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{{Short description|American artist}}
{{COI|date=May 2013}}
{{third-party|date=September 2013}}
{{Infobox artist {{Infobox artist
| bgcolour = #76A8FF | name = David Horvitz
| name = David Horvitz | imagesize =
| image = | caption = David Horvitz
| imagesize = 200px | birth_name = David Horvitz
| birth_date = {{Birth year and age|1974}} <ref name="moma">{{Cite web|url=https://www.moma.org/artists/45783|title=David Horvitz {{!}} MoMA|website=www.moma.org|language=en|access-date=2018-08-24}}</ref>
⚫ | caption =
| birth_place = Los Angeles <ref name="moma" /><ref name="New Museum">{{Cite web|url=https://www.newmuseum.org/exhibitions/view/david-horvitz-gnomons|title=David Horvitz: Gnomons|website=www.newmuseum.org|language=en|access-date=2018-08-24}}</ref><ref name="artnet">{{cite web|url=https://news.artnet.com/art-world/moma-fellow-zanna-gilbert-gives-birth-in-uber-283706|title=MoMA Fellow Gives Birth in Uber - artnet News|date=31 March 2015|access-date=21 January 2017}}</ref><ref name="Art Basel">{{Cite web|url=https://www.artbasel.com/cities/catalog/David-Horvitz|title=David Horvitz|website=Art Basel|language=en|access-date=2018-08-24}}</ref>
| birth_name = David Horvitz
| birth_date = 1961 | image = File:David Horvitz.jpg
⚫ | nationality = American
| birth_place = ], ], USA
⚫ | field = ], ]
⚫ | nationality = American
⚫ | training =
⚫ | field = ], ], ]
| awards = (2018), (2020)
| training = ] at ], ]
| awards = | spouse = Zanna Gilbert <ref name="artnet" />
}} }}
'''David Horvitz''' is an American multi-media artist.


'''David Horvitz''' (born 1974) is an American artist who uses ], ], ], and ] as media for his work.<ref name="moma" /><ref name="New Museum" /><ref name="artnet" /><ref name="Art Basel" /> He is known for his work in the ].<ref name ="huffpost">{{cite news|url=http://www.huffingtonpost.com/rachel-mason/cloud-galleries-the-rise-_b_5551690.html|title=Cloud Galleries: The Rise of the Virtual Art Establishment|last=Mason|first=Rachel|date=7 July 2014|work=The Huffington Post|access-date=26 July 2014}}</ref> Horvitz is a graduate from ].
⚫ ==Career==
Horvitz uses ], ], ], watercolor, and ] to create his work.<ref name=CV>{{cite web|title=David Horvitz CV|url=http://www.galeriewest.nl/artists/David_Horvitz/3/10_09_David_Horvitz|publisher=Gallery West|accessdate=2 September 2013}}</ref> His work includes "A Misplaced Pages Reader," a mind map of artists browsing of Misplaced Pages, and "Public Access," photographs of beaches uploaded to Misplaced Pages. His published work includes: ''Xiu Xiu: The Polaroid Project'' (2007), ''Everything that can happen in a day'' (2010), and ''Sad, Depressed, People'' (2012). He has exhibited at SF Camerawork, the ], the ], ]<ref>{{cite web|title=As Yet Untitled: Artists and Writers in Collaboration|url=http://www.sfcamerawork.org/exhibitions/exhibitions_AsYetUntitled.php|publisher=SF Camerawork|accessdate=2 September 2013}}</ref> <ref>{{cite web|title=Artist Breakfast|url=http://post.at.moma.org/content_items/242-artist-breakfast|publisher=MoMA|accessdate=2 September 2013}}</ref> <ref>{{cite web|last=Tan|first=Lumi|title=Free|url=http://www.frieze.com/issue/review/free/|publisher=Frieze|accessdate=2 September 2013}}</ref> <ref>{{cite web|title=Rhizome at No Soul for Sale and David Horvitz's Mail Nothing to the Tate Modern|url=http://rhizome.org/editorial/2010/may/3/rhizome-at-no-soul-for-sale-and-david-horvitzs-mai/|publisher=Rhizome.org|accessdate=2 September 2013}}</ref>


