Misplaced Pages

Pyotr Sheremetev: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editContent deleted Content addedVisualWikitext
Revision as of 03:07, 15 October 2010 editXanderliptak (talk | contribs)3,323 editsNo edit summary← Previous edit Latest revision as of 12:40, 5 November 2024 edit undoMonkbot (talk | contribs)Bots3,695,952 editsm Task 20: replace {lang-??} templates with {langx|??} ‹See Tfd› (Replaced 1);Tag: AWB 
(29 intermediate revisions by 24 users not shown)
Line 1: Line 1:
{{Short description|Russian nobleman}}
{{Emblem
{{Use dmy dates|date=December 2023}}
|Name = The coat of arms of Count Sheremetev
{{Expand Russian|topic=bio|Шереметев, Пётр Борисович|date=February 2015}}
|Image 1 =
]
|Image 1 width = 200
'''Pyotr Borisovich Sheremetev''' ({{langx|ru|link=no|Пётр Бори́сович Шереме́тев}}) (1713–1788) was a Russian nobleman and courtier, the richest man in Russia aside from the tsar; he was the son of ].
|Date of origin =
|Shield = ''Or in chief on a torteaux surrounded by a wreath of laurel a royal crown and two crosses pattée argent in pale and in base between a boyar's hat fesswise and a crescent charged with a representation of a man's face argent a sword and spear crossed in saltire proper'', the whole ensigned by the coronet of a Count of the Russian Empire.
|Crest and mantle = ''Issuant from the coronet of rank an oak tree proper between two mullets of six points argent'', the mantling Or doubled gules.
|Supporters = ''Two lions salient guardant Or the dexter one holding in his interior paw a sceptre and in his mouth a laurel branch proper the sinister one holding in his interior paw a globus cruciger and in his mouth an olive branch proper'' upon a grassy compartment proper
|Chivalric order =
|Motto = ''Deus conservat omnia'', Latin for "God perserves all".
}}

]

'''Pyotr Borisovich Sheremetev''' ({{lang-ru|Пётр Бори́сович Шереме́тев}}) (]–]) was a Russian nobleman and courtier, the richest man in Russia aside from the tsar; he was the son of ].


When his father Boris died in 1719, tsar ] promised to be "like a father" to Boris's children, and young Pyotr was brought up at court as a companion to the heir to the throne, who became tsar ]. <blockquote> When his father Boris died in 1719, tsar ] promised to be "like a father" to Boris's children, and young Pyotr was brought up at court as a companion to the heir to the throne, who became tsar ]. <blockquote>
Line 21: Line 11:
He was a lover of art and theater, using his vast wealth to remodel the ] (known as the "Fountain House") on the ] Embankment and the family estate at ], where he collected a gallery of portraits, and to create a famous serf orchestra. He was a lover of art and theater, using his vast wealth to remodel the ] (known as the "Fountain House") on the ] Embankment and the family estate at ], where he collected a gallery of portraits, and to create a famous serf orchestra.


He married Varvara Alekseevna Cherkasskaya, daughter of an important court official, who brought him an expensive dowry. He married Varvara Alekseevna Cherkasskaya, daughter of an important court official, who brought him an expensive dowry. Their son was ].


== See also == == See also ==
* ] - his sister * ] his sister


==Notes== ==Notes==
{{reflist}} {{Reflist}}


{{Authority control}}
{{DEFAULTSORT:Sheremetev, Petr Borisovich}}

{{DEFAULTSORT:Sheremetev, Pyotr Borisovich}}
] ]
] ]
] ]
]
] ]
] ]

]
]

Latest revision as of 12:40, 5 November 2024

Russian nobleman

You can help expand this article with text translated from the corresponding article in Russian. (February 2015) Click for important translation instructions.
  • View a machine-translated version of the Russian article.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Russian Misplaced Pages article at ]; see its history for attribution.
  • You may also add the template {{Translated|ru|Шереметев, Пётр Борисович}} to the talk page.
  • For more guidance, see Misplaced Pages:Translation.

Pyotr Borisovich Sheremetev (Russian: Пётр Бори́сович Шереме́тев) (1713–1788) was a Russian nobleman and courtier, the richest man in Russia aside from the tsar; he was the son of Boris Sheremetev.

When his father Boris died in 1719, tsar Peter promised to be "like a father" to Boris's children, and young Pyotr was brought up at court as a companion to the heir to the throne, who became tsar Peter II.

After a teenage career in the Guards, Sheremetev became a chamberlain to the Empress Anna, and then to the Empress Elizabeth. Under Catherine the Great, he became a senator and was the first elected Marshal of the Nobility. Unlike other court favourites, who rose and fell with the change of sovereign, Sheremetev remained in office for six consecutive reigns. ... He was one of Russia's first noblemen to be independent in the European sense.

He was a lover of art and theater, using his vast wealth to remodel the Sheremetev Palace (known as the "Fountain House") on the Fontanka Embankment and the family estate at Kuskovo, where he collected a gallery of portraits, and to create a famous serf orchestra.

He married Varvara Alekseevna Cherkasskaya, daughter of an important court official, who brought him an expensive dowry. Their son was Nikolai Sheremetev.

See also

Notes

  1. Orlando Figes, Natasha's Dance (Picador, 2002), p. 19.
Categories: