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{{Short description|Sculpture by Auguste Rodin}}
{{other uses}} {{other uses}}
{{italic title}}
{{Sculpture
{{Infobox artwork
| image = ]
| title = The Thinker | title = The Thinker
| artist = ] | image = Musée Rodin 1.jpg
| year = 1902 | image_upright = 1
| caption = ''Le Penseur'' (1904) in the ] in Paris
| type = ] and ]
| artist = ]
| city = Paris
| year = {{start date and age|1904}}
| museum = ]
| medium = ]
| height_metric =
| width_metric =
| length_metric =
}} }}
'''''The Thinker''''' ({{langx|fr|'''Le Penseur'''}}), by ], is a ] depicting a ], seated on a large rock, leaning forward, right elbow placed upon the left thigh, back of the right hand supporting the chin in a posture evocative of deep thought and ]. This universally recognized expression of “deep thought” has made the sculpture one of the most widely known artworks in the world. It has become the iconic symbol of ''thinking''; images of the sculpture in profile are often used to indicate ''']''' and other practices of contemplation or ].
'''''The Thinker''''' (''Le Penseur'' in French) is a bronze ] on marble pedestal by ], whose first cast, of 1902, is now in the ] in Paris; there are about 28 original castings, as well as various other versions, studies, and posthumous castings. It depicts a man in sober ].<ref></ref> It is often used to represent ].


Rodin conceived the figure as part of his work '']'' commissioned in 1880, but the first of the familiar monumental bronze castings was made in 1904, and is now exhibited at the ], in ].
==Historical information==
Originally named "'''The Poet'''" (''Le Poète'' in French), the piece was part of a commission by ], who based his theme on ''The ]'' of ] and entitled the portal '']''. Each of the statues in the piece represented one of the main characters in the ]. Some critics believe ''The Thinker'' was originally intended to depict ] at the Gates of ], pondering his great poem. However, there are "questionable" aspects to this interpretation, including that the figure is naked, Dante is fully clothed throughout his poem, and that the figure, as used, in no way corresponds to Dante's effete figure.<ref>Elsen, Albert L., ''Rodin's Gates of Hell'', University of Minnesota Press, Minneapolis Minnesota, 1960 p. 96</ref> (In the final sculpture, a miniature of the statue is waiting atop the gates, pondering the hellish fate of those beneath him.) The sculpture is ], as Rodin wanted a ]ic figure in the tradition of ], to represent ] as well as ].


There are 27 other known full-sized bronze ] of the figure, approximately {{convert|185|cm|in}} tall, though not all were made under Rodin's supervision. Various other versions, several in plaster, as well as ] and posthumous castings, exist in a range of sizes.
This detail from the ''Gate of Hell'' was first named ''The Thinker'' by foundry workers, who noted its similarity to Michelangelo's statue of ] called "''Il Penseroso''" (The Thinker).<ref>Elsen, Albert L., ''Rodin's Gates of Hell'', University of Minnesota Press, Minneapolis Minnesota, 1960 p. 77</ref>


==Origin==
==Additional casts==
] ]'' at the ] ]]
About 28 original monumental-sized bronze casts of the sculpture are in museums around the world. In addition, there are sculptures of different study size scales and plaster models in both monumental and study sizes. Some newer castings have been produced posthumously and are not considered part of the original production.


''The Thinker'' was initially named '''''The Poet''''' ({{langx|fr|'''Le Poète'''|links=no}}), and was part of a large commission begun in 1880 for a doorway surround called '']''. Rodin based this on the early 14th century poem ''The ]'' by ], and most of the figures in the work represented the main characters in the poem with ''The Thinker'' at the center of the composition over the doorway and somewhat larger than most of the other figures. Some critics believe that it was originally intended to depict Dante at the gates of Hell, pondering his great poem.
Rodin made the first small plaster version around 1880. The first large-scale bronze ] was finished in 1902 but not presented to the public until 1904. It became the property of the city of Paris&nbsp;— thanks to a subscription organized by Rodin admirers&nbsp;— and was put in front of the ] in 1906. In 1922, it was moved to the ], which was transformed into a ]. The cast can be found at the ] at ].<ref>{{Cite web
|title= ''The Thinker'', one of the most famous works of art in the world, comes home to Stanford's Cantor Arts Center
|publisher= Stanford University u
|year = 2012
|url= http://news.stanford.edu/news/2012/january/rodin-thinker-cantor-012412.html
|accessdate= 26-January 2012}}</ref>


Other critics reject that theory, pointing out that the figure is naked while Dante is fully clothed throughout his poem, and that the sculpture's physique does not correspond to Dante's effete figure.<ref name="elsen">Elsen, Albert L., ''Rodin's Gates of Hell'', University of Minnesota Press, Minneapolis Minnesota, 1960 p. 96.</ref> The sculpture is nude, as Rodin wanted a ]ic figure in the tradition of ], to represent ] as well as ].<ref>{{Cite journal |last=Gibson |first=E. |date=2023 |title=Rodin & Michelangelo: A Speculation. |journal=The New Criterion |volume=42 |issue=4 |pages=16–21 |via=ProQuest}}</ref> Other critics came to see the sculpture as a self-portrait.<ref name="elsen" /><ref>{{Cite web|url=https://www.thehistoryofart.org/auguste-rodin/thinker/|title=The Thinker by Auguste Rodin|website=www.thehistoryofart.org}}</ref> This detail from the ''Gates of Hell'' was first named ''The Thinker'' by foundry workers, who noted its similarity to Michelangelo's statue of ], called ''Il Pensieroso'' (The Thinker).<ref name="elsen" />
The first cast sculpture can be found in front of Grawemeyer Hall on the ] Belknap Campus in ]. Made in ], it was first displayed at the ] in 1904 and was then given to the city. This sculpture was the only cast created by the ] method.<ref>{{Cite web
]
|last=
The model for this sculpture, as for other works by Rodin, was the muscular French prizefighter and wrestler Jean Baud, who mostly appeared in the ]. Jean Baud was also featured on the ] by ].
|first=
|authorlink=
|coauthors=
|title= U of L Belknap Campus Tour, page 2
|publisher= University of Louisvile
|year = 2000
|url= http://louisville.edu/ur/onpi/campus-tour/btourpg2.html
|doi=
|accessdate= 15-November 2010}}</ref>


The original is in the ] in Paris. The sculpture has a height of 72&nbsp;cm, was made of bronze and had been finely ] and polished. The work depicts a ] who is tense, muscular and internalized, contemplating the actions and fate of the people while sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation, and the statue is often used as an image to represent ]. This and many other works by Rodin were groundbreaking for ] and heralded a new age of three-dimensional artistic creation.
==List of sculptures==

{{main|List of Thinker sculptures}}
The work was enlarged in 1902 to a height of 181&nbsp;cm. The monumental version became the artist's first work in public space. The figure was designed to be seen from below and is normally displayed on a fairly high ], although the heights vary considerably chosen by the various owners.
''The Thinker'' has been cast in multiple versions and is exhibited around the world.

==Casts==
{{main|List of The Thinker sculptures}}
], ], Australia]]
''The Thinker'' has been cast in multiple versions and is found around the world, but the history of the progression from models to castings is still not entirely clear. About 28 monumental-sized bronze casts are in museums and public places. In addition, there are sculptures of different study-sized scales and plaster versions (often painted bronze) in both monumental and study sizes. Some newer castings have been produced posthumously and are not considered part of the original production.

Rodin made the first small plaster version around 1881. The first bronze version was executed in 1884 and is held at the ] in ], Australia. The first full-scale model was presented at the ] in Paris in 1904. A public subscription financed a bronze casting, which became the property of the City of Paris, and was put in front of the ].<ref>Brocvielle, Vincent, ''Le Petit Larousse de l'Histore de l'Art'' {{in lang|fr}}, (2010), pg. 240.</ref> In 1922, the original bronze was moved to the ].

==Art market ==
In June 2022 a cast was put up for sale at ] in Paris with an estimate of up to €14m. The cast was made in about 1928 at the ], founded by Alexis Rudier (1845-1897) who worked with ] and ].<ref>{{cite web | url=https://www.theartnewspaper.com/2022/04/07/rodins-thinker-to-be-sold-at-christies-paris | title=Rodin's the Thinker to sell for up to €14m | date=7 April 2022 }}</ref>

== Reception ==
]
] had a copy of the monumental version cast in 1904 and placed it in the garden of his villa, ''Lindesche Villa''. There ] painted his painting ''Rodin's Thinker in the Garden of Dr. Linde'', which is now in the ]. The cast later went to the ].<ref>{{Cite web |date=2011-07-19 |title=Alexis Rudier casts |url=http://www.penseur.org/lists/alexis.htm |access-date=2023-04-24 |archive-date=2011-07-19 |archive-url=https://web.archive.org/web/20110719165825/http://www.penseur.org/lists/alexis.htm |url-status=bot: unknown }}</ref>
]]]

In his film ''],'' ] shows the '']'' and Rodin's ''Thinker'' with the modification that the left arms are stretched out in the Hynkel salute.<ref>{{Cite book |last=Clausius |first=Claudia |url=https://www.worldcat.org/oclc/17776035 |title=The gentleman is a tramp : Charlie Chaplin's comedy |date=1989 |publisher=P. Lang |isbn=0-8204-0459-4 |location=New York |pages=127 |oclc=17776035}}</ref> With this allusion to the ], Chaplin addresses the integration of art into ].<ref>{{Cite book |last=Insdorf |first=Annette |url=https://books.google.com/books?id=HXrbo7xFJc0C&pg=PA61 |title=Indelible Shadows: Film and the Holocaust |date=2003 |publisher=Cambridge University Press |isbn=978-0-521-01630-8 |language=en}}</ref> In the film ''],'' the protagonists encounter a statue of the ''Thinker'' that has been brought to life. When asked a question, he stutters: "I think...I think...I think." Later in the film, he flirts with a statue of Aphrodite.<ref>{{Cite web |title=Quotes from "Night at the Museum: Battle of the Smithsonian" |url=http://www.imdb.com/title/tt1078912/quotes |access-date=2023-04-24 |website=IMDb}}</ref> In '']'', the statue is quoted as ] sitting naked on a rooftop in a "thinking pose."<ref>{{Cite web |last=Edelstein |first=David |title=Stardust - Death at a Funeral - The 11th Hour - Manda Bala -- New York Magazine Movie Review - Nymag |url=https://nymag.com/movies/reviews/35810/ |access-date=2023-04-24 |website=New York Magazine |date=10 August 2007 |language=en-us}}</ref> In ''],'' the then French first lady ] made a ] as a tour guide, explaining the sculpture of the ''Thinker'' to a group of American visitors in the garden of the Musée Rodin.

In singer ]'s "]" music video, she sits in the ''Thinker'' pose while being attacked by small angry men. They throw into them words taken from the book they are on. However, these bounce off the singer when they reach her.

As part of the {{Interlanguage link|Stadt.Wand.Kunst|lt=Stadt.Wand.Kunst|de|Stadt.Wand.Kunst}} project launched in ] for the painting of houses in the city with large-scale wall paintings (so-called murals) by national and international artists from the ] scene, Rodin's ''Thinker'' was taken up and the mural '']'' implemented.

== Similar sculptures ==
Repetitive portrayals of individuals, both male and female, have been depicted in physical form while in the process of contemplation or grieving.

The "]" is a ] clay figurine found in the area of ] in ], Greece. This unique artifact, dated around 3900 BCE, during the Final Neolithic period (4500-3300 BCE), is a large solid clay figurine of a seated man. Despite some clumsiness in detail, it conveys the impression of a robust man looking upwards with a manly bearing. The figurine exhibits features of fully developed sculpture and is considered the largest Neolithic artifact found in Greece. The pronounced ithyphallic element, though mostly broken, along with its size, suggests a possible cultic character, possibly representing an agrarian deity associated with the fertility of the land.<ref>{{Cite web |title=The Thinker |url=https://ancient-greece.org/images/museums/athens-stone-age/pages/athens-mus-stone-age004.html |access-date=2023-06-30 |website=ancient-greece.org}}</ref><ref>{{Cite web |title=Photo-National Archaeological Museum - Neollithic Thinker from Karditsa |url=https://www.athensguide.com/archaeology-museum/athens-national-museum016_jpg_view.htm |access-date=2023-06-30 |website=www.athensguide.com}}</ref>

The ], also known as the Thinker of Palestine,<ref name=":1">{{Cite web |last=Ζηνων |date=2017-09-11 |title=Αυτόχθονες Έλληνες: ΟΙ ΤΡΕΙΣ ΣΤΟΧΑΣΤΕΣ, ΤΗΣ ΚΑΡΔΙΤΣΑΣ, ΤΗΣ ΠΑΛΑΙΣΤΙΝΗΣ ΚΑΙ ΤΟΥ ΡΟΝΤΕΝ. |url=https://autochthonesellhnes.blogspot.com/2017/09/blog-post_11.html |access-date=2023-06-30 |website=Αυτόχθονες Έλληνες}}</ref> is an archaeological ] discovered during salvage excavations in the Israeli city of ]. The figurine, which sits atop a ceramic jug in a posture resembling "The Thinker", dates back to the ] Palestine (c. 1800–1600 BCE). It was found in a tomb accompanied by various items, including daggers, spearheads, an axe head, a knife, two male sheep, and a donkey, all likely buried as offerings. After its discovery, the broken jug had to be stabilised and restored before being displayed in the ] Galleries of the ] in Jerusalem.<ref name=":2">{{Cite news |title=4000-year-old Version of Rodin's 'Thinker' Found in Israel |language=en |work=Haaretz |url=https://www.haaretz.com/archaeology/2016-11-23/ty-article-magazine/4-000-year-old-version-of-the-thinker-found-in-israel/0000017f-e840-dc7e-adff-f8edbd980000 |access-date=2023-06-30}}</ref>

The "]", Romania, a ] sculpture, and its female counterpart, "The Sitting Woman", are works of art from the ] era. The ] produced these remarkable sculptures, with The Thinker believed to be the earliest prehistoric sculpture that conveys human self-reflection instead of the more common artistic themes of hunting or fertility.<ref>{{Cite web |title="The Thinker" and "Sitting Woman", the symbols of the Neolithic culture of Hamangia. – Romania Color |url=https://romaniacolor.com/en/places/ancient/the-thinker-and-sitting-woman-the-symbols-of-the-neolithic-culture-of-hamangia/ |access-date=2023-04-03 |language=en-US |archive-date=2023-04-03 |archive-url=https://web.archive.org/web/20230403174500/https://romaniacolor.com/en/places/ancient/the-thinker-and-sitting-woman-the-symbols-of-the-neolithic-culture-of-hamangia/ |url-status=dead }}</ref><ref>{{Citation |last=Coca |first=Madalina Cristiana |title=Cernavoda—CANDU nuclear power plants in Romania |date=2022 |url=http://dx.doi.org/10.1016/b978-0-12-822054-2.00007-6 |work=Pressurized Heavy Water Reactors |pages=429–441 |access-date=2023-04-03 |publisher=Elsevier|doi=10.1016/b978-0-12-822054-2.00007-6 |isbn=9780128220542 |s2cid=241284395 }}</ref> The discovery of the ], which is the earliest known ] sculpture of a person, was found in Europe's other end, five millennia.<ref name="BL">{{cite web |title=Spong Man |url=https://www.bl.uk/collection-items/spong-man |access-date=28 December 2021 |website=British Library collections |archive-date=28 December 2021 |archive-url=https://web.archive.org/web/20211228031031/https://www.bl.uk/collection-items/spong-man |url-status=dead }}</ref> The sculpture takes the form of a seated figure on a pottery lid of a cremation urn, resembling a humanoid figure.<ref>{{Cite web |title=Object: Funerary urn (collection) |url=http://norfolkmuseumscollections.org/collections/objects/object-2800636896.html |access-date=2021-12-28 |website=norfolkmuseumscollections.org}}</ref>

