Misplaced Pages

Latest revision as of 07:47, 25 December 2024

Hedy Lamarr
Lamarr, c. 1944
Born	Hedwig Eva Maria Kiesler (1914-11-09)November 9, 1914 Vienna, Austria-Hungary
Died	January 19, 2000(2000-01-19) (aged 85) Casselberry, Florida, US
Citizenship	Austria (until 1938) Stateless (1938–1953) United States (from 1953)
Occupations	Actress inventor
Spouses	Friedrich Mandl ​ ​(m. 1933; div. 1937)​ Gene Markey ​ ​(m. 1939; div. 1941)​ John Loder ​ ​(m. 1943; div. 1947)​ Teddy Stauffer ​ ​(m. 1951; div. 1952)​ W. Howard Lee ​ ​(m. 1953; div. 1960)​ Lewis J. Boies ​ ​(m. 1963; div. 1965)​
Children	3

Hedy Lamarr (/ˈhɛdi/; born Hedwig Eva Maria Kiesler; November 9, 1914 – January 19, 2000) was an Austrian-born American actress and inventor. After a brief early film career in Czechoslovakia, including the controversial erotic romantic drama Ecstasy (1933), she fled from her first husband, Friedrich Mandl, and secretly moved to Paris. Traveling to London, she met Louis B. Mayer, who offered her a film contract in Hollywood. Lamarr became a film star with her performance in the romantic drama Algiers (1938). She achieved further success with the Western Boom Town (1940) and the drama White Cargo (1942). Lamarr's most successful film was the religious epic Samson and Delilah (1949). She also acted on television before the release of her final film in 1958. She was honored with a star on the Hollywood Walk of Fame in 1960.

At the beginning of World War II, along with George Antheil, Lamarr co-invented a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of radio jamming by the Axis powers. However, the technology was not used in operational systems until after World War II, and then independently of their patent.

Early life

Lamarr was born Hedwig Eva Maria Kiesler in 1914 in Vienna, the only child of Gertrud "Trude" Kiesler (née Lichtwitz) and Emil Kiesler.

Her father was born to a Galician-Jewish family in Lemberg in the Kingdom of Galicia and Lodomeria, part of the Austrian Empire (now Lviv in Ukraine) and was, in the 1920s, deputy director of Wiener Bankverein, and in the end of his life a director at the united Creditanstalt-Bankverein. Her mother, a pianist and a native of Budapest, had come from an upper-class Hungarian-Jewish family. She had converted to Catholicism and was described as a "practicing Christian" who raised her daughter as a Christian, although Hedy was not baptized at the time.

As a child, Lamarr showed an interest in acting and was fascinated by theater and film. At the age of 12, she won a beauty contest in Vienna. She also began to learn about technological inventions with her father, who would take her out on walks, explaining how devices functioned.

European film career

Early work

Lamarr was taking acting classes in Vienna when one day, she forged a note from her mother and went to Sascha-Film and was able to have herself hired as a script girl. While there, she had a role as an extra in the romantic comedy Money on the Street (1930), and then a small speaking part in the comedy Storm in a Water Glass (1931). Producer Max Reinhardt then cast her in a play entitled The Weaker Sex, which was performed at the Theater in der Josefstadt. Reinhardt was so impressed with her that he brought her with him back to Berlin.

However, she never actually trained with Reinhardt or appeared in any of his Berlin productions. Instead, she met the Russian theatre producer Alexis Granowsky, who cast her in his film directorial debut, The Trunks of Mr. O.F. (1931), starring Walter Abel and Peter Lorre. Granowsky soon moved to Paris, but Lamarr stayed in Berlin and was given the lead role in No Money Needed (1932), a comedy directed by Carl Boese. Lamarr then starred in the film which made her internationally famous.

Ecstasy

In early 1933, at age 18, Lamarr was given the lead in Gustav Machatý's film Ecstasy (Ekstase in German, Extase in Czech). She played the neglected young wife of an indifferent older man.

The film became both celebrated and notorious for showing Lamarr's face in the throes of orgasm as well as close-up and brief scenes of nudity. Lamarr claimed she was "duped" by the director and producer, who used high-power telephoto lenses, although the director contested her claims.

Although she was dismayed and now disillusioned about taking other roles, the film gained world recognition after winning an award at the Venice Film Festival. Throughout Europe, it was regarded as an artistic work. In America, it was considered overly sexual and received negative publicity, especially among women's groups. It was banned there and in Germany.

Withdrawal

Lamarr played a number of stage roles, including a starring one in Sissy, a play about Empress Elisabeth of Austria produced in Vienna. It won accolades from critics. Admirers sent roses to her dressing room and tried to get backstage to meet her. She sent most of them away, including a man who was more insistent, Friedrich Mandl. He became obsessed with getting to know her.

Mandl was an Austrian military arms merchant and munitions manufacturer who was reputedly the third-richest man in Austria. She fell for his charming and fascinating personality, partly due to his immense financial wealth. Her parents, both of Jewish descent, did not approve due to Mandl's ties to Italian fascist leader Benito Mussolini and, later, German Führer Adolf Hitler, but they could not stop the headstrong Lamarr.

On August 10, 1933, Lamarr married Mandl at the Karlskirche. She was 18 years old and he was 33. In her autobiography, Ecstasy and Me, she described Mandl as an extremely controlling husband who strongly objected to her simulated orgasm scene in Ecstasy and prevented her from pursuing her acting career. She claimed she was kept a virtual prisoner in their castle home, Schloss Schwarzenau [de].

Mandl had close social and business ties to the Italian government, selling munitions to the country, and had ties to the Nazi regime of Germany as well, even though his own father was Jewish, as was Hedy's. Lamarr wrote that the dictators of both countries attended lavish parties at the Mandl home. Lamarr accompanied Mandl to business meetings, where he conferred with scientists and other professionals involved in military technology. These conferences were her introduction to the field of applied science and nurtured her latent talent in science.

