Misplaced Pages

Latest revision as of 09:01, 17 November 2024

Ghost in the Shell (1995 film) has been listed as one of the Media and drama good articles under the good article criteria. If you can improve it further, please do so. If it no longer meets these criteria, you can reassess it. Review: November 13, 2013. (Reviewed version).

This article is rated GA-class on Misplaced Pages's content assessment scale. It is of interest to the following WikiProjects:

Science Fiction High‑importance This article is within the scope of WikiProject Science Fiction, a collaborative effort to improve the coverage of science fiction on Misplaced Pages. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Science FictionWikipedia:WikiProject Science FictionTemplate:WikiProject Science Fictionscience fiction High This article has been rated as High-importance on the project's importance scale. Film: Japanese This article is within the scope of WikiProject Film. If you would like to participate, please visit the project page, where you can join the discussion and see lists of open tasks and regional and topical task forces. To use this banner, please refer to the documentation. To improve this article, please refer to the guidelines.FilmWikipedia:WikiProject FilmTemplate:WikiProject Filmfilm This article is supported by the Japanese cinema task force. Anime and manga High‑importance This article is within the scope of WikiProject Anime and manga, a collaborative effort to improve the coverage of anime, manga, and related topics on Misplaced Pages. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Anime and mangaWikipedia:WikiProject Anime and mangaTemplate:WikiProject Anime and mangaanime and manga High This article has been rated as High-importance on the project's importance scale. Gender studies Low‑importance This article is part of WikiProject Gender studies. This WikiProject aims to improve the quality of articles dealing with gender studies and to remove systematic gender bias from Misplaced Pages. If you would like to participate in the project, you can choose to edit this article, or visit the project page for more information.Gender studiesWikipedia:WikiProject Gender studiesTemplate:WikiProject Gender studiesGender studies Low This article has been rated as Low-importance on the project's importance scale. To-do list: Here are some tasks awaiting attention: Assess : see Unassessed Gender studies articles and Unknown-importance Gender studies articles Cleanup : edit to see Collaborate : see /Collaboration Copyedit : edit to see Deletion sorting : see /Sexuality and gender Expand : edit to see Infobox : see Gender studies articles needing infoboxes Merge : edit to see Notability : edit to see NPOV : edit to see Orphans : Brannon Masculinity Scale · Holy Virility · Media and gender · Michael Kaufman (author) · Women's education in Saudi Arabia Photo : see Misplaced Pages requested photographs of gender studies Split : History of feminism Stubs : see Gender studies stubs Translate : see /translation Update : edit to see Verify : Riot grrrl Needs attention : see Gender studies articles needing attention

Archives

Index 1

This page has archives. Sections older than 60 days may be automatically archived by Lowercase sigmabot III when more than 4 sections are present.

References to use

Please add to the list references that can be used for the film article.

• Ford, Paul J. (2009). "Hacking the Mind: Existential Enhancement in Ghost in the Shell". In Shapshay, Sandra (ed.). Bioethics at the Movies. Johns Hopkins University Press. pp. 156–169. ISBN 0801890772.

"Themes" section

The Theme section is completely pointless when it is being used to turn the entire article into one theory's vanity page. Why is it a prominent feature if no one is going to bother talking about the other "many themes" it alludes to in this section? It looks sloppy and unprofessional to say the least. Where are the opposing viewpoints? It is obvious in the second paragraph all the quotes were likely mined to support the first paragraph's points (and barely do), rather than offer anything with any actual substance. There is a wealth of academic literature on this film and most of it isn't lazily equating women's existence to reproduction. Honestly if you actually watch the film this barely makes sense. Is just anyone's half baked thesis wikipedia material now?

Unless it is expanded (and that may be difficult without it overtaking the actual factual content people come to this page for) I think it would be better to remove it entirely and/or try incorporating just a mention of it and other academic writing on it into the body of the main article. Or at the very least clarify this section is speculation.

@24.244.127.68: A good way of dealing with it is doing a literature review of everything talking about the film. If the theory appears in multiple sources, you can give more space to it. If only this one academic talks about it, we can give less space. The reason why it's unbalanced is that nobody's done a literature review of the topic, so we don't know how significant the theory is. WP:WEIGHT explains how and when to give "space" depending on the prominence of the theme in sources. You can use Misplaced Pages:RX to help you. WhisperToMe (talk) 00:12, 7 March 2020 (UTC)

Theme section could be developed with further contrasting views from sources of merit.--GimmeChoco44 (talk) 05:55, 13 August 2020 (UTC)