A thousand years later, ] created the tomb of ], which is located in the Basilica di San Lorenzo in Florence, Italy. The tomb is a sculptural masterpiece and was commissioned by ] to honor the memory of the Duke of Urbino, a member of the powerful Medici family of Florence. The tomb is considered one of Michelangelo's finest works in sculpture and was created in the ] of the Late ] period.<ref name=":0">{{Cite web |title=Tomb of Lorenzo de Medici, 1524 - 1531 - Michelangelo - WikiArt.org |url=https://www.wikiart.org/en/michelangelo/tomb-of-lorenzo-de-medici-1531 |access-date=2023-04-03 |website=www.wikiart.org}}</ref> The tomb features a large rectangular base, which is adorned with intricate reliefs and two sculptures, Dusk and Dawn, that represent the cycle of life.<ref>{{Cite web |title=Tomb of Giuliano de' Medici by MICHELANGELO Buonarroti |url=https://www.wga.hu/html_m/m/michelan/1sculptu/medici/1giulia1.html |access-date=2023-04-03 |website=www.wga.hu}}</ref> The central figure on the tomb is a sculpture of the Duke, who is portrayed as a thinker with his face in shadow and his elbow resting on a money box with a similarly muscular, contemplative figure with his hand on his chin, though the figure is seated rather than standing like Rodin's "The Thinker". The tomb also includes two reclining figures on the sarcophagus that are believed to represent Day and Night.<ref>{{Cite web |title=Grande Arte • A Digital Library for Art Lovers • Michelangelo • THE TOMB OF GIULIANO DE' MEDICI |url=https://grandearte.net/michelangelo/tomb-giuliano-de-medici |access-date=2023-04-03 |website=grandearte.net}}</ref><gallery widths="150">
File:Karditsa Thinker - NAMA 5894.jpg|] (4500-3300 BCE)
File:Hamangia Muzeul din Constanta.JPG|]
File:Spong Man.JPG|The ] lid at ]
File:Lorenzo de Medici (Michelangelo) Cappelle Medicee Firenze.jpg|], by ] in the ], ]
</gallery>

==See also==
*]


==References== ==References==
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==External links== ==External links==
{{Commons category|Le Penseur}} {{Commons}}
*], a poem by Philadelphia poet ] at Wikisource
*'''', a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on ''The Thinker''
* at the Musée Rodin website
*], a poem by Philadelphia poet ].
* at the official Web site of the Musée Rodin.
* *
*The , ]. Discussion of the history of the many casts of this artwork. * {{Webarchive|url=https://archive.today/20120906175236/http://www.penseur.org/ |date=2012-09-06 }}, ]. Discussion of the history of the many casts of this artwork.
* , ] at ], Object Number 1988.106, bronze cast No. 10, edition of 12.
{{coord missing|San Francisco County, California}}
* {{Webarchive|url=https://web.archive.org/web/20180202032155/https://www.biography.com/news/rodin-the-thinker-analysis |date=2018-02-02 }}, the story behind his most iconic sculpture of all time at biography.com.
* '''', a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on ''The Thinker''

{{Auguste Rodin|state=expanded}}
{{Divine Comedy navbox|state=collapsed}}
{{Sculptures}}
{{Public art in San Francisco}}
{{Authority control (arts)}}

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Latest revision as of 08:05, 7 January 2025

Sculpture by Auguste Rodin For other uses, see The Thinker (disambiguation).