Lamarr's marriage to Mandl eventually became unbearable and she decided to separate herself from both her husband and country in 1937. In her autobiography, she wrote that she disguised herself as her maid and fled to Paris, but by other accounts she persuaded Mandl to let her wear all of her jewelry for a dinner party and then disappeared afterward. She wrote about her marriage:

I knew very soon that I could never be an actress while I was his wife. ... He was the absolute monarch in his marriage. ... I was like a doll. I was like a thing, some object of art which had to be guarded—and imprisoned—having no mind, no life of its own.

Hollywood career

Louis B. Mayer and MGM

After arriving in London in 1937, she met Louis B. Mayer, head of MGM, who was scouting for talent in Europe. She initially turned down the offer he made her (of $125 a week), but then booked herself onto the same New York-bound liner as him, and managed to impress him enough to secure a $500 a week contract. Mayer persuaded her to change her name to Hedy Lamarr (to distance herself from her real identity, and "the Ecstasy lady" reputation associated with it), choosing the surname in homage to the beautiful silent film star, Barbara La Marr, on the suggestion of his wife, who admired La Marr. He brought her to Hollywood in 1938 and began promoting her as the "world's most beautiful woman".

Mayer loaned Lamarr to producer Walter Wanger, who was making Algiers (1938), an American version of the French film, Pépé le Moko (1937). Lamarr was cast in the lead opposite Charles Boyer. The film created a "national sensation", says Shearer. She was billed as an unknown but well-publicized Austrian actress, which created anticipation in audiences. Mayer hoped she would become another Greta Garbo or Marlene Dietrich. According to one viewer, when her face first appeared on the screen, "everyone gasped ... Lamarr's beauty literally took one's breath away."

In future Hollywood films, she was invariably typecast as the archetypal glamorous seductress of exotic origin. Her second American film was to be I Take This Woman, co-starring with Spencer Tracy under the direction of regular Dietrich collaborator Josef von Sternberg. Von Sternberg was fired during the shoot, replaced by Frank Borzage. The film was put on hold, and Lamarr was put into Lady of the Tropics (1939), where she played a mixed-race seductress in Saigon opposite Robert Taylor. She returned to I Take This Woman, re-shot by W. S. Van Dyke. The resulting film was a flop.

Far more popular was Boom Town (1940) with Clark Gable, Claudette Colbert and Spencer Tracy; it made $5 million. MGM promptly reteamed Lamarr and Gable in Comrade X (1940), a comedy film in the vein of Ninotchka (1939), which was another hit.

Lamarr was teamed with James Stewart in Come Live with Me (1941), playing a Viennese refugee. Stewart was also in Ziegfeld Girl (1941), where Lamarr, Judy Garland and Lana Turner played aspiring showgirls – a big success.

Lamarr was top-billed in H. M. Pulham, Esq. (1941), although the film's protagonist was the title role played by Robert Young. She made a third film with Tracy, Tortilla Flat (1942). It was successful at the box office, as was Crossroads (1942) with William Powell.

Lamarr played the exotic Arab seductress Tondelayo in White Cargo (1942), top billed over Walter Pidgeon. It was a huge hit. White Cargo contains arguably her most memorable film quote, delivered with provocative invitation: "I am Tondelayo. I make tiffin for you?" This line typifies many of Lamarr's roles, which emphasized her beauty and sensuality while giving her relatively few lines. The lack of acting challenges bored Lamarr. She reportedly took up inventing to relieve her boredom.

She was reunited with Powell in a comedy The Heavenly Body (1944), then was borrowed by Warner Bros for The Conspirators (1944). This was an attempt to repeat the success of Casablanca (1943), and RKO borrowed her for a melodrama Experiment Perilous (1944).

Back at MGM Lamarr was teamed with Robert Walker in the romantic comedy Her Highness and the Bellboy (1945), playing a princess who falls in love with a New Yorker. It was very popular, but would be the last film she made under her MGM contract.

Her off-screen life and personality during those years was quite different from her screen image. She spent much of her time feeling lonely and homesick. She might swim at her agent's pool, but shunned the beaches and staring crowds. When asked for an autograph, she wondered why anyone would want it. Writer Howard Sharpe interviewed her and gave his impression:

Hedy has the most incredible personal sophistication. She knows the peculiarly European art of being womanly; she knows what men want in a beautiful woman, what attracts them, and she forces herself to be these things. She has magnetism with warmth, something that neither Dietrich nor Garbo has managed to achieve.

Author Richard Rhodes describes her assimilation into American culture:

Of all the European émigrés who escaped Nazi Germany and Nazi Austria, she was one of the very few who succeeded in moving to another culture and becoming a full-fledged star herself. There were so very few who could make the transition linguistically or culturally. She really was a resourceful human being–I think because of her father's strong influence on her as a child.

Lamarr also had a penchant for speaking about herself in the third person.

Wartime fundraiser

Lamarr wanted to join the National Inventors Council, but was reportedly told by NIC member Charles F. Kettering and others that she could better help the war effort by using her celebrity status to sell war bonds.

She participated in a war bond-selling campaign with a sailor named Eddie Rhodes. Rhodes was in the crowd at each Lamarr appearance, and she would call him up on stage. She would briefly flirt with him before asking the audience if she should give him a kiss. The crowd would say yes, to which Hedy would reply that she would if enough people bought war bonds. After enough bonds were purchased, she would kiss Rhodes and he would head back into the audience. Then they would head off to the next war bond rally.

Producer

After leaving MGM in 1945, Lamarr formed a production company with Jack Chertok and made the thriller The Strange Woman (1946). It went over budget and only made minor profits.

She and Chertok then made Dishonored Lady (1947), another thriller starring Lamarr, which also went over budget – but was not a commercial success. She tried a comedy with Robert Cummings, Let's Live a Little (1948).

Later films

Lamarr enjoyed her biggest success playing Delilah against Victor Mature as the Biblical strongman in Cecil B. DeMille's Samson and Delilah, the highest-grossing film of 1950. The film won two Oscars.

Lamarr returned to MGM for a film noir with John Hodiak, A Lady Without Passport (1950), which flopped. More popular were two pictures she made at Paramount, a Western with Ray Milland, Copper Canyon (1950), and a Bob Hope spy spoof, My Favorite Spy (1951).

