Revision as of 08:02, 27 December 2012 editGerda Arendt (talk | contribs)Autopatrolled, Extended confirmed users, File movers, Pending changes reviewers, Rollbackers381,847 edits →Infoboxes (yet again).: my understanding← Previous edit | Latest revision as of 13:42, 2 January 2025 edit undoLowercase sigmabot III (talk | contribs)Bots, Template editors2,301,866 editsm Archiving 1 discussion(s) to Misplaced Pages talk:WikiProject Classical music/Archive 81) (bot | ||
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== Papa Haydn == | |||
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== "Notable" recordings == | |||
Its only category is {{c|Joseph Haydn}}. The article may be more about classical music than about Joseph, eg: | |||
: "Papa" as founder | |||
: Another sense of the term "Papa Haydn" comes from his role in the history of classical music, notably in the development of the symphony and string quartet. | |||
So I "assigned" it to you as well as to Biography and Composers. --] (]) 21:01, 7 August 2012 (UTC) | |||
I often consult Misplaced Pages for factual information about classical music composers and compositions. I noticed that many articles about compositions have a section called "Notable recordings". I have been searching Misplaced Pages to find the criteria for what is considered a "notable" recording, but to no avail. Please enlighten me. ] (]) 21:07, 12 October 2024 (UTC) | |||
== Antonín Dvořák == | |||
:You may be asking the wrong question. Most notable recordings were put there by editors who either a) had favorite recordings they wanted to include, or b) had opinions on which recordings were notable. Better-written articles will cite sources that establish notability for a certain batch of recordings. For instance ] cites this '''' article, which is a collation of choices from various established music critics. Another example, ] cites ''1001 Classical Recordings You Must Hear Before You Die'', a generally well-regarded publication. | |||
Lately, I have been thinking about doing a GA/FA push for ]. The discussion is ] if anyone is interested. Comments, additions and ideas on how to improve the article are always welcome. Thanks, ] (] - ]) 01:42, 19 August 2012 (UTC) | |||
:So there's no Misplaced Pages criteria; we used reliable sources to establish notability, us usual, but given that millions of articles remain in a poor state, many do not follow suit. '''<span style="font-family:Lucida;">]]</span>''' 01:58, 14 October 2024 (UTC) | |||
: In articles I write, there's no "notable" nor "selected", but both words seem to ''indicate'' that the list is not complete, which may be a given for anyone with many recordings. --] (]) 10:31, 14 October 2024 (UTC) | |||
:For context, the IP user is probably referring to on the ] article (which is a good edit), since it's the only edit I could find in the /64 range that looks related. Out of curiosity, I checked out some of the other symphony articles from the top section of the {{tl|Johannes Brahms}} template, and couldn't find any other instances of "notable recordings". Without further context or explanation, this post at face value comes across as a grievance against the format of one individual article that probably was built by a less-experienced editor in terms of familiarity with encyclopedic structure and writing. That Symphony #4 section appeared to be just a random indiscriminate unsourced list, whereas the two examples cited above by {{u|Aza24}} contain meaningful heavily-sourced encyclopedic prose. As to {{u|Gerda Arendt}}'s point, if there are concerns about the inherent incompleteness of a certain list type, then it may be appropriate to use the {{tl|dynamic list}} notice in such situations. ] (]) 12:03, 14 October 2024 (UTC) | |||
== Discussion of interest == | |||
== ] of ] == | |||
]] has been nominated for deletion. You are invited to comment on the discussion at ].<!--Template:Tfdnotice--> <small style="font: 12px Courier New; color: #000000; display:inline;border:#009 1px dashed;padding:1px 3px 1px 4px;background-color:#fff">]</small> 19:47, 19 August 2012 (UTC) | |||
Project members may want to participate in this discussion: ] – '''<span style="font-family:Lucida;">]]</span>''' 21:46, 18 October 2024 (UTC) | |||
== ] and ] == | |||
] and ] were both cellists who lived from 1805 to 1887, but the articles claim one was German and one was French. It looks like they are the same person, who was born in Germany and eventually moved back, but spent a significant amount of time in France. If this is correct, the articles should be merged. ] ] 00:55, 21 August 2012 (UTC) | |||
== Chamber Music Northwest == | |||
:Yes, it is the same person. I've merged the information and redirected to ], as he is better known (and his music is still published) under this name. His "40 Studies" are still well known among cellists. --] (] | ]) 07:34, 21 August 2012 (UTC) | |||
] has been nominated for deletion, if any project members are interested in discussing or improving the article: | |||
== Mozart GA/FA push == | |||
Hi. Just so everyone is aware, I am trying to help improve ] to GA/FA status. The discussion is at ]. Input from project members would be very much appreciated. Thank you, ] (] - ]) 17:05, 24 August 2012 (UTC) | |||
* ] | |||
== Elimination of Latsabidze Giorgi biography in French Misplaced Pages == | |||
Hello my name is Adolfo, I have 39 years and I studied piano for 30 years, I'm writing from Spain. My teacher was from Georgia and he spoke of his country's best musician Latsabidze Giorgi, I study their records and know well their work and career. First I want to congratulate you for your good article on Latsabidze in the English Misplaced Pages. I'm writing because I need your help because Latsabidze's biography has been removed from the French Misplaced Pages, they have told many lies about Latsabidze, they say they have never won the international competition Rubeinstein of Paris, who has never received the scholarship Carol Hogel, who has never recorded an album etc .... As you can see here:http://fr.wikipedia.org/Discussion:Giorgi_Latsabidze/Suppression I wrote to administrators to demonstrate the lies they tell: http://fr.wikipedia.org/Discussion_utilisateur:LPLT (August 12) http://fr.wikipedia.org/Discussion_utilisateur:Wikinade (August 15) After demonstrating that they lie, I have requested that the biography is restored in the French Misplaced Pages as you can see here:http://fr.wikipedia.org/Wikipédia:Demande_de_restauration_de_page#Giorgi_Latsabidze (August 17) They've given the reasons as you can see and I have proven to be lies. I need your help and the help of the English Misplaced Pages, I need people to write to show their disagreement with the decision because only tell lies about Giorgi Latsabidze. I can not and I just need people to agree with me that it is written in the French Misplaced Pages showing their disagreement. Thank you very much for your attention--] (]) 08:59, 26 August 2012 (UTC) | |||
::Adolfo, some of those links are dead. It seems that they were worried about (i) Notability, (ii) puff-piece. I'm a bit surprised on count (i), and (ii) can easily be dealt with. Did they not even give you the option of a sandbox while you work on it? (that can be tricky, BLPs are subject to sourcing requirements whether in or out of sandbox). I don't edit much on fr.wp but enough to feel entitled to support an article there if 1 or 2 others did. ] (]) 15:02, 2 September 2012 (UTC) | |||
==Article alerts not working?== | |||
Is there something wrong with alerts? I was wondering why there's been no WP:CM editor input to ] RM, and now I see that the alert didn't pick up the RM. I have put in one for the other well known French-Vietnamese composer, the Messaien student ] → Nguyễn Thiện Đạo per EMI and Erato LP covers (no sign of a CD reissue...) we'll see if that kicks the alert trigger. (not that all music editors automatically support funny names) ] (]) 15:02, 2 September 2012 (UTC) | |||
*...Ah, because the article affected actually has to have WikiProject Classical music tag on Talk page, not just WP Composer Tag. Subproject tags don't get picked up by alerts... Fair enough. ] (]) 03:34, 3 September 2012 (UTC) | |||
---] <sub>(])</sub> 19:49, 4 November 2024 (UTC) | |||
== Mass in B minor == | |||
== Künstlerleben == | |||
On the talk, I had a question in April 2010 about the ], it's still open. Right now, the Mass is mentioned on the Main page, --] (]) 09:05, 2 October 2012 (UTC) | |||
:Not waiting any longer, I started a table ]. Please check it for omissions/mistakes, and please check if it should replace part of the Main article, I didn't dare to go that far, --] (]) 12:11, 2 October 2012 (UTC) | |||
Hi all, | |||
== Planned edit-a-thon == | |||
Looking for someone from this WikiProject to have a look at ]; the entire article appears to have been lifted from "original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission." Nowhere does the article say what this original text is or provide any lroof of permission so the article will need a total and complete rewrite (the article itself is very peacock-y and has no other sources at all). | |||
From 8–14 October 2012, Australia's primary classical music broadcaster, ], will be holding a countdown of the ] as voted by listeners to the radio station. Some Australian Wikipedians including myself are planning to be involved in an ] to create and improve articles about the works on the countdown. Feel free to join in if you'd like! ''']'''<font color="green">]</font> 13:57, 3 October 2012 (UTC) | |||
:Very nice! For those of us non-locals, perhaps you can have participants create a list of articles created/edited, so members of this group can examine and perhaps expand. -- ] (]) 00:28, 5 October 2012 (UTC) | |||
::Good idea. I've copied your comment to ]. All comments should go there rather than here so the conversation is kept in one place. ''']'''<font color="green">]</font> 05:21, 5 October 2012 (UTC) | |||