The Thinker
Le Penseur (1904) in the Musée Rodin in Paris
ArtistAuguste Rodin
Year1904; 121 years ago (1904)
MediumBronze

The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture depicting a nude male figure of heroic size, seated on a large rock, leaning forward, right elbow placed upon the left thigh, back of the right hand supporting the chin in a posture evocative of deep thought and contemplation. This universally recognized expression of “deep thought” has made the sculpture one of the most widely known artworks in the world. It has become the iconic symbol of thinking; images of the sculpture in profile are often used to indicate philosophy and other practices of contemplation or introspection.

Rodin conceived the figure as part of his work The Gates of Hell commissioned in 1880, but the first of the familiar monumental bronze castings was made in 1904, and is now exhibited at the Musée Rodin, in Paris.

There are 27 other known full-sized bronze castings of the figure, approximately 185 centimetres (73 in) tall, though not all were made under Rodin's supervision. Various other versions, several in plaster, as well as studies and posthumous castings, exist in a range of sizes.

Origin

The Thinker in The Gates of Hell at the Musée Rodin

The Thinker was initially named The Poet (French: Le Poète), and was part of a large commission begun in 1880 for a doorway surround called The Gates of Hell. Rodin based this on the early 14th century poem The Divine Comedy by Dante Alighieri, and most of the figures in the work represented the main characters in the poem with The Thinker at the center of the composition over the doorway and somewhat larger than most of the other figures. Some critics believe that it was originally intended to depict Dante at the gates of Hell, pondering his great poem.

Other critics reject that theory, pointing out that the figure is naked while Dante is fully clothed throughout his poem, and that the sculpture's physique does not correspond to Dante's effete figure. The sculpture is nude, as Rodin wanted a heroic figure in the tradition of Michelangelo, to represent intellect as well as poetry. Other critics came to see the sculpture as a self-portrait. This detail from the Gates of Hell was first named The Thinker by foundry workers, who noted its similarity to Michelangelo's statue of Lorenzo de' Medici, Duke of Urbino, called Il Pensieroso (The Thinker).

Rodin's model, the boxer Jean Baud

The model for this sculpture, as for other works by Rodin, was the muscular French prizefighter and wrestler Jean Baud, who mostly appeared in the red-light district. Jean Baud was also featured on the 1911 Swiss 50 franc note by Hodler.

The original is in the Musée Rodin in Paris. The sculpture has a height of 72 cm, was made of bronze and had been finely patinated and polished. The work depicts a nude male figure of heroic size who is tense, muscular and internalized, contemplating the actions and fate of the people while sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation, and the statue is often used as an image to represent philosophy. This and many other works by Rodin were groundbreaking for modernism and heralded a new age of three-dimensional artistic creation.

The work was enlarged in 1902 to a height of 181 cm. The monumental version became the artist's first work in public space. The figure was designed to be seen from below and is normally displayed on a fairly high plinth, although the heights vary considerably chosen by the various owners.

Casts

Main article: List of The Thinker sculptures
First ever bronze cast of The Thinker (1884), National Gallery of Victoria, Melbourne, Australia

The Thinker has been cast in multiple versions and is found around the world, but the history of the progression from models to castings is still not entirely clear. About 28 monumental-sized bronze casts are in museums and public places. In addition, there are sculptures of different study-sized scales and plaster versions (often painted bronze) in both monumental and study sizes. Some newer castings have been produced posthumously and are not considered part of the original production.