Her career went into decline. She went to Italy to play multiple roles in Loves of Three Queens (1954), which she also produced. However she lacked the experience necessary to make a success of such an epic production, and lost millions of dollars when she was unable to secure distribution of the picture.

She played Joan of Arc in Irwin Allen's critically panned epic, The Story of Mankind (1957) and did episodes of Zane Grey Theatre ("Proud Woman") and Shower of Stars ("Cloak and Dagger"). Her last film was a thriller The Female Animal (1958).

Lamarr was signed to act in the 1966 film Picture Mommy Dead, but was let go when she collapsed during filming from nervous exhaustion. She was replaced in the role of Jessica Flagmore Shelley by Zsa Zsa Gabor.

Inventing career

Although Lamarr had no formal training and was primarily self-taught, she invested her spare time, including on set between takes, in designing and drafting inventions, which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink.

During the late 1930s, Lamarr attended arms deals with her then-husband, arms dealer Fritz Mandl, "possibly to improve his chances of making a sale". From the meetings, she learned that navies needed "a way to guide a torpedo as it raced through the water." Radio control had been proposed. However, an enemy might be able to jam such a torpedo's guidance system and set it off course.

When later discussing this with a new friend, composer and pianist George Antheil, her idea to prevent jamming by frequency hopping met Antheil's previous work in music. In that earlier work, Antheil attempted synchronizing note-hopping in the avant-garde piece written as a score for the film Ballet Mécanique (1923–24) that involved multiple synchronized player pianos. Antheil's idea in the piece was to synchronize the start time of identical player pianos with identical player piano rolls, so the pianos would play in time with one another. Together, they realized that radio frequencies could be changed similarly, using the same kind of mechanism, but miniaturized.

Based on the strength of the initial submission of their ideas to the National Inventors Council (NIC) in late December 1940, in early 1941 the NIC introduced Antheil to Samuel Stuart Mackeown, Professor of Electrical Engineering at Caltech, to consult on the electrical systems. Lamarr hired the legal firm of Lyon & Lyon to draft the application for the patent which was granted as U.S. patent 2,292,387 on August 11, 1942, under her legal name Hedy Kiesler Markey. The invention was proposed to the Navy, who rejected it on the basis that it would be too large to fit in a torpedo, and Lamarr and Antheil, shunned by the Navy, pursued their invention no further. It was suggested that Lamarr invest her time and attention to selling war bonds since she was a celebrity.

Later years

Lamarr became a naturalized citizen of the United States at age 38 on April 10, 1953. Her autobiography, Ecstasy and Me, was published in 1966. She said on TV that it was not written by her, and much of it was fictional. Lamarr later sued the publisher, saying that many details were fabricated by its ghost writer, Leo Guild. Lamarr, in turn, was sued by Gene Ringgold, who asserted that the book plagiarized material from an article he had written in 1965 for Screen Facts magazine.

In the late 1950s, along with former husband W. Howard Lee, Lamarr designed and developed the Villa LaMarr ski resort in Aspen, Colorado.

In 1966, Lamarr was arrested in Los Angeles for shoplifting. The charges were eventually dropped. In 1991, she was arrested on the same charge in Orlando, Florida, this time for stealing $21.48 worth of laxatives and eye drops. She pleaded no contest to avoid a court appearance, and the charges were dropped in return for her promise to refrain from breaking any laws for a year.

Seclusion

The 1970s was a decade of increasing seclusion for Lamarr. She was offered several scripts, television commercials, and stage projects, but none piqued her interest. In 1974, she filed a $10 million lawsuit against Warner Bros., claiming that the running parody of her name ("Hedley Lamarr") in the Mel Brooks comedy Blazing Saddles infringed her right to privacy. Brooks said he was flattered; the studio settled out of court for an undisclosed nominal sum and an apology to Lamarr for "almost using her name". Brooks said that Lamarr "never got the joke". With her eyesight failing, Lamarr retreated from public life and settled in Miami Beach, Florida, in 1981.

A large Corel-drawn image of Lamarr won CorelDRAW's yearly software suite cover design contest in 1996. For several years, beginning in 1997, it was featured on boxes of the software suite. Lamarr sued the company for using her image without her permission. Corel countered that she did not own rights to the image. The parties reached an undisclosed settlement in 1998.

For her contribution to the motion picture industry, Lamarr has a star on the Hollywood Walk of Fame at 6247 Hollywood Boulevard adjacent to Vine Street where the walk is centered.

Lamarr became estranged from her older son, James Lamarr Loder, when he was 12 years old. Their relationship ended abruptly, and he moved in with another family. They did not speak again for almost 50 years. Lamarr left James Loder out of her will, and he sued for control of the US$3.3 million estate left by Lamarr in 2000. He eventually settled for US$50,000.

In the last decades of her life, the telephone became Lamarr's only means of communication with the outside world, even with her children and close friends. She often talked up to six or seven hours a day on the phone, but she spent hardly any time with anyone in person in her final years.

Death

Lamarr died in Casselberry, Florida, on January 19, 2000, of heart disease, aged 85. Her son Anthony Loder spread part of her ashes in Austria's Vienna Woods in accordance with her last wishes.

In 2014, a memorial to Lamarr was unveiled in Vienna's Central Cemetery. The remainder of her ashes were buried there.

Awards and tributes

In 1939, Lamarr was selected the "most promising new actress" of 1938 in a poll of area voters conducted by the Philadelphia Record film critic. British moviegoers voted Hedy Lamarr the year's 10th best actress, for her performance in Samson and Delilah in 1951.

Hedy Lamarr was honored with a star on the Hollywood Walk of Fame in 1960.

In 1997, Lamarr and George Antheil were jointly honored with the Electronic Frontier Foundation's Pioneer Award and Lamarr also was the first woman to receive the Invention Convention's BULBIE Gnass Spirit of Achievement Award, known as the "Oscars of inventing". given to individuals whose creative lifetime achievements in the arts, sciences, business, or invention fields have significantly contributed to society. The following year, Lamarr's native Austria awarded her the Viktor Kaplan Medal of the Austrian Association of Patent Holders and Inventors.