:::The project page now includes a "to do" list which we will keep updated with all of the things we think of that need fixing/creating etc. Please feel free to add your own ideas there, comment and take tasks from that list! Here it is: ]. ]] 01:56, 9 October 2012 (UTC) | |||
::::Since this takes place in a library, you should add your editathon to the events at: ''']'''. ] (]) 02:21, 10 October 2012 (UTC) | |||
:::::Good idea; ]. ''']'''<font color="green">]</font> 03:53, 10 October 2012 (UTC) | |||
It is very clearly a notable topic, being a Strauss II waltz, so I'm loathe to bring it to AfD which would have been my first call if notability was unclear. ] ] 19:53, 6 November 2024 (UTC) | |||
== Gabriel Fauré == | |||
:When you added {{t|Copypaste}} to the article, you didn't specify {{para|url}}, so it's impossible to verify any copy/paste. As it stands, the article ought to be tagged with {{t|Unreferenced}} instead. As you mentioned, AfD is inappropriate. Similar to thousands of other articles, this one needs improving. -- ] (]) 00:48, 7 November 2024 (UTC) | |||
== FA edits == | |||
May I nominate Gabriel Faure for Today's featured article on November 4th? I asked the most significant contributor, Ssilvers, and he said it was alright, but to ask here, so I am.--] (]) 15:46, 6 October 2012 (UTC) | |||
:I need to know.--] (]) 20:29, 15 October 2012 (UTC) | |||
::Why not? --] (]) 20:57, 15 October 2012 (UTC) | |||
I noticed today an unusual amount of edits to composer's featured articles, many of them being the first edits from newly created accounts. Maybe it's just a coincidence, but seemed weird. See ], ], ], ], ]... | |||
== Musopen: adding free music to articles == | |||
Some edits do not seem to match the quality expected for a FA, hopefully a more experienced editor can take a look. Some have been already reverted. — <span style="color:#00008B; font-weight:bold; font-family:'Times New Roman', serif;">]</span> <span style="font-size:1.4em;">𝄞</span> 22:07, 7 November 2024 (UTC) | |||
I've recently come across ], which not only serves as a repository for free (i.e. freely licenced) music, but has also commissioned recordings of professional orchestras performing famous pieces which have been released into the Public Domain. A list of the "Musopen Symphony Orchestra" recordings can be found (under Music, not Most Popular), and it would be great to have these added to the articles that don't currently have a recording for readers to listen to. In order to add them, follow these steps: | |||
: I looked. For Poulenc, there was one edit of many changes, some good, others less so. I explained the problem to the new editor, saying that all might be reverted if they didn't fix the problems. Schumann: an IP at work, wanting to add Tchaikovsky's view. I reverted that once, but IP brought it back, and now someone else fixed small unrelated formatting errors which makes reverting more complicated. I'd appreciate if someone else did it. The other three articles looked under control when I checked. --] (]) 22:48, 7 November 2024 (UTC) | |||
#Register at Musopen (allows 5 downloads a day) | |||
: ps: the same IP tried similar things for Schumann's ]. Please watch that also for returning attempts. --] (]) 22:54, 7 November 2024 (UTC) | |||
#Navigate to the page of the piece you want to add (you can click on the piece's arrow button on the right under "Learn More" for the piece you want from the link above) | |||
::Are these the edits made by the user Jevansen? They have made category changes to hundreds of articles.- 03:11, 8 November 2024 (UTC) | |||
#A list of recordings should appear, with buttons "Bookmark", "Download" and "Play Music" (note that some, such as the Coriolan Overture do not seem to have the recordings uploaded) | |||
#Click on the arrow on the far right of the "Download" button, and click on "HQ File" from the drop down list that appears | |||
#Download the file, and convert to FLAC ( is very easy to use once installed) | |||
#Convert this FLAC file to OGG Vorbis (the format Misplaced Pages uses) using for best results (even easier to use once installed) | |||
#Upload this OGG file to (give the page ] as the source, Musopen as the author and specify "Another reason not mentioned above" with the following code: <code><nowiki>{{PD-author|}}</nowiki></code>, but repeating the source page URL in place of <code><nowiki>http://www.musopen.org/music/piece/1568</nowiki></code> | |||
#Use a simple filename (I've been using "Musopen - Piece name.ogg") and then add it to the article using the following code: <code><nowiki>{{Listen|filename=Musopen - Piece name.ogg|title=''Title''|description=''Title'' performed by the ] Symphony Orchestra}}</nowiki></code> (replacing the filename with the name you uploaded it as, and the title) | |||
It may seem complicated at first, but once done the first time is really very straightforward. I've added recordings to a couple of articles, but am having trouble downloading the tracks from Musopen at the moment (which I put down to my internet connection), so if anyone else wants to help out here either follow the instructions, or if you'd rather just download them and email the files to me, I'd be happy to convert, upload and add them to the articles. Thanks. --<span style="text-shadow:grey 0.15em 0.15em 0.1em">]</span><span style="text-shadow:grey 0.25em 0.25em 0.12em"><sup>]</sup></span> 21:08, 15 October 2012 (UTC) | |||
== Cleanup suitable for someone new to WP? == | |||
:Nice work! However, it'd be better to use the lossless files. See ] from last year. IMO it would also be a good idea to add the composer's name in the file name. ''']'''<font color="green">]</font> 12:09, 1 November 2012 (UTC) | |||
::Also see ] and ], a project that dealt with many of the original Musopen uploads. You may want to contact ] and/or ] about Musopen. IIRC the latter user negotiated with the founder of the site to allow recordings from Musopen on Misplaced Pages in the first place; the former user instigated the proposal I mentioned above. I don't have much time to work on this at the moment but I wish you well. ''']'''<font color="green">]</font> 12:21, 1 November 2012 (UTC) | |||
:::Thanks, my half-baked solution (I used the suggested general preference for ogg files, down to the encoder software - I hadn't seen the discussion you mention at the time) was based on the disappointing lack of good quality examples on most of the relevant articles, and an assumption that many of this project's users may not be very tech savvy (which seems unfounded in hindsight). Thankfully it seems to have spurred another user to use a much better set of steps than I'd taken and add many other Musopen pieces; I hope they continue to be added as Musopen produces them! --<span style="text-shadow:grey 0.15em 0.15em 0.1em">]</span><span style="text-shadow:grey 0.25em 0.25em 0.12em"><sup>]</sup></span> 22:10, 1 November 2012 (UTC) | |||
Hello everyone! I'm a pretty new editor with too much free time and a personal passion for classical music (I haven't formally studied it, though). Does anyone have any recommendations for getting started on improving WP's classical music coverage? Thanks, ] (yell at me ]) 22:42, 15 November 2024 (UTC) | |||
The code in step 8 above should be <code><nowiki>{{Listen| filename= Musopen - Piece name.ogg | title= ''Title'' | description= ''Title'' performed by the ] Symphony Orchestra | type= music}}</nowiki></code> - i.e. with an additional {{para|type|music}}. That sets the appropriate icon and allows tracking of where free music is used. (I've also added white space for readability and ease of editing; but that's less critical.) <span class="vcard"><span class="fn">]</span> (<span class="nickname">Pigsonthewing</span>); ]; ]</span> 13:39, 2 November 2012 (UTC) | |||
:Welcome! After getting familiar with Misplaced Pages's ], a great way to start is by improving stub articles, specially on your favorite topics. Check out ] for examples of high-quality work. You could also try fixing some (see ] to do the same for related Wikiprojects). — <span style="color:#00008B; font-weight:bold; font-family:'Times New Roman', serif;">]</span> <span style="font-size:1.4em;">𝄞</span> 01:07, 16 November 2024 (UTC) | |||
:{{tl|Musopen}} should also be used in the source field. --<span style="text-shadow:grey 0.15em 0.15em 0.1em">]</span><span style="text-shadow:grey 0.25em 0.25em 0.12em"><sup>]</sup></span> 03:53, 3 November 2012 (UTC) | |||
::Thanks for the reply and the tools! I suppose I'll just ] and make some changes :) ] (yell at me ]) 03:34, 16 November 2024 (UTC) | |||
::Nitpick: that should be ], to be used in the file description at Commons. | |||
:::A caution is that web material on classical music is often wrong or out of date. If you can access ] through your public or university library, you will have access to a source that, although not always fully detailed, is usually pretty reliable. Failing that, searching on ] or ] will usually get you better material than just regular Google. I hope this helps. ] (]) 22:36, 16 November 2024 (UTC) | |||
::Re steps 5 & 6: The conversion from MP3 or FLAC to OGG can also be done with ]. -- ] (]) 05:09, 3 November 2012 (UTC) | |||
:::That's the template, perhaps I should have said one only needs to type <code><nowiki>{{Musopen}}</nowiki></code>. And I'm not sure about Audacity, but I know that some of the other encoders aren't at the same standard as the ] : dBpoweramp for example gave awful results, stripping all metadata and started at about 1 minute in when played back through VLC (hence why I didn't merge steps 5 and 6). Also, the lossless audio files for most of the tracks that I saw (and I was mostly looking at the newly commissioned "Musopen Symphony Orchestra" pieces) were in m4a format, which is propriety, though it seems the HQ format for their older files is still FLAC; it might be best just to convert to FLAC and upload, but OGG's smaller file size is a strength. --<span style="text-shadow:grey 0.15em 0.15em 0.1em">]</span><span style="text-shadow:grey 0.25em 0.25em 0.12em"><sup>]</sup></span> 06:05, 3 November 2012 (UTC) | |||
