2018 (UTC)
:I agree,the ambiguity should be mentioned. That source looks very useful. It begs the question as to why the "Roman system" was in use like that? I there any article that could be linked for that? ] (]) 20:44, 3 July 2018 (UTC)


::The source looks good. Many of ideas might well be speculative rather than definitive, but that fine, as long as explained in those terms. <span style="font-family:Monotype Corsiva;">] (])</span> 21:34, 3 July 2018 (UTC)
<blockquote>Following the death of his grandmother, he soon found his brother, Tom Keats, entrusted to his care. Tom was suffering, as his mother had, from tuberculosis. Finishing his epic poem "Endymion", Keats left to work in Scotland and Ireland with his friend Charles Armitage Brown. However, he too began to show signs of tuberculosis infection on that trip, and returned prematurely. When he did, he found that Tom's condition had deteriorated, and that Endymion had, as had Poems before it, been the target of much abuse from the critics. On <b>1 December 1818</b>, Tom Keats died from his disease, and John Keats moved again, to live in Brown's house in Hampstead.</blockquote>


:::Apologies if any of the posts here have been a bit... opaque. We've both been stewarding the page and other poetry-related articles for a very long time. Your enthusiasm is welcome, Nep.<span style="font-family:Monotype Corsiva;">] (])</span> 21:42, 3 July 2018 (UTC)
Not having things in chronological order hurts things. Was Keats already ill when he wrote Isabella, etc? Was his brother dead? Or is this just a case of one of the dates being wrong? I don't know exactly what the problem is, but the end result doesn't read well.
:::: No need for apologies, I was happy to find something that might be useful :) Perhaps you or one other other old hands could work on appropriate wording & make the edit? (Not my strong suit when it can be a bit of a tricky one). ] (]) 14:38, 4 July 2018 (UTC)
] (]) 09:44, 10 July 2008 (UTC)
:I will fix that when I have a chance. The whole biography lacks proper sourcing and thats on my to do list. ] (]) 13:54, 10 July 2008 (UTC)
::Let me know when you get started, and I will try to help as best I can. The "Life" section needs to be broken down into several categories, and I am pretty sure there should be at least one section of text on his works to supplement the list, which should play a much smaller role in the article as a whole. ] (]) 19:28, 4 December 2008 (UTC)


== Lamia == == Alma Mater ==
King's College, London wasn't established until 1829, several years after the death of Keats. Citing it as his Alma Mater is therefore ridiculous. He enrolled at Guys Hospital as a medical student, and Guys has since been absorbed by Kings, but that's not the same thing - and that should be made clear. ] (]) 15:15, 8 June 2020 (UTC)
:Text now says: "Keats registered as a medical student at ] (now part of ]).." ] (]) 11:20, 19 September 2020 (UTC)


::::Good job. ] (]) 12:30, 19 September 2020 (UTC)
Look chaps, I have little experience with editing Misplaced Pages and am myself not a dedicated student of Keats. However, I thought posting here might attract the attention of someone better qualified than I. Basically, the atricle on Keats' "Lamia" is offensively bad. It appears to be nothing more than a facile essay on the poem rather than an encyclopedia entry -no context, no real summary, and no mention of the subject matter's provenance (in this case the poem was inspired by a passage from Richard Burton's Anatomy of Melancholy). Anyone have the time or inclination to take a look? Afraid I'm both underqualified and overstretched. <span style="font-size: smaller;" class="autosigned">—Preceding ] comment added by ] (]) 01:11, 10 October 2008 (UTC)</span><!-- Template:UnsignedIP --> <!--Autosigned by SineBot-->


== today's money ==


The phrase "about £50,000 in today's money" is pretty meaningless, if we don't know when "today" was. Misplaced Pages articles are supposed to remain correct into the future. Inflation will render this statement false. <!-- Template:Unsigned --><small class="autosigned">—&nbsp;Preceding ] comment added by ] (] • ]) 11:11, 17 September 2020 (UTC)</small>
== Need a Team to do an Audio on Keats ==
:Yes, I tend to agree. Using this formula <nowiki>£{{inflation|UK|8000|1814}}</nowiki> gives £563,705, a sum which still seems rather large for what Rossetti (1978) describes as a "moderate amount" . ] (]) 11:08, 19 September 2020 (UTC)
:But have added the conversions for clarity. ] (]) 11:17, 19 September 2020 (UTC)
::There was a currency converter from the National Archive in the reference. <s>But yes, much better to have added a gizmo, if it's accurate.</s> As mentioned in the money section two down, I don't think Rossetti is necessarily a great source on Keats' finances. Thanks Martin. <span style="font-family:Monotype Corsiva;">] (])</span> 06:27, 18 February 2021 (UTC)


::::], are you taking issue with the ]. <span style="font-family:Monotype Corsiva;">] (])</span> 02:12, 23 February 2021 (UTC)
Fellas,


::::: Sorry, my remark was completely misguided, and I thought I had deleted it. Arithmetic was wrong by a large factor. I will delete it now. ] (]) 10:11, 5 March 2021 (UTC)
Lemme know how many of you agree on doing an Audio on the poems of John Keats!
::::::The talk pages are here for us to discuss these things and think these things through out together, ]. It's been a useful discussion. <span style="font-family:Monotype Corsiva;">] (])</span> 22:52, 5 March 2021 (UTC)
Thanks,
] (]) 15:50, 6 November 2008 (UTC)


== Schooling ==
== New file ] ==


''His parents were unable to afford Eton or Harrow...''
]
:His father worked in a stable, and does not sound as though he could contemplate Eton or Harrow. What is the significance of this rather odd statement? ] (]) 23:19, 28 September 2020 (UTC)
Recently the file ] (''right'') was uploaded and it appears to be relevant to this article and not currently used by it. If you're interested and think it would be a useful addition, please feel free to include it. This is a painting of , said to resemble him quite closely. ] 03:10, 23 April 2009 (UTC)
::Many of Keats' peer group of poets, such as Shelley and Bryon, went to Eton, Harrow and Oxbridge. Keats was regarded as a common Cockney, an outsider. He was self-conscious of his lack of education in the humanities and set about studying classical literature to make up ground. ''Blackwoods'' mocked him for his low birth and low class diction. It is discussed in ]. It was part of his ambition - to understand the poetic landscape and fit in. I don't have the two references to hand, but Keats' modest background, education and poverty were a defining character of his personality and work. <span style="font-family:Monotype Corsiva;">] (])</span> 09:32, 15 February 2021 (UTC)
::: mentions that Keats' father had wished to send his son to Harrow, as the family firm prospered. However his faher died in a riding accident and Harrow etc was not possible. <span style="font-family:Monotype Corsiva;">] (])</span> 09:51, 15 February 2021 (UTC)
:::<small>Not that such inequalities in privilege and education would last for the next ] ], of course. ] (]) 11:09, 15 February 2021 (UTC) </small>
I have added in the detail to clarify the situ, checked and added the sources. ], Keats had a large and complicated family. Some members had signifiant property and were much wealthier than others. Some acted as 'benefactors' to others. Deaths, re-marriages, guardianship, legacies, wills and possible embezzlement, added drama to how the wealth was used, who was sponsored by it and where it ended up. The article does describe some of these dynamics. <span style="font-family:Monotype Corsiva;">] (])</span> 03:40, 17 February 2021 (UTC)