⚫ == Career ==
In 2009 Horvitz released the artist book Rarely Seen Bas Jan Ader Film,<ref>{{cite web|url=http://2ndcannons.com/f_davidhorvtiz.html |title=2nd Cannons Publications |publisher=2ndcannons.com |date= |accessdate=2012-04-17}}</ref>{{dead link|date=September 2013}} with Los Angeles based publisher 2nd Cannons Publications. A few years prior Horvitz re-discovered a 1975 film by ], at the ]. <ref>{{cite web|author=July 16, 2009&nbsp;|url=http://latimesblogs.latimes.com/culturemonster/2009/07/art-review-david-horvitz-at-2nd-cannons-publications.html |title=Los Angeles Times |publisher=Latimesblogs.latimes.com |date=2009-07-16 |accessdate=2012-04-17}}</ref>
Horvitz uses ], ], ], watercolor, and ] as mediums for his work.<ref name=CV>{{cite web|title=David Horvitz CV|url=http://www.galeriewest.nl/artists/David_Horvitz/3/10_09_David_Horvitz|publisher=Gallery West|access-date=2 September 2013}}</ref><ref>{{cite news|url=http://www.outandaboutnashville.com/story/venture-path-september#.U9lQUmP4Tg0|title=Venture off the path in September|last=VanReece|first=Nancy|date=September 1, 2008|work=Out & About Nashville|quote=...along with the work of Grant Worth and David Horvitz, two contemporary photographers based out of New York City.|access-date=30 July 2014}}</ref>


The 1970s conceptual artist ] has been an important influence on Horvitz's art.<ref name ="LAT">{{cite web|url=http://latimesblogs.latimes.com/culturemonster/2009/07/art-review-david-horvitz-at-2nd-cannons-publications.html |title=Los Angeles Times |publisher=Latimesblogs.latimes.com |date=2009-07-16 |access-date=2012-04-17}}</ref> Horvitz's movie “Rarely Seen Bas Jan Ader Film”,{{#tag:ref|This video was originally uploaded anonymously to YouTube but then removed as a hoax, since it was not by Bas Jan Ader.|group=notes}} for example, shows a silent black and white clip a few seconds long of a man riding a bicycle into the sea. This evokes the imagery of Ader's works around the theme of falling and the myth surrounding Ader's disappearance at sea.<ref name ="artslant"></ref> Horvitz's book “Sad, Depressed People” relates back to Ader's movie “I'm too sad to tell you” in that all of the ]s Horvitz collected show people with their heads in their hands, as does Ader.<ref name="andreview"></ref>
⚫ ==References==
⚫ {{Reflist}}


Another influence on Horvitz's work is ]. As David put it “I relate to On Kawara’s work because of its ] and even ] readings.”<ref></ref>
==External links==
* Horvitz, D., , Random House 2010 ISBN 978-1-935613-06-0 (1-935613-06-5){{dead link|date=September 2013}}
* Horvitz, D., , Morava Books 2011 ISBN 978-83-926924-7-8
* Horvitz, D., , 2nd Cannons Publications 2009 ISBN 978-0-9820559-5-3
* , Brooklyn, NY: ASDF 2009.


In 2009, Horvitz started<ref>{{cite web|url=http://www.gtricks.com/google/crazy-google-image-search-241543903/|title=241543903 Gives Crazy Google Image Search Result|date=13 January 2011 |access-date=26 July 2017}}</ref> the “241543903/Head-in-a-Freezer” ]. People were encouraged to take a picture of their heads in a freezer and upload the image with the tag “241543903”. That way everyone could see each other's images by Googling “241543903”. The meme first gained popularity on ], Google's social network in Brazil. Horvitz spread the word by sending 100 fliers to a friend in Brazil who handed them out to random young people. It is a rare case where an internet meme was spread through ] means.<ref name = "AOL">{{cite web|url=http://www.huffingtonpost.com/section/comedy|title=Comedy|website=] |access-date=21 January 2017}}</ref><ref name = "absurdist">{{cite web|url=http://www.blouinartinfo.com/news/story/898465/emerging-david-horvitzs-multiversed-multimedia-and-oft|title=EMERGING: David Horvitz's Multiversed, Multimedia and Oft-Absurdist Art Video|last=Roffino|first=Sara|publisher=BlouinArtInfo|access-date=23 July 2014}}</ref>