Rodin made the first small plaster version around 1881. The first bronze version was executed in 1884 and is held at the National Gallery of Victoria in Melbourne, Australia. The first full-scale model was presented at the Salon des Beaux-Arts in Paris in 1904. A public subscription financed a bronze casting, which became the property of the City of Paris, and was put in front of the Panthéon. In 1922, the original bronze was moved to the Musée Rodin.

Art market

In June 2022 a cast was put up for sale at Christie's in Paris with an estimate of up to €14m. The cast was made in about 1928 at the Rudier Foundry, founded by Alexis Rudier (1845-1897) who worked with Antoine Bourdelle and Aristide Maillol.

Reception

3D model, click to interact

Max Linde had a copy of the monumental version cast in 1904 and placed it in the garden of his villa, Lindesche Villa. There Edvard Munch painted his painting Rodin's Thinker in the Garden of Dr. Linde, which is now in the Behnhaus. The cast later went to the Detroit Institute of Arts.

Rodin's The Thinker (in the park of the Lindesche Villa with the family in the background) by Edvard Munch

In his film The Great Dictator, Charlie Chaplin shows the Venus de Milo and Rodin's Thinker with the modification that the left arms are stretched out in the Hynkel salute. With this allusion to the Nazi salute, Chaplin addresses the integration of art into Nazi propaganda. In the film Night at the Museum 2, the protagonists encounter a statue of the Thinker that has been brought to life. When asked a question, he stutters: "I think...I think...I think." Later in the film, he flirts with a statue of Aphrodite. In Death at a Funeral, the statue is quoted as Alan Tudyk sitting naked on a rooftop in a "thinking pose." In Midnight in Paris, the then French first lady Carla Bruni made a cameo appearance as a tour guide, explaining the sculpture of the Thinker to a group of American visitors in the garden of the Musée Rodin.

In singer Ariana Grande's "God Is a Woman" music video, she sits in the Thinker pose while being attacked by small angry men. They throw into them words taken from the book they are on. However, these bounce off the singer when they reach her.

As part of the Stadt.Wand.Kunst [de] project launched in Mannheim for the painting of houses in the city with large-scale wall paintings (so-called murals) by national and international artists from the street art scene, Rodin's Thinker was taken up and the mural The Modern Thinker implemented.

Similar sculptures

Repetitive portrayals of individuals, both male and female, have been depicted in physical form while in the process of contemplation or grieving.

The "Karditsa Thinker" is a Neolithic clay figurine found in the area of Karditsa in Thessaly, Greece. This unique artifact, dated around 3900 BCE, during the Final Neolithic period (4500-3300 BCE), is a large solid clay figurine of a seated man. Despite some clumsiness in detail, it conveys the impression of a robust man looking upwards with a manly bearing. The figurine exhibits features of fully developed sculpture and is considered the largest Neolithic artifact found in Greece. The pronounced ithyphallic element, though mostly broken, along with its size, suggests a possible cultic character, possibly representing an agrarian deity associated with the fertility of the land.

The Thinker from Yehud, also known as the Thinker of Palestine, is an archaeological figurine discovered during salvage excavations in the Israeli city of Yehud. The figurine, which sits atop a ceramic jug in a posture resembling "The Thinker", dates back to the Middle Bronze Age II Palestine (c. 1800–1600 BCE). It was found in a tomb accompanied by various items, including daggers, spearheads, an axe head, a knife, two male sheep, and a donkey, all likely buried as offerings. After its discovery, the broken jug had to be stabilised and restored before being displayed in the Canaanite Galleries of the Israel Museum in Jerusalem.

The "Thinker of Cernavodă", Romania, a terracotta sculpture, and its female counterpart, "The Sitting Woman", are works of art from the Chalcolithic era. The Hamangia culture produced these remarkable sculptures, with The Thinker believed to be the earliest prehistoric sculpture that conveys human self-reflection instead of the more common artistic themes of hunting or fertility. The discovery of the Spong Man, which is the earliest known Anglo-Saxon sculpture of a person, was found in Europe's other end, five millennia. The sculpture takes the form of a seated figure on a pottery lid of a cremation urn, resembling a humanoid figure.