::::Perhaps you're using the free version of dBpoweramp, because the paid one keeps all tags just fine and tend to be the preferred audio converter from what I've seen. But it pains me to see people talking about going from Mp3 to Ogg in the first place. :-( Yes it's smaller but it also creates quality loss on top of quality loss. Not a problem for 30 second samples, but whole pieces, especially well recorded ones it's....just bad. As for M4A, those are ]s, like you would buy on iTunes. ] (]) 13:36, 3 November 2012 (UTC) | |||
== Proper movement titles of Tartini's ']' == | |||
== Template:Johann Sebastian Bach should be kept == | |||
I am attempting to upload a (licensed under CC BY 3.0) to Wikimedia Commons so it can be used in the piece's Misplaced Pages article. However, I have encountered a problem: I'm not quite sure what the individual movements should be listed as. | |||
'''Keep''' - My template for Johann Sebastian Bach was removed from several articles without proper discussion taking place. I believe that ] should be kept, as there are more than 5 articles related to him. Perhaps several "sub-templates" could be nested under this one. | |||
I've cut the piece into its 4 movements, and I'd like to include the name of each movement in the corresponding file name, and changing a file name on Wikimedia Commons after it's been uploaded is a bit of a pain in the ass. But different sources give different descriptions of each movement. | |||
{{Johann Sebastian Bach|state=expanded}} | |||
--] (]) 10:15, 17 October 2012 (UTC) | |||
lists the 4 movements (without citing a source) as: | |||
:I don't see yet for which purpose we need this template. The articles appear on the main article Bach, and people looking up works can easily go there, I see no need to blow up hundreds of articles. --] (]) 10:19, 17 October 2012 (UTC) | |||
I. Larghetto ma non troppo | |||
::'''Comment''' - If this is the case, then we don't need any navboxes on Misplaced Pages at all. The navbox is designed to assist in navigating between related articles. The article about JSB itself and the articles that relate to it are long, and the navbox makes finding these articles much easier. This navbox is in line with ].--] (]) 10:23, 17 October 2012 (UTC) | |||
II. Allegro moderato | |||
:::I don't agree. I like the template Bach cantatas | |||
III. Andante | |||
{{Bach cantatas}} | |||
IV. Allegro assai — Andante — Allegro assai | |||
:::and (almost) could not live without it ;) It allows easy links between articles of the same kind. I don't see a reader of the ] article sufficiently interested in the Bach family, for example, to install links to those rather remote articles. --] (]) 10:33, 17 October 2012 (UTC) | |||
The 4 scores from IMSLP (, , , ) describe the 4 movements variously as: | |||
::::'''Comment''' - Given the number of Bach family members, I strongly believe that some type of navbox is in order, and recommend that people make '''suggestions''' instead of just eliminating the navbox outright. Instead of removing a navbox from all articles, which is the antithesis of consensus, it should at a minimum be brought to AfD, instead of making threats to involve an admin as was done on my talk page.--] (]) 10:56, 17 October 2012 (UTC) | |||
I. Larghetto affectuoso | |||
:::::Sorry, I didn't mean to threaten. I asked you to wait, you didn't listen, I felt a bit helpless. Perhaps you wait now, that Mirokado said it much nicer? ;) --] (]) 11:09, 17 October 2012 (UTC) | |||
II. Tempo guisto (presumably meant to be "giusto"; some also include "della Scuola Tartinista") | |||
* '''Comment'''. Since you have started this section to discuss whether the template should be added or not, please do not keep adding it until the issue is resolved. Generally we should ensure there is consensus to make wide-ranging systematic changes to articles, which is another reason to hold off until there is consensus to add this. ''If'' the decision is to add it, please look at ] and other articles with navboxen to see where in the source it goes. I will think a bit before responding to the actual keep-or-not question. --] (]) 11:04, 17 October 2012 (UTC) | |||
III. Andante | |||
::The <span class="plainlinks"></span> was unsuitable for inclusion in any article. That's why I removed it. Following ], this discussion ought to have been the next step. Now, that ] has made some sensible changes (and may possibly continue to so), it may be used on pages which are mentioned in the template, but it should not be deployed on every JSB-related article; see ], ("... every article that transcludes a given navbox should normally also be included as a link in the navbox so that the navigation is bidirectional." – ] is not an accepted guideline or even policy. -- ] (]) 12:21, 17 October 2012 (UTC) | |||
IV. Allegro assai — Andante — Allegro assai — Andante — Allegro assai — Adagio (sometimes with "Trillo del diavolo al pie de letto" or just "trillo del diavolo" mixed in) | |||
:::'''Concur''' - I concur that the new navbox is satisfactory, and that whatever is related to JSB (and is not a Bach cantata) can be placed in the navbox. IMO, the navbox should have been trimmed, not deleted from all pages that it was on, including the parent article.--] (]) 16:31, 17 October 2012 (UTC) | |||
The recording I'm using (linked above) lists (in the video itself, not timestamped) only 3 movements (combining movements 3 and 4) as: | |||
I. Larghetto ma non troppo | |||
II. Allegro moderato | |||
III. Grave — Allegro assai | |||
And to top it all off, I on the video over a year ago (when I first found the recording) listing timestamps for 4 movements as: | |||
I. Larghetto affectuoso | |||
II. Allegro | |||
III. Grave | |||
IV. Allegro assai | |||
(Not sure what my source was for that comment; I thought I looked through a score on IMSLP to find them, but going back over them now, I guess not?) | |||
Do any of you know what each movement should be called, or what would be the most accurate? I'm pretty sure movements that bounce between various tempos shouldn't have more than 3 tempo terms in the title, so is the Misplaced Pages title for movement 4 correct? What about the others? | |||
Should birth/death dates be added in parentheses to members of the Bach family, or perhaps their relation to Bach? For example, "Anna Magdalena Bach" would appear as "Anna Magdalena Bach (1701–1760)" or "Anna Magdalena Bach (wife)". ] (]) 23:58, 17 October 2012 (UTC) | |||
Any help with this is greatly appreciated. | |||
:@Jax 0677: Concur? I said the opposite of what you claim to concur to; the ] cannot possibly be populated with "whatever is related to JSB" nor should it be used in articles which are not mentioned in it. | |||
:Jax 0677 has created another half-baked template, {{Tl|Bach family}}, which has inappropriate content and is mis-categorised; see ]. Despite these flaws and without learning from the previous experience, Jax 0677 deployed this template immediately to 4 articles, 3 of which already had the controversial ]. I suggest to remove it from all articles, whether its obvious flaws are corrected or not, and discuss the need, name, content, and deployment of such a template. | |||
:@Hyacinth: Their relationship to JSB seems more informative to me. -- ] (]) 05:01, 18 October 2012 (UTC) | |||
::The navbox does seem much improved. If the current "List" articles were added to the compositions section, it seems like it might be OK in the "See also" section of the main ] article. Can't say that I care for the color though. --] (]) 16:18, 18 October 2012 (UTC) | |||
:::'''Comment''' | |||
:::@Michael - What I meant is that articles that are related to JSB '''might''' be includable into ]. If this is the case, then they can be included in those articles. The ] has more than 5 notable family members, who can also be added to {{Tl|Bach family}} along with articles related to them. If there are many articles related to an individual, then an additional navbox for that individual can be created. I have deleted the portals and changed the category, which were oversights. | |||
:::TfD exists for the purpose of deciding which navboxes to keep or not. Deleting a navbox from ALL articles is a lot like deleting the entire template from Misplaced Pages before consensus is reached, and opposes ]. | |||
Thanks. ] (]) 01:17, 17 November 2024 (UTC) | |||
{{Bach family|state=expanded}} | |||
::::1) Surely, that article doesn't need 2 templates with overlapping content. 2) The template seemed to be be still under construction. A template for the most influential composer ever needs careful consideration, which seemed to be lacking. | |||
::::Being bold is the 1st step in the ] cycle, although in the past similar issues have been put up for discussion here first; this template might have benefited from such a discussion. | |||
::::@Robert Allen: 1) Both template are based on {{Tl|Navbox musical artist}} and their colouring stems from the {{Para|background|solo_singer}} in the case of {{Tl|Johann Sebastian Bach}}, and from {{Para|background|group_or_band}} in the case of {{Tl|Bach family}}; this seems a strange choice as we use {{Tl|Navbox}} for other composers. 2) The "See also" section is not the proper place for navigation boxes, the bottom of the article is; see ]. | |||
::::Nitpick: Both templates use documentation which claims they use the {{Tl|collapsible option}} but they don't. -- ] (]) 10:19, 19 October 2012 (UTC) | |||
== The Decca ''Ring'' == | |||
:::::State added to both templates so that they have the collapsible option. ] (]) 10:43, 19 October 2012 (UTC) | |||
I put together ] a couple of years ago about this milestone in the history of recording and was helped by advice here about how to title it. After a little buffing I've now put it up as a Good Article nominee. If any music lover who sees this would like to review it I'd be most grateful. '''<span style="font-family:Trebuchet MS;">]]</span>''' 12:22, 19 November 2024 (UTC) | |||
=== Should the three templates be combined into one template? === | |||