In 2013, he created ''The Distance of a Day'' (two digital videos, 12 minutes each), an installation showing sunset and sunrise from opposite points on the globe, near Los Angeles and in the Maldives respectively, recorded at the same moment. The sunset and sunrise were shown side by side on the actual phones (two ]s) that recorded the scenes. The installation was exhibited at the ] fair in June 2013.<ref name="Daily Beast">{{cite news|url=http://www.thedailybeast.com/articles/2013/06/17/david-horvitz-at-art-basel-is-the-daily-pic-by-blake-gopnik.html|title=A Gift to Galileo, The Daily Pic: David Horvitz shows sunset and sunrise from opposite points on the globe|last=Gopnik|first=Blake|author-link1=Blake Gopnik|date=17 June 2013|work=The Daily Beast|access-date=26 July 2014}}</ref><ref>{{cite web|url=http://blog.artfetch.com/local-colour/|title=Local Colour?|last=Lehtinen|first=Suvi|date=12 July 2013|publisher=Artfetch|access-date=26 July 2014|archive-url=https://web.archive.org/web/20140811225321/http://blog.artfetch.com/local-colour/|archive-date=11 August 2014|url-status=dead}}</ref><ref>{{cite web|url=http://www.art-agenda.com/reviews/art-basel-2/|title=Art Basel, Basel, June 13–16, 2013|last=Rosenmeyer|first=Aoife|date=June 13, 2013|publisher=Art Agenda|access-date=26 July 2014}}</ref><ref>{{cite web|url=https://www.artbasel.com/-/media/ArtBasel/Documents/Basel_Maps/Art_Basel_in_Basel_2013_Floorplan.pdf|title=Art Basel - Basel - June 13-16 2013 - Floorplan|year=2013|publisher=Art Basel|access-date=26 July 2014|url-status=dead|archive-url=https://web.archive.org/web/20131002134846/https://www.artbasel.com/-/media/ArtBasel/Documents/Basel_Maps/Art_Basel_in_Basel_2013_Floorplan.pdf|archive-date=2 October 2013}}; {{cite web|url=https://www.artbasel.com/-/media/ArtBasel/Pictures/Press_Images_Basel/Statements_2013/ARTBASEL2013_MEG_13_070_Chert.jpg?mw=1280|title=ARTBASEL2013_MEG_13_070_Chert|year=2013|publisher=Art Basel|access-date=26 July 2014|archive-url=https://web.archive.org/web/20140727014537/https://www.artbasel.com/-/media/ArtBasel/Pictures/Press_Images_Basel/Statements_2013/ARTBASEL2013_MEG_13_070_Chert.jpg?mw=1280|archive-date=27 July 2014|url-status=dead}}</ref>

On July 18, 2013, as part of an online one-day project named ''Artist Breakfast'', he "invited artists all over the world to share photos and short descriptions of their morning meals with online audiences throughout the day."<ref>{{cite news|url=http://www.artinamericamagazine.com/news-features/news/the-art-world-eats-breakfast-all-day-long/|title=The Art World Eats Breakfast All Day Long|last=Cascone|first=Sarah|date=18 July 2013|work=Art in America|access-date=26 July 2014}}</ref><ref>{{cite news|url=http://www.poetryfoundation.org/harriet/2013/07/david-horvitz-would-like-to-invite-you-to-breakfast/|title=David Horvitz Would Like to Invite You to Breakfast|date=16 July 2013|publisher=Poetry News|access-date=26 July 2014|archive-url=https://web.archive.org/web/20140727055652/http://www.poetryfoundation.org/harriet/2013/07/david-horvitz-would-like-to-invite-you-to-breakfast/|archive-date=27 July 2014|url-status=dead}}</ref>