I would suggest that this section be removed entirely to avoid it becoming a battleground for a discussion about gender politics. If you watch the film, it’s clearly not about gender issues primarily. It’s rich with issues and anyone can choose to interpret a film how they wish. But I agree with the initial comment here that featuring gender as the one and only theme of the film is misleading. Look up “literary criticism” and see how many different lenses there are through which to interpret a written work. Same goes for film. Another way to fix this section could be to cite interpretations from different critical perspectives. But in any case I think it would be favorable to remove the section entirely. I’m not sure how helpful it is to present various interpretations of the film. It’s a subjective work of art and it would be better to leave it to the viewer to interpret the artistic value themselves. I think focusing on a technical and historical discussion in this article is far more insightful and helpful. Anyway it’s certainly more objective. If this section can’t be properly expanded I would suggest that it be taken down for the time being. Peacetype (talk) 14:02, 25 September 2020 (UTC)

I agree. This movie is not about gender at all, not even in the slightest. You really have to hunt for and stretch the meaning of this movie torturously to get at any hint of gender topics. The movie is clearly about evolution, and the themes relate to that. Natural selection, death and progeny, the philosophical implications of an A.I. wanting to achieve life by dying and reproducing, the fleeting nature of perception, and what truly constitutes life, dna or systems of information. Having watched this film religiously, I can say that the best argument I can make for a "gender theme" would be that Major Kusanagi (Makoto) has a female body, but no genitalia as far as we know (this could be intentional or just an art decision not to draw them for the sake of propriety), and that she, like 2501, can't reproduce. This at most only serves the theme of "what constitues life" and the purpose of progeny. Scottiekaz (talk) 11:26, 03 December 2020 (UTC)

Scottiekaz, editors cannot reference their own opinions to reject coverage from reliable sources. Some of the coverage has been gender-related, but this does not mean that other themes can be covered. Many films are interpreted from different angles. For example, the "References to use" section above identifies a chapter about the film in a book about bioethics in film. The section can be expanded, not removed. Erik (talk | contrib) 01:23, 4 December 2020 (UTC)

I flagged the Themes section for rewrite since this discussion reveals that this is a contentious issue. Film analysis is a highly-subjective arena, so it's unlikely that a consensus can be reached here about a single common interpretation. To resolve this, we could replace the contents of this section with only first-source material. In other words, do not rely on subjective interpretation from film critics, authors, etc. but instead only source direct quotes from the filmmakers (if any can be found). Another solution would be to expand this section to provide a greater diversity of interpretations. Peacetype (talk) 11:35, 8 December 2020 (UTC)

I wanted to look at wikipedia to see the work that took inspirations from Ghost in the Shell, and I see this? Guys why not just remove the theme section? I really don't see what is the point of it being on wikipedia. If you want themes go to another website. Misplaced Pages is supposed to have factual statements not figurative analysis that a critic crapped out of his head. c'mon. Tisthefirstletter — Preceding unsigned comment added by Tisthefirstletter (talk • contribs) 06:31, 4 March 2021 (UTC)

You're not required to read such a section. Themes, whether intended or not by the creators, are part of works of art. Do you think To Kill a Mockingbird should be denied a "Themes" section? Erik (talk | contrib) 13:14, 4 March 2021 (UTC)

This isn’t about me wanting to read it or not (and yes I don’t think themes should be a thing on wikipedia; amazing work or not however this is just personal belief). Hell if you really want a theme section fine I don’t care, but can you please make it reasonable? I’m a rather big fan of this film (watched it a good four times), and it took me a half an hour just to understand what I was reading here. The only clear reference it makes to a “body free of reproduction” is where we see Motoko’s body without genitals. There is also another problem it makes with “gender identity” Motoko’s ghost isn’t made like an AI. Her “ghost or soul” is memories and ego was from when she was a pure human (without cybernetics). Granted, these critics didn’t know, but I guess you can’t expect them to know anything really. The biggest theme which was really obvious (I promise you it wasn’t a davinci’s code) is her struggle to understand if she really is human with a body like hers. Especially in an incredibly digitized world where her body machine type has literally copies here and there making her understanding of human much more muddled. She even quotes to this. How does this even fly over their heads? At this point I might as well write a theme of how amazing the film alluded to the act of tossing a condom into the toilet and watching the beautiful slow swirls absorbing it into the depths of the sewage system. Like the previous user said we should consider deleting the theme section here or re-editing it completely with the main topic in mind concerning the meaning of truly being a human. Tisthefirstletter (talk) 18:31, 4 March 2021 (UTC)

Also Erik, why did you remove “undue weight” template as outdated? This was inserted at December 2020, and nothing was done to the Themes in order to fix its issue. Tisthefirstletter (talk) 18:57, 4 March 2021 (UTC)