I am wondering, should ], ] and ] be combined into one template, having the other two redirect to ]? Any family member with less than 4-5 related articles could be put in the related articles section of the template, and and family member with more can have their very own template. Thoughts?--] (]) 04:51, 21 October 2012 (UTC) | |||
:I vote against combining Bach cantatas with anything. It's complex and dedicated to the one topic, --] (]) 04:54, 21 October 2012 (UTC) | |||
::I agree with Gerda that the cantatas template doesn't lend itself to further expansion. As for JSB Bach & family: several editors have spent considerable effort to sort out their content (and that of {{Tl|C.P.E. Bach}}) – their content & deployment seems now about right to me and I suggest to leave them as they are. -- ] (]) 09:53, 21 October 2012 (UTC) | |||
:My schedule will be become much freer around the 27th next week, so if no one else gets to it by then, I'd be happy to step in. '''<span style="font-family:Lucida;">]]</span>''' 19:26, 19 November 2024 (UTC) | |||
== ] == | |||
::Splendid! Thank you. I'll keep my fingers crossed. '''<span style="font-family:Trebuchet MS;">]]</span>''' 20:25, 19 November 2024 (UTC) | |||
== List of classical music composers by era == | |||
Comments welcomed ] to help resolve a disagreement. Thanks, --] (]) 19:10, 19 October 2012 (UTC) | |||
Dear colleagues, there is an ongoing discussion at ]. This list, with no sources and very unconventional formatting has been ]ed with repeated reversals. More eyes might be helpful. ] (]) 21:04, 16 December 2024 (UTC) | |||
== '']'' == | |||
:Added {{t|uw-ew}} to the offending user's talk page. Sorry you've been caught up in this nonsense. ] (]/]) 21:22, 16 December 2024 (UTC) | |||
I encourage project members to review this newly-constructed article as well as its talk page. There are a few more sources needing to be incorporated into the article. Hopefully this will make a great addition to WikiProject Classical music and Misplaced Pages once completed and reviewed thoroughly. Thanks! --<font color="navy">]</font> <sub>(<font color="cc6600">]</font>)</sub> 16:37, 1 November 2012 (UTC) | |||
== Proposed split on Clavier Ubung III == | |||
==]== | |||
There's an ongoing discussion on the article's talk page right now about the current title. Maybe you guys could enlight the situation a bit ! Thanks ] <sup>]</sup> 01:13, 8 November 2012 (UTC) | |||
I have proposed that we split the article on the ] by J.S. Bach into multiple sub articles. Please comment on the ] <span class ="nowrap vcard"><b><span class="fn">]</span> <]•]></b></span> 01:35, 23 December 2024 (UTC) | |||
== ] == | |||
== Good article reassessment for ] == | |||
Promising new article by a new editor. It's still a little rough around the edges, so any help with polishing it up would be appreciated. ] (]) 17:08, 9 November 2012 (UTC) | |||
] has been nominated for a good article reassessment. If you are interested in the discussion, please participate by adding your comments to the ]. If concerns are not addressed during the review period, the good article status may be removed from the article. ] (]) 23:13, 26 December 2024 (UTC) | |||
== Feedback on sheetmusicx.com links? == | |||
== ] == | |||
Over the past month, ] has been adding to various classical music articles links to a music publisher called SheetMusicX. They are a publisher of public domain material, similar to ] except that SheetMusicX is a for-profit business. Because this editor's recent edits consisted only of adding links to this publisher, it raised concerns of ]. The matter has since turned into a bit of a back and forth. Even in instances where I've added links to the official publishers of various scores, this editor insists on including links to SheetMusicX. They have told me that they simply want to share links to public domain scores, but again raises concerns. | |||
While checking over work done by the VIAFbot and checking out the article on ], I discovered that Misplaced Pages encourages unique identifiers for recorded music using ]. In looking over the templates at MusicBrainz templates, it seems that it applies to recordings. Is it only popular recordings, or is classical music also involved? (I vaguely recalled someone posting about this here, but I can't find it in the archives.) -- ] (]) 20:12, 19 November 2012 (UTC) | |||
Perhaps my perception of these links as spam is incorrect, for which I sincerely apologize. I've tried to talk over the matter with the other editor, but to no avail. I'd very much like to get feedback from other classical music editors on what they think about SheetMusicX and this user's recent edits. Thank you. —] (]) 07:53, 28 December 2024 (UTC) | |||
== Krzysztof Penderecki == | |||
:You have hounded every single edit I've made. I provided correct, neutral information in my contributions and always cited reliable sources. First you said the publisher was "obscure", turns out they are active for 15 years (several links were provided and you ignored it). IMSLP wasn't removed in favor of SheetMusicX, you were asked to make your edits without deleting other people's contributions. The same could be said of you removing SheetMusicX in favor of Fidelio Music, maybe you're affiliated with them? ] (]) 07:57, 28 December 2024 (UTC) | |||
::I don't see any value in adding a sentence to compositions like "The score was published by …" unless that is historically significant. Normally, an external link a publisher is enough. I only looked at 2 affected articles, a) ], and b) ]. In a), John added a sentence as described above, that didn't fit in the article's narration and it was reverted by CurryTime. A link to Boosey & Hawkes would have been preferable because their page also contains performance details. The situation at b) is much worse where the result of an edit war is the omission of (a slightly dubious) free handwritten score at IMSLP in favour of a $1,075 score at SheetmusicX. Again, I don't generally see any need to mention in an article's body the publisher(s); if their pages contain work details, they can be listed in external links. -- ] (]) 08:46, 28 December 2024 (UTC) | |||
Hello. I am planning to make ] an FA with the goal of making it a TFA on 23 November 2013, the composer's 80th anniversary of his birth. The discussion is at ]. Input from project members would be very much appreciated. Thanks, ] (] - ]) 01:17, 1 December 2012 (UTC) | |||
:::I noticed several reports for sheetmusicx.com at ], summarised in ]. -- ] (]) 08:55, 28 December 2024 (UTC) | |||
==]== | |||
:::Situation b) wasn't an ommission of IMSLP, CurryTime removed what I added to include IMSLP only. I undid his edit and wrote in the comment section that he can make his contribution to the article without removing other people's contributions. He has been ] me and chases every edit I make, this has nothing to do with what I added but him feeling like he owns the articles and that users have to consult him beforehand. ] (]) 08:56, 28 December 2024 (UTC) | |||
The reason it sounds familiar is that it was the world's first classical LP. I don't suppose anyone has access to a copyrightfree picture? ...Though I'm imagining the cover was probably a brown paper sleeve. ] (]) 06:06, 1 December 2012 (UTC) | |||
: |
:::::You're right; it wasn't an omission but you removed the IMSLP link. I can't see how that puts your edit in a better light. -- ] (]) 15:30, 28 December 2024 (UTC) | ||
::::::Because I didn't click to remove IMSLP, I clicked to undo his edit, since he can add IMSLP to the article without deleting my contribution. He did the same a dozen times to my contributions for which he complained about the cited sources, and instead of discussing the source he removed everything. In some articles I included the full orchestration, he just wiped it and moved on to my other contributions and did the exact same thing, that had nothing to do with the sources I used or "I'm wiping it in good faith". | |||
::Hi Melodia Chaconne, depends where one's interest lies I suppose. For example what do you consider is most notable out of en.wp's 100 or so classical album articles? ] (]) 10:33, 4 December 2012 (UTC) | |||
::::::He will likely complain that I touched ], because apparently Shostakovich articles belong to him and nobody can touch it without his consent. Boosey & Hawkes showed there's 1 Flute, 1 Piccolo. MAPESU Music showed there's 1 Flute, 1 Piccolo. I have the score on my hand, there's 1 Flute, 1 Piccolo. ] doesn't like sources that aren't his own much less on his well guarded articles. ] (]) 16:24, 28 December 2024 (UTC) | |||
::::Spam is spam. Stop spamming pages with unaffiliated commercial sites. If you keep making spammy edits, it's not hounding to follow you to remove them. ] (]) 13:30, 28 December 2024 (UTC) | |||
== ] == | |||
:::::A link to the publisher isn't spam, just because he called it spam doesn't make it so, it added relevant information for each article. It's ] and ], it doesn't get more verifiable than a publisher of the work in question. ] (]) 13:45, 28 December 2024 (UTC) | |||
::::::Links to commercial publishers are almost always spam, unless it's of historical significance or they are the copyright holders. Works without copyright are available on scores ({{small|SCNR}}) of web sites. Incidentally and apropos Waxman, all your edits, except one, since 23 November 2024 consisted of adding links to SheetmusicX – that's what we call a ]. I am not suggesting you have a ], but you clearly conduct ] of sorts, and most editors take a dim view of that. -- ] (]) 15:30, 28 December 2024 (UTC) | |||
Just created this article, based on this afternoon's nice concert at Carnegie Hall. It's a little rough, but I need to get to sleep - perhaps others can neaten it. Thanks! He's really a good violinist. -- ] (]) 04:13, 3 December 2012 (UTC) | |||
:::::::I took a look at the edit record and I definitely come down on the side of CurryTime, Michael Bednarek, and Melodia Chaconne. WP has to defend itself against commercial exploitation, so perhaps the admin authorities might consider a block if this continues. ] (]) 17:59, 28 December 2024 (UTC) | |||
== CfD nomination of ] == | |||