== Harlem Blues? == == Value of his Legacies ==
:As I mentioned in the "today's money" thread above, using the formula <nowiki>£{{inflation|UK|8000|1814}}</nowiki> gives £563,705, a sum which still seems rather large. But, as far as I know, that's the standard inflation formula for UK in use across English Misplaced Pages. Maybe it's wrong. ] (]) 15:53, 17 February 2021 (UTC)
:: is given as the source for the convertion, and seems the most solid source you could get. It suggests that £8000 equates in 2021 as £459,443.20. I guess with all the devaluations, coming off the gold standard, changes in coinage etc, estimation over time is not an exact science. <span style="font-family:Monotype Corsiva;">] (])</span> 05:58, 18 February 2021 (UTC)
:::I checked the ref I put in for the £8000 figure when I wrote most of the article. The ref is from the , and yes, it does state '£8000'. Although as the WP articles says, John Keats received a quarter of this figure. ], re your comment in the other money talk section, I don't think Rossetti (1878) is a great source on Keats' finances. It's very possible this kind of financial detail was only found much later in the archives. <span style="font-family:Monotype Corsiva;">] (])</span> 06:21, 18 February 2021 (UTC)
::::I recommend keeping current conversion rates out of the article. I have checked the offical biogs I have access to (listed in the article's references) and I can't see any conversion suggested, only the historical figures. There is more than £100 000 difference between the WP gizmo rate and the ] rate given (above) - a pretty huge gap. gives a figure of £651,492 (an even bigger gap). The : "The data used in this currency converter comes from our historical records such as those of the royal household and Exchequer. These documents may record large purchases by government institutions rather than ordinary retail prices, and wages of skilled craftsmen rather than the general level of earnings." There is an element of guesswork and approximation for all sources, so I think it's not useful to add it in to the this Keats article. <span style="font-family:Monotype Corsiva;">] (])</span> 18:22, 5 March 2021 (UTC)
:::::I fully agree. There is no meaningful comparison to be made, as spending and spending patterns were utterly different then and now. ] (]) 20:16, 5 March 2021 (UTC)
::::::The inflation formula template must be good for something (?) If it really works as poorly as this, it ought to be flagged up for impovement at the appropriate forum? ] (]) 20:37, 5 March 2021 (UTC)
:::::::I did have a little dig around to see if I could find the WP conversion gizmo sources, with no luck. But if any conversion rates for the pound over 300 years ago are so approximate and subject to historical guesswork, I'm not sure it's appropriate in Keats' context anyway. If you can find the gizmo creator, then, yes, it would be appropriate to flag some major caveats to its use. As Bmcln1 says, spending patterns have changed hugely, even since the 1970s in the UK, with greater credit available, cheap oil, increased house ownership, statutory wage rights, changed tax and benefits systems etc. So comparisons are not that useful. <span style="font-family:Monotype Corsiva;">] (])</span> 22:46, 5 March 2021 (UTC)


== Bicentenary ==
Hi all
I claim no expertise in this field but it struck me that Harlem Blues was a very odd name for a Keats poem. Whilst it's repeated in several other lists on the internet, they all have exactly the same syntax (eg Fragment of an Ode to Maia is under F rather than O), which leads me to suspect they're all from the same source. There are no hits if you look for "John Keats" "Harlem Blues" in Google Scholar or if you limit the Google search to the ac.uk domain. The Penguin complete works (which I don't have, but which you can search inside from Amazon to look at the contents and index) doesn't mention it. Can anyone find a authoritative source which mentions this work? ] (]) 16:44, 25 April 2009 (UTC)


Today is the bicentenary of Keats' death: Perhaps the events organised to mark the anniversary should be added? ] (]) 11:09, 23 February 2021 (UTC)
:Perhaps {{tq|"On 23 February 2021, to mark the 200th anniversary of Keats' death, the play ''Writ in Water'', by playwright and academic Angus Graham-Campbell, was broadcast by ]"}}? But there is no "Legacy" section, so not sure where to place anything. ] (]) 22:22, 23 February 2021 (UTC)
:'']'' also has where ], Will Harris, ], Rachel Long and ] choose their favourite poem. ] (]) 22:25, 23 February 2021 (UTC)


== Dodgy pronouns ==
==Popular References==
This is the trivia section from the article. Most of it is unsourced, and I think we need to weed out the insignificant bits, source them and build the section into a useful paragraph. <tt>]</tt><tt><sup>]</sup><sub>]</sub></tt> 16:32, 11 July 2009 (UTC)
:Nothing below is useful. ] (]) 10:25, 13 July 2009 (UTC)




<blockquote>''In April 1804, when Keats was eight, his father died from a skull fracture, when he fell from his horse while returning from a visit to John and his brother George at school. Thomas Keats died intestate and his mother remarried two months later''.</blockquote>
=== Popular references ===


I'm sure we can see how confusion creeps in here. There are three men mentioned in the two lines - John, George and their father Thomas. Pronouns are only useful if it's clear who they are referring to. .
==== In written works ====
]]]
* In ]'s story "Wireless", from his book ''Traffics and Discoveries'' (1904), a chemist (or "]", in American English) with tuberculosis, while dozing under the influence of drugs, reproduces almost perfectly about a dozen lines of Keats' poem "]", although he has never read Keats. The narrator believes that this remarkable near-perfect reproduction happens because of the combination of the chemist's drug-trance and his having the same illness and profession as Keats, causing him to "pick up" the same "universal spiritual vibrations" that Keats once did. The story at the same time makes fun of the infant science of radio-telegraphy: in the next room a "wireless telegraph" hobbyist is attempting to communicate with a friend, with little success.


It's been many years since I have been a regular, full time editor. A great big barrel of thank yous to all those who have been stewarding the poetry articles and doing a tremendous job. All best wishes. <span style="font-family:Monotype Corsiva;">] (])</span> 15:58, 16 March 2021 (UTC)
* ] refers to a line in "]" in the title of his novel '']''.


::At the very least, that re-marriage claim needs to be corrected? ] (]) 16:19, 16 March 2021 (UTC)
* ] uses two references from "]" in his children's books, the '']'' series.<ref>]'s review in '']'' 15 August 2005]</ref>


To clarify, the above is the version that was reverted for being unclear. <span style="font-family:Monotype Corsiva;">] (])</span> 16:31, 16 March 2021 (UTC)
* ] in his review of the first ] novel that came to his attention used a phrase from "]": "Now I understand what that ‘when a new planet swims into his ken’ excitement is all about."<ref>Quoted on current UK imprint of Flashman novels as cover blurb. </ref>


:Oh I see. So the current version is now correct and sufficiently clear, I hope. ] (]) 16:41, 16 March 2021 (UTC)
* ] wrote several comic anecdotes in his newspaper column featuring Keats and his accomplice, ].


== John Keat moral for young generation ==
* In the novella '']'', ] incorporates a poem attributed an eight-year-old iteration of one of his most complex characters, ]. The poem reads: "John Keats/ John Keats/ John/ Please put your scarf on", in reference to his fatal ]; a condition aggravated by cold weather.