In 2006, the Hedy-Lamarr-Weg was founded in Vienna Meidling (12th District), named after the actress.

In 2013, the IQOQI installed a quantum telescope on the roof of the University of Vienna, which they named after her in 2014.

In 2014, Lamarr was posthumously inducted into the National Inventors Hall of Fame for frequency-hopping spread spectrum technology. The same year, Anthony Loder's request that the remaining ashes of his mother should be buried in an honorary grave of the city of Vienna was realized. On November 7, her urn was buried at the Vienna Central Cemetery in Group 33 G, Tomb No. 80, not far from the centrally located presidential tomb.

On November 9, 2015, Google honored her on the 101st anniversary of her birth, and on her 109th on November 9, 2023 with a doodle.

On August 27, 2019, an asteroid was named after her: 32730 Lamarr.

On August 6, 2023 Star Trek: Prodigy showrunners Dan and Kevin Hageman debuted the first five minutes of footage from season two, showing the new Lamarr-class USS Voyager-A, in tribute to her.

Marriages and children

Lamarr was married and divorced six times and had three children:

1. Friedrich Mandl (married 1933–1937), chairman of the Hirtenberger Patronen-Fabrik
2. Gene Markey (married 1939–1941), screenwriter and producer. She adopted a boy (however this was later contested by the child, see below) during her marriage with Markey. Lamarr became estranged from the boy when he was 12 years old, their relationship ended abruptly, they did not speak again for almost 50 years, and Lamarr left him out of her will. Lamarr and Markey lived at 2727 Benedict Canyon Drive in Beverly Hills, California during their marriage, at a place called Hedgerow Farm. They owned a brindle Great Dane called Donner. The home still exists.
3. John Loder (married 1943–1947), actor. The two had a daughter, Denise, who married Larry Colton, a writer and former baseball player and a son, Anthony, who worked for illustrator James McMullan. Anthony Loder was featured in the 2004 documentary film Calling Hedy Lamarr.
4. Ernest "Teddy" Stauffer (married 1951–1952), nightclub owner, restaurateur, and former bandleader
5. W. Howard Lee (married 1953–1960), a Texas oilman (who later married film actress Gene Tierney)
6. Lewis J. Boies (married 1963–1965), Lamarr's divorce lawyer

Following her sixth and final divorce in 1965, Lamarr remained unmarried for the last 35 years of her life.

Throughout her life, Lamarr claimed that her first son, James Lamarr Loder, was not biologically related to her and was adopted during her marriage to Gene Markey. However, years later, her son found documentation that he was the out-of-wedlock son of Lamarr and actor John Loder, whom she later married as her third husband. However, a later DNA test proved him not to be biologically related to either.

Filmography

Source: Hedy Lamarr at the TCM Movie Database

Radio appearances

In popular culture

In the 1952 Pulitzer Prize-winning novel The Caine Mutiny by Herman Wouk, Hedy Lamarr is mentioned by name in Chapter 37 when defense attorney Lieutenant Barney Greenwald confronts Lieutenant Tom Keefer at a party after Lieutenant Stephen Maryk's court-martial acquittal in the Caine mutiny. –

The Mel Brooks 1974 western parody Blazing Saddles features a villain, played by Harvey Korman, named "Hedley Lamarr". As a running gag, various characters mistakenly refer to him as "Hedy Lamarr" prompting him to testily reply "That's Hedley."

In the 1982 off-Broadway musical Little Shop of Horrors and subsequent film adaptation (1986), Audrey II says to Seymour in the song "Feed Me", that he can get Seymour anything he wants including "A date with Hedy Lamarr."

In the 2004 video game Half-Life 2, Dr. Kleiner's pet headcrab, Lamarr, is named after Hedy Lamarr.

Her son, Anthony Loder, was featured in the 2004 documentary film Calling Hedy Lamarr, in which he played excerpts from tapes of her many telephone calls.

In 2008, an off-Broadway play, Frequency Hopping, features the lives of Lamarr and Antheil. The play was written and staged by Elyse Singer, and the script won a prize for best new play about science and technology from STAGE.

In the 2009 mockumentary The Chronoscope, written and directed by Andrew Legge, the fictional Irish scientist Charlotte Keppel is likely modeled after Hedy Lamarr. The film satirizes the extreme politics of the 1930s and tells the story of a fictionalized fascist group that steals a device invented by Keppel. This chronoscope can see the past and is used by the group to create propaganda films of their heroes from the past.

In 2010, Lamarr was selected out of 150 IT people to be featured in a short film launched by the British Computer Society on May 20.

Also during 2010, the New York Public Library exhibit Thirty Years of Photography at the New York Public Library included a photo of a topless Lamarr (c. 1930) by Austrian-born American photographer Trude Fleischmann.

In 2011, the story of Lamarr's frequency-hopping spread spectrum invention was explored in an episode of the Science Channel show Dark Matters: Twisted But True, a series that explores the darker side of scientific discovery and experimentation, which premiered on September 7. Her work in improving wireless security was part of the premiere episode of the Discovery Channel show How We Invented the World.

Also during 2011, Anne Hathaway revealed that she had learned that the original Catwoman was based on Lamarr, so she studied all of Lamarr's films and incorporated some of her breathing techniques into her portrayal of Catwoman in the 2012 film The Dark Knight Rises.

In 2015, on November 9, the 101st anniversary of Lamarr's birth, Google paid tribute to Hedy Lamarr's work in film and her contributions to scientific advancement with an animated Google Doodle.

In 2016, Lamarr was depicted in an off-Broadway play, HEDY! The Life and Inventions of Hedy Lamarr, a one-woman show written and performed by Heather Massie.

Also in 2016, the off-Broadway, one-actor show Stand Still and Look Stupid: The Life Story of Hedy Lamarr, starring Emily Ebertz and written by Mike Broemmel, went into production.