''']''' has been nominated for deletion, merging, or renaming. You are encouraged to join the ''']''' on the ] page.--] (]) 12:00, 4 December 2012 (UTC) | |||
== Help needed at ] == | |||
A first-time editor could use some help as to establishing notability for this Chinese classical pianist and composer. Thanks for any assistance, or stance as to whether this figure can meet ]. ] (]) 18:12, 4 December 2012 (UTC) | |||
==]== | |||
cf. Billboard 2006 ''"On the Top Classical Crossover Albums chart, a trio of familiar acts dominates the top places. ]'s "Amore" (Sugar/ Decca) takes the top spot, followed by three albums by ] (Syco/Columbia): "Ancora," "The Christmas ..'' etc. the term classical crossover is distinct enough in the record industry to have a chart. The subarticle ] mentions ] as an example, but ] doesn't have a genre tag ]. Should there be this category? (] does exist) ] (]) 06:04, 5 December 2012 (UTC) | |||
:Go for it: I don't see why not. --<span style="text-shadow:grey 0.15em 0.15em 0.1em">]</span><span style="text-shadow:grey 0.25em 0.25em 0.12em"><sup>]</sup></span> 00:39, 15 December 2012 (UTC) | |||
::Okay, I will proceed with caution. Will err on the side of considering anything borderline as straight classical at the first run-through. ] (]) 13:43, 16 December 2012 (UTC) | |||
== Edit-warring at ] == | |||
Members may want to provide input at . ] (]) 15:37, 7 December 2012 (UTC) | |||
:Resolved by a couple of admins. ] (]) 18:32, 7 December 2012 (UTC) | |||
== Should "recommended recordings" be added to Classical Music articles? == | |||
I was looking at the article on Mozart's piano concerto no. 19 (http://en.wikipedia.org/Piano_Concerto_No._19_%28Mozart%29), trying to determine if a supposed recording of it by Wanda Landowska is real or mythical. But, alas, no listing of famous and/or recommended recordings. In fact, no discussion at all of recordings of the piece. | |||
This is a serious omission. I suggest that all single-composition articles include such a section. For example, for Mozart's piano concerto no. 19, some of the entries would look like these: | |||
* George Szell (cond), Rudolf Serkin (pf), Columbia Symphony Orchestra - Columbia, 1961 | |||
* Neville Marriner (cond), Alfred Brendel (pf), Academy of St. Martin's in the Fields - Philips, 1971 | |||
* Alexander Schneider (cond), Peter Serkin (pf), English Chamber Orchestra - RCA, 1974 | |||
* Murray Perahia (cond & pf), English Chamber Orchestra - Columbia, ca. 1984 | |||
Note that in this example, names are spelled out in full, the part taken by each performer is specified, and the year of the recording and the company that '''originally''' made it are given. Entries are in chronological order, oldest to newest. | |||
Given that many important recordings have been released multiple times in both the LP and the CD eras, also that downloads are gradually displacing physical media as the primary distribution channel for classical music, inclusion of specific catalog numbers would be to no real purpose. Readers wanting to acquire this or that recording can turn to Amazon or any similar online source for details of which recordings are available in what form. | |||
Undoubtedly, enthusiasts for obscure musicians of cult status will add references to their recordings, even though neither the musician nor the recordings are of significance in the larger scheme of things, thereby cluttering up such references. I can also imagine someone with exaggerated opinions looking at the example list I provided above and deleting (say) the reference to the Perahia recording "because he's a turkey" or for some other specious reason, when the truth is that they simply dislike Perahia's recordings. My advice is not to worry about such issues until they actually become a problem, rather than try to make up a lot of rules in advance. Better that such a list be too long than too short - maybe! | |||
] (]) 20:14, 14 December 2012 (UTC) | |||
:"Selected discography" sections are found in many articles. ] and ] are the key guidelines here. ] (]) 20:21, 14 December 2012 (UTC) | |||
:''Should "recommended recordings" be added to Classical Music articles? '' -- the answer is no. Either an attempt at a complete listing of (professional) recordings should be made, or nothing should be. Misplaced Pages should '''certainly not''' be recommending anything. For more popular works, there'd be nothing wrong with splitting it out onto its own page. But even going beyond people's opinions of "that one sucks" or "this obscure recording is the bomb" the issue is that there's no authoritative sources on just what constitutes the 'best' recordings -- for everyone who might remove Parahia's recording, someone else might want to add Derek Han's. Why those four in this instance, outside the fact they are on ]s (and I use that term objectively as none of them are really major in the subjective sense these days)? What about, say, the first one recorded? First digital? First surround? First on a period piano? Maybe even first as part of a complete set? Any of those are probably far more worth noting. Yes obviously a lot of reviewers and publications have their favorites, but given how subjective anything is, there's no good way of distilling it into any sort of shortened list. ] (]) 21:38, 14 December 2012 (UTC) | |||
::Please. Have you not noticed that Misplaced Pages articles incorporate images, sound files, and "Further reading" sections? Your other point is contrary to ] and ]. ] (]) 21:47, 14 December 2012 (UTC) | |||
:::I don't see how images and sound files go against what I wrote. As for further reading, usually these are pretty comprehensive already given that most things don't have huge numbers of books written about them. As for going against RS? I fail to see how a comprehensive listing of recordings can possibly go against that. As for ], it doesn't even seem to really apply to this situation. I'm not even arguing that every single recording ever should be listed, but if you consider that in pop music pretty much every artist with a page has their entire discography listed, even albums that will never get pages, I don't see listing every recording that at least could be considered to be decently distributed should not be listed in the same fashion for classical works. | |||
:::Let's put this another way - consider that there are currently 90 listings on ArkivMusic for Mozart's PC17. Even if 40 of the them are the same recording repackaged (a decent estimate given how many have the same performer, though I'd wager high), that's still 50 separate recordings of the piece available at one of the largest classical music retailers. That doesn't even get into ones no longer available, never released on CD, etc. Why should only 4 of those 50 be listed? And if not only those 4, how many? How DO we determine which ones get listed? Maybe ones performed by artists with their own WP page (I would guess the large majority)? Still, a red link doesn't mean they don't deserve a WP page, so even then. | |||
:::I'm actually quite curious how you think it should be determined. But one thing is for sure, the trend toward only older recordings and/or only major labels is a very bad one. ] (]) 23:46, 14 December 2012 (UTC) | |||
:"Recommended" is probably a phrase to avoid here, but notable recordings would add to an article, though only (of course) if they have reliable independent sources naming them as such, and I believe some music encyclopaedias do include such lists. This would also limit the number included in the article, but wouldn't preclude a separate list of all known published recordings. --<span style="text-shadow:grey 0.15em 0.15em 0.1em">]</span><span style="text-shadow:grey 0.25em 0.25em 0.12em"><sup>]</sup></span> 00:39, 15 December 2012 (UTC) | |||
::I think that describes exactly the current practice, or at least its intent, with which I agree. -- ] (]) 10:38, 15 December 2012 (UTC) | |||
:::"Recommended" and "Noted" are words that imply a great deal of subjectivity. What I've seen that I like the most is: '''Selected Recordings'''. That relieves editors of the responsibility to find every recording, and if people feel strongly moved to add recordings, they are welcomed to do so. -- ] (]) 15:24, 17 December 2012 (UTC) | |||
== Under construction: Infobox Bach cantata or composition == | |||
Because the facts about any given cantata appear throughout the article, I thought about an infobox, first just for cantata, then: it might be useful for other works by Bach as well. I tried it on one, ], comments welcome. It might be expanded to more details about the included chorales, for example, more variables might be needed if not only for cantatas. I suggest not to use a picture of Bach - he looks too old for most of his works, but show the building of the (likely) premiere, to give a feeling for the time. --] (]) 11:09, 17 December 2012 (UTC) | |||
:For clicking convenience: the template there is {{Tl|Infobox Bach composition}}; there's also {{Tl|Infobox Bach cantata}}. -- ] (]) 12:45, 17 December 2012 (UTC) | |||
:I won't comment on the use of an infobox itself, but I noticed that the ''location'' field seems a bit isolated – I originally was unsure about which location it referred to (at first glance). Maybe include it in the ''premiere'' field: 26 December 1723, ]. As for the image, maybe use the original manuscript if available? Just my 2¢. ] (]) 12:49, 17 December 2012 (UTC) | |||
::Thanks for the links, "Bach cantata" was the first attempt, I would like to look at the other one for now. The image is open to whatever the one likes who uses the template, score sounds lovely. The documentation should explain these things, but perhaps let's collect thoughts on the variables first. There will be pieces which were never premiered (or we don't know when/where), like the ], "location" is for those, could perhaps left blank (not appear) if location of the premiere is known and listed behind the date. I wonder if - instead of today's Leipzig and Weimar - we should link to the related passages in the composer's biography, perhaps with a redirect "]", --] (]) 13:20, 17 December 2012 (UTC) | |||