He want to show that young generation author can also do such improvement. He was the famous author and writer of the young generation. We should try to become like John keat He is inspiration for young authors . So all young authors best of luck! ] (]) 13:52, 11 January 2022 (UTC)
* In allusion to Keat's complaint to Sir ] for destroying the beauty of the rainbow, ] names his book '']''
:Thanks so much for telling us. By the way, his name was Keats. ] (]) 14:02, 11 January 2022 (UTC)


=='Popular culture'==
* ] science-fiction novels of the '']'' feature two characters with the cloned body of John Keats, as well as his personality (reconstructed and programmed into an AI). Some of the main themes of these novels, as well as their names, draw upon "]" and "]".
The guidance on including 'popular culture' or trivia in an article ] the "source should cover the subject of the article in some depth; it should not be a source about the cultural item which merely mentions the subject." mentions a film that features a few lines of a Keats poem. The subject of the second reversion isn't ''about'' Keats either. They are 'passing mentions'. ] "Cultural references about a subject... should not be included simply because they exist." Keats is a globally known poet. There are thousands of songs, plays, films, films etc that make mentions of him and his work. Biographies get swamped but tangential bits and pieces and make the articles weaker for it. <span style="font-family:Monotype Corsiva;">] (])</span> 13:14, 14 January 2022 (UTC)


== Keats' TB and autopsy ==
* A quote from Keats appears in ]'s novel '']'', "...capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason -" (from a 21 December 1817 letter by Keats on his theory of negative capability).


This is not really apropos of anything, it's just a really on the details of Keats' descent into TB and the findings of the autopsy on his body two days after his death. Our WP article is long as it is and I don't think it's necessary to add in more detail, but good to know the research is out there for anyone wanting to explore further. Best wishes. <span style="font-family:Monotype Corsiva;">] (])</span> 22:29, 26 May 2022 (UTC)
* The popular teen series '']'' mention Keats throughout the novels as the male protagonist Daniel Humphrey's poetic hero and is referenced numerous times by the character.


== Link to EB1911 article ==
* ], in his poem ''Choose Something Like a Star'', alludes to John Keats' poem ]. The eighteenth line reads as follows: "And steadfast as Keats' Eremite."


I am wanting to add a link in External links to the article on John Keats in the 1911 edition of Encyclopaedia Britannica but am encountering some resistance. This is the article: {{Cite EB1911|wstitle= Keats, John | volume= 15 |last1= Swinburne |first1= Algernon Charles |author1-link= Algernon Charles Swinburne | last2= Bryant |first2= Margaret Bryant |author2-link= | pages = 708&ndash;710 |short=1}}. Any views, one way or the other? ] (]) 10:05, 4 October 2022 (UTC)
* In 1977 author ] ('']'', ''Napoleon Symphony'') recreated Keats' last days in Rome in a book entitled ''ABBA ABBA''.


::]. , there is no virtue of trying to squeeze EB1911 into every article you can. There are much more definitve, modern sources. I'm not convinced a hundred year old encyclopedia article offers unparalleled insight. You are doing this shoe horning into , in order to raise the profile of EB1911. That is not how WP works. We are here to improve the nature of WP articles, not promote books or links. ] to add random links into articles and not to split citations by dropping in random refs. I do understand that you are by the EB1911 and 19th century editions, and there is good work to do with this, no doubt, but shoe horning is not the way. I might suggest that you turn to the WP article on the ]. It could use your help. <span style="font-family:Monotype Corsiva;">] (])</span> 23:12, 4 October 2022 (UTC)
* Ann Brashares named one of her chapters in The Sisterhood of the Traveling Pants "Heard melodies are sweet, but those unheard are sweeter; therefore, ye soft pipes, play on," from Ode to a Grecian Urn


== Career section should be broken up further ==
* In the introduction to '']'', ] writes, "If you approach me at a bus stop and murmur 'Thou still unravished bride of quietness,' then I am instantly aware that I am in the presence of the literary." What is murmured by the hypothetical bus rider is the first line of Keats' "Ode to a Grecian Urn".


I find the career section is too long and should be broken up further. The current 2 subsections (Wadsworth andBrawne) are a beginning. I dont feel comfortable doing this and hence placed ''too long|section'' flag. What do you think, {{U|Anna Roy}}? Seems like a perfect task for you, in my opinion. Thanks. ] (]) 08:21, 19 November 2022 (UTC)
* In '']'' by ], McCaslin Edmonds reads some lines of ] to Isaac McCaslin :" She cannot fade, though thou hast not thy bliss/ Forever will thou love and she be fair!"
::I have added in some headings as per your suggestion. I'm aware that reading this article is a totally different experience on a phone to a computer. Longer articles must be a PITA on a phone. <span style="font-family:Monotype Corsiva;">] (])</span> 16:44, 24 November 2022 (UTC)


== HIS? ==
==== In performed works ====
* Keats was mentioned in ]' song "]": "Keats and ] are on your side \ while ] is on mine".
* In pop singer ]'s 2005 single "]", Keats is mentioned along with ] and ].
* ''Keats in Hampstead'', a play written and directed by ] and based on the poet's time at Wentworth Place, premiered in the garden of Keats House in July 2007.
* A radio play ''The Mask Of Death'' on the final days of John Keats in Rome written by the ] poet ] captures the last days of the young poet as revealed through his circle of friends (Severn), his poetry and letters.
* Hammersmith rock band ] adapt ]'s haiku in their song "Architects", with the lyric "John Keats, John Keats, John Keats, John, John Keats, John, Please put a scarf on".
* On their 2005 album ''The Runners Four'', the band Deerhoof included a song titled "Spirit Ditties Of No Tone," referencing a line in Keats' poem, "Ode on a Grecian Urn".
* Films about Keats include:
** A ] about Keats's romance with Fanny Brawne entitled ,directed by ], was released in May 2009. It stars ] and ] in the lead roles and in May 2009 it was tipped, though failed, to win the ] at ] <ref name="guardianbrightstar">{{cite news|date=2009-05-19|title=Cannes film festival: Bright Star rising, Ben Whishaw|first=Catherine and Shehani|last=Shoard and Fernando|url=http://www.guardian.co.uk/film/video/2009/may/19/bright-star-ben-whishaw|publisher=]|work=]|accessdate=2009-05-19}}</ref>.
** A ] ']' musical based on Keats's letters and set in ] at the beginning of the 1990s, titled ''Negative Capability'', directed by Daniel Gildark.
* Dawson Leery from Dawson's Creek quotes Keats's poem "Ode on A Grecian Urn"- "beauty is truth, truth beauty" in Season 2, Episode "The All-Nighter". The same Ode is quoted by Pacey in another episode of the same season, "To Be or Not to Be...".
* Keats's line from Book 1 of Endymion is referenced in the film ''White Men Can't Jump'' (1992) when a character admires a shot and says "A thing of beauty is a joy forever. My man John Keats said that".
* '']'' is mentioned in the film '']'' (1945).
* '']'' is mentioned in the films '']'' (1969) and '']'' (2001).
* The title of ]’s album '']'' (2006) is a quotation from Keats’s letter to Fanny Brawne of 13 October 1819.
* On their 2008 album ''Trivmvirate'', the band ] included a few lines from Keats's '']'' in a song titled ''Wrath of the Ba'ath''.
* The Love Letters written by Keats to his beloved, Fanny Brawne, are mentioned as part of the love letters that Mr. Big writes to Carrie in "Sex and the City - The Movie" (2008).