Also during 2016, Whitney Frost, a character in the TV show Agent Carter was inspired by Hedy Lamarr and Lauren Bacall.

In 2017, actress Celia Massingham portrayed Lamarr on The CW television series Legends of Tomorrow in the sixth episode of the third season, titled "Helen Hunt". The episode is set in 1937 Hollywoodland. The episode aired on November 14, 2017.

Also during 2017, a documentary about Lamarr's career as an actress and later as an inventor, Bombshell: The Hedy Lamarr Story, premiered at the 2017 Tribeca Film Festival. The documentary was written and directed by Alexandra Dean and produced by Susan Sarandon; it was released in theaters on November 24, 2017, and aired on PBS American Masters in May 2018.

In 2018, actress Alyssa Sutherland portrayed Lamarr on the NBC television series Timeless in the third episode of the second season, titled "Hollywoodland". The episode aired March 25, 2018.

In 2019, actor and musician Johnny Depp composed a song called "This Is a Song for Miss Hedy Lamarr" with Tommy Henriksen. It was included on Depp and Jeff Beck's 2022 album 18.

Also in 2019, The Only Woman in the Room, a fictionalized biography of Hedy Lamarr by Marie Benedict, was published by Sourcebooks Landmark. The book is a New York Times and USA Today bestseller and Barnes & Noble Book Club Pick. In 2019, it received a space in Library Reads's Hall of Fame.

In 2021, Lamarr was mentioned in the first episode of the Marvel's What If...?. The episode aired on August 11, 2021.

In May 2023, a dance production called Hedy Lamarr: An American Muse was made in her honor by Linze Rickles McRae. She was accompanied by her daughter, Azalea McRae, with whom she performed it, alongside her students at her dancing school, Downtown Dance Conservatory in Gadsden, AL.

In July 2024, the principal setting of the second season of the Netflix/Nickelodeon/Paramount television series Star Trek Prodigy is the science vessel USS Voyager, NCC-74656-A, a Starship of the Lamarr class, classified in honor of Lamarr's scientific contributions.

See also

• Inventors' Day
• List of Austrians

Explanatory notes

1. According to Lamarr biographer Stephen Michael Shearer (pp. 8, 339), she was born in 1914, not 1913.
2. When Lamarr applied for the role, she had little experience nor understood the planned filming. Anxious for the job, she signed the contract without reading it. When, during an outdoor scene, the director told her to disrobe, she protested and threatened to quit, but he said that if she refused, she would have to pay for the cost of all the scenes already filmed. To calm her, he said they were using "long shots" in any case, and no intimate details would be visible. At the preview in Prague, sitting next to the director, when she saw the numerous close-ups produced with telephoto lenses, she screamed at him for tricking her. She left the theater in tears, worried about her parents' reaction and that it might have ruined her budding career. However, the cinematographer of the film claimed that she was aware during filming that there would be nude scenes and did not raise concerns during filming.
3. "You’ll retire old and full of fat fitness reports. You’ll publish your novel proving that the Navy stinks, and you’ll make a million dollars and marry Hedy Lamarr. No letter of reprimand for you, just royalties on your novel."