:::My attitude towards infoboxes has changed. Where I was once negative about them, after it was explained to me that infoboxes are important because they create structured data for when Misplaced Pages is used as data (i.e. Wikidata, DBPedia, etc.), then I became all for them (and for more structured data on WP in general). So sure, more of them is a good thing. -- ] (]) 13:43, 17 December 2012 (UTC) | |||
::::As I live on examples, I tried a motet also, ], with a score pic, --] (]) 17:18, 17 December 2012 (UTC) | |||
::::Added - for variety: ] (Weimar) and ] (chorale cantate). In ], I felt the necessity to mention 36a, 36b, 36c - how? --] (]) 22:29, 17 December 2012 (UTC) | |||
:::::Starting with Bach cantatas is kind of difficult. For associated works, perhaps you can have a field "related works." I think the real problem are the chorales. Sometimes Bach uses words of subsequent verses for the name of the chorale even though the music is known by the first verse (which is also usually but not always the name of the cantata). In some cases we know the tunes are pre-extant, in others they're unknown or possibly composed by Bach. Maybe two fields: "name of chorale" and "source of chorale"? -- ] (]) 22:42, 17 December 2012 (UTC) | |||
::::::{{ec}} If there is to be an image in a template, I think the standard 1749 portrait is probably the best. Unfortunately it's the only verified portrait. The modern Thomaskirche is a bit misleading for example: there's an older image from a painting made prior to remodelling in C-U III. The images that you use are fine in the main body with annotation. For example see ], my own effort: I now know how to extract higher resolution images of autograph scores from the Leipzig Bach archive, so would consider updating those images. Compare the high-resolution image of the autograph score of BWV 622 in OB. ] ] (]) 22:48, 17 December 2012 (UTC) | |||
:::::::Chorales: I think the box is not there to show which stanza of who's chorale was quoted or paraphrased in which movement (the text does that), but can link to used chorales or their authors. | |||
:::::::Images: which older Thomas would you suggest? (I didn't take Nikolai because the remodelling was even more "off", compared to Bach's time.) Bach in 1749 is much too old for most cantatas ;) - also almost everybody knows that picture already. More score images would be great, infobox or not. I love BWV 105! --] (]) 23:17, 17 December 2012 (UTC) | |||
::::::::The image is here.] BWV 105 is one of my favourites. I'm not honestly sure about info boxes. Incidentally, a new large volume has appeared on the Bach cantatas in French. I got a copy but have not really had time to compare it to Durr. ] (]) 00:22, 18 December 2012 (UTC) | |||
:::::::::Thank you for the pic and pointing out the new book! I will use the pic and see what others think. - I have a history of reverting infoboxes myself ;) - But as said above: the bits on scoring and chorales (to name just two) are too much for a prose lead and too distant in an article. I will try to implement something like related works - which can be "base" or "base for", and wonder about key(s) , because for some it's what the piece is known by (Missa in F major), for complex works there are many, --] (]) 07:28, 18 December 2012 (UTC) | |||
:::::::::Both 19th century pic and related works now on ], --] (]) 07:41, 18 December 2012 (UTC) | |||
::::::::::I like this a lot! Brava! -- ] (]) 13:05, 18 December 2012 (UTC) | |||
We've discuss infoboxes in classical music articles ad nauseam. I still think they are a terrible idea (Briefly: they put trivia up front, distract readers from what is important, force distortion of facts to fit template, and attract edits from people who don't know the topic) and I don't see any reason that a Bach infobox would be any different. ] (]) 18:12, 19 December 2012 (UTC) | |||
:Did you look? I added one more sample ]. Repeating: for a complex work, such as a cantata, relevant information appears in different sections of the article, the scoring, Bible quotations, the poets of chorales, for example, --] (]) 23:37, 26 December 2012 (UTC) | |||
== CfD == | |||
Just alerting anyone interested to ] about the recently created ]. --] ♬ ] 12:53, 19 December 2012 (UTC) | |||
== Infoboxes (yet again). == | |||
Please see ] - ] (Andy Mabett) has used Boxing Day to commission a bot to remove the request on composers pages not to add an infobox: and moreover this has been effected within four hours without any formal notification to the project (or anywhere else). I hardly think this stealth operation is in the spirit of WP. Is it to be taken up with administrators?--] (]) 21:28, 26 December 2012 (UTC) | |||
:Fairly disgraceful, in my opinion. ] (]) 21:32, 26 December 2012 (UTC) | |||
::If the editors who work on these pages had been consulted, perhaps the outcome would have been different. My personal preference would have been to modify the comment to something like "Please note that WikiProject Classical Music has recommended against adding Infoboxes to composer biographies." (with a link to a guideline giving the reasons why). I don't see that this would in anyway violate the RfC. But there was no discussion and this large scale edit appears to have been done essentially on the say-so of one editor and another gullible one. --] (]) 21:40, 26 December 2012 (UTC) | |||
:::Good heavens! I believe that the comment removal is just plain disgraceful. ] (] - ]) 21:42, 26 December 2012 (UTC) | |||
::::Of course a full scale reversion kills all the other helpful edits the bot made as well. ] (]) 22:47, 26 December 2012 (UTC) | |||
:::::I am doing a massive revert of ''all'' of the bot's removal of comments regarding the infobox to classical music/composer/opera articles in the next couple of days. ] (] - ]) 23:53, 26 December 2012 (UTC) | |||
::::::That's a lot of work - about 480 edits. Can we not get the bot operator to do an automatic mass revert? I've put a comment on ]. --] (]) 23:57, 26 December 2012 (UTC) | |||
:::::::I'm also involved in manual reverting/restoring. ] (]) 00:05, 27 December 2012 (UTC) | |||
::::::::Same here. I am also taking the opportunity to add this comment to a few hundred composer articles lacking it. I've been meaning to do this for some time, so perhaps this wasn't an entirely useless exercise.—] (]) 00:13, 27 December 2012 (UTC) | |||
:::::::::Not to mention that Andy has posted at ]. ] (] - ]) 00:21, 27 December 2012 (UTC) | |||
::::::::::(ec)I agree that reverting 480 edits is a lot of work, and I can do an automatic revert to not waste anyone else's time. I appreciate the note on my talk page, before I do the reversion however I'll leave a message on the bot request page asking the users who supported the task to comment here. Robert.Allen your point is a valid one, would others also agree that updating the comment, if it is to exist, with a more helpful comment would be better? ]]] 00:27, 27 December 2012 (UTC) | |||
:::::::::::By Jove, I think that will work. ] (] - ]) 01:17, 27 December 2012 (UTC) | |||
::::::::::::(ec) A request lodged during the holiday season on the 2nd day of Christmas, discussed between 5 editors, not notifying the classical music project, taken on, after a discussion lasting 5 hours, by a bot using an approval from February 2009 which takes a bit of a stretch to seem applicable to this task – all this makes assuming good faith quite a challenge. -- ] (]) 01:21, 27 December 2012 (UTC) | |||
:::::::::::::I think it's been completed. ] (]) 01:28, 27 December 2012 (UTC) | |||
::::::::::::::(ec) I assure you that my intentions were good and can only apologise for my oversight in failing to notify this WikiProject of the bot's actions. Fortunately the bot was only editing a comment which is hidden from readers which means that we should be able to have a discussion here towards putting a better, more friendly comment (AGF, don't bite the newbies and all) on the page. Thinking long-term however, the Visual Editor, an initiative to get a WYSIWYG editor on-wiki may or may not show these comments when editing the page, is that something that needs to be considered too? ]]] 01:30, 27 December 2012 (UTC) | |||
:::::::::::::::While we're at it, the article ] opposes infoboxes, yet has one. ] (]) 01:54, 27 December 2012 (UTC) | |||
::::::::::::::::So it does! The comment asking people not to add one was already in place when the infobox was added on 21 February 2012. Should we remove the infobox? --] (]) 01:58, 27 December 2012 (UTC) | |||
:::::::::::::::::As there is no consensus for it on the talk page, I would remove it. ] (]) 02:02, 27 December 2012 (UTC) | |||
::::::::::::::::::Done! It didn't contain any information that wasn't already in the article elsewhere. --] (]) 02:12, 27 December 2012 (UTC) | |||
Please help my understanding: I think an info-box should ONLY contain information that is in an article elsewhere, in a way that helps accessibility and simplifies finding essential facts. --] (]) 08:02, 27 December 2012 (UTC) |
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"Notable" recordings
I often consult Misplaced Pages for factual information about classical music composers and compositions. I noticed that many articles about compositions have a section called "Notable recordings". I have been searching Misplaced Pages to find the criteria for what is considered a "notable" recording, but to no avail. Please enlighten me. 2A02:1810:2423:3700:836:4A9B:C7CB:89A4 (talk) 21:07, 12 October 2024 (UTC)
- You may be asking the wrong question. Most notable recordings were put there by editors who either a) had favorite recordings they wanted to include, or b) had opinions on which recordings were notable. Better-written articles will cite sources that establish notability for a certain batch of recordings. For instance Frédéric Chopin#Recordings cites this NYT article, which is a collation of choices from various established music critics. Another example, Josquin des Prez#Skepticism and revision cites 1001 Classical Recordings You Must Hear Before You Die, a generally well-regarded publication.