Maybe I’m reading this wrong but on the article the is a picture with the text being : Relief on the wall nearHIS grave. (Or something like that) Maybe I read it wrong but I feel that it’s wrong. I just do. ] (]) 03:30, 23 December 2022 (UTC)
==Deletion==
So you've just decided to cut all popular refs? I vote to put them back. There was no discussion on this page. I think all of it is useful and interesting. It'll be easy enough to source. I don't think you should cut a whole section of information just because you don't like it. ] (]) 21:40, 14 July 2009 (UTC)


:If you're gonna edit Misplaced Pages, you need to become familiar with its guidelines and policies. Do so. None of the info is significant in its own right; none can be meaningfully added to the article text. ] (]) 01:11, 15 July 2009 (UTC) :Can you say more about what is wrong? Why is the word "his" relevant. <span style="font-family:Monotype Corsiva;">] (])</span> 01:27, 25 December 2022 (UTC)


== Compound adjective ==
::I've worked on WP since 2002 so, from editing many thousands of articles, I know that Popular Culture sections are quite common. Howver this one is way too long so can I suggest either a prune or make it a separate article "John Keats in popular culture" and reference it from the main article. It would be sad if such a huge amount of interesting stuff was lost to the reader - ] (]) 08:40, 15 July 2009 (UTC)
:::They're often common 'cause Misplaced Pages is really, really huge, and so no one with any sense has yet gotten around to deleting that "interesting stuff". I'm not being a smart aleck; it's the truth. Geez, you're gonna force me to explain what everyone should know... arg... "Popular Culture" sections play two roles: legitimate and illegitimate. they are legitimate when they are notable ''in their own right''. Forex, take a huge and famous military battle. Now, say that battle has been the subject of notable movies, of video games that were international smash best-sellers, etc. '''''Personally''''', I would not add a word of that crap to the article. However, their addition has been legitimized by the leverage that consensus lends to the more mediocre elements of Misplaced Pages editorship. However, the '''illegitimate''' use of PopCulture sections is as a smokescreen for trivia. So some person mentioned Keats or one of his ideas or works in a song or a poem. That person may or may not be notable; the song or poem is not. . It's TRIVIA. And it should be killed on sight. ] (]) 09:28, 15 July 2009 (UTC)


In the phrase "In October 1815, having finished his five year apprenticeship with Hammond", "five year" apparently is intended to be a compound adjective. Thus, it should be hyphenated (see ]). I tried to correct it, but got reverted. ] <sup>] • ]</sup> 19:53, 30 September 2023 (UTC)
:So everyone knows, this is not an "in popular culture" section. The section is about his poetry and not him. Thus, it violates COATRACK. It is off topic trivia that has been inserted against multiple policies and guidelines. ] (]) 14:30, 15 July 2009 (UTC)

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NB: Grave Epitaph in "death" section

The epitaph on the gravestone was purposely laid out by Brown and Severn as a poem (they were poets. Keats was a poet). Please respect the poems lineation and line breaks for this reason. Every week at the moment someone changes it back to a prose format. Yes, there is a one day difference between the headstone's given date of death and the official date. Thanks Spanglej (talk) 13:07, 29 January 2010 (UTC)

ATTENTION!!!! take note that in the photo of the article is represented the grave of Shelley, NOT THE GRAVE OF KEATS!!!!!! Consequently the epitaph too rephers to Shelley. See in http://www.facebook.com/photo.php?fbid=4107598936204&set=a.1588097030231.2076526.1469982095&type=3&theater a photo of either the grave of Shelley (on left) and the grave of Keats (on right, with his name). The photo is mine, taken in March 2010 and I allows the use in Misplaced Pages. Paolo Bottoni — Preceding unsigned comment added by 81.164.211.240 (talk) 06:59, 3 June 2012 (UTC)
No, in your photo the grave on the left is that of Keats inscribed with the line 'Here lies One Whose Name was writ in Water,' the same in as the photo pictured in the article. The grave on the right in your picture is that of Severn, who wanted to be buried next to his friend. You can see that Keats's grave is engraved with a lyre (with a broken string) and Severn's pictures a palette, as he was a painter. You can see Shelley's grave stone at Percy_Bysshe_Shelley#Death. Span (talk) 10:44, 3 June 2012 (UTC)

Bright Star poem added

As part of a year's ongoing adding of content to this article you'll notice that Bright star is the only poem quoted in its entirety. This is because it is a sonnet (a short 14 lines), it is well known, it has demonstrable links through Keats's letters to Isabella Jones and Fanny Brawne, it highlights his conflicted state and was one of the last poems that Keats revised before he died. This is why it is emphasised as an image as much as a poem. If anyone feels this is adding undue emphasis, please discuss. Thanks Spanglej (talk) 12:30, 4 February 2010 (UTC)

Thank you for discussing this on the talk page; I hope you will not continue to make unliateral decisions about the article. I consider it undue emphasis. But I did not delete the poem itself because this can be a matter of discussion. You went further than quoting the entire poem, however. You set it apart by placing in within a box with a blue background. And now you have done it again (with a different color). I have never seen this done on the page of a writer who produced numerous notable works. Until some sort of consensus is reached about including the poem, please respect the consensus process and the fact that Misplaced Pages is group process (not your personal webpage) by not doing so again. And contrary to your statement on my talk page ("By the end of February 15 2010, if not, I will add colouration to the image"), you do not set deadlines for consensus on Misplaced Pages. And now that an opinion opposing your edits has been made, the default decision in the absence of a consensus is not your position.
Some of your arguments about the poem being the only one quoted in its entirety may have merit, but "it is well known" and "it highlights his conflicted state" are not acceptable rationales because these factors apply to more than this one poem.
Thank you. 71.77.20.26 (talk) 17:09, 4 February 2010 (UTC)

Last born/First to die

In the name of accuracy, I have changed the sentence that begins this page, "John Keats was the last born of the English Romantic poets and, at 25, the youngest to die" to "John Keats was an English Romantic poet." While the former statement is nicely poetic, it is simply not true. Keats was the last born of the Big Six (Blake, Wordsworth, Coleridge, Byron, Shelley, Keats), but he was not the last born of all English Romantic poets, of whom there were dozens. Thomas Lovell Beddoes, for instance, was born in 1803--eight years after Keats.

67.194.200.2 (talk) 02:01, 21 November 2010 (UTC)

had made several large loans that he could ill afford.

"had made several large loans that he could ill afford." begs the question, Who was he loaning money to and what were the consequences? In the context it might also be worth checking the sources in case this should actually have been " had taken on several large loans that he could ill afford to repay". ϢereSpielChequers 06:18, 10 September 2012 (UTC)

Thanks for the comment. I have added more detail about loans to Benjamin Haydon and George. Keats's financial straits and their impact are discussed at various points in the article. "Money was always a great concern and difficulty for him, as he struggled to stay out of debt and make his way in the world independently"; "Keats's long and expensive medical training with Hammond and at Guy's Hospital led his family to assume that medicine would be his lifelong career, assuring financial security"; "Sometime before the end of June , he arrived at some sort of understanding with Brawne, far from a formal engagement as he still had too little to offer, with no prospects and financial stricture". I hope the burden of his financial situation comes across. Span (talk) 09:48, 10 September 2012 (UTC)
Thanks, that resolves that nicely. His financial straights were clear, but not that he was taking on such extra commitments. One detail that might help would be to resolve the loose ends of his own inheritances from relatives. Some legacies are mentioned and it is implied that he never saw them, what eventually happened to that money? ϢereSpielChequers 09:55, 10 September 2012 (UTC)

He had a significant influence on a diverse range of later poets and writers.