You said before that Misplaced Pages articles should not have themes sections, now you're saying that they are appropriate but that this one needs to be more "reasonable" in readability. And yet, you also think the section has undue weight. A form of this section existed when the article was nominated for Good Article status, and it was not an issue in terms of its existence, readability, or weight. I find its existence acceptable, and I do not think it is undue weight because the other sections are more substantial, both part and collectively compared to this one. In terms of readability, I can accept that academic language can be dense, but that means diving into the sources to get the full context. We have to be careful not to be interject our own opinions because we are not the ones who have been published. As editors, we summarize what has been written about a topic. Pinging the editor who assessed this as a Good Article: Jburlinson. I know it is years later, but do you have a particular take about this section's contents? Erik (talk | contrib) 19:50, 4 March 2021 (UTC)

You’re giving me a headache. Did you even watch the film? This is not about editor bias. The main topic this film tackles is the question of humanity. The themes section makes it seem like gender identity and post reproduction of women is all that the film is about(absolutely wrong). There is a good time when even editors need to intervene. I doubt you need someone to help pointing you where to piss in the toilet. Tisthefirstletter (talk) 03:18, 5 March 2021 (UTC)

Please do not remove the template at the top of the Themes section until the debate about this section is resolved. I think the whole section should be removed, but I put a template there instead so we can talk about finding a more permanent solution.

It's misleading to have a Themes section that discusses conclusions that are outside the scope of the work's main themes. The revision history of this article has numerous incidents where people have felt that a discussion of gender identity is confusing, misleading, and not representative of the work's dominant themes. I would suggest that a discussion of themes be left out of this article entirely. Leave the film's interpretation up to the viewer to make up their own mind.

Yes, some Misplaced Pages articles about films do include a discussion of themes. Generally speaking, I think this practice is a slippery slope that can lead to critics asserting their own opinions and interpretations about someone else's work. I think it's best to let the artist's message speak through the work. Let each audience member form their own opinion.

However, I'm not trying to change Misplaced Pages by saying that no article about a film or other artwork can include discussion about themes. But in the case of this particular article, we have a long history of controversy about this one particular interpretation of the film. It was first introduced on 14:19, 15 August 2013 by user ChrisGualtieri and has since been expanded. If you examine the entire history of this section (as I have) and note the number of occasions where someone has raised an objection to it, I think it's clear that this is a problematic section.

Gender identity is a hot-button topic in politics today. To avoid continued argument and controversy, we should eschew this issue if we can reasonably do so without harming the integrity of the article. In this case, the film is not primarily about gender issues because it does not discuss them at all. Anyone who watches this film objectively will note that the topic is never discussed. You actually have to go into the weeds and start making up personal theories and subjective interpretations of the film to argue that it has anything to do with gender identity at all.

I don't think we need to bend over backwards to maintain a section of this article that is creating controversy. If people really want this article to be a place where subjective theories about a film are presented, then the Themes section should be expanded to include a collection of different viewpoints about the film's interpretation. And the template at the top of the section should remain up until the section is so expanded, in order to alert people that the section is in need of expansion.

But I don't think Misplaced Pages is a place for making personal interpretations of an artwork. That sort of thing belongs on a blog or some other Internet discussion forum. Misplaced Pages should be a source for definitive information about a topic. That's why I think we should steer away from presenting academic theories about film interpretation. Even a scholar is just one person with an opinion. They are not the work's creator. Let a work of art speak for itself, and let's just present factual information about the film based on non-ambiguous sources.

But if the consensus is that we really want to present a variety of different people's interpretations of the film, then we at least need to provide a greater variety of opinions to give readers a more diverse view of what people are saying about this film. It's misleading to have a Themes section that says this film is just about gender identity issues, especially since that opinion diverges greatly from what the film objectively presents in its images and dialogue. There is a danger that readers who have not seen the film will come here looking for information and will go away misinformed about the film's actual content. The more we can stay away from subjective interpretation and stick to facts, the better. Peacetype (talk) 21:38, 2 April 2021 (UTC)

Disagree that this is a coatrack, disagree that it's undue. Gender and sexuality is one of the most discussed concepts in reference to GITS, and all of these critics are notable for their opinions on the film. I don't really get what the issue is here, except that some may disagree with the interpretation. Disagreeing with the opinions of experts does not mean that those opinions don't belong on wikipedia, and I think these two things are way too often conflated around here. See WP:IDONTLIKEIT.--Shibbolethink 18:46, 11 July 2021 (UTC)

Shibbolethink, you are missing the point. The problem is that the Themes section contains statements about the movie that are factually inaccurate. I am arguing that we keep personal interpretations out of this page. However, some people seem to think that we should allow a section here where people can explore different viewpoints about the film's meaning by presenting a variety of interpretations of the film. This is not uncommon for works of art like literature and film. My opposition is because I think the practice is a slippery slope, and the frequent controversy over this section should be evidence enough that it is a bad idea here. If this continues we may risk the article's status under the good article criteria.