- So there's no Misplaced Pages criteria; we used reliable sources to establish notability, us usual, but given that millions of articles remain in a poor state, many do not follow suit. Aza24 (talk) 01:58, 14 October 2024 (UTC)
- In articles I write, there's no "notable" nor "selected", but both words seem to indicate that the list is not complete, which may be a given for anyone with many recordings. --Gerda Arendt (talk) 10:31, 14 October 2024 (UTC)
- For context, the IP user is probably referring to this edit on the Symphony No. 4 (Brahms) article (which is a good edit), since it's the only edit I could find in the /64 range that looks related. Out of curiosity, I checked out some of the other symphony articles from the top section of the {{Johannes Brahms}} template, and couldn't find any other instances of "notable recordings". Without further context or explanation, this post at face value comes across as a grievance against the format of one individual article that probably was built by a less-experienced editor in terms of familiarity with encyclopedic structure and writing. That Symphony #4 section appeared to be just a random indiscriminate unsourced list, whereas the two examples cited above by Aza24 contain meaningful heavily-sourced encyclopedic prose. As to Gerda Arendt's point, if there are concerns about the inherent incompleteness of a certain list type, then it may be appropriate to use the {{dynamic list}} notice in such situations. Left guide (talk) 12:03, 14 October 2024 (UTC)
Discussion of interest
Project members may want to participate in this discussion: Misplaced Pages talk:WikiProject Composers#Tabulating and ranking lists of composers – Aza24 (talk) 21:46, 18 October 2024 (UTC)
Chamber Music Northwest
Chamber Music Northwest has been nominated for deletion, if any project members are interested in discussing or improving the article:
---Another Believer (Talk) 19:49, 4 November 2024 (UTC)
Künstlerleben
Hi all,
Looking for someone from this WikiProject to have a look at Künstlerleben; the entire article appears to have been lifted from "original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission." Nowhere does the article say what this original text is or provide any lroof of permission so the article will need a total and complete rewrite (the article itself is very peacock-y and has no other sources at all).
It is very clearly a notable topic, being a Strauss II waltz, so I'm loathe to bring it to AfD which would have been my first call if notability was unclear. CoconutOctopus talk 19:53, 6 November 2024 (UTC)
- When you added {{Copypaste}} to the article, you didn't specify
|url=
, so it's impossible to verify any copy/paste. As it stands, the article ought to be tagged with {{Unreferenced}} instead. As you mentioned, AfD is inappropriate. Similar to thousands of other articles, this one needs improving. -- Michael Bednarek (talk) 00:48, 7 November 2024 (UTC)
FA edits
I noticed today an unusual amount of edits to composer's featured articles, many of them being the first edits from newly created accounts. Maybe it's just a coincidence, but seemed weird. See Carl Nielsen, Francis Poulenc, Hector Berlioz, Pyotr Ilyich Tchaikovsky, Robert Schumann...
Some edits do not seem to match the quality expected for a FA, hopefully a more experienced editor can take a look. Some have been already reverted. — Gor1995 𝄞 22:07, 7 November 2024 (UTC)
- I looked. For Poulenc, there was one edit of many changes, some good, others less so. I explained the problem to the new editor, saying that all might be reverted if they didn't fix the problems. Schumann: an IP at work, wanting to add Tchaikovsky's view. I reverted that once, but IP brought it back, and now someone else fixed small unrelated formatting errors which makes reverting more complicated. I'd appreciate if someone else did it. The other three articles looked under control when I checked. --Gerda Arendt (talk) 22:48, 7 November 2024 (UTC)
- ps: the same IP tried similar things for Schumann's Paradise and the Peri. Please watch that also for returning attempts. --Gerda Arendt (talk) 22:54, 7 November 2024 (UTC)
- Are these the edits made by the user Jevansen? They have made category changes to hundreds of articles.- 03:11, 8 November 2024 (UTC)
Cleanup suitable for someone new to WP?
Hello everyone! I'm a pretty new editor with too much free time and a personal passion for classical music (I haven't formally studied it, though). Does anyone have any recommendations for getting started on improving WP's classical music coverage? Thanks, /home/gracen/ (yell at me here) 22:42, 15 November 2024 (UTC)
- Welcome! After getting familiar with Misplaced Pages's policies and guidelines, a great way to start is by improving stub articles, specially on your favorite topics. Check out featured classical music articles for examples of high-quality work. You could also try fixing some articles with issues (see Tools to do the same for related Wikiprojects). — Gor1995 𝄞 01:07, 16 November 2024 (UTC)
- Thanks for the reply and the tools! I suppose I'll just WP:BEBOLD and make some changes :) /home/gracen/ (yell at me here) 03:34, 16 November 2024 (UTC)
- A caution is that web material on classical music is often wrong or out of date. If you can access Grove Music Online through your public or university library, you will have access to a source that, although not always fully detailed, is usually pretty reliable. Failing that, searching on Google Books or Google Scholar will usually get you better material than just regular Google. I hope this helps. Opus33 (talk) 22:36, 16 November 2024 (UTC)
- Thanks for the reply and the tools! I suppose I'll just WP:BEBOLD and make some changes :) /home/gracen/ (yell at me here) 03:34, 16 November 2024 (UTC)
Proper movement titles of Tartini's 'Devil's Trill Sonata'
I am attempting to upload a recording of Tartini's 'Devil's Trill Sonata' (licensed under CC BY 3.0) to Wikimedia Commons so it can be used in the piece's Misplaced Pages article. However, I have encountered a problem: I'm not quite sure what the individual movements should be listed as.
I've cut the piece into its 4 movements, and I'd like to include the name of each movement in the corresponding file name, and changing a file name on Wikimedia Commons after it's been uploaded is a bit of a pain in the ass. But different sources give different descriptions of each movement.
The article on the piece lists the 4 movements (without citing a source) as:
I. Larghetto ma non troppo II. Allegro moderato III. Andante IV. Allegro assai — Andante — Allegro assai
The 4 scores from IMSLP (1, 2, 3, 4) describe the 4 movements variously as:
I. Larghetto affectuoso II. Tempo guisto (presumably meant to be "giusto"; some also include "della Scuola Tartinista") III. Andante IV. Allegro assai — Andante — Allegro assai — Andante — Allegro assai — Adagio (sometimes with "Trillo del diavolo al pie de letto" or just "trillo del diavolo" mixed in)
The recording I'm using (linked above) lists (in the video itself, not timestamped) only 3 movements (combining movements 3 and 4) as:
I. Larghetto ma non troppo II. Allegro moderato III. Grave — Allegro assai
And to top it all off, I left a comment on the video over a year ago (when I first found the recording) listing timestamps for 4 movements as:
I. Larghetto affectuoso II. Allegro III. Grave IV. Allegro assai
(Not sure what my source was for that comment; I thought I looked through a score on IMSLP to find them, but going back over them now, I guess not?)