He had a significant influence on a diverse range of later poets and writers. Implies to me that he influenced subsequent but not current generations of writers. If he is still influencing writers today then perhaps He has had a significant influence on a diverse range of later poets and writers. would be more apt. ϢereSpielChequers 09:50, 10 September 2012 (UTC)

Clarified. Span (talk) 23:17, 13 September 2012 (UTC)

Keats' letters were first published in 1848 and 1878.

"Keats' letters were first published in 1848 and 1878." This reads oddly to me, and could perhaps be rephrased as "Some of Keats' letters were first published in 1848, with his letters to Fanny Brawne added in 1878. ϢereSpielChequers 23:08, 13 September 2012 (UTC)

Clarified. The first publication date is fine. Span (talk) 23:18, 13 September 2012 (UTC)

The Epitaph

This page previously read "His last request was to be placed under an unnamed tombstone which contained only the words (in pentameter), 'Here lies one whose name was writ in water.'" The problem here is not the highlighted word Pentameter (all that is seen on the page), but the link to the article on Iambic pentameter.

The most straightforward scansion of the intended epitaph as one line of pentameter is trochaic: "HERE lies ONE whose NAME was WRIT in WAter." It would be completely unnatural to try to pronounce it as a regular iambic line: "Here LIES one WHOSE name IS writ IN waTER." True, true, if we found this line at the beginning of an otherwise iambic poem, we could rationalize it by scanning it as a headless first foot (the missing unstressed first syllable) on a line with a feminine ending (the extra unstressed syllable at the end). But we have no reason to shoehorn the line into an iambic pattern because Keats gave us only one line. And it consists of five trochaic feet.

Although I have corrected "iambic" with "trochaic," other corrections are possible. We could leave it described only as pentameter, with no hyperlink. We could leave out "pentameter" (since Severn and Brown have broken the line) and use some other formula, such as "an unnamed tombstone marked only with the following metric line, 'Here lies one whose name was writ in water'", etc. But please don't revert it to "iambic pentameter," which simply makes no sense, at least not without discussing it here first. Thanks. Mandrakos (talk) —Preceding undated comment added 13:39, 28 September 2012 (UTC)

It is a minor point, as you say. I'm working the article up for a GA submission and I added the iambic pentameter mention to the article quite a while ago. I did add a ref the other day that supports the line as iambic. I personally think it could be read either way - trochaic or iambic. Nobody has suggested it is good iambic pentameter (with the stresses in the right places). How about leaving it as just 'pentameter'? Span (talk) 16:34, 28 September 2012 (UTC)
"I did add a ref the other day that supports the line as iambic." (?) I don't see this ref, or any source citation at all on the two paragraphs about the tombstone. (Regarding GA submission, this lack of source citations is a bigger problem than the lack of irrelevant hyperlinks to literary jargon, by the way.) "The stresses in the right places" are the very definition of the meter, and they aren't there, period. So let's agree that "iambic" is out. And "pentameter" isn't that meaningful for a single line by itself; as I noted, Severn and Brown didn't even choose to present it as a single line, so it isn't pentameter on the stone. The simplest version would also be the most accurate, and more eloquent: "a tombstone bearing no name or date, only the words, 'Here lies One whose Name was writ in Water.'" (Keeping the capitalized nouns of Keats's original, dropping the cap on Whose added by Severn and Brown when they broke the line; since here we are referring to what Keats wrote them about his wishes, not how they rewrote it.) I would be happy to make the change, it that's acceptable. Mandrakos (talk) 00:14, 29 September 2012 (UTC)
There's currently no ref because you reverted it. WP tends to work by what can be verified and sourced rather than by personal opinion. But I agree with the line of your argument. Span (talk) 07:15, 29 September 2012 (UTC)
I apologize for not noticing the ref added during your undo. I am glad that you now see it won't sustain the argument: any trochaic line can be laid across two lines of an iambic poem (or vice versa) by breaking it in the middle of a foot; all it goes to show is that the stresses do in fact fall as I said. But we're in agreement now, and I certainly agree it's intrusive and unnecessary to insist on the trochaic pentameter nature of the line as first proposed by Keats. The line's metrical nature speaks more eloquently for itself, so that's the change I'll make. Thank you for setting a superior example of WP courtesy; I fear my own tone was testier than I intended. Mandrakos (talk) 08:43, 29 September 2012 (UTC)
Well, WP can be a testy place sometimes. Thanks for flagging up the question. Best wishes Span (talk) 13:24, 29 September 2012 (UTC)

Use of word "encroached", 3rd paragraph under "Early Career"

I don't know much about Keats, but I was reading this, and the following sentence seemed to me to not use the word "encroached" correctly:

However, Keats increasingly encroached on his writing time, and he grew ambivalent about his medical career.

I think it should maybe be changed to something like the following:

However, Keats increasingly felt that his study of medicine encroached on his writing time, and he grew ambivalent about his medical career.

Thank you.

Julia — Preceding unsigned comment added by 65.65.138.212 (talk) 15:15, 9 March 2014 (UTC)

Conversation with Coleridge

"On 11 April 1818, Keats and Coleridge had a long walk together on Hampstead Heath. In a letter to his brother George, Keats wrote that they talked about 'a thousand things,... nightingales, poetry, poetical sensation, metaphysics.' " This report is inaccurate. The letter it is cited from was a long one, more like a set of diary entries, written to George and Georgiana Keats (not just George), covering the period 14 Feb. to 3 May 1819 (not 1818). The quotation comes from the section covering 15 April 1819, and in the original letter it's quite clear that the two did not have a long walk together. Keats bumped into Coleridge and his companion, Joseph Green, the latter of whom he knew from Guy's Hospital (Green was a demonstrator there), and the three of them walked together for about two miles. Coleridge and Green then peeled off, and Keats continued on his way. The letter makes it quite clear that it was not a conversation. Coleridge, as was his wont, simply monologued, and neither expected nor really solicited any response from Keats or Green; the letter strongly implies that Coleridge didn't let either of them get a word in edgewise. Calling it a conversation, then, is somewhat misleading. They neither met nor talked as equals, that is, as both poets. Coleridge discoursed, the others listened, fascinated, no doubt by the range of his interests, but regarding him with some amusement and distance. Theonemacduff (talk) 22:52, 25 March 2016 (UTC)

I've amended the language in the 'Coleridge walk' section a little to reflect that fact that it was Keats' report of the walk. Anna (talk) 12:07, 11 November 2017 (UTC)

Will and testament?

I have heard someone on the radio mention that Keats had a "last will and testament", including an instruction to divide his books among his friends. I think it would be good if the article included mention of this document, which I could not find in the article or on Wikisource. Unfortunately, I have no good source at hand, so I am recording the need here. Ijon (talk) 20:51, 4 July 2016 (UTC)

Keats didn't leave a will or testament, wrote a letter to a friend saying he should divide his books between his friends. I'm not sure it's very significant, other than to note that Keats was broke when he died. But we knew that already. It's a small detail in a long article. Anna (talk) 01:04, 7 November 2017 (UTC)

Correct info on Keats alma mater?