Horvitz's ''Gnomons'' was exhibited at the ] in 2014, featuring four works based on the concept of time. The final work was a performance piece titled ''Let us Keep our Own Noon'', where volunteers rang brass bells in the streets around the museum at ] and then walked away from each other until they could not hear other bells.<ref>{{cite news|url=http://galleristny.com/2014/06/in-search-of-new-time-david-horvitz-at-the-new-museum/|title=In Search of New Time: David Horvitz at the New Museum|last=Lohr|first=Nikki|date=27 June 2014|publisher=Gallerist|access-date=26 July 2014}}</ref><ref>{{cite news|url=https://www.nytimes.com/2014/05/23/arts/design/aural-installations-take-over-new-museum.html?_r=0|title=Sounds of all but Silence|last=Smith|first=Roberta|date=22 May 2014|work=New York Times|access-date=26 July 2014}}</ref><ref>{{cite web|url=http://www.newmuseum.org/exhibitions/view/david-horvitz-gnomons |title=David Horvitz: Gnomons |publisher=New Museum |access-date=2014-07-28}}</ref> The piece was performed again in 2016 for the 10th anniversary of “Sequences”, ]'s biennial festival of “real time art”.
<ref name ="ArtReview"></ref>

His work also includes ''"A Misplaced Pages Reader"'', a mind map of artists' browsing of Misplaced Pages.<ref name="XLR8R">{{cite web|url=http://www.xlr8r.com/features/2009/03/david-horvitz-giving-it-all-away|title=David Horvitz: Giving it All Away|date=24 March 2009 |access-date=21 January 2017}}</ref>

His work ''Public Access'' (2010) includes photographs of himself at various public beaches in California which were uploaded to the ] and then inserted into the Misplaced Pages pages, and the subsequent reaction of the Commons and Misplaced Pages communities to his actions. These actions included criticism of the quality and artistry of the images, suspicion of the uploader's motives, and deletion of most of the images and/or removal of himself from the images. ''Public Access'' is "the piece for which he is most well known"<ref name="absurdist"/> and is one of his projects which existed "only for a short time."<ref>{{cite journal|last=Fabricius|first=Jacob|date=April–May 2013|title=What color is your parachute, David Horvitz?|journal=]|issue=38|pages=168–171|url=http://chertberlin.files.wordpress.com/2013/05/mousse.pdf|language=en, it|location=Milan}}</ref> Before all items were deleted, Horvitz printed them out, bound them, and covertly placed the bound books in the history sections of local libraries along the California Coast.<ref name = artwalk>{{cite web|url=http://www.independent.com/news/2014/sep/17/review-emrequiem-bibliophileem-mcasb/|title=Review: Requiem for the Bibliophile at MCASB|access-date=21 January 2017}}</ref>

In 2014, his ''"somewhere in between the jurisdiction of time"'' was displayed at ], featuring water collected from the ] between the ] and ]s kept in handmade glass bottles and shown in a straight North/South line. ] described the work as creating "some weird uncrossable divide...The mere suggestion of a demarcation forces our moves".<ref name = "Berardini">{{cite web|author=Andrew Berardini |url=http://www.art-agenda.com/reviews/david-horvitz/ |title=David Horvitz |publisher=Art Agenda |date=2014-07-29 |access-date=2014-08-10}}</ref>

In 2016, David Horvitz hired a ] to place sculptures in the pockets of attendees of the annual ]. This was part of “Frieze Projects” a program of 6 commissioned interactive activities at the fair. Said Horvitz, “Imagine how much money is concentrated there, among collectors and galleries—and then there’s this person walking around who’s basically a trained thief,” <ref>{{cite news|url=https://www.wsj.com/articles/at-frieze-art-fair-a-pickpocket-covertly-gives-instead-of-takes-1462404879|title=At Frieze Art Fair, a Pickpocket Covertly Gives Instead of Takes|first=Andy|last=Battaglia|date=5 May 2016|access-date=21 January 2017|newspaper=Wall Street Journal}}</ref>

His published work includes: '']: The Polaroid Project'' (2007), ''Everything that can happen in a day'' (2010), and ''Sad, Depressed, People'' (2012).