Do any of you know what each movement should be called, or what would be the most accurate? I'm pretty sure movements that bounce between various tempos shouldn't have more than 3 tempo terms in the title, so is the Misplaced Pages title for movement 4 correct? What about the others?
Any help with this is greatly appreciated.
Thanks. Toast for Teddy (talk) 01:17, 17 November 2024 (UTC)
The Decca Ring
I put together an article a couple of years ago about this milestone in the history of recording and was helped by advice here about how to title it. After a little buffing I've now put it up as a Good Article nominee. If any music lover who sees this would like to review it I'd be most grateful. Tim riley talk 12:22, 19 November 2024 (UTC)
- My schedule will be become much freer around the 27th next week, so if no one else gets to it by then, I'd be happy to step in. Aza24 (talk) 19:26, 19 November 2024 (UTC)
- Splendid! Thank you. I'll keep my fingers crossed. Tim riley talk 20:25, 19 November 2024 (UTC)
List of classical music composers by era
Dear colleagues, there is an ongoing discussion at Talk:List of classical music composers by era. This list, with no sources and very unconventional formatting has been WP:BLARed with repeated reversals. More eyes might be helpful. Викидим (talk) 21:04, 16 December 2024 (UTC)
- Added {{uw-ew}} to the offending user's talk page. Sorry you've been caught up in this nonsense. /home/gracen/ (they/them) 21:22, 16 December 2024 (UTC)
Proposed split on Clavier Ubung III
I have proposed that we split the article on the Clavier-Übung III by J.S. Bach into multiple sub articles. Please comment on the talk page NightWolf1223 <Howl at me•My hunts> 01:35, 23 December 2024 (UTC)
Good article reassessment for Henry VIII
Henry VIII has been nominated for a good article reassessment. If you are interested in the discussion, please participate by adding your comments to the reassessment page. If concerns are not addressed during the review period, the good article status may be removed from the article. Z1720 (talk) 23:13, 26 December 2024 (UTC)
Feedback on sheetmusicx.com links?
Over the past month, John40332 has been adding to various classical music articles links to a music publisher called SheetMusicX. They are a publisher of public domain material, similar to IMSLP except that SheetMusicX is a for-profit business. Because this editor's recent edits consisted only of adding links to this publisher, it raised concerns of WP:REFSPAM. The matter has since turned into a bit of a back and forth. Even in instances where I've added links to the official publishers of various scores, this editor insists on including links to SheetMusicX. They have told me that they simply want to share links to public domain scores, but edits such as this which remove IMSLP in favor of SheetMusicX again raises concerns.
Perhaps my perception of these links as spam is incorrect, for which I sincerely apologize. I've tried to talk over the matter with the other editor, but to no avail. I'd very much like to get feedback from other classical music editors on what they think about SheetMusicX and this user's recent edits. Thank you. —CurryTime7-24 (talk) 07:53, 28 December 2024 (UTC)
- You have hounded every single edit I've made. I provided correct, neutral information in my contributions and always cited reliable sources. First you said the publisher was "obscure", turns out they are active for 15 years (several links were provided and you ignored it). IMSLP wasn't removed in favor of SheetMusicX, you were asked to make your edits without deleting other people's contributions. The same could be said of you removing SheetMusicX in favor of Fidelio Music, maybe you're affiliated with them? John40332 (talk) 07:57, 28 December 2024 (UTC)
- I don't see any value in adding a sentence to compositions like "The score was published by …" unless that is historically significant. Normally, an external link a publisher is enough. I only looked at 2 affected articles, a) Suite for Jazz Orchestra No. 1 (Shostakovich), and b) Carmen Fantasie (Waxman). In a), John added a sentence as described above, that didn't fit in the article's narration and it was reverted by CurryTime. A link to Boosey & Hawkes would have been preferable because their page also contains performance details. The situation at b) is much worse where the result of an edit war is the omission of (a slightly dubious) free handwritten score at IMSLP in favour of a $1,075 score at SheetmusicX. Again, I don't generally see any need to mention in an article's body the publisher(s); if their pages contain work details, they can be listed in external links. -- Michael Bednarek (talk) 08:46, 28 December 2024 (UTC)
- I noticed several reports for sheetmusicx.com at Misplaced Pages:WikiProject Spam/LinkReports, summarised in Misplaced Pages:WikiProject Spam/Local/sheetmusicx.com. -- Michael Bednarek (talk) 08:55, 28 December 2024 (UTC)
- Situation b) wasn't an ommission of IMSLP, CurryTime removed what I added to include IMSLP only. I undid his edit and wrote in the comment section that he can make his contribution to the article without removing other people's contributions. He has been WP:HOUNDING me and chases every edit I make, this has nothing to do with what I added but him feeling like he owns the articles and that users have to consult him beforehand. John40332 (talk) 08:56, 28 December 2024 (UTC)
- You're right; it wasn't an omission but you removed the IMSLP link. I can't see how that puts your edit in a better light. -- Michael Bednarek (talk) 15:30, 28 December 2024 (UTC)
- Because I didn't click to remove IMSLP, I clicked to undo his edit, since he can add IMSLP to the article without deleting my contribution. He did the same a dozen times to my contributions for which he complained about the cited sources, and instead of discussing the source he removed everything. In some articles I included the full orchestration, he just wiped it and moved on to my other contributions and did the exact same thing, that had nothing to do with the sources I used or "I'm wiping it in good faith".
- He will likely complain that I touched Tahiti Trot, because apparently Shostakovich articles belong to him and nobody can touch it without his consent. Boosey & Hawkes showed there's 1 Flute, 1 Piccolo. MAPESU Music showed there's 1 Flute, 1 Piccolo. I have the score on my hand, there's 1 Flute, 1 Piccolo. CurryTime7-24 doesn't like sources that aren't his own much less on his well guarded articles. John40332 (talk) 16:24, 28 December 2024 (UTC)
- You're right; it wasn't an omission but you removed the IMSLP link. I can't see how that puts your edit in a better light. -- Michael Bednarek (talk) 15:30, 28 December 2024 (UTC)
- Spam is spam. Stop spamming pages with unaffiliated commercial sites. If you keep making spammy edits, it's not hounding to follow you to remove them. ♫ Melodia Chaconne ♫ (talk) 13:30, 28 December 2024 (UTC)
- A link to the publisher isn't spam, just because he called it spam doesn't make it so, it added relevant information for each article. It's WP:PUBLISHED and WP:SOURCEDEF, it doesn't get more verifiable than a publisher of the work in question. John40332 (talk) 13:45, 28 December 2024 (UTC)
- Links to commercial publishers are almost always spam, unless it's of historical significance or they are the copyright holders. Works without copyright are available on scores (SCNR) of web sites. Incidentally and apropos Waxman, all your edits, except one, since 23 November 2024 consisted of adding links to SheetmusicX – that's what we call a single-purpose account. I am not suggesting you have a conflict of interest, but you clearly conduct advocacy of sorts, and most editors take a dim view of that. -- Michael Bednarek (talk) 15:30, 28 December 2024 (UTC)
- I took a look at the edit record and I definitely come down on the side of CurryTime, Michael Bednarek, and Melodia Chaconne. WP has to defend itself against commercial exploitation, so perhaps the admin authorities might consider a block if this continues. Opus33 (talk) 17:59, 28 December 2024 (UTC)
- Links to commercial publishers are almost always spam, unless it's of historical significance or they are the copyright holders. Works without copyright are available on scores (SCNR) of web sites. Incidentally and apropos Waxman, all your edits, except one, since 23 November 2024 consisted of adding links to SheetmusicX – that's what we call a single-purpose account. I am not suggesting you have a conflict of interest, but you clearly conduct advocacy of sorts, and most editors take a dim view of that. -- Michael Bednarek (talk) 15:30, 28 December 2024 (UTC)
- A link to the publisher isn't spam, just because he called it spam doesn't make it so, it added relevant information for each article. It's WP:PUBLISHED and WP:SOURCEDEF, it doesn't get more verifiable than a publisher of the work in question. John40332 (talk) 13:45, 28 December 2024 (UTC)
- I don't see any value in adding a sentence to compositions like "The score was published by …" unless that is historically significant. Normally, an external link a publisher is enough. I only looked at 2 affected articles, a) Suite for Jazz Orchestra No. 1 (Shostakovich), and b) Carmen Fantasie (Waxman). In a), John added a sentence as described above, that didn't fit in the article's narration and it was reverted by CurryTime. A link to Boosey & Hawkes would have been preferable because their page also contains performance details. The situation at b) is much worse where the result of an edit war is the omission of (a slightly dubious) free handwritten score at IMSLP in favour of a $1,075 score at SheetmusicX. Again, I don't generally see any need to mention in an article's body the publisher(s); if their pages contain work details, they can be listed in external links. -- Michael Bednarek (talk) 08:46, 28 December 2024 (UTC)