This is a question on possible inaccuracy, but I don't know the answer. John Keats's page says his alma mater was Kings College London, but the linked Misplaced Pages page for that college says it was founded in 1829, eight years after Keats died. I don't see anything on the Kings College page that suggests an explanation for this discrepancy in timing. Does the Keats page give an incorrect college name, and/or is the college's name linked to the wrong Wiki page? --100.14.64.200 (talk) 18:39, 8 August 2016 (UTC)Lisa Lapp, 08 August 2016

As is mentioned in the article, Keats attended Guy's Hospital (founded 1721) which later became part of Kings. Anna (talk) 00:55, 7 November 2017 (UTC)

Place of birth

Where exactly was Keats born and why can't it be linked? The plaque commemorating his birth place is at the site of the "Swan & Hoop" here, in front of The Globe pub on Moorgate? Thanks. Martinevans123 (talk) 19:41, 28 April 2018 (UTC)

Moorgate is fine. Moorfields was more of a medieval name for the fields nearby before 19th C development. I should have fixed the link. Apols. Anna (talk) 22:41, 28 April 2018 (UTC)
Thanks, Anna. It was just that Moorgate was (and is) a street, In fact the Moorgate article opens with "Moorgate was a postern in the London Wall originally built by the Romans" and it doesn't seem to be clearly defined there as an area or district. That's not the kind of sentence that opens most articles on London streets. I'm fine with the link in the infobox, but should "Early life" begin slightly differently, e.g. "John Keats was born at Moorgate, East London.." or something? In fact, it might even say: "John Keats was born in Moorgate, London above the public house the Swan and Hoop, now known as 'Keats at the Globe'" or even "John Keats was born at 24 Moorfields Pavement Row, Finsbury, on what is now Moorgate.... " as per e.g. this source? I see that the birthplace plaque currently doesn't even get a mention in the entire article. Martinevans123 (talk) 07:15, 29 April 2018 (UTC)
Or maybe someone else has some ideas, as I now see you may be gone for a while on a long break? Martinevans123 (talk) 14:47, 30 April 2018 (UTC)
Sure. You're right. My article edit was apropos of the link to Moorgate as opposed to Moorfields, which is somewhere slightly different and would cause confusion. The area and names have changed so much and shifted around so much (particularly after WWII bombing) that it's good to be as specific as poss. I wouldn't include 'Finsbury' - that's even more complicated. Apols for the late reply. Anna (talk) 18:22, 29 May 2018 (UTC)
Thanks, Anna. Martinevans123 (talk) 18:33, 29 May 2018 (UTC)

Date on gravestone

Despite Keats' own wishes, his gravestone bears the date "Feb 24 1821". I removed the previous observation "There is a discrepancy of one day between the official date of death and that on the gravestone", and the explanation added by User:Alfion, as it was all unsourced (although the simple observation seems to be correct). Also, we currently don't know when the headstone was installed, which might or might not make things clearer? Happy to re-add if there are good sources for this (or any) explanation. Thanks. Martinevans123 (talk) 10:23, 1 July 2018 (UTC)

I wrote this quite sometime ago and so don't remember the detail, but it's easy enough to check views in the biographies. Anna (talk) 11:31, 1 July 2018 (UTC)
The Paris Review? https://www.theparisreview.org/blog/2016/02/23/writ-in-water/ AnonNep (talk) 13:18, 1 July 2018 (UTC)
An interesting source, but not sure if it explains the discrepancy. Martinevans123 (talk) 15:02, 1 July 2018 (UTC)
As far as literature goes, the Paris Review is 'interesting' just as The New York Review of Books is 'interesting'. As it states 'Here lies One Whose Name was writ in Water. 24 February 1821. ' & sets out the context. It also references Keats quoting Lord Byron's Don Juan; 'Tis strange the mind, that very fiery particle / Should let itself be snuffed out by an article.' Ah, to be to be snuffed out by an article (or in one), aren't the poetic Muses cruel? AnonNep (talk) 18:38, 1 July 2018 (UTC)
Are the Muses so cruel they deliberately get the date wrong on your tombstone? Or perhaps we can find a better explanation. Thanks. Martinevans123 (talk) 18:50, 1 July 2018 (UTC)
In genealogical research, of the three civil/religious records, such as birth/baptism, marriage/wedding &, finally, death/burial, are respected in that order. Why? You're not in a position to lie about baptism/birth & you might fudge the dates & details for marriage/wedding. But death/burial are 100% based on who is around you at said time & what what they choose to believe & say. Yes, getting a date wrong on a tombstone is no more unusual than upping or downing age at marriage. Tomb/gravestones reflect what you've said & what those after your death, in a position of authority (executors, etc) chose to see recorded. It doesn't make it fact. AnonNep (talk) 19:35, 1 July 2018 (UTC)
I'm sure you're right. I'd just expect an encyclopedia to say something like: "the recorded date of death is correct, the date on the gravestone is wrong, the reason is xx". Academia has had 197 years to establish the truth? Martinevans123 (talk) 20:17, 1 July 2018 (UTC)
In one case, at least, (& I've just been generally browsing) academia seems to accept his death but, understandably, questions the 'truth' around the recording of it, starting with that gravestone https://books.google.com.au/books?id=WDMfDAAAQBAJ&pg=PA43 Why can't this RS ambiguity be included in the page? AnonNep (talk) 21:00, 1 July 2018 (UTC)
I see no reason. But then I can't actually see the pages in that source you've linked either. Maybe someone else, who can see them, or maybe who has a real copy, could advise you. If you can find conflicting sources, of equal merit, over the date of death, I'd suggest they should each or all be used. Martinevans123 (talk) 22:09, 1 July 2018 (UTC)

It does often happen with historical notables, along with uncertain/differing birth/baptism records. I would say the Keats discrepancy is interesting rather than terribly important. If you have access to the various good biographies, I would check what they say. I suspect most of Keats mates were off their tits a lot of the time. All the more so in grief. 🌱 Anna (talk)

If Academia has failed to determine "the truth", at least it's had 197 years to consider the evidence? Pass me that slug of laudanum, would you? Martinevans123 (talk) 22:17, 1 July 2018 (UTC)
Once again, why not include the ambiguity? Surely that 'Academia' has 'had 197 years to consider the evidence' & 'has failed to determine "the truth"' is that not, in & of itself, worthy of note? AnonNep (talk) 21:04, 2 July 2018 (UTC)
Once again, why not. Except at the moment, to me, it looks less like ambiguity and more like contradiction. Martinevans123 (talk) 21:32, 2 July 2018 (UTC)
I must be dense, obviously, as there's RS sources, academic & otherwise, regarding the issue of his date of death. Where there is RS contradiction there is also ambiguity. But this ambiguity can't be clearly set out within the article because... AnonNep (talk) 21:49, 2 July 2018 (UTC)
I have no idea. You tell me. Martinevans123 (talk) 22:00, 2 July 2018 (UTC)
Well, the obvious progression from this, as you have 'no idea', would be for me to start a new Talk Page section suggesting that Reliable Sources (RS) be used to create a new addition to the article setting out reasons for ambiguity in his date of death & asking if such an inclusion requires a new sub-section or could be incorporated to the main body text. Any ideas, or even opinions, on that? AnonNep (talk) 18:04, 3 July 2018 (UTC)
Perhaps your question was a rhetorical one. I still see no reason why "this ambiguity can't be clearly set out within the article". I'd prefer just suggestions for good sources on the topic, from whichever angle. Sorry, I couldn't see anything very useful in that The Paris Review source. If you feel a new thread is called for here, I have no objection. Martinevans123 (talk) 19:07, 3 July 2018 (UTC)