References

1. Lawrence, Snezana (April 12, 2021). "Historical Notes: The Fantastic Lives of Hedy Lamarr".
2. Severo, Richard (January 20, 2000). "Hedy Lamarr, Sultry Star Who Reigned in Hollywood of 30s and 40s, Dies at 86". The New York Times. Retrieved December 24, 2018.
3. Haskell, Molly (December 10, 2010). "European Exotic". The New York Times. Archived from the original on September 8, 2018. Retrieved July 26, 2012.
4. ^ Rothman, Tony (January–February 2019). "Random Paths to Frequency Hopping". American Scientist. Vol. 107, no. 1. p. 46. doi:10.1511/2019.107.1.46. Retrieved March 27, 2024.
5. Sterling, Christopher H. (2008). Military Communications: From Ancient Times to the 21st Century. Bloomsbury Academic. ISBN 9781851097326.
6. Quackenbush, James L.; O'Brien, John P. (1920). "The City of New York against Bridge Operating Company". Supreme Court, Appellate Division- First Department. New York City: The Hecla Press. p. 17.
7. Winklbauer, Andrea (September 21, 2020). "Zinshaus, Villa und Palais – Eine Tour zu Hedy Lamarrs Wiener Lebensorten". Jüdisches Museum Wien (in German).
8. ^ Shearer, Stephen Michael (2010). Beautiful: The Life of Hedy Lamarr. Thomas Dunne Books. ISBN 978-0-312-55098-1. OCLC 471817029.
9. Loacker, Armin (2001). Ekstase (in German). Filmarchiv Austria. ISBN 978-3-901932-10-6.
10. Barton 2010, pp. 12–13.
11. Alexandra Dean (film director), Hedy Lamarr, Jennifer Hom, Mel Brooks (November 24, 2017). Bombshell: The Hedy Lamarr Story (Biographical documentary film). Zeitgeist Films; Kanopy. Event occurs between 07:05-08.00. OCLC 1101944158.
12. USA Science & Engineering Festival (2014). "Role Model in Science & Engineering Achievement". Archived from the original on February 4, 2017. Retrieved November 15, 2021.
13. Barton 2010, pp. 16–19.
14. Barton 2010, pp. 21–22.
15. Barton 2010, p. 25.
16. ^ "A Candid Portrait of Hedy Lamarr", Liberty magazine, December 1938, pp. 18–19
17. "Czech Film Series 2009–2010 – Gustav Machatý:Ecstasy" (PDF). Russian & East European Institute, Indiana University. September 2, 2009. Archived from the original (PDF) on September 11, 2009. Retrieved November 9, 2013.
18. Morandini, Laura; Morandini, Luisa; Morandini, Morando (2009). Il Morandini 2010: dizionario dei film [The Morandini 2010 Dictionary of Films] (in Italian). Bologna: Zanichelli. p. 493. ISBN 978-88-08-20183-6. OCLC 475597884.
19. ^ Extraordinary Women: Hedy Lamarr, documentary, 2011
20. "A Movie Star, Some Player Pianos, and Torpedoes" Archived April 19, 2017, at the Wayback Machine, Lemelson Center, November 12, 2015.
21. "Hedy Lamarr: Inventor of more than the 1st theatrical-film orgasm". Los Angeles Times. November 28, 2010. Archived from the original on January 17, 2013. Retrieved July 26, 2012.
22. "Happy 100th birthday, Hedy Lamarr, movie star who paved way for Wi-Fi". CNET. Archived from the original on May 11, 2015. Retrieved May 26, 2015.
23. ^ Friedrich, Otto (1997). City of Nets: A Portrait of Hollywood in the 1940s (reprint ed.). Berkeley and Los Angeles: University of California Press. pp. 12–13. ISBN 0-520-20949-4.
24. Rhodes 2012, pp. 28–29.
25. "Hedy Lamarr's Great Escape". Archived from the original on April 4, 2018. Retrieved May 17, 2018.
26. Donnelley, Paul. Fade to Black: 1500 Movie Obituaries, Omnibus Press (2010), p. 639.
27. Katz, Ephraim. The Film Encyclopedia, 3rd ed. HarperPerennial (1998), p. 780.
28. ^ The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
29. "Susan Sarandon: "Hedy Lamarr was so strong, as well as brilliant"". March 8, 2018.
30. ^ "'Most Beautiful Woman' By Day, Inventor By Night". NPR. November 22, 2011. Archived from the original on April 29, 2015. Retrieved May 26, 2015.
31. Hedy Lamarr Archived July 4, 2017, at the Wayback Machine, TCM Full Filmography
32. ^ "Bombshell: Interview with Richard Rhodes on Hedy Lamarr" Archived April 19, 2017, at the Wayback Machine, Sloan Science and Film, April 18, 2017.
33. Barton 2010, p. 97.
34. Scholtz, Robert A. (May 1982). "The Origins of Spread-Spectrum Communications". IEEE Transactions on Communications. 30 (5): 822. Bibcode:1982ITCom..30..822S. doi:10.1109/tcom.1982.1095547.
35. Price, Robert (January 1983). "Further Notes and Anecdotes on Spread-Spectrum Origins". IEEE Transactions on Communications. 31 (1): 85. doi:10.1109/tcom.1983.1095725.
36. Wayne, Robert L. "Moses" Speaks to His Grandchildren, Dog Ear Publishing (2014); ISBN 978-1-4575-3321-1, pg. 19.
37. Balio, Tino (2009). United Artists: The Company Built by the Stars. University of Wisconsin Press. ISBN 978-0-299-23004-3. p203
38. Duo Slated for 5 Pictures Martin, Betty. Los Angeles Times (1923–Current File) Jan 21, 1966: c6.
39. Hedy Lamarr Fired From Comeback Film: HEDY LAMARR Berman, Art. Los Angeles Times (1923–Current File) Feb 4, 1966: 3.
40. ^ "A Beautiful Mind". Segulamag.com. Retrieved July 18, 2022.
41. ^ Butler, Alun (June 1999). "Hedy Lamarr, Movie Star (and Inventor of torpedo-control". Naval Historical Review. June 1999. Retrieved December 9, 2023.
42. "Hedy Lamarr – actor, inventor, amateur engineer" (MP3). The Science Show. July 5, 2014. 7 minutes in. Radio National. Archived from the original on July 5, 2014.
43. Rhodes 2012, p. 169.
44. ABC news. Hedy Lamarr: Actress and inventor. 4 minutes
45. "Hedy Lamarr: Movie star, inventor of WiFi". CBS News. April 20, 2012. Archived from the original on April 9, 2016. Retrieved April 9, 2016.
46. USPTO. "Patent 2,292,387 Full Text". United States Patent and Trademark Office. USPTO. Archived from the original on January 10, 2020. Retrieved May 11, 2016.
47. Hans-Joachim Braun, "Hedy Lamarr, Radio-Controlled Torpedo", Invention and Technology, Winter 2020, Volume 26, Issue 1. Retrieved 26 March 2024.
48. Blackburn, Renée (December 22, 2017). "The secret life of Hedy Lamarr Bombshell: The Hedy Lamarr Story Alexandra Dean, director Reframed Pictures, 2017". Science. 358 (6370): 1546. doi:10.1126/science.aar4304. ISSN 0036-8075. S2CID 44138813.
49. Hedy Lamarr, 1969 TV Interview. Archived from the original on October 3, 2017. on The Merv Griffin Show with Woody Allen, 1969
50. "Hedy Lamarr Loses Fight to Stop Autobiography". The Tuscaloosa News. September 27, 1966. p. 12 – via Google Newspapers.
51. "Hedy Lamarr Loses Suit to Halt Book", The New York Times, September 27, 1966, p. 74.
52. "Lamarr Autobiography Prompts Plagiarism Suit", The New York Times, February 7, 1967, p. 18.
53. Hedy Lamarr in 1950s Aspen, The Aspen Times Weekly (March 22, 2012)
54. Hedy Lamarr: The Most Beautiful Woman in Film (2010), pg. 194
55. "Google Doodle of the day: Who is Hedy Lamarr?" Archived April 19, 2017, at the Wayback Machine, Palm Beach Post, November 9, 2015.
56. Hedy Lamarr accused of shoplifting from Orlando drugstore, UPI, Aug. 2, 1991
57. Salamone, Debbie (October 24, 1991). "Hedy Lamarr Won't Face Theft Charges If She Stays In Line". Orlando Sentinel. Archived from the original on March 24, 2012. Retrieved June 10, 2010.
58. Interview: Mel Brooks. Blazing Saddles (DVD). Burbank, California: Warner Brothers Pictures/Warner Home Video, 2004; ISBN 0-7907-5735-4.
59. Barton 2010, p. 220.
60. "Hedy Lamarr Sues Corel". April 7, 1998. Archived from the original on July 6, 2011.
61. Sprenger, Polly (November 30, 1998). "Corel Caves to Actress Hedy Lamarr". Wired News. Archived from the original on June 15, 2013.
62. "Hedy Lamarr". Hollywood Chamber of Commerce. Archived from the original on November 11, 2013. Retrieved November 9, 2013.
63. "Hedy Lamarr". Los Angeles Times Hollywood Star Project. Archived from the original on November 15, 2013. Retrieved November 9, 2013.
64. ^ "Court To Weigh Plea of Lamarr's Estranged Son". Orlando Sentinel. October 30, 2000. Archived from the original on February 17, 2016. Retrieved May 26, 2015.
65. "Hedy Lamarr's Adopted Son Trades Claim To Estate For $50,000". January 26, 2001. Archived from the original on November 13, 2016. Retrieved April 13, 2017.