He has exhibited at ], the ], the ], ], and ].<ref>{{cite web|title=As Yet Untitled: Artists and Writers in Collaboration |url=http://www.sfcamerawork.org/exhibitions/exhibitions_AsYetUntitled.php |publisher=SF Camerawork |access-date=2 September 2013 |url-status=dead |archive-url=https://web.archive.org/web/20130921054231/http://www.sfcamerawork.org/exhibitions/exhibitions_AsYetUntitled.php |archive-date=September 21, 2013 }}</ref><ref>{{cite web|title=Artist Breakfast|url=http://post.at.moma.org/content_items/242-artist-breakfast|publisher=MoMA|access-date=2 September 2013}}</ref><ref>{{cite web|last=Tan|first=Lumi|title=Free|url=http://www.frieze.com/issue/review/free/|publisher=Frieze|access-date=2 September 2013}}</ref><ref>{{cite news|url=https://www.theglobeandmail.com/arts/art-and-architecture/art-metropole-forty-year-anniversary/article21657607/|title=Forty years strong, Art Metropole is not having a midlife crisis|last=Adams|first=James|date=November 19, 2014|work=The Globe and Mail|publisher=The Globe and Mail Inc.|access-date=26 November 2014}}</ref>

===Selected publications===
* ''Mood Disorder.'' Los Angeles: No Documents. 2015. {{ISBN|9781927354230}}
* ''Stolen Spoons.'' Copenhagen: Pork Salad Press. 2015. {{ISBN|9788791409776}}
* ''How To Shoplift Books.'' Portland: Publication Studio. 2014. {{ISBN|9781624620485}}
* ''Public Access.'' Berlin: Motho. 2012.
* ''Sad. Depressed. People.'' Los Angeles: No Documents. 2012. {{ISBN|9781927354018}}

==Notes==
{{reflist|group=notes}}

⚫ ==References==
⚫ {{Reflist|30em}}

==Further reading==
*
*{{cite journal |last=Pofalla|first=Boris|date=July 2013 |title=Künstler, die uns aufgefallen sind: David Horvitz |trans-title=Artists who attracted our attention: David Horvitz|url=http://chertberlin.files.wordpress.com/2013/06/monopol-david-horvitz.pdf |journal=] |issue=7 |language=de |pages=32–33 |access-date=27 July 2014}}
*, Education at MoMA, ], 2016.
*]

{{authority control}}


{{Persondata <!-- Metadata: see ]. -->
| NAME = Horvitz, David
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = American artist
| DATE OF BIRTH = 1981
| PLACE OF BIRTH = ], ], ]
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Horvitz, David}} {{DEFAULTSORT:Horvitz, David}}
] ]
]
] ]
] ]
] ]
] ]
] ]
]
] ]
]

Latest revision as of 17:19, 6 November 2024

American artist
David Horvitz
David Horvitz
BornDavid Horvitz
1974 (age 50–51)
Los Angeles
NationalityAmerican
Known forMail art, photography
SpouseZanna Gilbert
AwardsHenraux Foundation Prize (2018), Follow Fluxus laureate (2020)

David Horvitz (born 1974) is an American artist who uses art books, photography, performance art, and mail art as media for his work. He is known for his work in the virtual sphere. Horvitz is a graduate from Bard College.

Career

Horvitz uses art books, photography, performance art, watercolor, and mail art as mediums for his work.

The 1970s conceptual artist Bas Jan Ader has been an important influence on Horvitz's art. Horvitz's movie “Rarely Seen Bas Jan Ader Film”, for example, shows a silent black and white clip a few seconds long of a man riding a bicycle into the sea. This evokes the imagery of Ader's works around the theme of falling and the myth surrounding Ader's disappearance at sea. Horvitz's book “Sad, Depressed People” relates back to Ader's movie “I'm too sad to tell you” in that all of the stock images Horvitz collected show people with their heads in their hands, as does Ader.