If the consensus is that we want to maintain such a section, then the section as it stands today will require a lot more work to meet standards. Even as a section for interpretation, it is currently one-sided and represents a highly subjective and fringe view of this artistic work. Therefore, it is misleading to anyone who comes here for information about the film. If we are to keep this section, at the very least it needs to be more inclusive of diverse views, not just one wildly speculative theory. Above all, it should contain at the forefront an analysis that is representative of the film's actual, objective content. Right now, all we have is a single viewpoint which is why it is not up to quality standards.

Shibbolethink, do you have a plan for expanding this section? If not, it should be taken down until such time as it can be improved. At present, it misrepresents the film and will mislead people who come here to learn about it. Peacetype (talk) 07:56, 12 July 2021 (UTC)

Sure, I'd love to improve it slowly over time. However, I'd also add that we may have a consensus (via compromise) that this section is fine as is, and could use improvement, but doesn't need it to remain on the wikipedia. Don't mistake your opinion that it should be removed if not improved for a WP:PAG. As far as I can tell, this opinion is not consistent with any policy. I would describe this view as "deletionist" which is more of a philosophy.--Shibbolethink 11:43, 12 July 2021 (UTC)

Shibbolethink, there is clearly a lack of consensus and you can confirm that the same way I did. I went through the entire view history of this page and saw that this problem goes all the way back to 2013. There is a long history of this section being taken down and then put back up again, back and forth, because some people apparently agree with this interpretation while others disagree with it. The compromise is to leave it up for now with a tag to let people know that it is in need of additional work. Peacetype (talk) 17:26, 12 July 2021 (UTC)

Peacetype, yes, and so that is what I have done. --Shibbolethink 19:32, 12 July 2021 (UTC)

Yikes this is a real disaster Tisthefirstletter (talk) 08:08, 5 August 2021 (UTC)

About the no.1 on Billboard video sales chart

This article has written a paragraph: "In August 1996, Ghost in the Shell became the first Japanese film to top the Billboard video sales chart, with over 200,000 VHS copies sold." But I have never heard about Billboard has kind of chart about video that doesn't relate to music. — Preceding unsigned comment added by Truy Mộng (talk • contribs) 02:34, August 13, 2020 (UTC)

References

1. "Look Japan". Look Japan. 43 (493–504). Look Japan, Limited. 1997. The video version, issued by an American distributor, went on to sell over 200,000 copies, making Ghost in the Shell the first Japanese movie to hit Number One on Billboard magazine's video sales chart last August.

Cite error: There are <ref> tags on this page without content in them (see the help page).== Japanese home video release ==

In possession of both the 1999 Japanese DVD (Amazon.jp, catalogue #BCBA-0246), as well as 2017's reissued Blu-ray (CDjapan, catalogue #BCXA-1230), I can confidently refute certain pieces of information. Unlike (original) Evangelion, Macross Plus, DYRL?, Perfect Blue, Roujin Z, DBZ films, ect., all of which I own, GITS never received a DVD restoration. Similar to Millennium Actress for example, GiTS's Renewal would come via Blu-ray. Emotion's Best of priced down reissue, which I once had, but no longer own, uses the same audio and video as '99. Link below is a comparison done by me. https://www.bulletsnbabesdvd.com/forums/viewtopic.php?t=7237

odd fourth 'graph of intro

The fourth paragraph of the intro seems odd to me. It's two sentences long I think, and neither sentence has anything to do with the other, one's about a minor remaster which has nothing to do with the second which is about a non-canon sequel? Maybe lengthen it to say something like subsequently it would be remastered and a non canon sequel by the same director was released. Fanccr (talk) 14:09, 28 January 2024 (UTC)

• Misplaced Pages good articles
• Media and drama good articles
• GA-Class science fiction articles
• High-importance science fiction articles
• WikiProject Science Fiction articles
• GA-Class film articles
• GA-Class Japanese cinema articles
• Japanese cinema task force articles
• WikiProject Film articles
• GA-Class anime and manga articles
• High-importance anime and manga articles
• All WikiProject Anime and manga pages
• GA-Class Gender studies articles
• Low-importance Gender studies articles
• WikiProject Gender studies articles