66. "Hedy Lamarr: The Hollywood starlet who helped invent WiFi". Sky HISTORY TV channel. Retrieved November 22, 2024.
67. Moore, Roger (January 20, 2000). "Hedy Lamar: 1913–2000". Orlando Sentinel. Archived from the original on November 15, 2017. Retrieved April 27, 2018.
68. ^ "Calling Hedy Lamarr". Mischief Films. Archived from the original on December 5, 2007. Retrieved December 20, 2007.
69. "Memorial to Hollywood pin-up". thelocal.at. November 7, 2014. Archived from the original on July 21, 2015. Retrieved May 26, 2015.
70. ^ Presse-Service (November 7, 2014). "Archivmeldung: Hedy Lamarr erhält Ehrengrab der Stadt Wien". Presseservice der Stadt Wien (in German). Retrieved November 15, 2021.
71. ^ "Verstorbenensuche Detail – Friedhöfe Wien – Friedhöfe Wien". friedhoefewien.at (in German). Retrieved November 15, 2021.
72. "Philly's Best". Boxoffice: 30-C. January 7, 1939.
73. "Anna Neagle's Film Award". The Mercury. No. May 10, 1951. Retrieved February 24, 2018.
74. "Hedy Lamarr". Hollywood Walk of Fame. October 25, 2019. Retrieved November 15, 2021.
75. "Movie Legend Hedy Lamarr to be Given Special Award at EFF's Sixth Annual Pioneer Awards" (Press release). Electronic Frontier Foundation. March 11, 1997. Archived from the original on October 16, 2007. Retrieved February 1, 2014.
76. "1940's Film Goddess Hedy Lamarr Responsible For Pioneering Spread Spectrum". INVENTION CONVENTION ® – Gateway to the World of Inventing. Archived from the original on June 25, 2018. Retrieved May 23, 2018.
77. "Hedy Lamarr: Invention of Spread Spectrum Technology". women-inventors.com. Archived from the original on November 12, 2015. Retrieved May 23, 2018.
78. Dolor, Danny. "The other side of Hedy Lamarr". Philstar.com. Retrieved March 16, 2022.
79. "Honorary grave for Hollywood pin-up". November 7, 2014. Archived from the original on November 10, 2014. Retrieved November 11, 2014.
80. Peterson, Barbara Bennett (April 2001), "Lamarr, Hedy", American National Biography
81. "Auf den Spuren einer Hollywood-Diva" [In the footsteps of a Hollywood diva] (in German). Retrieved November 15, 2021 – via PressReader.
82. "Inductee Detail | National Inventors Hall of Fame". National Inventors Hall of Fame. Archived from the original on November 29, 2016. Retrieved May 23, 2018.
83. "Hedy Lamarr: Ein Kino-Orgasmus, eine bahnbrechende Erfindung, 101. Geburtstag". GIGA (in German). November 9, 2015. Retrieved November 15, 2021.
84. "IAU Minor Planet Center". minorplanetcenter.net. Retrieved November 15, 2021.
85. "Small-Body Database Lookup". ssd.jpl.nasa.gov. Retrieved November 15, 2021.
86. "First Look Star Trek: Prodigy - Season 2, Episode 1". startrek.com. Retrieved April 7, 2024.
87. Ivanis, Daniel J. "The stars come out: Recruiting ad featuring Hedy Lamarr creates 'buzz't". Boeing Frontiers. Archived from the original on October 29, 2012. Retrieved February 16, 2013.
88. 1940 US Census via Ancestry.com
89. To Tell The Truth – Hedy Lamarr + Anthony Loder + Denise Loder Deluca. Archived from the original on June 6, 2014. Retrieved May 30, 2014 – via YouTube.
90. "Hedy Lamarr Adopts Baby Boy", nytimes.com; accessed June 3, 2017.
91. "Hedy Lamarr Biography". Archived from the original on December 30, 2011.
92. "HEDY NEWS: LAMARR'S SON NOT ADOPTED". New York Post. February 5, 2001. Archived from the original on June 12, 2018. Retrieved June 9, 2018.
93. "Bombshell: The Hedy Lamarr Story Unveils a Scientific Innovator and Feminist Ahead of Her Time". Phoenix Magazine. March 2017. Retrieved March 7, 2024.
94. ^ List of Lux Radio Theatre episodes
95. "Vintage Radio Shows". Vintageradioshows.com. Archived from the original on November 11, 2021. Retrieved November 11, 2021.
96. Archived at Ghostarchive and the Wayback Machine: "Hedy Lamarr 'Come Live with Me" Live Radio Performance". June 9, 2009 – via YouTube.
97. "The Internet Archive". Archive.org.
98. "Jerry Haendiges Vintage Radio Logs". Otrsite.com.
99. "Vintage Radio Shows". Vintageradioshows.com. Archived from the original on November 11, 2021. Retrieved November 11, 2021.
100. Woulk, Herman (1951). The Caine Mutiny. Doubleday. p. 464. ISBN 978-0761543640. Retrieved November 11, 2020 – via Internet Archive.
101. Alan Menken (Ft. Lee Wilkof & Ron Taylor) – Sudden Changes/ Feed Me (Git it), archived from the original on October 31, 2018, retrieved October 30, 2018
102. Hodgson, David (November 23, 2004). Half-Life 2: Raising the bar. Prima Games. p. 124. ISBN 978-0761543640. Retrieved November 11, 2020 – via Google Books.
103. "Frequency Hopping". Hourglass Group. Archived from the original on May 21, 2015. Retrieved June 2, 2015.
104. Legge, Andrew (2009). "The Chronoscope". Fastnet Films. Retrieved November 10, 2022.
105. "BCS launches celebrity film campaign to raise profile of the IT industry". BCS. Archived from the original on October 19, 2014. Retrieved October 14, 2014.
106. "Trude Fleischmann (American, 1895–1990): "Hedy Lamarr"". Recollection: Thirty Years of Photography at the New York Public Library. New York Public Library. Archived from the original on November 19, 2015. Retrieved November 18, 2015.
107. "Positively Poisonous, Medusa's Heroin, Beauty and Brains". Dark Matters: Twisted But True. Season 2. Episode 5. September 7, 2011. Science Channel. Archived from the original on November 14, 2013. Retrieved November 9, 2013.
108. Genzlinger, Neil (March 18, 2013). "On the Origins of Gadgets". The New York Times. Archived from the original on November 29, 2016. Retrieved December 30, 2015.
109. "'Dark Knight Rises' star Anne Hathaway: 'Gotham City is full of grace'". Los Angeles Times. December 29, 2011. Archived from the original on July 6, 2012. Retrieved June 23, 2012.
110. "Hedy Lamarr's 101st birthday". Archived from the original on June 10, 2017. Retrieved June 3, 2017.
111. 'HEDY! The Life & Inventions of Hedy Lamarr' Extended by Popular Demand Archived January 31, 2017, at the Wayback Machine, broadwayworld.com, October 28, 2016.
112. C. E. Gerber, "HEDY! : The Life and Inventions of Hedy Lamarr Review – Simple and Effective" Archived February 2, 2017, at the Wayback Machine, lasplash.com, November 14, 2016.
113. "Stand Still & look Stupid – A play in three acts". The Life Story of Hedy Lamarr. Archived from the original on March 14, 2018. Retrieved April 27, 2018.
114. Varnum, Janet (March 5, 2018). "STAND STILL AND LOOK STUPID". The Ark Magazine. Archived from the original on January 27, 2020. Retrieved April 27, 2018.
115. Topel, Fred (August 6, 2015). "Exclusive: 'Marvel's Agent Carter' Producers on Season Two Villain, Hollywood Setting, and Action". /Film. Archived from the original on August 8, 2015. Retrieved August 7, 2015.
116. ""DC's Legends of Tomorrow" Helen Hunt (TV Episode 2017) – IMDb". IMDb. November 14, 2017. Archived from the original on June 16, 2018. Retrieved July 1, 2018.
117. Thorpe, Vanessa (November 12, 2017). "Film tells how Hollywood star Hedy Lamarr helped to invent wifi". The Guardian. Archived from the original on November 12, 2017. Retrieved November 12, 2017.
118. ""Timeless" Hollywoodland (TV Episode 2018) – IMDb". IMDb. March 25, 2018. Archived from the original on April 2, 2018. Retrieved July 1, 2018.
119. Colothan, Scott (May 30, 2022). "Johnny Depp performs four songs with Jeff Beck at Sheffield concert – watch". Planet Rock. Retrieved June 1, 2022.
120. "The Only Woman in the Room|Paperback". Barnes & Noble. Retrieved May 30, 2022.
121. "Marie Benedict". LibraryReads. Archived from the original on October 19, 2022. Retrieved May 30, 2022.
122. "What If...?" What If... Captain Carter Were the First Avenger? (TV Episode 2021) – IMDb, retrieved November 21, 2021
123. "Downtown Dance Pays Tribute to Hedy Lamarr". May 10, 2023.
124. "Voyager-A: Every Change Confirmed To Star Trek's Original". Screen Rant. August 7, 2023.