A thousand years later, Michelangelo created the tomb of Lorenzo de' Medici, Duke of Urbino, which is located in the Basilica di San Lorenzo in Florence, Italy. The tomb is a sculptural masterpiece and was commissioned by Pope Clement VII to honor the memory of the Duke of Urbino, a member of the powerful Medici family of Florence. The tomb is considered one of Michelangelo's finest works in sculpture and was created in the Mannerist style of the Late Renaissance period. The tomb features a large rectangular base, which is adorned with intricate reliefs and two sculptures, Dusk and Dawn, that represent the cycle of life. The central figure on the tomb is a sculpture of the Duke, who is portrayed as a thinker with his face in shadow and his elbow resting on a money box with a similarly muscular, contemplative figure with his hand on his chin, though the figure is seated rather than standing like Rodin's "The Thinker". The tomb also includes two reclining figures on the sarcophagus that are believed to represent Day and Night.

See also

References

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  2. Gibson, E. (2023). "Rodin & Michelangelo: A Speculation". The New Criterion. 42 (4): 16–21 – via ProQuest.
  3. "The Thinker by Auguste Rodin". www.thehistoryofart.org.
  4. Brocvielle, Vincent, Le Petit Larousse de l'Histore de l'Art (in French), (2010), pg. 240.
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  8. Insdorf, Annette (2003). Indelible Shadows: Film and the Holocaust. Cambridge University Press. ISBN 978-0-521-01630-8.
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  10. Edelstein, David (10 August 2007). "Stardust - Death at a Funeral - The 11th Hour - Manda Bala -- New York Magazine Movie Review - Nymag". New York Magazine. Retrieved 2023-04-24.
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  12. "Photo-National Archaeological Museum - Neollithic Thinker from Karditsa". www.athensguide.com. Retrieved 2023-06-30.
  13. Ζηνων (2017-09-11). "Αυτόχθονες Έλληνες: ΟΙ ΤΡΕΙΣ ΣΤΟΧΑΣΤΕΣ, ΤΗΣ ΚΑΡΔΙΤΣΑΣ, ΤΗΣ ΠΑΛΑΙΣΤΙΝΗΣ ΚΑΙ ΤΟΥ ΡΟΝΤΕΝ". Αυτόχθονες Έλληνες. Retrieved 2023-06-30.
  14. "4000-year-old Version of Rodin's 'Thinker' Found in Israel". Haaretz. Retrieved 2023-06-30.
  15. ""The Thinker" and "Sitting Woman", the symbols of the Neolithic culture of Hamangia. – Romania Color". Archived from the original on 2023-04-03. Retrieved 2023-04-03.
  16. Coca, Madalina Cristiana (2022), "Cernavoda—CANDU nuclear power plants in Romania", Pressurized Heavy Water Reactors, Elsevier, pp. 429–441, doi:10.1016/b978-0-12-822054-2.00007-6, ISBN 9780128220542, S2CID 241284395, retrieved 2023-04-03
  17. "Spong Man". British Library collections. Archived from the original on 28 December 2021. Retrieved 28 December 2021.
  18. "Object: Funerary urn (collection)". norfolkmuseumscollections.org. Retrieved 2021-12-28.
  19. "Tomb of Lorenzo de Medici, 1524 - 1531 - Michelangelo - WikiArt.org". www.wikiart.org. Retrieved 2023-04-03.
  20. "Tomb of Giuliano de' Medici by MICHELANGELO Buonarroti". www.wga.hu. Retrieved 2023-04-03.
  21. "Grande Arte • A Digital Library for Art Lovers • Michelangelo • THE TOMB OF GIULIANO DE' MEDICI". grandearte.net. Retrieved 2023-04-03.

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