Keats death - acknowledge the ambiguity

Following on from the previous discussion I propose that the ambiguity over the date of Keats death & burial should be acknowledged in the article body. Whether in the existing sections or a new one, to be supported by WP:RS. An example, from 'Undefinitive Keats' by Nicholas Roe in 'Literature and Authenticity, 1780–1900: Essays in Honour of Vincent Newey'. Edited by Michael Davies, published by Routledge, 6 May 2016, page 43 : follows:

"Comparable ambiguities gather around the moment of Keats death. From Joseph Severn's contemporary letters and later reminiscences it seems clear that Keats dies at around 11.00 p.m. on friday 23 February 1821. However, the register of burials for the Non-Catholic cemetery at Rome tells a different story:

John Keats, English Poet.

Died the 24th of February, 1821.
Buried the 25th ditto in the

Morning at 15 o'clock. Aged 26.

24 February? Aged 26? Much later in the nineteenth century, these details were repeated on the white marble slab placed on the wall of the house where Keats died at 26 Piazza di Spagna, where they can still be seen with the age altered by some later hand to read '25'. the peculiar hour of the burial, 'in the morning at 15 o'clock', is based on the Roman way of reckoning the hours of the day from six o'clock the preceding evening. At 6.00 p.m. English time, 24 April became 25 April in Rome, so the burial that took place on the 25th at '15 o'clock' Roman time was 9.00 a.m when reckoned on the English system".
AnonNep (talk) 19:50, 3 July 2018 (UTC)

I agree,the ambiguity should be mentioned. That source looks very useful. It begs the question as to why the "Roman system" was in use like that? I there any article that could be linked for that? Martinevans123 (talk) 20:44, 3 July 2018 (UTC)
The source looks good. Many of ideas might well be speculative rather than definitive, but that fine, as long as explained in those terms. Anna (talk) 21:34, 3 July 2018 (UTC)
Apologies if any of the posts here have been a bit... opaque. We've both been stewarding the page and other poetry-related articles for a very long time. Your enthusiasm is welcome, Nep.Anna (talk) 21:42, 3 July 2018 (UTC)
No need for apologies, I was happy to find something that might be useful :) Perhaps you or one other other old hands could work on appropriate wording & make the edit? (Not my strong suit when it can be a bit of a tricky one). AnonNep (talk) 14:38, 4 July 2018 (UTC)

Alma Mater

King's College, London wasn't established until 1829, several years after the death of Keats. Citing it as his Alma Mater is therefore ridiculous. He enrolled at Guys Hospital as a medical student, and Guys has since been absorbed by Kings, but that's not the same thing - and that should be made clear. Hanoi Road (talk) 15:15, 8 June 2020 (UTC)

Text now says: "Keats registered as a medical student at Guy's Hospital (now part of King's College London).." Martinevans123 (talk) 11:20, 19 September 2020 (UTC)
Good job. Hanoi Road (talk) 12:30, 19 September 2020 (UTC)

today's money

The phrase "about £50,000 in today's money" is pretty meaningless, if we don't know when "today" was. Misplaced Pages articles are supposed to remain correct into the future. Inflation will render this statement false. — Preceding unsigned comment added by 86.141.24.35 (talkcontribs) 11:11, 17 September 2020 (UTC)

Yes, I tend to agree. Using this formula £{{inflation|UK|8000|1814}} gives £563,705, a sum which still seems rather large for what Rossetti (1978) describes as a "moderate amount" . Martinevans123 (talk) 11:08, 19 September 2020 (UTC)
But have added the conversions for clarity. Martinevans123 (talk) 11:17, 19 September 2020 (UTC)
There was a currency converter from the National Archive in the reference. But yes, much better to have added a gizmo, if it's accurate. As mentioned in the money section two down, I don't think Rossetti is necessarily a great source on Keats' finances. Thanks Martin. Anna (talk) 06:27, 18 February 2021 (UTC)
Seadowns, are you taking issue with the National Archives. Anna (talk) 02:12, 23 February 2021 (UTC)
Sorry, my remark was completely misguided, and I thought I had deleted it. Arithmetic was wrong by a large factor. I will delete it now. Seadowns (talk) 10:11, 5 March 2021 (UTC)
The talk pages are here for us to discuss these things and think these things through out together, Seadowns. It's been a useful discussion. Anna (talk) 22:52, 5 March 2021 (UTC)

Schooling

His parents were unable to afford Eton or Harrow...

His father worked in a stable, and does not sound as though he could contemplate Eton or Harrow. What is the significance of this rather odd statement? Valetude (talk) 23:19, 28 September 2020 (UTC)
Many of Keats' peer group of poets, such as Shelley and Bryon, went to Eton, Harrow and Oxbridge. Keats was regarded as a common Cockney, an outsider. He was self-conscious of his lack of education in the humanities and set about studying classical literature to make up ground. Blackwoods mocked him for his low birth and low class diction. It is discussed in the Wentworth Place section. It was part of his ambition - to understand the poetic landscape and fit in. I don't have the two references to hand, but Keats' modest background, education and poverty were a defining character of his personality and work. Anna (talk) 09:32, 15 February 2021 (UTC)
This solid source mentions that Keats' father had wished to send his son to Harrow, as the family firm prospered. However his faher died in a riding accident and Harrow etc was not possible. Anna (talk) 09:51, 15 February 2021 (UTC)
Not that such inequalities in privilege and education would last for the next 200 years, of course. Martinevans123 (talk) 11:09, 15 February 2021 (UTC)

I have added in the detail to clarify the situ, checked and added the sources. Valetude, Keats had a large and complicated family. Some members had signifiant property and were much wealthier than others. Some acted as 'benefactors' to others. Deaths, re-marriages, guardianship, legacies, wills and possible embezzlement, added drama to how the wealth was used, who was sponsored by it and where it ended up. The article does describe some of these dynamics. Anna (talk) 03:40, 17 February 2021 (UTC)