Further reading

• Barton, Ruth (2010). Hedy Lamarr: The Most Beautiful Woman in Film. Lexington: University of Kentucky Press. ISBN 978-0-8131-3654-7.
• Benedict, Marie (2019). The Only Woman in the Room. Source Books Landmark. ISBN 978-1492666899.
• Lamarr, Hedy (1966). Ecstasy and Me: My Life as a Woman. New York: Bartholomew House. ASIN B0007DMMN8.
• Rhodes, Richard (2012). Hedy's Folly: The Life and Breakthrough Inventions of Hedy Lamarr. New York: Doubleday. ISBN 978-0-307-74295-7.
• Shearer, Stephen Michael (2010). Beautiful: The Life of Hedy Lamarr. New York: St. Martin's Press. ISBN 978-0-312-55098-1.
• Young, Christopher (1979). The Films of Hedy Lamarr. New York: Citadel Press. ISBN 978-0-8065-0579-4.

External links

• Official website
• Hedy Lamarr Foundation website
• Hedy Lamarr at IMDb 
• Hedy Lamarr at the TCM Movie Database
• Hedy Lamarr at Reel Classics

• 1914 births
• 2000 deaths
• 20th-century American actresses
• 20th-century American inventors
• 20th-century American Jews
• 20th-century American women writers
• 20th-century Austrian actresses
• 20th-century Austrian inventors
• 20th-century Austrian Jews
• 20th-century Austrian women writers
• Actresses from Beverly Hills, California
• Actresses from Florida
• Actresses from Vienna
• American anti-fascists
• American film actresses
• American people of Austrian-Jewish descent
• American people of Hungarian-Jewish descent
• American women autobiographers
• American women in World War II
• American women inventors
• Austrian autobiographers
• Austrian emigrants to the United States
• Austrian film actresses
• Austrian women biographers
• Burials at the Vienna Central Cemetery
• Illeists
• Jewish American actresses
• Jewish American military personnel
• Jewish Austrian actresses
• Jewish film people
• Jews from Austria-Hungary
• Metro-Goldwyn-Mayer contract players
• Naturalized citizens of the United States
• People from Miami Beach, Florida
• Radio pioneers
• Writers from California
• Writers from Florida
• Writers from Vienna