Another influence on Horvitz's work is On Kawara. As David put it “I relate to On Kawara’s work because of its existential and even zen readings.”

In 2009, Horvitz started the “241543903/Head-in-a-Freezer” meme. People were encouraged to take a picture of their heads in a freezer and upload the image with the tag “241543903”. That way everyone could see each other's images by Googling “241543903”. The meme first gained popularity on Orkut, Google's social network in Brazil. Horvitz spread the word by sending 100 fliers to a friend in Brazil who handed them out to random young people. It is a rare case where an internet meme was spread through IRL means.

In 2013, he created The Distance of a Day (two digital videos, 12 minutes each), an installation showing sunset and sunrise from opposite points on the globe, near Los Angeles and in the Maldives respectively, recorded at the same moment. The sunset and sunrise were shown side by side on the actual phones (two iPhones) that recorded the scenes. The installation was exhibited at the Art Basel fair in June 2013.

On July 18, 2013, as part of an online one-day project named Artist Breakfast, he "invited artists all over the world to share photos and short descriptions of their morning meals with online audiences throughout the day."

Horvitz's Gnomons was exhibited at the New Museum in 2014, featuring four works based on the concept of time. The final work was a performance piece titled Let us Keep our Own Noon, where volunteers rang brass bells in the streets around the museum at solar noon and then walked away from each other until they could not hear other bells. The piece was performed again in 2016 for the 10th anniversary of “Sequences”, Reykjavík's biennial festival of “real time art”.

His work also includes "A Misplaced Pages Reader", a mind map of artists' browsing of Misplaced Pages.

His work Public Access (2010) includes photographs of himself at various public beaches in California which were uploaded to the Wikimedia Commons and then inserted into the Misplaced Pages pages, and the subsequent reaction of the Commons and Misplaced Pages communities to his actions. These actions included criticism of the quality and artistry of the images, suspicion of the uploader's motives, and deletion of most of the images and/or removal of himself from the images. Public Access is "the piece for which he is most well known" and is one of his projects which existed "only for a short time." Before all items were deleted, Horvitz printed them out, bound them, and covertly placed the bound books in the history sections of local libraries along the California Coast.

In 2014, his "somewhere in between the jurisdiction of time" was displayed at Blum & Poe, featuring water collected from the Pacific Ocean between the Pacific and Alaska Time Zones kept in handmade glass bottles and shown in a straight North/South line. Andrew Berardini described the work as creating "some weird uncrossable divide...The mere suggestion of a demarcation forces our moves".

In 2016, David Horvitz hired a pickpocket to place sculptures in the pockets of attendees of the annual Frieze Art Fair. This was part of “Frieze Projects” a program of 6 commissioned interactive activities at the fair. Said Horvitz, “Imagine how much money is concentrated there, among collectors and galleries—and then there’s this person walking around who’s basically a trained thief,”

His published work includes: Xiu Xiu: The Polaroid Project (2007), Everything that can happen in a day (2010), and Sad, Depressed, People (2012).

He has exhibited at SF Camerawork, the Museum of Modern Art, the New Museum, Tate Modern, and Art Metropole.

Selected publications

Notes

  1. This video was originally uploaded anonymously to YouTube but then removed as a hoax, since it was not by Bas Jan Ader.