Value of his Legacies

As I mentioned in the "today's money" thread above, using the formula £{{inflation|UK|8000|1814}} gives £563,705, a sum which still seems rather large. But, as far as I know, that's the standard inflation formula for UK in use across English Misplaced Pages. Maybe it's wrong. Martinevans123 (talk) 15:53, 17 February 2021 (UTC)
The English National Archive historical currency converter is given as the source for the convertion, and seems the most solid source you could get. It suggests that £8000 equates in 2021 as £459,443.20. I guess with all the devaluations, coming off the gold standard, changes in coinage etc, estimation over time is not an exact science. Anna (talk) 05:58, 18 February 2021 (UTC)
I checked the ref I put in for the £8000 figure when I wrote most of the article. The ref is from the National Dictionary of Biography, and yes, it does state '£8000'. Although as the WP articles says, John Keats received a quarter of this figure. Martin, re your comment in the other money talk section, I don't think Rossetti (1878) is a great source on Keats' finances. It's very possible this kind of financial detail was only found much later in the archives. Anna (talk) 06:21, 18 February 2021 (UTC)
I recommend keeping current conversion rates out of the article. I have checked the offical biogs I have access to (listed in the article's references) and I can't see any conversion suggested, only the historical figures. There is more than £100 000 difference between the WP gizmo rate and the National Archive rate given (above) - a pretty huge gap. The Bank of England Inflation calculator gives a figure of £651,492 (an even bigger gap). The National Archive says they work out conversions so: "The data used in this currency converter comes from our historical records such as those of the royal household and Exchequer. These documents may record large purchases by government institutions rather than ordinary retail prices, and wages of skilled craftsmen rather than the general level of earnings." There is an element of guesswork and approximation for all sources, so I think it's not useful to add it in to the this Keats article. Anna (talk) 18:22, 5 March 2021 (UTC)
I fully agree. There is no meaningful comparison to be made, as spending and spending patterns were utterly different then and now. Bmcln1 (talk) 20:16, 5 March 2021 (UTC)
The inflation formula template must be good for something (?) If it really works as poorly as this, it ought to be flagged up for impovement at the appropriate forum? Martinevans123 (talk) 20:37, 5 March 2021 (UTC)
I did have a little dig around to see if I could find the WP conversion gizmo sources, with no luck. But if any conversion rates for the pound over 300 years ago are so approximate and subject to historical guesswork, I'm not sure it's appropriate in Keats' context anyway. If you can find the gizmo creator, then, yes, it would be appropriate to flag some major caveats to its use. As Bmcln1 says, spending patterns have changed hugely, even since the 1970s in the UK, with greater credit available, cheap oil, increased house ownership, statutory wage rights, changed tax and benefits systems etc. So comparisons are not that useful. Anna (talk) 22:46, 5 March 2021 (UTC)

Bicentenary

Today is the bicentenary of Keats' death: Perhaps the events organised to mark the anniversary should be added? Martinevans123 (talk) 11:09, 23 February 2021 (UTC)

Perhaps "On 23 February 2021, to mark the 200th anniversary of Keats' death, the play Writ in Water, by playwright and academic Angus Graham-Campbell, was broadcast by BBC Radio 4"? But there is no "Legacy" section, so not sure where to place anything. Martinevans123 (talk) 22:22, 23 February 2021 (UTC)
The Guardian also has this peace where Ruth Padel, Will Harris, Mary Jean Chan, Rachel Long and Seán Hewitt choose their favourite poem. Martinevans123 (talk) 22:25, 23 February 2021 (UTC)

Dodgy pronouns

In April 1804, when Keats was eight, his father died from a skull fracture, when he fell from his horse while returning from a visit to John and his brother George at school. Thomas Keats died intestate and his mother remarried two months later.

I'm sure we can see how confusion creeps in here. There are three men mentioned in the two lines - John, George and their father Thomas. Pronouns are only useful if it's clear who they are referring to. Thomas Keats' mother did not remarry in 1804.

It's been many years since I have been a regular, full time editor. A great big barrel of thank yous to all those who have been stewarding the poetry articles and doing a tremendous job. All best wishes. Anna (talk) 15:58, 16 March 2021 (UTC)

At the very least, that re-marriage claim needs to be corrected? Martinevans123 (talk) 16:19, 16 March 2021 (UTC)

To clarify, the above is the version that was reverted for being unclear. Anna (talk) 16:31, 16 March 2021 (UTC)

Oh I see. So the current version is now correct and sufficiently clear, I hope. Martinevans123 (talk) 16:41, 16 March 2021 (UTC)

John Keat moral for young generation

He want to show that young generation author can also do such improvement. He was the famous author and writer of the young generation. We should try to become like John keat He is inspiration for young authors . So all young authors best of luck! 2409:4042:2813:4FA8:0:0:26:40AC (talk) 13:52, 11 January 2022 (UTC)

Thanks so much for telling us. By the way, his name was Keats. Martinevans123 (talk) 14:02, 11 January 2022 (UTC)

'Popular culture'

The guidance on including 'popular culture' or trivia in an article reads the "source should cover the subject of the article in some depth; it should not be a source about the cultural item which merely mentions the subject." This first reversion mentions a film that features a few lines of a Keats poem. The subject of the second reversion isn't about Keats either. They are 'passing mentions'. The guidance also says "Cultural references about a subject... should not be included simply because they exist." Keats is a globally known poet. There are thousands of songs, plays, films, films etc that make mentions of him and his work. Biographies get swamped but tangential bits and pieces and make the articles weaker for it. Anna (talk) 13:14, 14 January 2022 (UTC)

Keats' TB and autopsy

This is not really apropos of anything, it's just a really interesting, academic but arresting article on the details of Keats' descent into TB and the findings of the autopsy on his body two days after his death. Our WP article is long as it is and I don't think it's necessary to add in more detail, but good to know the research is out there for anyone wanting to explore further. Best wishes. Anna (talk) 22:29, 26 May 2022 (UTC)

Link to EB1911 article

I am wanting to add a link in External links to the article on John Keats in the 1911 edition of Encyclopaedia Britannica but am encountering some resistance. This is the article: Swinburne, Algernon Charles; Bryant, Margaret Bryant (1911). "Keats, John" . Encyclopædia Britannica. Vol. 15 (11th ed.). pp. 708–710.. Any views, one way or the other? ArbieP (talk) 10:05, 4 October 2022 (UTC)

The text was already covered by a reference]. I have said elsewhere, there is no virtue of trying to squeeze EB1911 into every article you can. There are much more definitve, modern sources. I'm not convinced a hundred year old encyclopedia article offers unparalleled insight. You are doing this shoe horning into dozens of WP articles, in order to raise the profile of EB1911. That is not how WP works. We are here to improve the nature of WP articles, not promote books or links. You have been asked not to add random links into articles and not to split citations by dropping in random refs. I do understand that you are excited by the EB1911 and 19th century editions, and there is good work to do with this, no doubt, but shoe horning is not the way. I might suggest that you turn to the WP article on the EB 1911 edition. It could use your help. Anna (talk) 23:12, 4 October 2022 (UTC)

Career section should be broken up further

I find the career section is too long and should be broken up further. The current 2 subsections (Wadsworth andBrawne) are a beginning. I dont feel comfortable doing this and hence placed too long|section flag. What do you think, Anna Roy? Seems like a perfect task for you, in my opinion. Thanks. Wuerzele (talk) 08:21, 19 November 2022 (UTC)

I have added in some headings as per your suggestion. I'm aware that reading this article is a totally different experience on a phone to a computer. Longer articles must be a PITA on a phone. Anna (talk) 16:44, 24 November 2022 (UTC)

HIS?

Maybe I’m reading this wrong but on the article the is a picture with the text being : Relief on the wall nearHIS grave. (Or something like that) Maybe I read it wrong but I feel that it’s wrong. I just do. InfernaIBaze (talk) 03:30, 23 December 2022 (UTC)

Can you say more about what is wrong? Why is the word "his" relevant. Anna (talk) 01:27, 25 December 2022 (UTC)

Compound adjective

In the phrase "In October 1815, having finished his five year apprenticeship with Hammond", "five year" apparently is intended to be a compound adjective. Thus, it should be hyphenated (see MOS:HYPHEN). I tried to correct it, but got reverted. Stefen Towers among the rest! 19:53, 30 September 2023 (UTC)

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