References

  1. ^ "David Horvitz | MoMA". www.moma.org. Retrieved 2018-08-24.
  2. ^ "David Horvitz: Gnomons". www.newmuseum.org. Retrieved 2018-08-24.
  3. ^ "MoMA Fellow Gives Birth in Uber - artnet News". 31 March 2015. Retrieved 21 January 2017.
  4. ^ "David Horvitz". Art Basel. Retrieved 2018-08-24.
  5. Mason, Rachel (7 July 2014). "Cloud Galleries: The Rise of the Virtual Art Establishment". The Huffington Post. Retrieved 26 July 2014.
  6. "David Horvitz CV". Gallery West. Retrieved 2 September 2013.
  7. VanReece, Nancy (September 1, 2008). "Venture off the path in September". Out & About Nashville. Retrieved 30 July 2014. ...along with the work of Grant Worth and David Horvitz, two contemporary photographers based out of New York City.
  8. "Los Angeles Times". Latimesblogs.latimes.com. 2009-07-16. Retrieved 2012-04-17.
  9. Sarah-Neel Smith “David Horvitz in Chinatown”, Artslant Los Angeles, 27 July 2009
  10. Rachel Peddersen “In conversation with David Horvitz”, Andreview, Fall & Winter 2013
  11. Clay, Jacqueline, and Hood Morgan, Katie, “Wish you were here” Interview with David Horvitz, West Gallery
  12. "241543903 Gives Crazy Google Image Search Result". 13 January 2011. Retrieved 26 July 2017.
  13. "Comedy". HuffPost. Retrieved 21 January 2017.
  14. ^ Roffino, Sara. "EMERGING: David Horvitz's Multiversed, Multimedia and Oft-Absurdist Art Video". BlouinArtInfo. Retrieved 23 July 2014.
  15. Gopnik, Blake (17 June 2013). "A Gift to Galileo, The Daily Pic: David Horvitz shows sunset and sunrise from opposite points on the globe". The Daily Beast. Retrieved 26 July 2014.
  16. Lehtinen, Suvi (12 July 2013). "Local Colour?". Artfetch. Archived from the original on 11 August 2014. Retrieved 26 July 2014.
  17. Rosenmeyer, Aoife (June 13, 2013). "Art Basel, Basel, June 13–16, 2013". Art Agenda. Retrieved 26 July 2014.
  18. "Art Basel - Basel - June 13-16 2013 - Floorplan" (PDF). Art Basel. 2013. Archived from the original (PDF) on 2 October 2013. Retrieved 26 July 2014.; "ARTBASEL2013_MEG_13_070_Chert". Art Basel. 2013. Archived from the original on 27 July 2014. Retrieved 26 July 2014.
  19. Cascone, Sarah (18 July 2013). "The Art World Eats Breakfast All Day Long". Art in America. Retrieved 26 July 2014.
  20. "David Horvitz Would Like to Invite You to Breakfast". Poetry News. 16 July 2013. Archived from the original on 27 July 2014. Retrieved 26 July 2014.
  21. Lohr, Nikki (27 June 2014). "In Search of New Time: David Horvitz at the New Museum". Gallerist. Retrieved 26 July 2014.
  22. Smith, Roberta (22 May 2014). "Sounds of all but Silence". New York Times. Retrieved 26 July 2014.
  23. "David Horvitz: Gnomons". New Museum. Retrieved 2014-07-28.
  24. Oliver Basciano “How to throw an Icelandic birthday party”, ArtReview
  25. "David Horvitz: Giving it All Away". 24 March 2009. Retrieved 21 January 2017.
  26. Fabricius, Jacob (April–May 2013). "What color is your parachute, David Horvitz?" (PDF). Mousse Magazine (in English and Italian) (38). Milan: 168–171.
  27. "Review: Requiem for the Bibliophile at MCASB". Retrieved 21 January 2017.
  28. Andrew Berardini (2014-07-29). "David Horvitz". Art Agenda. Retrieved 2014-08-10.
  29. Battaglia, Andy (5 May 2016). "At Frieze Art Fair, a Pickpocket Covertly Gives Instead of Takes". Wall Street Journal. Retrieved 21 January 2017.
  30. "As Yet Untitled: Artists and Writers in Collaboration". SF Camerawork. Archived from the original on September 21, 2013. Retrieved 2 September 2013.
  31. "Artist Breakfast". MoMA. Retrieved 2 September 2013.
  32. Tan, Lumi. "Free". Frieze. Retrieved 2 September 2013.
  33. Adams, James (November 19, 2014). "Forty years strong, Art Metropole is not having a midlife crisis". The Globe and Mail. The Globe and Mail Inc. Retrieved 26 November 2014.

Further reading

Categories: