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{{Short description|Comic book superhero}} | |||
{{Redirect|Bruce Wayne|the planned TV series|Bruce Wayne (TV series)|the Amalgam Comics character|Bruce Wayne (Amalgam Comics)}} | |||
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{{Infobox comics character | {{Infobox comics character | ||
| character_name = Batman | |||
|image = Comic Art - Batman by Jim Lee (2002).png | |||
| image = Batman Infobox.jpg<!--Do NOT change this image without consensus from the Talk page--> | |||
|imagesize = | |||
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| imagesize = | ||
| converted = y | |||
|caption = Promotional art for '']'' #608 (October 2002, second printing)<br />Pencils by ] and inks by ] | |||
| caption = Cover of the ] of '']'' (2011)<br>Art by ] | |||
|publisher = ] | |||
| |
| alt = | ||
| publisher = ] | |||
|creators = ]<ref>], ''Comic Book Encyclopedia'' (], New York, 2004) ISBN 978-0-06-053816-3</ref> {{nowrap|(developer, uncredited)}} <br /> ] (concept) | |||
| debut = '']'' ]<br />(]d May 1939; published March 30, 1939)<ref name="Debut2">{{cite news |first=Alex |last=Zalben |title=When Is Batman's Birthday, Actually? |url=http://www.mtv.com/news/1725027/batman-75th-anniversary-birthday-date/ |website=] |publisher=]|location=New York City|date=March 28, 2014 |access-date=August 9, 2014 |archive-url=https://web.archive.org/web/20140726083747/http://www.mtv.com/news/1725027/batman-75th-anniversary-birthday-date/ |archive-date=July 26, 2014 |url-status=dead }}</ref><!-- "Debut" indicates the first appearance of a character, not a change to the character's backstory. --> | |||
|alter_ego = Bruce Wayne <!-- Do not enter a middle name. He has been depicted with too many different middle names to enter a specific one here. Also, there is no past or current, dead or alive in fiction from a real world perspective; the infobox should cover the Batman known to the public consciousness and not a current comic book storyline. --> | |||
| creators = {{plainlist| | |||
|alliances = ]<br />]<br />]<br />]<br />]<!-- Because the body that was resurrected in Blackest Night #5 was revealed to be a clone from Darkseid, Bruce Wayne himself was never part of the Black Lantern Corps. --> | |||
* ] | |||
|partners = ] (various)<br />]<br />]<br />]<br />]<br />]<br />]<br />]<!--Try to keep this list short--> | |||
* ]{{efn|Finger was not credited in official materials until 2015.<ref name="FingerSep2015">{{cite web|title=DC Entertainment To Give Classic Batman Writer Credit in 'Gotham' and 'Batman v Superman' (Exclusive) |url=https://www.hollywoodreporter.com/heat-vision/dc-entertainment-give-classic-batman-824572 |website=Hollywood Reporter |date=September 18, 2015 |access-date=September 21, 2015 |url-status=live |archive-url=https://web.archive.org/web/20151022181821/http://www.hollywoodreporter.com/heat-vision/dc-entertainment-give-classic-batman-824572 |archive-date=October 22, 2015 }}</ref><ref name="FingerOct2015">{{cite web|url=http://comicsalliance.com/bill-finger-batman-comics-credit/ |title=Bill Finger Has A Creator Credit On This Week's Batman Comics |last=Sims |first=Chris |date=October 21, 2015 |access-date=October 21, 2015|work=Comics Alliance |url-status=dead |archive-url=https://web.archive.org/web/20160304114836/http://comicsalliance.com/bill-finger-batman-comics-credit/ |archive-date=March 4, 2016 }}</ref>}} | |||
|aliases = Matches Malone,<ref>''Batman'' (vol. 1) #242 (June 1972)</ref> Sir Hemingford Grey, Mordecai Wayne, The Insider, Lefty Knox,<ref>''Detective Comics'' (vol. 1) #846 (September 2008)</ref> Minuteman<ref>'']'' #1 (July 2000)</ref> | |||
}} | |||
|powers = | |||
| alter_ego = Bruce Wayne<!-- Do not enter a middle name. He has been depicted with too many different middle names to enter a specific one here. Also, there is no past or current, dead, or alive in fiction from a real world perspective; the infobox should cover the Batman known to the public consciousness and not a current comic book storyline. --> | |||
* ]-level intellect | |||
| alliances = {{plainlist| | |||
* Peak physical and mental conditioning | |||
* ] | |||
* Master ], ], detective, escapologist, strategist, swordsman, tactician, and marksman | |||
* ] | |||
* Use of high-tech equipment, weapons, armors, & gadgets | |||
* ] | |||
* Master of stealth | |||
* ] | |||
* Master of disguise | |||
<!-- Because the body that was resurrected in Blackest Night #5 was revealed to be a clone from Darkseid, Bruce Wayne himself was never part of the Black Lantern Corps. --> | |||
* Highly proficient with technology | |||
}} | |||
* Excellent observational skills | |||
| homeworld = ] | |||
* Access to vast wealth and criminal records | |||
| partners = {{plainlist| | |||
* Trained computer hacker | |||
<!--Try to keep this list short. No need to fill with Batman supporting characters and Justice League colleagues--> | |||
* ] | |||
* ] (various<!--Use Robin to include NIGHTWING and other ex-Robin identities-->) | |||
|cat = super | |||
* ] (various<!--Incorporating Oracle, Huntress, Spoiler, etc.-->) | |||
|subcat = DC Comics | |||
* ] | |||
|hero = y | |||
* ] | |||
|sortkey = Batman | |||
* ] | |||
* ] | |||
* ] | |||
<!--Please heed the note above! Don't add more characters to keep the list not excessive--> | |||
}} | |||
| aliases = {{plainlist| | |||
* Dark Knight | |||
* Caped Crusader | |||
* ] | |||
* World's Greatest Detective | |||
}} | |||
| powers = | |||
* ]-level intellect | |||
* Expert ] | |||
* Master ] and hand-to-hand combatant | |||
* Master tactician, strategist, and field commander | |||
* Uses high-tech equipment and weapons | |||
| cat = super | |||
| subcat = DC Comics | |||
| hero = y | |||
| sortkey = Batman | |||
}} | }} | ||
'''Batman'''{{efn|Sometimes referred to as "the Batman" and originally stylized as '''The Bat-Man'''}} is a <!--Do not add "fictional" as it is tautological; superheroes (and characters in general) are by definition implied to be fictionalized to some extent.-->] who appears in ]s published by ]. Batman was created by the artist ] and writer ], and debuted in ] of the comic book '']'' on March 30, 1939. In the ], Batman is the alias of '''Bruce Wayne''', a wealthy American ], ], and industrialist who resides in ]. ] features him swearing vengeance against criminals after witnessing the murder of his parents, ] and ], as a child, a vendetta tempered by the ideal of ]. He trains himself physically and intellectually, crafts a ], and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with ], including his sidekicks ] and ]; allies ] and ]; love interest ]; and ] such as the ], the ], ], and his ], the ]. | |||
'''Batman''' is a fictional character, a ] ] appearing in comic books published by ]. Batman was created by artist ] and writer ], and first appeared in '']'' #27 (May 1939). Originally referred to as "the Bat-Man" and still referred to at times as "the Batman", the character is additionally known as "the Caped Crusader",<ref name="Fleisher">Fleisher, Michael L. ''The Encyclopedia of Comic Book Heroes Volume 1 Batman'' Collier Books 1976 ISBN 978-0-02-080090-3 p. 31</ref> "the Dark Knight",<ref name="Fleisher"/> and "the World's Greatest Detective",<ref name="Fleisher"/> among other titles. | |||
Kane conceived Batman in early 1939 to capitalize on the popularity of ]; although Kane frequently claimed sole creation credit, Finger substantially developed the concept from a generic superhero into something more ]-like. They drew inspiration from ] characters like ] and ]. Batman received a ] publication, '']'', in 1940. Kane and Finger introduced Batman as a ruthless vigilante who frequently killed or maimed criminals, but he evolved into a just, tempered superhero with a stringent moral code that prohibits killing during the 1940s. Unlike most superheroes, Batman does not possess any ], instead relying on his intellect, fighting skills, and wealth. The 1960s '']'' television series used a ] aesthetic, which continued to be associated with Batman for years after it ended. Various creators worked to return Batman to his darker roots in the 1970s and 1980s, culminating with the 1986 ] '']'' by ]. | |||
Batman is the ] of '''Bruce Wayne''', an ] billionaire, industrialist, and philanthropist. Having witnessed the murder of his parents as a child, he swore revenge on criminals, an oath tempered with the greater ideal of justice. Wayne trains himself both physically and intellectually and dons a ] in order to fight crime.<ref name="dc-ency">{{cite book | last = Beatty | first = Scott | author-link = | contribution = Batman | editor-last = Dougall | editor-first = Alastair | title = The DC Comics Encyclopedia | pages = 40–44 | publisher = ] | place = London | year = 2008 | isbn = 978-0-7566-4119-1}}</ref> Batman operates in the fictional ], assisted by various supporting characters including his crime-fighting partner, ], his butler ], the police commissioner ], and occasionally the heroine ]. He fights an assortment of villains, often referred to as the "]", which includes the ], the ], the ], ], ], ], ], and ], among many others. Unlike most superheroes, he does not possess any ]; he makes use of intellect, detective skills, science and technology, wealth, physical prowess, martial arts skills, an indomitable will, fear, and intimidation in his continuous war on crime. | |||
DC has featured Batman in ], including comics published under its ]s such as ] and ]; he has been considered DC's flagship character since the 1990s. The longest-running Batman comic, ''Detective Comics'', is the longest-running comic book in the United States. Batman is frequently depicted alongside other DC superheroes, such as Superman and ], as a member of organizations such as the ] and the ]. In addition to Bruce Wayne, other characters used the Batman persona, such as ] / ] in the 1993–1994 "]" story arc; ], the first Robin, from 2009 to 2011; and ], the son of Wayne's ally ], since 2021.<ref>{{cite web|url=https://www.cbr.com/i-am-batman-0-comic-review/|title=''I Am Batman'' #0 Comic review|first=Sayantan|last=Gayen|work=]|access-date=19 August 2021|date=18 August 2021|archive-date=March 6, 2022|archive-url=https://web.archive.org/web/20220306043503/https://www.cbr.com/i-am-batman-0-comic-review/|url-status=live}}</ref> DC has also published comics featuring alternate versions of Batman, including the incarnation seen in ''The Dark Knight Returns'' and its successors, ] from the '']'' (2011) event, and numerous interpretations in comics published under the ] label. | |||
Batman became a very popular character soon after his introduction and gained his own comic book title, '']'', in 1940. As the decades wore on, differing interpretations of the character emerged. The late 1960s '']'' television series used a ] aesthetic which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, with varying results. The comic books of this dark stage culminated in the acclaimed 1986 miniseries '']'', by ], as well as '']'' by ] and '']'' by ], among others. The overall success of ]' live-action '']'' feature films have also helped maintain public interest in the character.<ref>{{cite news | url=http://www.independent.co.uk/arts-entertainment/film-and-tv/features/the-big-question-what-is-the-history-of-batman-and-why-does-he-still-appeal-873780.html | title=The Big Question: What is the history of Batman, and why does he still appeal? | work=] | date=July 22, 2008 | location=London| archiveurl=http://web.archive.org/web/20080729223151/http://www.independent.co.uk:80/arts-entertainment/film-and-tv/features/the-big-question-what-is-the-history-of-batman-and-why-does-he-still-appeal-873780.html | archivedate=2008-07-29 }}</ref> | |||
] and has been listed among the greatest comic book superheroes and characters ever created. He is one of the most commercially successful superheroes, and his likeness has been licensed and featured in ] and merchandise sold around the world; this includes toy lines such as '']'' and video games such as the '']'' series. Batman has been adapted in many live-action and animated television series and films. ] portrayed him in the 1960s ''Batman'' television series, and he has been portrayed ] by ], ], ], ], ], and ]. Many actors, most prolifically ], have provided Batman's voice in animation and video games. In September 2024, Batman was given a star on the ], being the first superhero to receive the honor. | |||
An ], Batman has been ], from radio to television and film, and appears on a variety of merchandise sold all over the world such as toys and video games. The character has also intrigued psychiatrists with many trying to understand the character's psyche and his true ego in society. In May 2011, Batman placed second on IGN's Top 100 Comic Book Heroes of All Time,<ref>{{cite web | url=http://www.ign.com/top/comic-book-heroes/2 | title=Batman – Top 100 Comic Book Heroes | publisher=IGN Entertainment | accessdate=2011-05-27| archiveurl=http://web.archive.org/web/20140220133403/http://www.ign.com/top/comic-book-heroes/2 | archivedate=2014-02-20 }}</ref> after ]. '']'' magazine also listed him second in their 50 Greatest Comic Book Characters of All Time. The character has been portrayed in films by ], ], ], ], ], ], ], ], and soon by ]. | |||
{{TOC limit|3}} | |||
==Publication history== | |||
{{See also|List of Batman comics}} | |||
== Publication history == | |||
===Creation=== | |||
{{Main article|Publication history of Batman}} | |||
In early 1939, the success of ] in '']'' prompted editors at the comic book division of ] (the future DC Comics) to request more superheroes for its titles. In response, ] created "the Bat-Man."<ref>]. ''Batman: The Complete History''. Chronicle Books, 1999. ISBN 978-0-8118-4232-7, pg. 18</ref> Collaborator ] recalled "Kane had an idea for a character called 'Batman', and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small ], swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN."<ref>]. ''The Steranko History of Comics 1''. Reading, PA: Supergraphics, 1970. (ISBN 978-0-517-50188-7)</ref> The bat wing like cape was suggested by Bob Kane; who was inspired by seeing ]'s sketch of an ] flying device as a child.<ref>{{cite book|title=Batman - The Complete History: The Life and Times of the Dark Knight|author=Les Daniels|url=http://books.google.com/books/about/Batman_The_Complete_History.html?id=73wknu2cVIkC|pages=18–20}}</ref> | |||
===Creation and early history=== | |||
Finger offered such suggestions as giving the character a ] instead of a simple domino mask, a cape instead of wings, and gloves, and removing the red sections from the original costume.<ref>Daniels (1999), pg. 21, 23</ref><ref>{{cite journal|author=Havholm, Peter|title=Corporate Authorship: A Response to Jerome Christensen|journal=Critical Inquiry|volume=30|issue=1|date=Autumn 2003|page=192|issn=00931896|doi=10.1086/380810|last2=Sandifer|first2=Philip}}</ref><ref name="Archives 3">Biography by Joe Desris, in ''Batman Archives'', Volume 3 (], 1994), p. 223 ISBN 978-1-56389-099-4</ref><ref>{{cite book |authorlink=Les Daniels |last=Daniels |first=Les |title=Batman: The Complete History |publisher=Chronicle Books |year=1999 |isbn=978-0-8118-4232-7 |pages=21, 23}}</ref> Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from ], the ] patriot. Bruce, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of ]."<ref name="creation">Kane, Andrae, p. 44</ref> He later said his suggestions were influenced by ]'s popular '']'', a ] newspaper comic-strip character with which Kane was familiar as well.<ref name="autogenerated1">Kane, Andrae, p. 41</ref> | |||
In early 1939, following the success of ], ]' editors requested more superheroes.<ref>{{harvp|Daniels|1999|p=18}}</ref> ] created Batman, initially drawing a character with red tights, bat wings, and a domino mask. ], a collaborator, made significant contributions by suggesting a cowl, cape, gloves, and a darker costume.<ref>]. ''The Steranko History of Comics 1''. Reading, PA: Supergraphics, 1970. ({{ISBN|978-0-517-50188-7}})</ref> The character's alter ego, ], was inspired by historical figures ] and ].<ref name="creation">Kane, Andrae, p. 44.</ref> Batman's early adventures drew inspiration from contemporary pulp fiction and characters like Zorro and the Shadow, establishing Batman as a master detective with a dark, brooding persona driven by the murder of his parents.{{sfnp|Boichel|1991|pp=6–7}}<ref>{{harvp|Daniels|2004|p=31}}</ref> | |||
Kane and Finger drew upon contemporary 1930s popular culture for inspiration regarding much of the Bat-Man's look, personality, methods and weaponry. Details find predecessors in ], ]s, ] headlines, and autobiographical details referring to Kane himself.<ref>Daniels, Les. ''DC Comics: A Celebration of the World's Favorite Comic Book Heroes''. New York: Billboard Books/Watson-Guptill Publications, 2003, ISBN 978-0-8230-7919-3, pg. 23</ref> As an aristocratic hero with a double identity, the Bat-Man had predecessors in the ] (created by ], 1903) and ] (created by ], 1919). Like them, he performed his heroic deeds in secret, averted suspicion by playing the fool in public, and marked his work with a signature symbol. Kane specifically noted the influence of the films '']'' (1920) and '']'' (1930) in the creation of the character's iconography. Finger, drawing inspiration from pulp heroes like ], ], ] and ], made the character a master sleuth.<ref>Boichel, Bill. "Batman: Commodity as Myth." ''The Many Lives of the Batman: Critical Approaches to a Superhero and His Media''. Routledge: London, 1991. ISBN 978-0-85170-276-6, pg. 6–7</ref><ref>{{cite book|title=Batman - The Complete History: The Life and Times of the Dark Knight|author=Les Daniels|url=http://books.google.com/books/about/Batman_The_Complete_History.html?id=73wknu2cVIkC|page=31}}</ref> | |||
===Golden, Silver and Bronze Ages=== | |||
In his 1989 autobiography, Kane detailed Finger's contributions to Batman's creation: | |||
{{See also|List of Batman comics}} | |||
{{quote|One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at'. He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark gray to make it look more ominous'. The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action, and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.<ref name=autogenerated1 />}} | |||
Batman debuted in ''Detective Comics'' #27 in 1939. Early stories were dark, featuring a Batman who did not shy away from killing. The character quickly became popular, leading to his own solo title in 1940. Robin, Batman's sidekick, was introduced in 1940, lightening the tone and boosting sales. Over the next few years, Batman's rogues' gallery expanded with iconic villains like the Joker and Catwoman. | |||
The 1950s saw Batman in lighter, science fiction-influenced stories. However, declining sales led to a 1964 revamp by editor Julius Schwartz, who returned Batman to his detective roots and updated his appearance. The 1966 Batman TV series introduced a campy, humorous tone, which was reflected in the comics until its cancellation in 1968. In the 1970s, writers Dennis O'Neil and Neal Adams restored Batman's dark, gritty nature, a trend that continued despite fluctuating sales. | |||
=== Modern Age and reboots === | |||
===Subsequent creation credit=== | |||
In the ] Batman comics have undergone significant transformations, reflecting changing storytelling trends and audience interests. Beginning with seminal works like '']'' in the 1980s,<ref>{{harvp|Daniels|1999|pp=147, 149}}</ref> which reintroduced Batman in a grittier, more mature context, the character's narrative evolved to explore deeper themes and darker tones.<ref name=":0">Wright, p. 267.</ref> This period also saw the exploration of Batman's origins and psyche through works like ''],''<ref name=":0" />''<ref name="harvp|Daniels|1999|p=161">{{harvp|Daniels|1999|p=161}}</ref>'' and '']'', which delved into the complexities of heroism and villainy.<ref>{{harvp|Daniels|1999|pp=161, 163}}</ref> In the 1990s, storylines such as "]" introduced new adversaries like Bane, who physically and mentally challenged Batman, leading to a temporary replacement by Jean-Paul Valley. The aftermath of an earthquake in "No Man's Land" depicted Gotham City in chaos, further pushing Batman to new limits of heroism and survival.<ref name="nerd">{{cite book |last1=Weldon |first1=Glen |author-link1=Glen Weldon |title=The Caped Crusade: Batman and the Rise of Nerd Culture |date=2016 |publisher=] |isbn=978-1-4767-5669-1}}</ref> Entering the 21st century, ]'s influential run introduced ] as Batman's son and heir, bringing familial dynamics and a new generation of challenges to the forefront. Morrison's storytelling also delved into surreal and existential themes, such as in '']'' and '']'', which tested Batman's resolve and sanity against cosmic threats and personal demons.<ref name="comics.ign.com2">{{cite web |last=Phillips |first=Dan |date=August 8, 2009 |title=Grant Morrison's New Batman and Robin |url=http://comics.ign.com/articles/986/986031p1.html |archive-url=https://web.archive.org/web/20120609172555/http://comics.ign.com/articles/986/986031p1.html |archive-date=June 9, 2012 |access-date=August 8, 2009 |website=IGN}}</ref><ref name="Interview2">{{cite web |last=George |first=Richard |date=March 11, 2009 |title=Morrison discusses ''Batman and Robin'' |url=http://comics.ign.com/articles/961/961488p1.html |archive-url=https://web.archive.org/web/20120305225820/http://comics.ign.com/articles/961/961488p1.html |archive-date=March 5, 2012 |access-date=August 6, 2009 |website=IGN}}</ref> ] reboot in 2011 refreshed Batman's continuity while preserving core elements of his character. This era introduced modern interpretations of classic storylines, like '']'', where Batman confronts the Court of Owls, a clandestine society controlling Gotham for centuries. The chilling return of the Joker in "Death of the Family" explored the intricate relationships within Batman's extended family of allies and adversaries. More recent developments under DC Rebirth and Infinite Frontier have continued to evolve Batman's universe, exploring new characters like ] and ], and tackling contemporary issues within the context of Gotham City's ever-evolving landscape of crime and heroism.<ref>{{Cite web |title=Batman {{!}} Official DC Character |url=https://www.dc.com/characters/batman |access-date=2024-06-25 |website=DC |language=en-US}}</ref> | |||
Kane signed away ownership in the character in exchange for, among other compensation, a mandatory byline on all Batman comics. This byline did not, originally say "Batman created by Bob Kane"; his name was simply written on the title page of each story. The name disappeared from the comic book in the mid-1960s, replaced by credits for each story's actual writer and artists. In the late 1970s, when ] and ] began receiving a "created by" credit on the Superman titles, along with ] being given the byline for creating ], Batman stories began saying "Created by Bob Kane" in addition to the other credits. | |||
== Characterization == | |||
Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of ''Batman'' #169 (February 1965) for example, editor ] names him as the creator of the ], one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by."<ref name="creation" /> At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator. | |||
=== Bruce Wayne === | |||
], who also worked with Finger and Kane on the strip at this time, has criticized Kane for failing to share the credit. He recalled Finger resenting his position, stating in a 2005 interview with '']'': | |||
{{redirect|Bruce Wayne}} | |||
{{quote|Bob made him more insecure, because while he slaved working on Batman, he wasn't sharing in any of the glory or the money that Bob began to make, which is why... going to leave . ... should have credited Bill as co-creator, because I know; I was there. ... That was one thing I would never forgive Bob for, was not to take care of Bill or recognize his vital role in the creation of Batman. As with Siegel and Shuster, it should have been the same, the same co-creator credit in the strip, writer and artist.<ref>{{cite journal |last=Groth |first=Gary |authorlink=Gary Groth |date=October 2005 |title=Jerry Robinson |journal=The Comics Journal |volume=1 |issue=271 |pages=80–81 |issn=0194-7869 |url=http://www.tcj.com/?option=com_content&task=view&id=350&Itemid=48 |accessdate=2007-11-18|archiveurl=http://web.archive.org/web/20131224083859/http://www.tcj.com/?option=com_content&task=view&id=350&Itemid=48 |archivedate=2013-12-24 }}</ref>}} | |||
] | |||
Batman's ] is Bruce Wayne, a wealthy American industrialist. As a child, Bruce witnessed the murder of his parents, ] and ], which ultimately led him to craft the Batman persona and seek justice against criminals. He resides on the outskirts of Gotham City in his personal residence, ]. Wayne averts suspicion by acting the part of a superficial playboy idly living off his family's fortune and the profits of ], his inherited conglomerate.<ref>], ''Batman: Knightfall''. 1994, ]. {{ISBN|978-0-553-09673-6}}</ref><ref>{{harvp|Daniels|1999}}{{Page needed|date=July 2016}}</ref> He supports philanthropic causes through his nonprofit Wayne Foundation, which in part addresses social issues encouraging crime as well as assisting victims of it, but is more widely known as a celebrity socialite.<ref>{{harvp|Pearson|Uricchio|1991|p=202}}</ref> In public, he frequently appears in the company of high-status women, which encourages tabloid gossip while feigning near-drunkenness with consuming large quantities of disguised ] since Wayne is actually a strict ] to maintain his physical and mental prowess.<ref>{{cite web |last1=Lewis |first1=Andrew |title=Batman: 15 Things You Didn't Know About Bruce Wayne |url=https://screenrant.com/bruce-wayne-batman-trivia-facts/ |website=ScreenRant |date=January 3, 2017 |access-date=2 December 2021 |archive-date=May 13, 2019 |archive-url=https://web.archive.org/web/20190513132756/https://screenrant.com/bruce-wayne-batman-trivia-facts/ |url-status=live }}</ref> Although Bruce Wayne leads an active romantic life, his vigilante activities as Batman account for most of his time.<ref name="Inc0">{{cite comic|writer = ]|title = ]|volume = 2|issue = 0|date = September 2012|publisher = DC Comics}}</ref> | |||
Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade.{{sfnp|Beatty|2005|p=51}} This is in contrast to the Post-''Crisis'' Superman, whose ] persona is the true identity, while the Superman persona is the facade.<ref>Aichele, G. (1997). "Rewriting Superman" in G. Aichele & T. Pippin (eds.), ''The Monstrous and the Unspeakable: The Bible as Fantastic Literature'', pp. 75–101. Sheffield: Sheffield Academic Press.</ref><ref>''Superman'' vol. 2 #53</ref> In ''Batman Unmasked'', a television documentary about the psychology of the character, behavioral scientist ] notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Wayne's principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason, and anything is possible.<ref>{{cite web |title=Holy Wisdom, Batman!: 24 Most Famous Batman Quotes |url=https://brightdrops.com/batman-quotes |website=brightdrops.com |date=August 25, 2017 |access-date=May 13, 2019 |url-status=live |archive-date=May 13, 2019 |archive-url=https://web.archive.org/web/20190513135913/https://brightdrops.com/batman-quotes}}</ref> | |||
Although Kane initially rebutted Finger's claims at having created the character, writing in a 1965 open letter to fans that "it seemed to me that Bill Finger has given out the impression that he and not myself created the <nowiki>''</nowiki>Batman, t' {{sic}} as well as Robin and all the other leading villains and characters. This statement is fraudulent and entirely untrue." Kane himself also commented on Finger's lack of credit. "The trouble with being a 'ghost' writer or artist is that you must remain rather anonymously without 'credit'. However, if one wants the 'credit', then one has to cease being a 'ghost' or follower and become a leader or innovator."<ref>'']'' 3. Winter 1999. ]</ref> | |||
Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison<ref>{{cite news|last=Boucher|first=Geoff|title=Batman versus Superman as class warfare? Grant Morrison: 'Bruce has a butler, Clark has a boss'|url=http://herocomplex.latimes.com/2010/08/13/batman-versus-superman-as-class-warfare-bruce-has-a-butler-clark-has-a-boss/|newspaper=Los Angeles Times|date=August 13, 2010|archive-url=https://web.archive.org/web/20121015182152/http://herocomplex.latimes.com/2010/08/13/batman-versus-superman-as-class-warfare-bruce-has-a-butler-clark-has-a-boss/ |archive-date=October 15, 2012}}</ref> notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. Morrison notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book ''Unleashing the Superhero in Us All'' explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.<ref>T. James Musler. 2006. ''Unleashing the Superhero in Us All''.</ref> | |||
In 1989, Kane revisited Finger's situation, recalling in an interview, {{quote|In those days it was like, one artist and he had his name over it — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it and I never volunteered — I guess my ego at that time. And I felt badly, really, when he died.<ref>"Comic Book Interview Super Special: Batman" Fictioneer Press, 1989</ref>}} | |||
Will Brooker notes in his book ''Batman Unmasked'' that "the confirmation of the Batman's identity lies with the young audience ...he doesn't have to be Bruce Wayne; he just needs the suit and gadgets, the abilities, and most importantly the morality, the humanity. There's just a sense about him: 'they trust him ...and they're never wrong."<ref>{{cite book |title=Batman Unmasked |last=Brooker |first=Will |year=2001 |publisher=Continuum International Publishing Group |location=NY/London |isbn=978-0-8264-1343-7 |page=368 |url=https://books.google.com/books?id=GNRreYO91ogC&q=Unmasking+Batman&pg=PA137 |access-date=November 8, 2020 |archive-date=July 30, 2021 |archive-url=https://web.archive.org/web/20210730122644/https://books.google.com/books?id=GNRreYO91ogC&q=Unmasking+Batman&pg=PA137 |url-status=live }}</ref> | |||
===Early years=== | |||
].]] | |||
The first Batman story, "The Case of the Chemical Syndicate," was published in ''Detective Comics'' #27 (May 1939). Finger said, "Batman was originally written in the style of the pulps,"<ref>Daniels (1999), pg. 25</ref> and this influence was evident with Batman showing little remorse over killing or maiming criminals. Batman proved a hit character, and he received his own solo title in 1940, while continuing to star in ''Detective Comics''. By that time, National was the top-selling and most influential publisher in the industry; Batman and the company's other major hero, Superman, were the cornerstones of the company's success.<ref>Wright, Bradford W. ''Comic Book Nation''. Baltimore: Johns Hopkins, 2001. ISBN 978-0-8018-7450-5, pg. 19</ref> The two characters were featured side-by-side as the stars of '']'', which was originally titled ''World's Best Comics'' when it debuted in fall 1940. Creators including ] and ] also worked on the strips during this period. | |||
==== Personality ==== | |||
Over the course of the first few Batman strips elements were added to the character and the artistic depiction of Batman evolved. Kane noted that within six issues he drew the character's jawline more pronounced, and lengthened the ears on the costume. "About a year later he was almost the full figure, my mature Batman," Kane said.<ref name = "vapzdg">Daniels (1999), pg. 29</ref> ] was introduced in ''Detective Comics'' #29 (July 1939), followed by the ]-like batarang and the first bat-themed vehicle, the ], in #31 (Sept. 1939). The character's origin was revealed in #33 (Nov. 1939), unfolding in a two-page story that establishes the brooding persona of Batman, a character driven by the death of his parents. Written by Finger, it depicts a young Bruce Wayne witnessing his parents' murder at the hands of a mugger. Days later, at their grave, the child vows that "by the spirits of my parents avenge their deaths by spending the rest of my life warring on all criminals."<ref>{{cite comic|writer=]|penciller=]|inker=]|issue=33|title=Detective Comics|story=The Batman and How He Came to Be|publisher=]|date=Nov. 1939|pages=1–2}}</ref><ref> (Nov. 1939), ] {{WebCite|url=http://www.webcitation.org/5msHPiGRt|date =2010-01-18}}</ref><ref>John Jefferson Darowski, "" December 2007. Retrieved 2008-03-20. on March 20, 2008.</ref> | |||
Batman's primary character traits can be summarized as ''"wealth; physical prowess; deductive abilities and obsession"''.<ref name="pearson pg 186" /> The details and tone of Batman comic books have varied over the years with different creative teams. Dennis O'Neil noted that character consistency was not a major concern during early editorial regimes: "] did a Batman in ''Batman'' and ''Detective'' and ] did a Batman in the ''Brave and the Bold'' and apart from the costume they bore very little resemblance to each other. Julie and Murray did not want to coordinate their efforts, nor were they asked to do so. Continuity was not important in those days."<ref>Pearson; Uricchio. "Notes from the Batcave: An Interview with Dennis O'Neil" p. 23.</ref> | |||
The driving force behind Bruce Wayne's character is his parents' murder and their absence. Bob Kane and Bill Finger discussed Batman's background and decided that "there's nothing more traumatic than having your parents murdered before your eyes".<ref>{{harvp|Daniels|1999|p=31}}</ref> Despite his trauma, he sets his mind on studying to become a scientist<ref name="ReferenceA">''Detective Comics'' #33 (November 1939), Bill Finger, Bob Kane</ref><ref name="ReferenceB">''Batman'' #1 (spring 1940), Bill Finger, Bob Kane</ref> and to train his body into physical perfection<ref name="ReferenceA" /><ref name="ReferenceB" /> to fight crime in ] as Batman, an inspired idea from Wayne's insight into the criminal mind.<ref name="ReferenceA" /><ref name="ReferenceB" /> He also speaks over 40 languages.<ref>{{cite web |last1=Lewis |first1=Andrew |title=Batman: 15 Things You Didn't Know About Bruce Wayne |url=https://screenrant.com/bruce-wayne-batman-trivia-facts/ |website=ScreenRant |date=January 3, 2017 |access-date=May 13, 2019 |archive-date=May 13, 2019 |archive-url=https://web.archive.org/web/20190513132756/https://screenrant.com/bruce-wayne-batman-trivia-facts/ |url-status=live }}</ref> | |||
The early, pulp-inflected portrayal of Batman started to soften in ''Detective Comics'' #38 (April 1940) with the introduction of ], Batman's kid sidekick.<ref name = "Wright_p17">Wright, pg. 17</ref> Robin was introduced, based on Finger's suggestion Batman needed a "]" with whom Batman could talk.<ref>Daniels (1999), pg. 38</ref> Sales nearly doubled, despite Kane's preference for a solo Batman, and it sparked a proliferation of "kid sidekicks."<ref>Daniels (2003), pg. 36</ref> The first issue of the solo spin-off series '']'' was notable not only for introducing two of his most persistent enemies, the ] and ], but for a story in which Batman shoots some monstrous giants to death. That story prompted editor ] to decree that the character could no longer kill or use a gun.<ref name="dan42">Daniels (1999), pg. 42</ref> | |||
Another of Batman's characterizations is that of a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break the law himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions".<ref>{{harvp|Pearson|Uricchio|1991|p=194}}</ref> The origin is the source of the character's traits and attributes, which play out in many of the character's adventures.<ref name="pearson pg 186" /> | |||
By 1942, the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos.<ref name = "Boichel_p9">Boichel, pg. 9</ref> In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy." The impact of this editorial approach was evident in ''Batman'' comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.<ref>Wright, pg. 59</ref> | |||
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a ] figure, a force for ] that imposes an individual order".<ref>Sharrett, Christopher. "Batman and the Twilight of the Idols: An Interview with Frank Miller". ''The Many Lives of the Batman: Critical Approaches to a Superhero and His Media''. Routledge: London, 1991. {{ISBN|978-0-85170-276-6}}, p. 44.</ref> Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,<ref>Pearson, p. 208.</ref> a fear that originates from the criminals' own guilty ].<ref>Dennis O'Neil, Wizard Batman Special 1998</ref> Miller is often credited with reintroducing anti-heroic traits into Batman's characterization,<ref name="Terrence R. Wandtke 91">{{cite book|title=The Amazing Transforming Superhero!: Essays on the Revision of Characters on the Revision of Characters in Comic Books, Film and Television|author=Terrence R. Wandtke|page=91}}</ref> such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned to have a stringent moral code,<ref name="dan42">{{harvp|Daniels|1999|p=42}}</ref><ref>{{Cite book|title=Batman & Me: An Autobiography|last=Kane|first=Bob|date=1989|publisher=Eclipse Books|others=Andrae, Tom.|isbn=1-56060-017-9|location=Forestville, CA|page=45|oclc=21114759}}</ref> which has stayed with the character of Batman ever since. Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.<ref>{{cite book|title=Enter the Superheroes: American Values, Culture, and the Canon of Superhero Literature|author1=Alex S. Romagnoli |author2=Gian S. Pagnucci |page=27}}</ref> | |||
===1950s and early 1960s=== | |||
Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in '']'' #76 (June 1952), Batman teams up with Superman for the first time and the pair discovers each other's secret identity.<ref>{{cite comic|writer=]|penciller=]|story=The Mightiest Team In the World|title=Superman #76|date=June 1952|publisher=]}}</ref> Following the success of this story, ''World's Finest Comics'' was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.<ref>Daniels (1999), pg. 88</ref> The team-up of the characters was "a financial success in an era when those were few and far between";<ref>Daniels (1999), pg. 91</ref> this series of stories ran until the book's cancellation in 1986. | |||
=== Others === | |||
Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist ]'s book '']'' in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupt the morals of the youth. Wertham criticized Batman comics for their supposed ] overtones and argued that Batman and Robin were portrayed as lovers.<ref>Daniels (1999), pg. 84</ref> Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the ]. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code.<ref>Boichel, pg. 13</ref> Scholars have suggested that the characters of ] (in 1956) and the pre-] ] (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel.<ref>{{cite journal |last=York |first=Christopher |title=All in the Family: Homophobia and Batman Comics in the 1950s |journal=The International Journal of Comic Art |year=2000 |volume=2 |issue=2 |pages=100–110 |url= }}</ref> | |||
On several occasions former Robin ] has served as Batman; most notably in 2009 while Wayne was believed dead, and served as a second Batman even after Wayne returned in 2010.<ref name="visual">{{cite book |title=DC Comics Year By Year A Visual Chronicle |publisher=] |year=2010 |isbn=978-0-7566-6742-9 |chapter=2000s}}</ref> As part of DC's ], Grayson returned to being Nightwing following the ''Flashpoint'' crossover event. | |||
In an interview with ], Morrison detailed that having Dick Grayson as Batman and ] as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained their intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the ], and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; {{sic|hide=y|He's}} a lot looser and more relaxed."<ref name="comics.ign.com">{{cite web |last=Phillips |first=Dan |title=Grant Morrison's New Batman and Robin |url=http://comics.ign.com/articles/986/986031p1.html |date=August 8, 2009 |website=IGN |access-date=August 8, 2009|archive-url=https://web.archive.org/web/20120609172555/http://comics.ign.com/articles/986/986031p1.html |archive-date=June 9, 2012 }}</ref> | |||
In the late 1950s, Batman stories gradually became more science fiction-oriented, an attempt at mimicking the success of other DC characters that had dabbled in the genre.<ref>Daniels (1999), pg. 94</ref> New characters such as Batwoman, ], and ] were introduced. Batman's adventures often involved odd transformations or bizarre space aliens. In 1960, Batman debuted as a member of the ] in '']'' #28 (Feb. 1960), and went on to appear in several Justice League comic series starting later that same year. | |||
Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean-Paul Valley, also known as ], assumed the cowl after the events of the '']'' saga.<ref name="visual" /> ] donned a mecha-suit after the events of '']'', and served as Batman in 2015 and 2016. In 2021, as part of the '']'' crossover event, ]'s son ] succeeds Bruce as Batman in a 2021 storyline, depicted in the series ''I Am Batman'', after Batman was declared dead. | |||
==="New Look" Batman and camp=== | |||
By 1964, sales on Batman titles had fallen drastically. Bob Kane noted that, as a result, DC was "planning to kill Batman off altogether."<ref>Daniels (1999), pg. 95</ref> In response to this, editor ] was assigned to the Batman titles. He presided over drastic changes, beginning with 1964's ''Detective Comics'' #327 (May 1964), which was cover-billed as the "New Look". Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories. He brought in artist ] to help overhaul the character. The ] was redesigned, and Batman's costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the 1950s such as Batwoman, Ace, and Bat-Mite were retired. Batman's butler Alfred was killed off (though his death was quickly reversed) while a new female relative for the Wayne family, Aunt Harriet, came to live with Bruce Wayne and Dick Grayson.<ref>{{cite comic|writer=]|penciller=]|story=Gotham Gang Line-Up!|title=]|issue=328|date=June 1964|publisher=]}}</ref> | |||
Additionally, members of the group ], Bruce Wayne's experiment at franchising his brand of vigilantism, have at times stood in as the official Batman in cities around the world.<ref name="visual" /> Various others have also taken up the role of Batman in stories set in alternative universes and possible futures, including, among them, various former proteges of Bruce Wayne. | |||
The debut of the '']'' television series in 1966 had a profound influence on the character. The success of the series increased sales throughout the comic book industry, and ''Batman'' reached a circulation of close to 900,000 copies.<ref>Benton, Mike. ''The Comic Book in America: An Illustrated History''. Dallas: Taylor, 1989. ISBN 978-0-87833-659-3, pg. 69</ref> Elements such as the character of ] and the show's ] nature were introduced into the comics; the series also initiated the return of Alfred. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in 1968. In the aftermath, the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books."<ref>Daniels (1999), pg. 115</ref> | |||
== Supporting characters == | |||
Starting in 1969, writer ] and artist ] made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night."<ref>Wright, pg. 233</ref> O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."<ref>Pearson, Roberta E.; Uricchio, William. "Notes from the Batcave: An Interview with Dennis O'Neil." ''The Many Lives of the Batman: Critical Approaches to a Superhero and His Media''. Routledge: London, 1991. ISBN 978-0-85170-276-6, pg. 18</ref> | |||
{{Main|List of Batman supporting characters}} | |||
Batman's interactions with both villains and cohorts have, over time, developed a strong supporting cast of characters.<ref name="pearson pg 186" /> | |||
O'Neil and Adams first collaborated on the story "]" (''Detective Comics'' #395, January 1970). Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker ], and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was "tremendous."<ref>Daniels (1999), pg. 140</ref> Giordano said: "We went back to a grimmer, darker Batman, and I think that's why these stories did so well..."<ref>Daniels (1999), pg. 141</ref> While the work of O'Neil and Adams was popular with fans, the acclaim did little to help declining sales; the same held true with a similarly acclaimed run by writer ] and penciler ] in ''Detective Comics'' #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie ''Batman'' and be adapted for '']'', which debuted in 1992.<ref>{{cite web|url=http://www.scifi.com/scifiwire/index.php?category=5&id=40748|work=SciFi Wire|date=March 28, 2007|title=Batman Artist Rogers is Dead|postscript=none|archiveurl=http://web.archive.org/web/20090201081512/http://www.scifi.com:80/scifiwire/index.php?category=5&id=40748|archivedate=2009-02-01}}: "Even though their Batman run was only six issues, the three laid the foundation for later Batman comics. Their stories include the classic 'Laughing Fish' (in which the Joker's face appeared on fish); they were adapted for ''Batman: The Animated Series'' in the 1990s. Earlier drafts of the 1989 Batman movie with Michael Keaton as the Dark Knight were based heavily on their work."</ref> Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.<ref>Boichel, pg. 15</ref> | |||
=== |
=== Enemies === | ||
{{ |
{{Main|List of Batman family enemies}} | ||
<!-- Deleted image removed: ]]] --> | |||
]'s limited series '']'' (February–June 1986), which tells the story of a 55-year old Batman coming out of retirement in a possible future, reinvigorated the character. ''The Dark Knight Returns'' was a financial success and has since become one of the medium's most noted touchstones.<ref>Daniels (1999), pg. 147, 149</ref> The series also sparked a major resurgence in the character's popularity.<ref>Wright, pg. 267</ref> | |||
Batman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime.{{sfnp|Boichel|1991|p=8}} These foes are commonly referred to as Batman's '']''. Batman's "most implacable foe" is the ], a homicidal maniac with a clown-like appearance. The Joker is considered by critics to be his perfect adversary, since he is the antithesis of Batman in personality and appearance; the Joker has a maniacal demeanor with a colorful appearance, while Batman has a serious and resolute demeanor with a dark appearance. As a "personification of the irrational", the Joker represents "everything Batman ".{{sfnp|Boichel|1991|p=9}} Other long-time recurring foes that are part of Batman's rogues gallery include ] (a ] anti-heroine who is variously an ally and romantic interest), the ], ], ] (Harvey Dent), the ], the ], ], ], ], ], ], and ], among others. Many of Batman's adversaries are often psychiatric patients at ]. | |||
That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries '']''. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.<ref>Daniels (1999), pg. 155, 157</ref> One outcome of this new approach was the "]" storyline in ''Batman'' #404–407 (February–May 1987), in which Frank Miller and artist ] redefined the character's origins. Writer ] and artist ] continued this dark trend with 1988's 48-page ] '']'', in which the Joker, attempting to drive ] insane, cripples Gordon's daughter ], and then kidnaps and tortures the commissioner, physically and psychologically. | |||
=== Allies === | |||
]'', which redefined Batman in the 1980s. Cover art by ].]]<!-- both pencils and inks per GCD --> | |||
], Batman's loyal ] and father figure, first appeared in '']'' #16 (1943). After Bruce Wayne's parents were killed, Alfred raised Bruce and became one of the few people to know his secret identity. He is often portrayed as a steadying presence in Bruce's life, offering both emotional support and practical assistance in Batman's crime-fighting endeavors. More than just a caretaker, Alfred is a trusted ally and sometimes sidekick, sharing ] with Bruce and contributing to Batman's mission.{{sfnp|Boichel|1991|p=8}} | |||
The Batman comics garnered major attention in 1988 when DC Comics created a ] for readers to call to vote on whether ], the second Robin, lived or died. Voters decided in favor of Jason's death by a narrow margin of 28 votes (see '']'').<ref>Daniels (1999), pg. 161</ref> The following year saw the release of ]'s '']'' feature film, which firmly brought the character back to the public's attention, grossing millions of dollars at the box office, and millions more in merchandising. However, the three sequels, Tim Burton's '']'' and director ]'s '']'' and '']'', did not perform as well at the box office. The fourth film in the series, the Schumacher-directed ''Batman & Robin'', meanwhile, was a critical and commercial failure. The ''Batman'' movie franchise was rebooted with director and co-writer ]'s '']'' in 2005, '']'' in 2008 and '']'' in 2012. In 1989, the first issue of '']'', the first new solo Batman title in nearly 50 years, sold close to a million copies.<ref name="introduction">Pearson, Roberta E.; Uricchio, William. "Introduction." ''The Many Lives of the Batman: Critical Approaches to a Superhero and His Media''. Routledge: London, 1991. ISBN 978-0-85170-276-6, pg. 1</ref> | |||
One of Batman's most crucial allies is Commissioner ]. Their relationship is built on mutual respect and a shared commitment to justice in Gotham City. In '']'', Gordon and Batman learn to trust each other, which transforms their efforts against crime into a more effective partnership. Gordon's perspective as a police officer complements Batman's vigilantism, allowing them to tackle Gotham's challenges together. Another important ally is the ], which further emphasizes the importance of collaboration. Batman's relationship with Superman showcases how their contrasting ideologies can complement each other. In stories like '']'', their friendship highlights how Batman's methods benefit from Superman's optimism and strength.<ref>{{Cite web |last=Kurten |first=Guillermo |date=2024-01-14 |title=Does Batman Work Better Alongside His Allies Or Alone? |url=https://www.cbr.com/dc-batman-works-best-with-close-allies/ |access-date=2024-10-21 |website=CBR |language=en}}</ref> | |||
The 1993 "]" story arc introduced a new villain, ], who critically injures Batman. Jean-Paul Valley, known as ], is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers ], ], and ] worked on the Batman titles during "Knightfall," and would also contribute to other Batman crossovers throughout the 1990s. 1998's "]" storyline served as the precursor to 1999's "]", a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of "No Man's Land", O'Neil stepped down as editor and was replaced by ]. | |||
===Sidekicks=== | |||
Another writer who rose to prominence on the Batman comic series, was ]. Along with longtime collaborator Tim Sale, they wrote two miniseries ("]" and "]") that pit an early in his career version of Batman against his entire rogue's gallery (most notably ], whose origin was re-envisioned by Loeb) while dealing with various mysteries involving ]s ] and ]. In 2003, Loeb teamed with artist ] to work on another mystery arc: "]" for the main Batman book. The twelve issue storyline saw Batman and Catwoman running the gauntlet against Batman's entire rogue's gallery, including an apparently resurrected ], while seeking to find the identity of the mysterious supervillain ]. While the character of Hush failed to catch on with readers, the arc was a sales success for DC. As the storyline was Jim Lee's first regular comic book work in nearly a decade, the series became #1 on the ] sales chart for the first time since ''Batman'' #500 (October 1993) and Jason Todd's appearance laid the groundwork for writer ]'s subsequent run as writer on ''Batman'', with another multi-issue epic, "]," which ran from ''Batman'' #637–650. | |||
{{Main|Robin (character)}} | |||
], art by ]]] | |||
Robin, Batman's vigilante partner, has been a widely recognized supporting character for many years; each iteration of the Robin character, of which there have been five in the mainstream continuity, function as members of the Batman family, but additionally, as Batman's "central" sidekick in various media.{{sfnp|Boichel|1991|p=7}} Bill Finger stated that he wanted to include Robin because "Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking."<ref>{{cite book|last=Langley |first=Travis|title=Batman and Psychology: A Dark and Stormy Knight|year=2012|publisher=John Wiley & Sons |page=179}}</ref> The first Robin, ], was introduced in 1940. In the 1970s he finally grew up, went off to college and became the hero ]. A second Robin, ] was introduced in the 1980s, following Dick Grayson's departure from the role. Initially impulsive and rebellious, Jason's tenure as Robin was controversial among fans. In 1988, DC held a fan vote to determine his fate in the iconic '']'' storyline, where the ] brutally beat Jason with a ] and left him to die in an explosion. The fans voted for his death. However, Jason was later resurrected and returned as the antihero ].<ref>{{Cite web |last=Mills |first=Taylor |date=2024-07-16 |title=After 36 Years, DC Squeezes the Last Drop of Trauma from Jason Todd's Iconic Death |url=https://screenrant.com/jason-todd-death-in-the-family-robin-lives-sheila-haywood/ |access-date=2024-10-21 |website=ScreenRant |language=en}}</ref> | |||
The third Robin in the mainstream comics is ], who first appeared in 1989. He went on to star in his own comic series, and goes by the name ], a variation on the traditional Robin persona. In the first decade of the new millennium, ] served as the fourth in-universe Robin between stints as her self-made vigilante identity the Spoiler, and later as ].<ref>Langley, 180–210</ref> After Brown's apparent death, Drake resumed the role of Robin for a time. The role eventually passed to ], the 10-year-old son of Bruce Wayne and ], in the late 2000s.<ref>{{cite web | last = Esposito | first = Joey | title = Why Damian Wayne is the Best Robin | website = IGN | date = March 5, 2013 | url = https://www.ign.com/articles/2013/03/06/why-damian-wayne-is-the-best-robin/ | access-date = February 17, 2014| archive-url = https://web.archive.org/web/20140301042547/http://www.ign.com/articles/2013/03/06/why-damian-wayne-is-the-best-robin| archive-date = March 1, 2014}}</ref> Damian's tenure as ''du jour'' Robin ended when the character was killed off in the pages of '']'' in 2013.<ref>{{cite news | last = Saul | first = Josh | title = DC killing off Batman's 'Boy Wonder' Damian Wayne in new comic book | newspaper = The New York Post| date = February 25, 2013 | url = https://nypost.com/2013/02/25/dc-killing-off-batmans-boy-wonder-damian-wayne-in-new-comic-book/ | access-date = February 17, 2014| archive-url = https://web.archive.org/web/20140429184730/http://nypost.com/2013/02/25/dc-killing-off-batmans-boy-wonder-damian-wayne-in-new-comic-book/| archive-date = April 29, 2014}}</ref> Batman's next young sidekick is ], a streetwise young woman who avoids the name Robin but followed the ] theme nonetheless; she debuted the codename and identity of the ] in 2014. Unlike the Robins, the Bluebird is willing and permitted to use a gun, albeit ]; her weapon of choice is a modified rifle that fires taser rounds.<ref>{{cite web | last = Franich | first = Darren | title = Batman has a new female sidekick: Meet Bluebird | publisher = Entertainment Weekly Popwatch | date = February 12, 2014 | url = http://popwatch.ew.com/2014/02/12/batman-bluebird-female-robin/ | access-date = February 17, 2014| archive-url = https://web.archive.org/web/20140222134700/http://popwatch.ew.com/2014/02/12/batman-bluebird-female-robin/| archive-date = February 22, 2014}}</ref> In 2015, a new series began titled ''],'' focused on a group of teenagers using the Robin persona to fight crime in Gotham City. The most prominent of these, Duke Thomas, later becomes Batman's crimefighting partner as ].<ref>{{Cite web |last=Truitt |first=Brian |title='We Are Robin' stars a movement of kid heroes |url=https://www.usatoday.com/story/life/2015/03/09/we-are-robin-comic-book-exclusive/24635301/ |access-date=2024-10-21 |website=USA TODAY |language=en-US}}</ref> | |||
In 2005, DC launched '']'', a stand-alone comic series set outside the existing DC Universe. Written by Frank Miller and drawn by Jim Lee, the series was a commercial success for DC Comics<ref>{{cite web | author= | year=2006| title=Diamond's 2005 Year-End Sales Charts & Market Share | publisher=newsarama.com | url=http://www.newsarama.com/marketreport/05Year_End.html | archivedate=2006-05-25 | archiveurl=http://web.archive.org/web/20060525013002/http://www.newsarama.com/marketreport/05Year_End.html | accessdate=2006-10-26}}</ref><ref>{{cite web | author= | year=2005| title=July 2005 Sales Charts: All-Star Batman & Robin Lives Up To Its Name | publisher=newsarama.com | url=http://www.newsarama.com/marketreport/july05sales.html |archiveurl=http://web.archive.org/web/20060907063905/http://www.newsarama.com/marketreport/july05sales.html|archivedate=2006-09-07| accessdate=2006-10-26}}</ref> though widely panned by critics for its writing and strong depictions of violence.<ref>, Crave Online {{WebCite|url=http://www.webcitation.org/5msHPxSxm|date =2010-01-18}}</ref><ref>, PopMatters, February 10, 2006 {{WebCite|url=http://www.webcitation.org/5msHPXkN2|date =2010-01-18}}</ref> | |||
==== Romantic interests ==== | |||
Starting in 2006, the regular writers on ''Batman'' and ''Detective Comics'' were ] and ], with Grant Morrison reincorporating controversial elements of Batman lore (most notably, the science fiction themed storylines of the 1950s Batman comics, which Morrison revised as hallucinations Batman suffered under the influence of various mind-bending gases and extensive sensory deprivation training) into the character. Morrison's run climaxed with "Batman R.I.P.", which brought Batman up against the villainous "Black Glove" organization, which sought to drive Batman into madness. "Batman R.I.P." segued into '']'' (also written by Morrison), which saw the apparent death of Batman at the hands of ]. In the 2009 miniseries '']'', Wayne's former protégé Dick Grayson becomes the new Batman, and Wayne's son Damian becomes the new Robin.<ref name="comics.ign.com">{{cite web |last=Phillips |first=Dan |title=Grant Morrison's New Batman and Robin |url=http://comics.ign.com/articles/986/986031p1.html |date=August 8, 2009 |work= |publisher=IGN |accessdate=2009-08-08|archiveurl=http://web.archive.org/web/20120609172555/http://comics.ign.com/articles/986/986031p1.html |archivedate=2012-06-09 }}</ref><ref name="Interview">{{cite web |last=George |first=Richard |title=Morrison discusses ''Batman and Robin'' |url=http://comics.ign.com/articles/961/961488p1.html |date=March 11, 2009 |work= |publisher=IGN |accessdate=2009-08-06|archiveurl=http://web.archive.org/web/20120305225820/http://comics.ign.com/articles/961/961488p1.html |archivedate=2012-03-05 }}</ref> In June 2009, Judd Winick returned to writing ''Batman'', while Grant Morrison was given his own series, titled '']''.<ref name="io9">{{cite web |last=Wilkins |first=Alasdair |title=Batman Is Reborn...With A Vengeance |url=http://io9.com/5303197/batman-is-rebornwith-a-vengeance |date=June 27, 2009 |publisher=] |accessdate=2009-08-06| archiveurl= http://web.archive.org/web/20090630083351/http://io9.com/5303197/batman-is-rebornwith-a-vengeance| archivedate= 2009-06-30 | deadurl= no}}</ref> | |||
Batman's romantic history spans decades, filled with relationships that reflect his struggle between personal happiness and his duty as Gotham's protector. His first love interest was ], introduced in '']'' #31 (1939). Though engaged to Bruce Wayne, she left due to his distant and playboy persona, highlighting the conflict between Bruce's dual life and his desire for a normal relationship.<ref name="loveinterest">{{Cite web |last1=Allan |first1=Scoot |last2=Harth |first2=David |date=December 1, 2020 |title=Batman: All of Bruce Wayne's major love interests (in chronological order) |url=https://www.cbr.com/batman-bruce-wayne-major-love-interests-chronological-order/ |access-date=June 10, 2024 |website=] |language=en}}</ref> | |||
Selina Kyle, also known as ], is perhaps the most notable figure in Batman's romantic history. Debuting in '']'' #1 (1940), their relationship is characterized by a blend of romance and rivalry. Over the years, they have shared intense connections, often navigating the fine line between love and conflict. Their relationship culminated in an engagement during the ''].''<ref name="loveinterest" /> | |||
In 2010, the storyline '']'' saw Bruce travel through history, eventually returning to the present day. Although he reclaimed the mantle of Batman, he also allowed Grayson to continue being Batman as well. Bruce decided to take his war on crime globally, which is the central focus of '']''. DC Comics would later announce that Grayson would be the main character in ''Batman'', ''Detective Comics'' and ''Batman and Robin'', while Wayne would be the main character in ''Batman Incorporated''. Also, Bruce appeared in another ongoing series, '']''. | |||
Another important figure is ], a journalist introduced in ''Batman'' #49 (1948). Vicki's attempts to uncover Batman's true identity lead to a complicated romantic involvement that waxed and waned over the years, especially during the early 1980s when their relationship became more serious.<ref name="loveinterest" /> | |||
===The New 52=== | |||
{{See also|The New 52}} | |||
In September 2011, DC Comics' entire line of superhero books, including its ''Batman'' franchise, was canceled and relaunched with new #1 issues as part of ] reboot. Bruce Wayne is the only character to be identified as Batman and will be featured in ''Batman'', '']'', '']'', and '']''. Dick Grayson returns to the mantle of Nightwing and appears in his own ongoing series. While many characters have their histories significantly altered to attract newer, younger readers, Batman's history remains mostly intact. ''Batman Incorporated'' was relaunched in 2012 to complete the "Leviathan" storyline. | |||
], introduced in ''Detective Comics'' #411 (1971), is another key player in Batman's love life. Their relationship is fraught with conflict due to her father, ], and his criminal ambitions. Despite the challenges, their love story resulted in the birth of ], who would grow to become the latest ] and add a new layer of complexity to Batman's character.<ref name="loveinterest" /> | |||
Since the beginning of The New 52, ] has been the writer of the flagship Batman title. His first major story arc was "]", where Batman confronts the ], a secret society that has controlled Gotham for centuries. The second story arc was "]", where the Joker returns to Gotham and simultaneously attacks each member of the Batman family. The newest story arc is "]", which redefines Batman's origin in The New 52. It follows ''Batman'' #0, published in June 2012, which explored the character's early years. | |||
Additionally, Batman's relationship with Wonder Woman has been explored in various storylines, including a passionate kiss in '']'' (2003) during a moment of crisis. However, their relationship remains largely unexplored, often overshadowed by their respective commitments.<ref>{{Cite web |last=Colucci |first=Brian |date=2022-01-11 |title=Wonder Woman's Batwoman Persona Made Her Gotham's Darkest Knight |url=https://screenrant.com/wonder-woman-batwoman-persona-gotham-darkest-knight-jla/ |access-date=2024-10-21 |website=ScreenRant |language=en}}</ref> | |||
==Fictional character biography== | |||
Batman's history has undergone various revisions, both minor and major. Few elements of the character's history have remained constant. Scholars ] and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."<ref>Pearson, pg. 185</ref> | |||
One of the most controversial romantic pairings emerged from the animated adaptation of '']'' (2016), which depicted a brief romantic involvement between Batman and ] (]). This portrayal sparked significant criticism among fans, reflecting the challenges and complexities of Batman's romantic entanglements over the years.<ref>{{Cite web |last=King |first=Samantha |date=2021-07-07 |title=Even Batman Knew The Killing Joke's Romance with Batgirl Was Weird |url=https://screenrant.com/batman-batgirl-killing-joke-romance-wrong-inappropriate/ |access-date=2024-10-21 |website=ScreenRant |language=en}}</ref> | |||
The central fixed event in the Batman stories is the character's ].<ref name="pearson pg 186" /> As a little boy, Bruce Wayne is horrified and traumatized to see his parents, the physician Dr. ] and his wife ], being murdered by a mugger in front of his very eyes. This drives him to fight crime in ] as Batman. Pearson and Uricchio also noted beyond the origin story and such events as the introduction of Robin, "Until recently, the fixed and accruing and hence, canonized, events have been few in number,"<ref name="pearson pg 186">Pearson; Uricchio. "'I'm Not Fooled By That Cheap Disguise.'" Pg. 186</ref> a situation altered by an increased effort by later Batman editors such as Dennis O'Neil to ensure consistency and continuity between stories.<ref name="pearson pg 191">Pearson, pg. 191</ref> | |||
== |
== Abilities == | ||
{{See also|Batman (Earth-Two)}} | |||
In Batman's first appearance in ''Detective Comics'' #27, he is already operating as a crimefighter.<ref>{{cite comic|writer=]|penciller=]|story=The Case of the Chemical Syndicate|title=Detective Comics #27|date=May 1939|publisher=]}}</ref> Batman's origin is first presented in ''Detective Comics'' #33 (November 1939) and is later expanded upon in ''Batman'' #47. As these comics state, Bruce Wayne is born to Dr. Thomas Wayne and his wife Martha, two very wealthy and charitable ] socialites. Bruce is brought up in ], and leads a happy and privileged existence until the age of eight, when his parents are killed by a small-time criminal named ] while on their way home from a movie theater. That night, Bruce Wayne swears an oath to spend his life fighting crime. He engages in intense intellectual and physical training; however, he realizes that these skills alone would not be enough. "Criminals are a superstitious cowardly lot," Wayne remarks, "so my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible..." As if responding to his desires, a ] suddenly flies through the window, inspiring Bruce to take on the persona of Batman.<ref>{{cite comic|writer=Bill Finger|penciller=Bob Kane|story=The Batman Wars Against the Dirigible of Doom|title=Detective Comics #33|date=November 1939|publisher=]}}</ref> | |||
=== Skills and training === | |||
In early strips, Batman's career as a vigilante earns him the ire of the police. During this period, Bruce Wayne has a fiancée named ].<ref>She first appears in ''Detective Comics'' #31 (Sept. 1939)</ref> In ''Batman'' #1 takes in an orphaned circus acrobat, ], who becomes his sidekick, ]. Batman also becomes a founding member of the ],<ref>{{cite comic|writer=]|penciller=]|story=The Untold Origin of the Justice Society |title=DC Special|issue=29|date=August/September 1977|publisher=]}}</ref> although he, like Superman, is an honorary member,<ref>{{cite comic|writer=]|penciller= |story= |title=]|issue=3|date=Winter 1940/41|publisher=]}}</ref> and thus only participates occasionally. Batman's relationship with the law thaws quickly, and he is made an honorary member of ].<ref>{{cite comic|writer=]|penciller=]|story= |title=Batman|issue=7|date=November 1941|publisher=]}}</ref> During this time, ] arrives at Wayne Manor, and after deducing the Dynamic Duo's secret identities, joins their service as their butler.<ref>''Batman'' #16 (May 1943); his original last name, Beagle, is revealed in ''Detective Comics'' #96 (Feb. 1945)</ref> | |||
Batman has no inherent superhuman powers; he relies on "his own scientific knowledge, detective skills, and athletic prowess".<ref name="Wright_p17">Wright, p. 17.</ref> Batman's inexhaustible wealth gives him access to advanced technologies, and as a proficient ], he is able to use and modify these technologies to his advantage. In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver.<ref>Mike Conray, ''500 Great Comicbook Action Heroes''. 2002, Collins & Brown. {{ISBN|978-1-84411-004-9}}</ref> Batman has been repeatedly described as having a genius-level intellect, being one of the greatest martial artists in the DC Universe, and having peak human physical and mental conditioning.<ref>{{cite book |last= Greenberger |first= Robert|date= 2008|title= The Essential Batman Encyclopedia |publisher= Del Rey Books|isbn= 978-0-345-50106-6}}</ref> As a ], his knowledge and expertise in countless disciplines is nearly unparalleled by any other character in the DC Universe. He has shown prowess in assorted fields such as mathematics, biology, physics, chemistry, and several levels of engineering.<ref>{{cite comic|writer=]|penciller=]|story=War of the Worlds|title=JLA|issue=3|date=March 1997|publisher=DC Comics}}</ref> He has traveled the world acquiring the skills needed to aid him in his endeavors as Batman. In the '']'' story arc, Superman considers Batman to be one of the most brilliant minds on the planet.<ref>{{cite comic|writer=]|penciller=] and Jack Herbert|story=Superman: Doomed|title=Superman|issue=31|date=July 2014|publisher=DC Comics}}</ref> | |||
Batman has trained extensively in various fighting styles, making him one of the best hand-to-hand fighters in the DC Universe. He possesses a ],<ref>{{Cite web |last=Collins |first=Hannah |date=2017-07-12 |title=Case Closed: 15 Detectives Who Could Out-Sleuth Batman |url=https://www.cbr.com/better-detectives-than-batman/ |url-status=live |archive-url=https://web.archive.org/web/20170715090858/https://www.cbr.com/better-detectives-than-batman/ |archive-date=2017-07-15 |access-date=2024-04-11 |website=CBR |language=en}}</ref> and has fully utilized his ] to master a total of 127 forms of martial arts.<ref>{{cite web |url=https://buildingthebat.com/bat-skills-what-skills-does-batman-have/ |title=What Skills Does Batman Have? |first=Robert |last=Wood |date=October 30, 2017 |work=Building the Bat |access-date=September 10, 2019 |archive-url=https://web.archive.org/web/20190316171734/https://buildingthebat.com/bat-skills-what-skills-does-batman-have/ |archive-date=March 16, 2019 |url-status=dead }}</ref> In terms of his physical condition, Batman is described as peak human and far beyond an Olympic-athlete-level condition, able to perform feats such as easily running across rooftops in a ]-esque fashion, pressing thousands of pounds regularly, and even bench pressing six hundred pounds of soil and coffin in a poisoned and starved state. Superman describes Batman as "the most dangerous man on Earth", able to defeat an entire team of superpowered extraterrestrials by himself in order to rescue his imprisoned teammates in Grant Morrison's first storyline in ''JLA''. | |||
===Silver Age=== | |||
The ] in DC Comics is sometimes held to have begun in 1956 when the publisher introduced ] as a new, updated version of ]. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as ]. The lighter tone Batman had taken in the period between the Golden and Silver Ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until ''Detective Comics'' #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series. | |||
Batman is strongly disciplined, and he has the ability to function under great physical pain and resist most forms of ] and ]. He is a master of ], multilingual, and an expert in ], often gathering information under the identity of a notorious gangster named Matches Malone. Batman is highly skilled in stealth movement and ], which allows him to appear and disappear at will and to break free of nearly inescapable ] with little to no harm. He is also a master strategist, considered DC's greatest tactician, with numerous plans in preparation for almost any eventuality. | |||
After the introduction of DC Comics' ] in the 1960s, DC established that stories from the Golden Age star the ], a character from a parallel world. This version of Batman partners with and marries the reformed Earth-Two Catwoman, Selina Kyle (as shown in '']'' #211) and fathers ], who, as the Huntress, becomes (along with Dick Grayson, the ]) Gotham's protector once Wayne retires from the position to become police commissioner, a position he occupies until he is killed during one final adventure as Batman. Batman titles however often ignored that a distinction had been made between the pre-revamp and post-revamp Batmen (since unlike The Flash or ], Batman comics had been published without interruption through the 1950s) and would on occasionally make reference to stories from the Golden Age.<ref>One example is the Englehart/Rogers run of the late 1970s, which has editorial notes directing readers to issues such as ''Batman'' #1</ref> Nevertheless, details of Batman's history were altered or expanded upon through the decades. Additions include meetings with a future Superman during his youth, his upbringing by his uncle Philip Wayne (introduced in ''Batman'' #208, January/February 1969) after his parents' death, and appearances of his father and himself as prototypical versions of Batman and Robin, respectively.<ref>{{cite comic|writer=]|penciller=]|story=The First Batman|title=Detective Comics|issue=235|date=September 1956|publisher=]}}</ref><ref>{{cite comic|writer=]|penciller=]|story=When Batman Was Robin|title=Detective Comics|issue=226|date=December 1955|publisher=]}}</ref> In 1980 then-editor ] commissioned the ''Untold Legend of the Batman'' ] to thoroughly chronicle Batman's origin and history. | |||
Batman is an expert in ] techniques and his ] and frightening appearance alone is often all that is needed in getting information from suspects. Despite having the potential to harm his enemies, Batman's most defining characteristic is his strong commitment to justice and his reluctance to take a life. This unyielding moral rectitude has earned him the respect of several heroes in the DC Universe, most notably that of ] and ]. | |||
Batman meets and regularly works with other heroes during the Silver Age, most notably Superman, whom he began regularly working alongside in a series of team-ups in '']'', starting in 1954 and continuing through the series' cancellation in 1986. Batman and Superman are usually depicted as close friends. Batman becomes a founding member of the ], appearing in its first story in 1960s '']'' #28. In the 1970s and 1980s, ''Brave and the Bold'' became a Batman title, in which Batman teams up with a different ] superhero each month. | |||
Among physical and other crime fighting related training, he is also proficient at other types of skills. Some of these include being a licensed pilot (in order to operate the ]), as well as being able to operate other types of machinery. In some publications, he even underwent some magician training. | |||
In 1969, Dick Grayson attends college as part of DC Comics' effort to revise the Batman comics. Additionally, Batman also moves from his mansion, ] into a ] atop the Wayne Foundation building in downtown Gotham City, in order to be closer to Gotham City's crime. Batman spends the 1970s and early 1980s mainly working solo, with occasional team-ups with Robin and/or Batgirl. Batman's adventures also become somewhat darker and more grim during this period, depicting increasingly violent crimes, including the first appearance (since the early Golden Age) of the Joker as a homicidal ], and the arrival of ], a centuries-old terrorist who knows Batman's secret identity. In the 1980s, Dick Grayson becomes ].<ref name="dc-ency"/> | |||
=== Technology === | |||
In the final issue of ''Brave and the Bold'' in 1983, Batman quits the Justice League and forms a new group called the ]. He serves as the team's leader until ''Batman and the Outsiders'' #32 (1986) and the comic subsequently changed its title. | |||
Batman utilizes a vast arsenal of specialized, high-tech vehicles and gadgets in his war against crime, the designs of which usually share a bat motif. Batman historian ] credits ] with creating the concept of Batman's arsenal with the introduction of the utility belt in ''Detective Comics'' #29 (July 1939) and the first bat-themed weapons the ] and the "Batgyro" in ''Detective Comics'' #31 and 32 (Sept. and October 1939).<ref name="vapzdg">{{harvp|Daniels|1999|p=29}}</ref> | |||
;Personal armor | |||
===Modern Batman=== | |||
{{Main|Batsuit}} | |||
After the 12-issue ] ''Crisis on Infinite Earths'', DC Comics ] the histories of some major characters in an attempt at updating them for contemporary audiences. Frank Miller retold Batman's origin in the storyline "]" from ''Batman'' #404–407, which emphasizes a grittier tone in the character.<ref>{{cite book | last = Miller | first = Frank | authorlink = Frank Miller (comics)| coauthors = ] and Richmond Lewis | title =] | publisher = ] | year = 1987 | page = 98 | isbn = 978-1-85286-077-6}}</ref> Though the Earth-Two Batman is erased from history, many stories of Batman's Silver Age/Earth-One career (along with an amount of Golden Age ones) remain canonical in the post-Crisis universe, with his origins remaining the same in essence, despite alteration. For example, Gotham's police are mostly corrupt, setting up further need for Batman's existence. While Dick Grayson's past remains much the same, the history of ], the second Robin, is altered, turning the boy into the orphan son of a petty crook, who tries to steal the tires from the Batmobile.<ref>{{cite comic|writer=]|penciller=]|story=Did Robin Die Tonight?|title=Batman|issue=408|date=June 1987|publisher=]}}</ref> Also removed is the guardian Phillip Wayne leaving young Bruce to be raised by Alfred Pennyworth. Additionally, Batman is no longer a founding member of the Justice League of America, although he becomes leader for a short time of a new incarnation of the team launched in 1987. To help fill in the revised backstory for Batman following ''Crisis'', DC launched a new Batman title called '']'' in 1989 and has published various miniseries and one-shot stories since then that largely take place during the "Year One" period. Various stories from ] and ] also touch upon this era. | |||
Batman's ] aids in his combat against enemies, having the properties of both ] and ]. It protects him from gunfire and other significant impacts, and incorporates the imagery of a bat in order to frighten criminals.<ref name="A1">{{harvp|Daniels|1999}}{{Page needed|date=February 2021}}</ref> | |||
The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. His gloves typically feature three scallops that protrude from long, gauntlet-like cuffs, although in his earliest appearances he wore short, plain gloves without the scallops.<ref>{{harvp|Daniels|1999|p=98}}</ref> The overall look of the character, particularly the length of the cowl's ears and of the cape, varies greatly depending on the artist. Dennis O'Neil said, "We now say that Batman has two hundred suits hanging in the Batcave so they don't have to look the same ...Everybody loves to draw Batman, and everybody wants to put their own spin on it."<ref>{{harvp|Daniels|1999|pp=159–60}}</ref> | |||
In 1988's "]" storyline from ''Batman'' #426–429 Jason Todd, the second Robin, is killed by the Joker.<ref name="dc-ency"/> Subsequently, Batman begins exhibiting an excessive, reckless approach to his crime-fighting, a result of the pain of losing Jason Todd. Batman works solo until the decade's close, when ] becomes the new Robin.<ref>{{cite comic|writer=]|penciller=]|story=Master of Fear|title=]|issue=457|date=December 1990|publisher=]}}</ref> In 2005, writers resurrected the Jason Todd character and have pitted him against his former mentor as the murderous vigilante the ]. | |||
Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue.<ref name="A1" /> Hence, the costume's colors have appeared in the comics as dark blue and grey;<ref name="A1" /> as well as black and grey. In the ]'s '']'' and '']'' films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. ]'s '']'' depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. ]'s Batman in the ] films wears a suit grey in color with a black cowl, cape, and bat symbol. Seemingly following the suit of the DC Extended Universe outfit, ]'s uniform in '']'' restores the more traditional gray bodysuit and black appendage design, notably different from prior iterations by mostly utilizing real world armor and apparel pieces from modern military and motorcycle gear. | |||
Many of the major Batman storylines since the 1990s have been inter-title crossovers that run for a number of issues. In 1993, DC published both "]" storyline and "]". In that storyline's first phase, the new villain Bane paralyzes Batman, leading Wayne to ask ] to take on the role. After the end of "Knightfall," the storylines split in two directions, following both the Azrael-Batman's adventures, and Bruce Wayne's quest to become Batman once more. The story arcs realign in "KnightsEnd," as Azrael becomes increasingly violent and is defeated by a healed Bruce Wayne. Wayne hands the Batman mantle to Dick Grayson (then Nightwing) for an interim period, while Wayne trains to return to the role.<ref>Dixon, Chuck. et al. "Batman: Prodigal". ''Batman'' 512–514, ''Shadow of the Bat'' 32–34, ''Detective Comics'' 679–681, ''Robin'' 11–13. New York: DC Comics, 1995.</ref> | |||
;Batmobile | |||
The 1994 company-wide crossover storyline "]" changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now considers Batman an urban legend rather than a known force. Similarly, the Waynes' killer is never caught or identified, effectively removing ] from the new continuity, rendering stories such as "Year Two" non-canon. | |||
{{Main|Batmobile}} | |||
] from a ] ]]] | |||
Batman's primary vehicle is the ], which is usually depicted as an imposing black car, often with ] that suggest a bat's wings. | |||
Batman also has an aircraft called the ] (originally a relatively traditionally, but bat-motifed plane, later seen as the much more unique "Batwing" starting in ]), along with various other means of transportation. | |||
Batman once again becomes a member of the ] during Grant Morrison's 1996 relaunch of the series, titled ''JLA''. While Batman contributes greatly to many of the team's successes, the Justice League is largely uninvolved as Batman and Gotham City face catastrophe in the decade's closing crossover arc. In 1998's "]" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "]". | |||
In proper practice, the "bat" prefix (as in Batmobile or batarang) is rarely used by Batman himself when referring to his equipment, particularly after some portrayals (primarily the 1960s ] and the '']'' animated series) stretched the practice to ] proportions. For example, the 1960s television show depicted a Batboat, ], and ], among other bat-themed vehicles. The 1960s television series Batman has an arsenal that includes such "bat-" names as the Bat-computer, Bat-scanner, bat-radar, bat-cuffs, bat-pontoons, bat-drinking water dispenser, bat-camera with polarized bat-filter, bat-] bat-spray, and Bat-rope. The storyline "A Death in the Family" suggests that given Batman's grim nature, he is unlikely to have adopted the "bat" prefix on his own. In '']'', Batman tells ] that the original Robin came up with the name "Batmobile" when he was young, since that is what a kid would call Batman's vehicle. | |||
Meanwhile, Batman's relationship with the Gotham City Police Department changed for the worse with the events of "Batman: Officer Down" and "Batman: War Games/War Crimes"; Batman's long-time law enforcement allies Commissioner Gordon and ] are forced out of the police department in "Officer Down", while "War Games" and "War Crimes" saw Batman become a wanted fugitive after a contingency plan of his to neutralize Gotham City's criminal underworld is accidentally triggered, resulting in a massive gang war that ends with the ] ] the undisputed ruler of the city's criminal gangs. Other troubles come for Batman in the form of ] (secretly behind the events of "No Man's Land"), who seeks revenge for Bruce Wayne cancelling all of his company's government contracts upon Luthor being elected President of the United States. Luthor arranges for the murder of Batman's on-again, off-again love interest Vesper (introduced in the mid-1990s) during the "Bruce Wayne: Murderer?" and "]" story arcs. Though Batman is able to clear his name, he loses another ally in the form of his new bodyguard Sasha, who is recruited into the organization known as "Checkmate" while stuck in prison due to her refusal to turn state's evidence against her employer. While he was unable to prove that Luthor was behind the murder of Vesper, Batman does get his revenge with help from ] in '']'' #1–6: not only does he bring down Lex Luthor's Presidency but also engages in a hostile take-over of Luthor's corporate holdings, ] the villain in the process. | |||
The Batmobile, which was before frequently depicted to resemble a ], was redesigned in 2011 when DC Comics ] its entire line of comic books, with the Batmobile being given heavier armor and new aesthetics. | |||
DC's 2005 ] '']'' reveals that JLA member ] had edited Batman's memories to prevent him from stopping the League from ] ] after he raped ]. This served as a retcon for Batman's complete distrust for his fellow superheroes after he remembers, which, under writers such as Mark Waid in the "Tower of Babel" arc in JLA, manifested itself in the form of Batman keeping extensive files on how to kill his fellow superheroes. Batman later creates the ] satellite surveillance system to watch over and if necessary, kill the other heroes. It is eventually co-opted by ], who then kills superhero ] to keep him from alerting the Justice League of the existence of Batman's murderous creation. The revelation of Batman's creation and his tacit responsibility for Blue Beetle's death becomes a driving force in the lead-up to the '']'' miniseries, which again restructures DC continuity. In ''Infinite Crisis'' #7, ] mentions that in the newly rewritten history of the "]", created in the previous issue, the murderer of Martha and Thomas Wayne – again, Joe Chill – was captured, thus undoing the retcon created after ''Zero Hour''. Batman and a team of superheroes destroy Brother Eye and the OMACs, though at the very end Batman reaches his apparent breaking point when Alexander Luthor Jr. seriously wounds Nightwing. Picking up a gun, Batman nearly shoots Luthor in order to avenge his former sidekick, until Wonder Woman convinces him to not pull the trigger. | |||
;Utility belt | |||
Following ''Infinite Crisis'', Bruce Wayne, Dick Grayson (having recovered from his wounds), and Tim Drake retrace the steps Bruce had taken when he originally left Gotham City, to "rebuild Batman."<ref>"Infinite Crisis" #7, p. 32</ref> In the '']'' storyline, Batman and Robin return to Gotham City after their year-long absence. Part of this absence is captured during Week 30 of the ''52'' series, which shows Batman fighting his inner demons.<ref>''52'' #30</ref> Later on in ''52'', Batman is shown undergoing an intense meditation ritual in ]. This becomes an important part of the regular ''Batman'' title, which reveals that Batman is reborn as a more effective crime fighter while undergoing this ritual, having "hunted down and ate" the last traces of fear in his mind.<ref>''Batman'' #673</ref><ref>''Batman'' #681</ref> At the end of the "Face the Face" story arc, Bruce officially adopts Tim (who had lost both of his parents at various points in the character's history) as his son.<ref>{{cite comic|writer=]|penciller=]|story=Face the Face – Conclusion|title=]|issue=654|date=August 2006|publisher=]}}</ref> The follow-up story arc in ''Batman'', '']'', introduces ], who is Batman's son with ]. Batman, along with Superman and Wonder Woman, reforms the Justice League in the new ''Justice League of America'' series,<ref>{{cite comic|writer=]|penciller=]|story=The Tornado's Path|title=] (vol. 2)|issue=1|date=August 2006|publisher=]}}</ref> and is leading the newest incarnation of the ].<ref>{{cite comic|writer=]|penciller=Julian Lopex|title=]|issue=1|date=November 2007|publisher=]}}</ref> | |||
{{Main|Batman's utility belt}} | |||
Batman keeps most of his field equipment in his ]. Over the years it has shown to contain an assortment of crime-fighting tools, weapons, and investigative and technological instruments. Different versions of the belt have these items stored in compartments, often as pouches or hard cylinders attached evenly around it. | |||
Since ], Batman is often depicted as carrying a projectile which shoots a retractable grappling hook attached to a cable (before this, a he employed a traditionally thrown grappling hook.) This allows him to attach to distant objects, be propelled into the air, and thus swing from the rooftops of Gotham City. | |||
]'s 2008 storyline, "]" featured Batman being physically and mentally broken by the enigmatic villain ] and attracted news coverage in advance of its highly promoted conclusion, which would speculated to feature the death of Bruce Wayne.<ref name="SUN">Rothstein, Simon. "". November 28, 2008. '']''. November 28, 2008.</ref><ref name="INDY">Adams, Guy. "" November 28, 2008, '']''. November 28, 2008.</ref> However, though Batman is shown to possibly perish at the end of the arc, the two-issue arc "Last Rites," which leads into the crossover storylines "]", shows that Batman survives his helicopter crash into the Gotham City River and returns to the Batcave, only to be summoned to the Hall of Justice by the JLA to help investigate the ] ]'s death. In the story, Batman is kidnapped by the New God ] and mentally probed by ]'s minions, as part of Darkseid's ultimately unsuccessful attempts to create clones of Bruce Wayne. The story ends with Batman retrieving the god-killing bullet used to kill Orion, setting up its use in "Final Crisis".<ref name="deadatlast"> January 15, 2009 {{Wayback|url=http://www.newsarama.com/comics/010915-Batman-RIP-Finally.html|date =20130115100716}}</ref> In the pages of ''Final Crisis'' itself, the world is plunged into despair by the evil New God Darkseid. In ''Final Crisis'' #6 Batman confronts Darkseid and announces that he will make a once-in-a-lifetime exception by using a firearm when facing the villain. Batman shoots Darkseid with the god-killing bullet just as Darkseid unleashes his ] upon Batman. Darkseid is killed and Batman is reduced to a charred skeleton.<ref>{{cite comic|writer=]|penciller=]|story=How to Murder the Earth|title=Final Crisis #6|date=January 2009|publisher=]}}</ref> ''Final Crisis'' #7 shows, however, that the Omega Sanction in fact sends its victim's consciousness into the distant past; Wayne is shown witnessing the passing of the first man, ].<ref>{{cite comic|writer=]|title=Final Crisis #7|date=January 2009|publisher=]}}</ref><ref>{{cite web|title=Grant Morrison: Final Crisis Exit Interview, Part 2|url=http://newsarama.com/comics/020904-Grant-FC2.html|archiveurl=http://www.webcitation.org/67oI4PpNv|archivedate=2012-05-20}}</ref> Wayne's "death" sets up the three-issue '']'' miniseries in which Wayne's ex-proteges compete for the "right" to assume the role of Batman, which concludes with Grayson becoming Batman,<ref>{{cite comic|writer=]|title=Battle for the Cowl #3|date=May 2009|publisher=]}}</ref> while Tim Drake takes on the identity of ].<ref>{{cite comic|writer=]|title=Red Robin #1|date=August 2009|publisher=]}}</ref> Dick and Damian continue as Batman and Robin, and in the crossover storyline "]", what appears to be Bruce's corpse is reanimated as a ] ],<ref>{{cite comic|writer=]|title=Blackest Night|issue=0|date=June 2009|publisher=]}}</ref> but is later shown that Bruce's corpse is one of Darkseid's failed Batman clones. Dick and Batman's other friends conclude that Bruce is alive.<ref>{{cite comic|writer=Grant Morrison]]|title=]|issue=7|date=January 2010|publisher=DC Comics}}</ref><ref>{{cite comic|writer=]|title=]|issue=8|date=February 2010|publisher=DC Comics}}</ref> Bruce subsequently returns in Morrison's miniseries '']'', which depicts his travels through time from ] to present-day Gotham.<ref name="USAToday">{{cite news |first=John |last=Geddes |url=http://www.usatoday.com/life/comics/2009-12-09-morrison-bruce-wayne-st_N.htm?loc=interstitialskip |title=Grant Morrison on return of original Batman |work=] |date=December 9, 2009 |accessdate=2009-12-10 }}</ref><ref name="USAToday"/><ref name="Source">{{cite web |first=Alex |last=Segura |url=http://dcu.blog.dccomics.com/2009/12/09/dcu-in-2010-the-return-of-bruce-wayne-hits-in-april/ |title=DCU in 2010: The Return of Bruce Wayne hits in April |publisher=DC Comics |date=December 9, 2009 |accessdate=2009-12-10 | archiveurl= http://web.archive.org/web/20091213044258/http://dcu.blog.dccomics.com/2009/12/09/dcu-in-2010-the-return-of-bruce-wayne-hits-in-april/| archivedate= 2009-12-13 | deadurl= no}}</ref><ref name="SourceBatmanMay">{{cite web|url=http://dcu.blog.dccomics.com/2010/02/11/take-an-early-look-at-batman-titles-for-may/#more-7397 |title=Batman solicitations for May 2010 at DC's The Source |publisher=DC Comics |date=February 11, 2010 |accessdate=2010-06-17|archiveurl=http://web.archive.org/web/20120306090923/http://dcu.blog.dccomics.com/2010/02/11/take-an-early-look-at-batman-titles-for-may/ |archivedate=2012-03-06 }}</ref> Bruce's return sets up '']'', an ongoing series which focuses on Wayne franchising the Batman identity across the globe, allowing Dick and Damian to continue as Gotham's Dynamic Duo. Bruce publicly announces that Wayne Enterprises will aid Batman on his mission, known as "Batman, Incorporated." Due to rebooted continuity that occurred as part of DC's 2011 relaunch of all of its book, ], however, Grayson is restored as Nightwing with Wayne serving as the sole Batman once again. The relaunch also interrupts the publication of ''Batman, Incorporated,'' which resumes its story in 2012 with changes to suit the new status quo. | |||
An exception to the range of Batman's equipment are hand ]s, which he refuses to use on principle, since a gun was used in his parents' murder. In modern stories in terms of his vehicles, Batman compromises on that principle to install weapon systems on them for the purpose of non-lethally disabling other vehicles, forcing entry into locations and attacking dangerous targets too large to defeat by other means. | |||
==Personality== | |||
Batman's primary character traits can be summarized as "wealth; physical prowess; deductive abilities and obsession."<ref name="pearson pg 186" /> The details and tone of Batman comic books have varied over the years due to different creative teams. Dennis O'Neil noted that character consistency was not a major concern during early editorial regimes: "] did a Batman in ''Batman'' and ''Detective'' and ] did a Batman in the ''Brave and the Bold'' and apart from the costume they bore very little resemblance to each other. Julie and Murray did not want to coordinate their efforts, nor were they asked to do so. Continuity was not important in those days."<ref>Pearson; Uricchio. "Notes from the Batcave: An Interview with Dennis O'Neil" p. 23</ref> | |||
;Bat-Signal | |||
The driving force behind Batman's character is his parents' murder. Bob Kane and Bill Finger discussed Batman's background and decided that "there's nothing more traumatic than having your parents murdered before your eyes."<ref>Daniels (1999), pg. 31</ref> Despite his trauma, he is driven to train to become a brilliant scientist<ref name="ReferenceA">DETECTIVE Comics #33, November 1939, Bill Finger, Bob Kane</ref><ref name="ReferenceB">BATMAN #1 Spring 1940,Bill Finger, Bob Kane</ref> and train his body into absolute physical perfection<ref name="ReferenceA"/><ref name="ReferenceB"/> to fight crime in ] as Batman, an inspired idea from Wayne's insight into the criminal mind.<ref name="ReferenceA"/><ref name="ReferenceB"/> | |||
{{Main|Bat-Signal}} | |||
When Batman is needed, the Gotham City police activate a ] with a bat-shaped insignia over the lens called the Bat-Signal, which shines into the night sky, creating a bat-symbol on a passing cloud which can be seen from any point in Gotham. The origin of the signal varies, depending on the continuity and medium. | |||
In various incarnations, most notably the 1960s ], Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, ], specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave. | |||
Another of Batman's characterizations is a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break laws himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions".<ref>Pearson, pg. 194</ref> The origin is the source of the character's traits and attributes, which play out in many of the character's adventures.<ref name="pearson pg 186" /> | |||
;Batcave | |||
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a ] figure, a force for ] that imposes an individual order."<ref>Sharrett, Christopher. "Batman and the Twilight of the Idols: An Interview with Frank Miller." ''The Many Lives of the Batman: Critical Approaches to a Superhero and His Media''. Routledge: London, 1991. ISBN 978-0-85170-276-6, pg. 44</ref> Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting,<ref>Pearson, pg. 208</ref> a fear that originates from the criminals' own guilty ].<ref>Dennis O'Neil, Wizard Batman Special 1998</ref> | |||
{{Main|Batcave}} | |||
The Batcave is Batman's secret headquarters, consisting of a series of caves beneath his mansion, ]. As his command center, the Batcave serves multiple purposes; supercomputer, surveillance, redundant power-generators, forensics lab, medical infirmary, private study, training dojo, fabrication workshop, arsenal, hangar and garage. It houses the vehicles and equipment Batman uses in his campaign to fight crime. It is also a trophy room and storage facility for Batman's unique memorabilia collected over the years from various cases he has worked on. | |||
In both the comic book '']'' #45 and the 2005 film '']'', the cave is said to have been part of the ]. | |||
===Bruce Wayne=== | |||
The Batman is, in his everyday identity, Bruce Wayne, a wealthy business owner living in Gotham City. Wayne averts suspicion by acting the part of a superficial, dim-witted playboy idly living off his family's fortune (amassed through investment in real estate before the city became a bustling metropolis)<ref>] ''Batman: Knightfall''. 1994, ]. ISBN 978-0-553-09673-6</ref> and the profits of ], his inherited conglomerate.<ref>Daniels, 1999, pg. ??</ref> He supports philanthropic causes through his nonprofit Wayne Foundation, but is more widely known as a celebrity socialite.<ref>Pearson, pg. 202</ref> In public, he pretends to be a heavy drinker, using ] to suggest champagne and liberally serving alcohol to guests that he never actually consumes himself. In reality, he is a strict ] concerned to maintain top physical fitness and mental acuity. In public, he appears frequently in the company of fashionable women to encourage ] gossip. In reality, there is less than meets the eye: though he leads an active romantic life, crime-fighting accounts for most of his night hours.<ref name="Inc0">{{cite comic|Writer = ]|Title = ]|Volume = 2|Issue = 0|Date = September 2012|Publisher = DC Comics}}</ref> | |||
== Fictional character biography == | |||
Bruce Wayne's calculated persona as a vapid, self-indulgent son of privilege finds literary precedent in Sir Percival Blakeney, hero of '']'' stories by ] (1903), and Don Diego de la Vega, hero of the ] tales by ] (1919). Like Bruce Wayne, Sir Percy and Don Diego are each members of gentry who invite contempt by publicly playing the fool. Also, like Bruce Wayne, each performs heroic deeds in secret and marks his work with a signature symbol. | |||
Batman's history has undergone many ] revisions, both minor and major. Elements of the character's history have varied greatly. Scholars ] and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."<ref>''Batman'' vol. 3 Annual #2 (January 2018)</ref> | |||
=== 20th century === | |||
The name "Bruce Wayne" was chosen for certain connotations. According to co-creator Bill Finger, "Bruce Wayne's first name came from ], the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock...then I thought of ]."<ref>Jim Steranko ''History of the Comics'', vol. 1</ref> | |||
==== Origin ==== | |||
Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison<ref>{{cite news|last=Boucher|first=Geoff|title=Batman versus Superman as class warfare? Grant Morrison: ‘Bruce has a butler, Clark has a boss’|url=http://herocomplex.latimes.com/2010/08/13/batman-versus-superman-as-class-warfare-bruce-has-a-butler-clark-has-a-boss/|newspaper=Los Angeles Times|date=Aug 13, 2010|archiveurl=http://web.archive.org/web/20121015182152/http://herocomplex.latimes.com:80/2010/08/13/batman-versus-superman-as-class-warfare-bruce-has-a-butler-clark-has-a-boss/|archivedate=2012-10-15}}</ref> notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. He notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book ''Unleashing the Superhero in Us All'' explores the crucial role played by wealth in the Bruce Wayne story.<ref>T. James Musler. 2006. ''Unleashing the Superhero in Us All''.</ref> | |||
{{Main|Origin of Batman}} | |||
] and ] are shot by ] in ''Detective Comics'' #33 (November 1939), art by Bob Kane]] | |||
The central fixed event in the Batman stories is the character's ].<ref name="pearson pg 186" /> As a young boy, Bruce Wayne was horrified and traumatized when he watched his parents, the physician Dr. ] and his wife ], murdered with a gun by a mugger named ]. Batman refuses to utilize any sort of gun on the principle that a gun was used to murder his parents. This event drove him to train his body to its peak condition and fight crime in ] as Batman. Pearson and Uricchio also noted beyond the origin story and such events as the introduction of Robin, "Until recently, the fixed and accruing and hence, canonized, events have been few in number",<ref name="pearson pg 186">Pearson; Uricchio. "'I'm Not Fooled By That Cheap Disguise.'" p. 186.</ref> a situation altered by an increased effort by later Batman editors such as Dennis O'Neil to ensure consistency and continuity between stories.<ref name="pearson pg 191">Pearson, p. 191.</ref> | |||
==== Golden Age ==== | |||
Modern stories tend to portray Bruce Wayne as the character's facade and the Batman as the truer representation of his personality<ref>Scott Beatty, ''The Batman Handbook: The Ultimate Training Manual''. 2005, Quirk Books, p51. ISBN 978-1-59474-023-7</ref> (in counterpoint to the post-Crisis Superman, whose "]" persona is the 'real' personality, and "Superman" is the 'mask').<ref>Aichele, G. (1997). ''Rewriting Superman.'' In G. Aichele & T. Pippin (Eds.), ''The Monstrous and the Unspeakable: The Bible as Fantastic Literature'' (pp. 75–101). Sheffield: Sheffield Academic Press.</ref><ref>''Superman'' vol. 2, #53</ref> In ''Batman Unmasked'', a television documentary about the psychology of the character, Associate Professor of Social Psychology at the ], and an adjunct ] at the ] ], notes that the Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". | |||
{{See also|Batman (Earth-Two)}} | |||
In Batman's first appearance in ''Detective Comics'' #27, he is already operating as a crime-fighter.<ref>{{cite comic|writer=]|penciller=]|story=The Case of the Chemical Syndicate|title=Detective Comics|issue=27|date=May 1939|publisher=DC Comics}}</ref> Batman's origin is first presented in ''Detective Comics'' #33 (November 1939) and is later expanded upon in ''Batman'' #47. As these comics state, Bruce Wayne is born to Dr. Thomas Wayne and his wife Martha, two very wealthy and charitable ] socialites. Bruce is brought up in ], and leads a happy and privileged existence until the age of 8, when his parents are killed by a small-time criminal named ] while on their way home from a movie theater. That night, Bruce Wayne swears an oath to spend his life fighting crime. He engages in intense intellectual and physical training; however, he realizes that these skills alone would not be enough. "Criminals are a superstitious cowardly lot", Wayne remarks, "so my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible ..." As if responding to his desires, a ] suddenly flies through the window, inspiring Bruce to craft the Batman persona.<ref>{{cite comic|writer=Bill Finger|penciller=Bob Kane|story=The Batman Wars Against the Dirigible of Doom|title=Detective Comics|issue=33|date=November 1939|publisher=DC Comics}}</ref> | |||
In early strips, Batman's career as a vigilante earns him the ire of the police. During this period, Bruce Wayne has a fiancé named ].<ref>She first appears in ''Detective Comics'' #31 (September 1939)</ref> In ''Detective Comics'' #38, Wayne takes in an orphaned circus acrobat, ], who becomes his vigilante partner, ]. Batman also becomes a founding member of the ],<ref>{{cite comic|writer=]|penciller=]|story=The Untold Origin of the Justice Society |title=DC Special|issue=29|date=September 1977|publisher=DC Comics}}</ref> although he, like Superman, is an honorary member,<ref>{{cite comic|writer=]|penciller= |story= |title=]|issue=3|date=Winter 1940/1941|publisher=DC Comics}}</ref> and thus only participates occasionally. Batman's relationship with the law thaws quickly, and he is made an honorary member of ].<ref>{{cite comic|writer=]|penciller=]|story=The People vs. the Batman|title=Batman|volume=1|issue=7|date=November 1941|publisher=DC Comics}}</ref> During this time, ] arrives at Wayne Manor, and after deducing the Dynamic Duo's secret identities, joins their service as their butler.<ref>''Batman'' #16 (May 1943); his original last name, Beagle, is revealed in ''Detective Comics'' #96 (February 1945)</ref> | |||
Will Brooker notes in his book ''Batman Unmasked'' that "the confirmation of the Batman's identity lies with the young audience...he doesn't have to be Bruce Wayne; he just needs the suit and gadgets, the abilities, and most importantly the morality, the humanity. There's just a sense about him: 'they trust him... and they're never wrong."<ref>{{cite book |title=Batman Unmasked |last=Brooker |first=Will |authorlink= |year=2001 |publisher=Continuum International Publishing Group |location=NY/London |isbn= 978-0-8264-1343-7 |page=368 |url=http://books.google.com/?id=GNRreYO91ogC&pg=PA137&dq=Unmasking+Batman |accessdate=}}</ref> | |||
==== Silver Age ==== | |||
Bruce Wayne is a graduate of ], as seen in ''Detective Comics'' #439 (1974), in which the final page shows a Yale Law School diploma hanging in Bruce Wayne's office.<ref>{{cite news|title=The 10 Most Famous Graduates of Yale Law School|url=http://www.businessinsider.com/famous-graduates-of-yale-law-school-2013-9?op=1|accessdate=2013-10-09|magazine=Business Insider|date=Oct 8, 2013|archiveurl=http://web.archive.org/web/20140122113434/http://www.businessinsider.com/famous-graduates-of-yale-law-school-2013-9?op=1|archivedate=2014-01-22}}</ref> | |||
The ] in DC Comics is sometimes held to have begun in 1956 when the publisher introduced ] as a new, updated version of the ]. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as ]. The lighter tone Batman had taken in the period between the Golden and Silver Ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until ''Detective Comics'' #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series. | |||
After the introduction of DC Comics' ] in the 1960s, DC established that stories from the Golden Age star the ], a character from a parallel world. This version of Batman partners with and marries the reformed Earth-Two Catwoman (Selina Kyle). The two have a daughter, ], who becomes the Huntress. She assumes the position as Gotham's protector along with Dick Grayson, the ], once Bruce Wayne retires to become police commissioner. Wayne holds the position of police commissioner until he is killed during one final adventure as Batman. Batman titles, however, often ignored that a distinction had been made between the pre-revamp and post-revamp Batmen (since unlike the Flash or ], Batman comics had been published without interruption through the 1950s) and would occasionally make reference to stories from the Golden Age.<ref>One example is the Englehart/Rogers run of the late 1970s, which has editorial notes directing readers to issues such as ''Detective Comics'' #46 and ''Batman'' #1 and 59.</ref> Nevertheless, details of Batman's history were altered or expanded upon through the decades. Additions include meetings with a future Superman during his youth, his upbringing by his uncle Philip Wayne (introduced in ''Batman'' #208 (February 1969)) after his parents' death, and appearances of his father and himself as prototypical versions of Batman and Robin, respectively.<ref>{{cite comic|writer=]|penciller=]|story=The First Batman|title=Detective Comics|issue=235|date=September 1956|publisher=DC Comics}}</ref><ref>{{cite comic|writer=]|penciller=]|story=When Batman Was Robin|title=Detective Comics|issue=226|date=December 1955|publisher=DC Comics}}</ref> In 1980, then-editor ] commissioned the ''Untold Legend of the Batman'' ] to thoroughly chronicle Batman's origin and history. | |||
===Dick Grayson=== | |||
{{Main|Dick Grayson}} | |||
On two occasions former Robin ] has served as Batman. He served briefly while Wayne recovered from spinal injuries caused by ] in the 1993 ''Knightfall'' storyline. He assumed the mantle again in a 2009 comic book while Wayne was believed dead, and served as a second Batman even after Wayne returned in 2010. As part of DC's ], he returned to being Nightwing following the ''Flashpoint'' crossover event. | |||
Batman meets and regularly works with other heroes during the Silver Age, most notably Superman, whom he began regularly working alongside in a series of team-ups in '']'', starting in 1954 and continuing through the series' cancellation in 1986. Batman and Superman are usually depicted as close friends. As a founding member of the ] of America, Batman appears in its first story, in 1960's '']'' #28. In the 1970s and 1980s, ''The Brave and the Bold'' became a Batman title, in which Batman teams up with a different ] superhero each month. | |||
In an interview with ], Morrison details that having Dick Grayson as Batman and ] as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin." Morrison explains his intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the ], and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; {{sic|hide=y|He's}} a lot looser and more relaxed."<ref name="comics.ign.com"/> | |||
==== Bronze Age ==== | |||
==Characterization== | |||
In 1969, Dick Grayson attends college as part of DC Comics' effort to revise the Batman comics. Additionally, Batman also moves from his mansion, ] into a ] atop the Wayne Foundation building in downtown Gotham City, in order to be closer to Gotham City's crime. In 1974's "Night of the Stalker" storyline, a diploma on the wall reveals Bruce Wayne as a graduate of ].<ref>{{cite news|title=Why Batman went to Yale|url=https://yalealumnimagazine.com/articles/3113-why-batman-went-to-yale|access-date=2020-08-15|website=yalealumnimagazine.com|language=en|archive-date=February 13, 2022|archive-url=https://web.archive.org/web/20220213091414/https://yalealumnimagazine.com/articles/3113-why-batman-went-to-yale|url-status=live}}</ref> Batman spends the 1970s and early 1980s mainly working solo, with occasional team-ups with Robin or Batgirl. Batman's adventures also become somewhat darker and more grim during this period, depicting increasingly violent crimes, including the first appearance (since the early Golden Age) of the Joker as a homicidal ], and the arrival of ], a centuries-old terrorist who knows Batman's secret identity. In the 1980s, Dick Grayson becomes ].<ref name="dc-ency">{{cite book | last = Beatty | first = Scott | contribution = Batman | editor-last = Dougall | editor-first = Alastair | title = The DC Comics Encyclopedia | pages = 40–44 | publisher = ] | place = London | year = 2008 | isbn = 978-0-7566-4119-1}}</ref> | |||
In the final issue of ''The Brave and the Bold'' in 1983, Batman quits the Justice League and forms a new group called the ]. He serves as the team's leader until ''Batman and the Outsiders'' #32 (1986) and the comic subsequently changed its title. | |||
===Skills and abilities=== | |||
Batman has no inherent superhuman powers. To compensate for this, he relies on "his own scientific knowledge, detective skills, and athletic prowess."<ref name = "Wright_p17"/> In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver.<ref>Mike Conray, ''500 Great Comicbook Action Heroes''. 2002, Collins & Brown. ISBN 978-1-84411-004-9</ref> In Grant Morrison's first storyline in ''JLA'', Superman describes Batman as "the most dangerous man on Earth," able to defeat a team of superpowered aliens by himself in order to rescue his imprisoned teammates. He has spent a significant portion of his life traveling the world and acquiring the skills needed to aid in his crusade against crime. His knowledge and expertise in almost every discipline known to man is nearly unparalleled by any other character in the DC Universe.<ref>{{cite comic|writer=]|penciller=]|story=War of the Worlds|title=JLA|issue=3|date=March 1997|publisher=]}}</ref> Superman also considers Batman to be one of the most brilliant minds on the planet when Batman and others (], ], ], and ]) try to save Superman from an infection in the ] story arc.<ref>{{cite comic|writer=]|penciller=] and ]|story=Superman: Doomed|title=Superman|issue=31|date=July 2014|publisher=]}}</ref> | |||
==== Modern Age ==== | |||
Batman is an expert in ] techniques and would often use ] methods, as well as ]. Several of his methods include hanging a person over the edge of a building by the leg or chaining a person upside down and ] them. He usually just uses his ] appearance to get answers. Batman has been repeatedly described as one of the greatest martial artists in the DC Universe; his skills in martial arts are said to rival such notable martial artists as ], ], and ]. | |||
After the 12-issue ] ''Crisis on Infinite Earths'', DC Comics ]ned the histories of some major characters in an attempt at updating them for contemporary audiences. Frank Miller retold Batman's origin in the storyline "]" from ''Batman'' #404–407, which emphasizes a grittier tone in the character.<ref>{{cite book | last = Miller | first = Frank | author-link = Frank Miller| author2 = David Mazzucchelli |author3=Richmond Lewis | title =Batman: Year One | publisher = DC Comics| year = 1987 | page = 98 | isbn = 978-1-85286-077-6| author2-link = David Mazzucchelli | title-link = Batman: Year One }}</ref> Though the Earth-Two Batman is erased from history, many stories of Batman's Silver Age/Earth-One career (along with an amount of Golden Age ones) remain canonical in the Post-''Crisis'' universe, with his origins remaining the same in essence, despite alteration. For example, Gotham's police are mostly corrupt, setting up further need for Batman's existence. The guardian Phillip Wayne is removed, leaving young Bruce to be raised by Alfred Pennyworth. Additionally, Batman is no longer a founding member of the Justice League of America, although he becomes leader for a short time of a new incarnation of the team launched in 1987. To help fill in the revised backstory for Batman following ''Crisis'', DC launched a new Batman title called '']'' in 1989 and has published various miniseries and one-shot stories since then that largely take place during the "Year One" period.<ref name="ComicsVerseReview">{{cite web |last1=Matchett |first1=Glenn |title=Frank Miller's Batman Part One: YEAR ONE, or How Legends are Made |url=https://comicsverse.com/frank-millers-batman-part-one-year-one-or-how-legends-are-made/ |website=ComicsVerse |date=September 4, 2015 |access-date=May 30, 2018 |url-status=dead |archive-url=https://web.archive.org/web/20191008145746/https://comicsverse.com/frank-millers-batman-part-one-year-one-or-how-legends-are-made/ |archive-date=October 8, 2019}}</ref> | |||
Subsequently, Batman begins exhibiting an excessive, reckless approach to his crimefighting, a result of the pain of losing ]. Batman works solo until the decade's close, when ] becomes the new Robin.<ref>{{cite comic|writer=]|penciller=]|story=Master of Fear|title=]|issue=457|date=December 1990|publisher=DC Comics}}</ref> | |||
Batman has the ability to function while ], withstand ] and ]. He is a master of ], often gathering information under the identity of Matches Malone, a notorious gangster. He is also skilled in ], thus allowing him to hide in unexpected places. His ] training has made him a master at stealth where he can appear and disappear in rather impossible situations. He is efficient with observation skills, ], and ]. He is also efficient in ], thus allowing him to break free of nearly inescapable ] with very little to no harm. | |||
Many of the major Batman storylines since the 1990s have been intertitle crossovers that run for a number of issues. In 1993, DC published "]". During the storyline's first phase, the new villain Bane paralyzes Batman, leading Wayne to ask ] to take on the role. After the end of "Knightfall", the storylines split in two directions, following both the Azrael-Batman's adventures, and Bruce Wayne's quest to become Batman once more. The story arcs realign in "KnightsEnd", as Azrael becomes increasingly violent and is defeated by a healed Bruce Wayne. Wayne hands the Batman mantle to Dick Grayson (then Nightwing) for an interim period, while Wayne trains for a return to the role.<ref>Dixon, Chuck. et al. "Batman: Prodigal". ''Batman'' #512–514, ''Batman: Shadow of the Bat'' #32–34, ''Detective Comics'' #679–681, ''Robin'' vol. 4 #11–13. New York: DC Comics, 1995.</ref> | |||
===Costume=== | |||
{{Main|Batsuit}} | |||
Batman's costume incorporates the imagery of a bat in order to frighten criminals.<ref name="A1">Daniels (1999)</ref> The details of the Batman costume change repeatedly through various stories and media, but the most distinctive elements remain consistent: a scallop-hem cape, a cowl covering most of the face featuring a pair of batlike ears, and a stylized bat emblem on the chest, and the ever-present utility belt. The costumes' colors are traditionally blue and grey,<ref name="A1" /> although this colorization arose due to the way comic book art is colored.<ref name="A1" /> His ] aids in his combat against enemies, having the properties of both ] and ]. It protects him from gunfire and other significant impacts. However, Batman's most defining characteristic is his strong commitment to justice and his unwillingness to take life, regardless of the situation he has faced. This unyielding moral rectitude has earned him the respect of several heroes in the DC Universe, most notably that of ] and ]. | |||
The 1994 company-wide crossover storyline '']'' changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now consider Batman an urban legend rather than a known force. | |||
Finger and Kane conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue.<ref name="A1" /> This coloring has been claimed by Larry Ford, in ''Place, Power, Situation, and Spectacle: A Geography of Film'', to be an inversion of conventional color-coding symbolism, which sees "bad guys" wearing dark colors.<ref>Larry Ford, "Lighting and Color in the Depiction" in ''Place, Power, Situation, and Spectacle: A Geography of Film'', Stuart C. Aitken, Leo Zonn, Leo E. Zonn eds. 1994 Rowman & Littlefield, p132. ISBN 978-0-8476-7826-6</ref> | |||
Batman once again becomes a member of the ] during Grant Morrison's 1996 relaunch of the series, titled ''JLA''. During this time, Gotham City faces catastrophe in the decade's closing crossover arc. In 1998's "]" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "]". | |||
Batman's gloves typically feature three scallops that protrude from long, gauntlet-like cuffs, although in his earliest appearances he wore short, plain gloves without the scallops. A yellow ellipse around the bat logo on the character's chest was added in 1964, and became the hero's trademark symbol, akin to the red and yellow "S" symbol of Superman.<ref>Daniels (1999), pg. 98</ref> The overall look of the character, particularly the length of the cowl's ears and of the cape, varies greatly depending on the artist. Dennis O'Neil said, "We now say that Batman has two hundred suits hanging in the Batcave so they don't have to look the same . . . Everybody loves to draw Batman, and everybody wants to put their own spin on it."<ref>Daniels (1999), pg. 159–60</ref> | |||
Meanwhile, Batman's relationship with the Gotham City Police Department changed for the worse with the events of "Batman: Officer Down" and "Batman: War Games/War Crimes"; Batman's long-time law enforcement allies Commissioner Gordon and ] are forced out of the police department in "Officer Down", while "War Games" and "War Crimes" saw Batman become a wanted fugitive after a contingency plan of his to neutralize Gotham City's criminal underworld is accidentally triggered, resulting in a massive gang war that ends with the ] ] the undisputed ruler of the city's criminal gangs. ] arranges for the murder of Batman's on-again, off-again love interest Vesper Lynd (introduced in the mid-1990s) during the "Bruce Wayne: Murderer?" and "]" story arcs. Though Batman is able to clear his name, he loses another ally in the form of his new bodyguard Sasha, who is recruited into the organization known as "Checkmate" while stuck in prison due to her refusal to turn state's evidence against her employer. While he was unable to prove that Luthor was behind the murder of Vesper, Batman does get his revenge with help from ] in '']'' #1–6. | |||
===Equipment=== | |||
{{See also|Batman's utility belt}} | |||
] from a ] ]]] | |||
]'s 1989 '']'' film.]] | |||
Batman uses a large arsenal of specialized gadgets in his war against crime, the designs of which usually share a bat motif. Batman historian ] credits ] with creating the concept of Batman's arsenal with the introduction of the utility belt in ''Detective Comics'' #29 (July 1939) and the first bat-themed weapons the ] and the "Batgyro" in ''Detective Comics'' #31 and #32 (September; October 1939).<ref name = "vapzdg"/> Batman's primary vehicle is the ], which is usually depicted as an imposing black car with large ] that suggest a bat's wings. Batman's other vehicles include the ] (aka the Batwing), ], ], and ]. | |||
=== 21st century === | |||
In proper practice, the "bat" prefix (as in batmobile or batarang) is rarely used by Batman himself when referring to his equipment, particularly after some portrayals (primarily the 1960s ] and the '']'' animated series) stretched the practice to ] proportions. The 1960s television series Batman has an arsenal that includes such "bat-" names as the bat-computer, bat-scanner, bat-radar, bat-cuffs, bat-pontoons, bat-drinking water dispenser, bat-camera with polarized bat-filter, bat-] bat-spray, and bat-rope. The storyline "A Death in the Family" suggests that given Batman's grim nature, he is unlikely to have adopted the "bat" prefix on his own. | |||
==== 2000s ==== | |||
Batman keeps most of his field equipment in a utility belt. Over the years it is shown to contain a virtually limitless variety of crime-fighting tools. Different versions of the belt have these items stored in either pouches or hard cylinders attached evenly around it. A typical major exception to the range of Batman's equipment are conventional ]s, which he refuses to use on principle considering that weapon class was the instrument of his parents' murder. Modern depictions of Batman have him compromise for practicality by arming his vehicles mainly for the purpose of removing obstacles or disabling enemy vehicles. | |||
DC Comics' 2005 ] '']'' reveals that JLA member ] had edited Batman's memories to prevent him from stopping the Justice League from ] ] after he raped ]. Batman later creates the ] satellite surveillance system to watch over and, if necessary, kill the other heroes after he remembered. The revelation of Batman's creation and his tacit responsibility for the Blue Beetle's death becomes a driving force in the lead-up to the '']'' miniseries, which again restructures DC continuity. Batman and a team of superheroes destroy Brother EYE and the OMACs, though, at the very end, Batman reaches his apparent breaking point when Alexander Luthor Jr. seriously wounds Nightwing. Picking up a gun, Batman nearly shoots Luthor in order to avenge his former sidekick, until Wonder Woman convinces him to not pull the trigger. | |||
Following ''Infinite Crisis'', Bruce Wayne, Dick Grayson (having recovered from his wounds), and Tim Drake retrace the steps Bruce had taken when he originally left Gotham City, to "rebuild Batman".<ref>''Infinite Crisis'' #7, p. 32</ref> In the '']'' storyline, Batman and Robin return to Gotham City after their year-long absence. Part of this absence is captured during Week 30 of the ''52'' series, which shows Batman fighting his inner demons.<ref>''52'' #30</ref> Later on in ''52'', Batman is shown undergoing an intense ] ritual in ]. This becomes an important part of the regular ''Batman'' title, which reveals that Batman is reborn as a more effective crime fighter while undergoing this ritual, having "hunted down and ate" the last traces of fear in his mind.<ref>''Batman'' #673</ref><ref>''Batman'' #681</ref> At the end of the "Face the Face" story arc, Bruce officially adopts Tim (who had lost both of his parents at various points in the character's history) as his son.<ref>{{cite comic|writer=]|penciller=]|story=Face the Face – Conclusion|title=]|issue=654|date=August 2006|publisher=DC Comics}}</ref> The follow-up story arc in ''Batman'', '']'', introduces ], who is Batman's son with ]. Although originally, in '']'', Bruce's coupling with Talia was implied to be consensual, this arc retconned it into Talia forcing herself on Bruce.<ref>''Batman'' #656 (October 2006):<br />Bruce: "I remember being drugged senseless and refusing to co-operate in some depraved eugenics experiment."<br />Talia: "Believe me, you cooperated ...magnificently."</ref> | |||
===Bat-Signal=== | |||
{{Main|Bat-Signal}} | |||
When Batman is needed, the Gotham City police activate a ] with a bat-shaped insignia over the lens called the Bat-Signal, which shines into the night sky, creating a bat-symbol on a passing cloud which can be seen from any point in Gotham. The origin of the signal varies, depending on the continuity and medium. | |||
Batman, along with Superman and Wonder Woman, reforms the Justice League in the new ''Justice League of America'' series,<ref>{{cite comic|writer=]|penciller=]|story=The Tornado's Path|title=] of America vol. 2|issue=1|date=August 2006|publisher=DC Comics}}</ref> and is leading the newest incarnation of the ].<ref>{{cite comic|writer=]|penciller=Julian Lopex|title=]|issue=1|date=November 2007|publisher=DC Comics}}</ref> | |||
In various incarnations, most notably the 1960s ], Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent cake cover on top. The line connects directly to Batman's residence, ], specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave. | |||
]'s 2008 storyline, "]" featured Batman being physically and mentally broken by the enigmatic villain ] and attracted news coverage in advance of its highly promoted conclusion, which would speculated to feature the death of Bruce Wayne.<ref name="INDY">Adams, Guy. "" November 28, 2008, '']''. November 28, 2008.</ref> However, though Batman is shown to possibly perish at the end of the arc, the two-issue arc "Last Rites", which leads into the crossover storyline "]", shows that Batman survives his helicopter crash into the Gotham City River and returns to the Batcave, only to be summoned to the Hall of Justice by the JLA to help investigate the ] ]'s death. The story ends with Batman retrieving the god-killing bullet used to kill Orion, setting up its use in "Final Crisis".<ref name="deadatlast"> January 15, 2009 {{webarchive |url=https://web.archive.org/web/20130115100716/http://www.newsarama.com/comics/010915-Batman-RIP-Finally.html |date=January 15, 2013 }}</ref> In the pages of ''Final Crisis'' Batman is reduced to a charred skeleton.<ref>{{cite comic|writer=]|penciller=]|story=How to Murder the Earth|title=Final Crisis|issue=6|date=January 2009|publisher=DC Comics}}</ref> In ''Final Crisis'' #7, Wayne is shown witnessing the passing of the first man, ].<ref>{{cite comic|writer=]|title=Final Crisis|issue=7|date=January 2009|publisher=DC Comics}}</ref><ref>{{cite web |title=Grant Morrison: Final Crisis Exit Interview, Part 2 |url=http://newsarama.com/comics/020904-Grant-FC2.html |archive-url=https://web.archive.org/web/20090207033629/http://newsarama.com/comics/020904-Grant-FC2.html |archive-date=February 7, 2009 |url-status=dead |access-date=June 7, 2009 }}</ref> Wayne's "death" sets up the three-issue '']'' miniseries in which Wayne's ex-proteges compete for the "right" to assume the role of Batman, which concludes with Grayson becoming Batman,<ref>{{cite comic|writer=]|title=Battle for the Cowl|issue=3|date=May 2009|publisher=DC Comics}}</ref> while Tim Drake takes on the identity of the ].<ref>{{cite comic|writer=]|title=Red Robin|issue=1|date=August 2009|publisher=DC Comics}}</ref> Dick and Damian continue as Batman and Robin, and in the crossover storyline "]", what appears to be Bruce's corpse is reanimated as a ] ],<ref>{{cite comic|writer=]|title=Blackest Night|issue=0|date=June 2009|publisher=DC Comics}}</ref> but is later shown that Bruce's corpse is one of Darkseid's failed Batman clones. Dick and Batman's other friends conclude that Bruce is alive.<ref>{{cite comic|writer=Grant Morrison|title=]|issue=7|date=January 2010|publisher=DC Comics}}</ref><ref>{{cite comic|writer=]|title=]|issue=8|date=February 2010|publisher=DC Comics}}</ref> | |||
===Batcave=== | |||
{{Main|Batcave}} | |||
The Batcave is Batman's secret headquarters, consisting of a series of subterranean caves beneath his mansion, Wayne Manor. It serves as his command center for both local and global surveillance, as well as housing his vehicles and equipment for his war on crime. It also is a storeroom for Batman's memorabilia. In both the comic '']'' (issue #45) and the 2005 film '']'', the cave is said to have been part of the ]. Of the heroes and villains who see the Batcave, few know where it is located. | |||
==== 2010s ==== | |||
==Supporting characters== | |||
Bruce subsequently returned in Morrison's miniseries '']'', which depicted his travels through time from ] to present-day Gotham.<ref name="USAToday">{{cite news|first=John |last=Geddes |url=https://www.usatoday.com/life/comics/2009-12-09-morrison-bruce-wayne-st_N.htm |title=Grant Morrison on return of original Batman |work=] |date=December 9, 2009 |access-date=December 10, 2009 |url-status=live |archive-url=https://web.archive.org/web/20091212235048/http://www.usatoday.com/life/comics/2009-12-09-morrison-bruce-wayne-st_N.htm |archive-date=December 12, 2009 }}</ref><ref name="Source">{{cite web |first=Alex |last=Segura |url=http://dcu.blog.dccomics.com/2009/12/09/dcu-in-2010-the-return-of-bruce-wayne-hits-in-april/ |title=DCU in 2010: The Return of Bruce Wayne hits in April |publisher=DC Comics |date=December 9, 2009 |access-date=December 10, 2009 |archive-url=https://web.archive.org/web/20091213044258/http://dcu.blog.dccomics.com/2009/12/09/dcu-in-2010-the-return-of-bruce-wayne-hits-in-april/ |archive-date=December 13, 2009 |url-status=dead }}</ref><ref name="SourceBatmanMay">{{cite web|url=http://dcu.blog.dccomics.com/2010/02/11/take-an-early-look-at-batman-titles-for-may/#more-7397 |title=Batman solicitations for May 2010 at DC's The Source |publisher=DC Comics |date=February 11, 2010 |access-date=June 17, 2010|archive-url=https://web.archive.org/web/20120306090923/http://dcu.blog.dccomics.com/2010/02/11/take-an-early-look-at-batman-titles-for-may/ |archive-date=March 6, 2012 }}</ref> Bruce's return set up '']'', an ongoing series which focused on Wayne franchising the Batman identity across the globe, allowing Dick and Damian to continue as Gotham's Dynamic Duo. Bruce publicly announced that Wayne Enterprises will aid Batman on his mission, known as "Batman, Incorporated". However, due to rebooted continuity that occurred as part of DC Comics' 2011 relaunch of all of its comic books, '']'', Dick Grayson was restored as Nightwing with Wayne serving as the sole Batman once again. The relaunch also interrupted the publication of ''Batman, Incorporated'', which resumed its story in 2012–2013 with changes to suit the new status quo. | |||
] ], painting by ], based on the cover of ''Batman'' #9 by ]]] | |||
{{Main|List of Batman supporting characters}} | |||
=== The New 52 === | |||
The Batman's interactions with the characters around him, both heroes and villains, have over time developed a strong supporting cast around the character.<ref name="pearson pg 186" /> ] ], Batman's ally in the Gotham City police, debuted along with Batman in ''Detective Comics'' #27. Gordon has been a consistent presence ever since. As a crime-fighting ], he shares the Batman's goals while offering, much as the character of Watson does in ] stories, a normal person's perspective on the work of an extraordinary genius. Later the Batman gained a butler. Alfred Pennyworth serves as Bruce Wayne's loyal father figure and is one of the few persons to know his secret identity. The character " a homey touch to Batman's environs and ever ready to provide a steadying and reassuring hand" to the hero and his sidekick.<ref name = "Boichel_p8">Boichel, pg. 8</ref> In the 1970s, ] appeared as Bruce Wayne's business manager and technology specialist. | |||
During ''The New 52'', all of DC's continuity was reset and the timeline was changed, making Batman the first superhero to emerge. This emergence took place during ''Zero Year'', where Bruce Wayne returns to Gotham and becomes Batman, fighting the original Red Hood<ref>{{Cite book|last=Snyder|first=Scott|title=Batman Vol. 4: Zero Year- Secret City|publisher=]}}</ref> and the Riddler.<ref>{{Cite book|last=Snyder|first=Scott|title=Batman Vol 5: Zero Year- Dark City|publisher=]}}</ref> In the present day, Batman discovers the ], a secret organization operating in Gotham for decades.<ref>{{Cite book|last=Snyder|first=Scott|title=Batman Vol. 1: The Court of Owls|publisher=]}}</ref> Batman somewhat defeats the Court by defeating Owlman,<ref>{{Cite book|last=Snyder|first=Scott|title=Batman Vol. 2: The City of Owls|publisher=]}}</ref> although the Court continues to operate on a smaller scale.<ref>{{Cite book|last=Snyder|first=Scott|title=Batman Vol. 10: Epilogue|publisher=]}}</ref> The Joker returns after losing the skin on his face (as shown in the opening issue of the second volume of ''Detective Comics'') and attempts to kill the Batman's allies, though he is stopped by Batman.<ref>{{Cite book|last=Snyder|first=Scott|title=Batman Vol. 3: Death of the Family|publisher=]}}</ref> After some time, Joker returns again, and both he and Batman die while fighting each other. ] temporarily becomes Batman, using a high-tech suit, while it is revealed that an amnesiac Bruce Wayne is still alive.{{citation needed|date=March 2022}} Gordon attempts to fight a new villain called ], while Wayne, regains his memories with the help of ] and ]. Once with his memories, Wayne becomes Batman again and defeats Mr. Bloom with the help of Gordon.{{citation needed|date=March 2022}} | |||
=== |
=== DC Rebirth === | ||
].]] | |||
{{anchor|Robin}} | |||
The timeline was reset again during ''Rebirth'', although no significant changes were made to the Batman mythos. {{citation needed|date=March 2022}} Batman meets two new superheroes operating in Gotham named Gotham and Gotham Girl. ] gets into Gotham's head and turns against Batman, and is finally defeated when he is killed. This event is very traumatic for Gotham Girl and she begins to lose her sanity.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 1: I Am Gotham|publisher=]}}</ref> | |||
{{Main|Robin (comics)}} | |||
A widely recognized supporting character for many years has been the young sidekick Robin.<ref>Boichel, pg. 7</ref> Bill Finger stated that he wanted to include Robin because "Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking."<ref>{{cite book|last=Langley|first=Travis|title=Batman and Psychology: A Dark and Stormy Knight|year=2012|publisher=John Wiley & Sons|page=179}}</ref> The first Robin, Dick Grayson, was introduced in 1940. In the 1970s he finally grew up, went off to college and became the hero ]. A second Robin, ], appeared in the 1980s. In the stories he was eventually badly beaten and then killed in an explosion set by the Joker, but later revived as an adversary using the Joker's old persona, the ]. ], the first female Robin to appear in Batman stories, was the final Robin in the continuity of Frank Miller's graphic novels '']'' and '']'', fighting alongside an ageing Batman in stories set out of the mainstream continuity. The third Robin in mainstream comics is ], who first appeared in 1989. He went on to star in his own comic series. In the first decade of the new millennium, ] served as the fourth in-universe Robin between the character's stints as ] and ].<ref>Langley, 180–210</ref> After Stephanie Brown's apparent death, Drake resumed the role of Robin for a time. The role eventually passed to ], the ten-year-old son of Bruce Wayne and ], in the late 2000s.<ref>{{cite web | last = Esposito | first = Joey | title = Why Damian Wayne is the Best Robin | publisher = IGN | date = March 5, 2013 | url = http://www.ign.com/articles/2013/03/06/why-damian-wayne-is-the-best-robin/ | accessdate = February 17, 2014| archiveurl = http://web.archive.org/web/20140301042547/http://www.ign.com/articles/2013/03/06/why-damian-wayne-is-the-best-robin| archivedate = 2014-03-01}}</ref> Damian's tenure as ''du jour'' Robin ended when the character was killed off in the pages of '']'' in 2013.<ref>{{cite web | last = Saul | first = Josh | title = DC killing off Batman’s ‘Boy Wonder’ Damian Wayne in new comic book | publisher = The New York Post| date = February 25, 2013 | url = http://nypost.com/2013/02/25/dc-killing-off-batmans-boy-wonder-damian-wayne-in-new-comic-book/ | accessdate = February 17, 2014| archiveurl = http://web.archive.org/web/20140429184730/http://nypost.com/2013/02/25/dc-killing-off-batmans-boy-wonder-damian-wayne-in-new-comic-book/| archivedate = 2014-04-29}}</ref> Batman's next young sidekick is Harper Row, a young woman who avoids the name Robin, debuting under the codename ] in 2014. Unlike the Robins, Bluebird is willing and permitted to use ]s.<ref>{{cite web | last = Franich | first = Darren | title = Batman has a new female sidekick: Meet Bluebird | publisher = Entertainment Weekly Popwatch | date = February 12, 2014 | url = http://popwatch.ew.com/2014/02/12/batman-bluebird-female-robin/ | accessdate = February 17, 2014| archiveurl = http://web.archive.org/web/20140222134700/http://popwatch.ew.com/2014/02/12/batman-bluebird-female-robin/| archivedate = 2014-02-22}}</ref> | |||
Batman forms his own ], including Catwoman, and attempts to take down ]. The mission is successful, and Batman breaks Bane's back.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 2: I Am Suicide|publisher=]}}</ref> Batman proposes to Catwoman. | |||
===Enemies=== | |||
{{Main|List of Batman Family adversaries}} | |||
]]] | |||
Batman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime.<ref name = "Boichel_p8"/> Batman's "most implacable foe" is the ], a homicidal maniac with a clown-like appearance who, as a "personification of the irrational", represents "everything Batman ."<ref name = "Boichel_p9"/> Other long time recurring foes include ], ], the ], the ], ], the ], ], ], and ], among many others. | |||
After healing from his wounds, an angry Bane travels to Gotham, where he fights Batman and loses.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 3: I Am Bane|publisher=]}}</ref> Batman then tells Catwoman about the War of Jokes and Riddles, and she agrees to marry him.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 4: The War of Jokes and Riddles|publisher=]}}</ref> Bane takes control of Arkham Asylum and manipulates Catwoman into leaving Wayne before the wedding.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 7: The Wedding|publisher=]}}</ref> This causes Wayne to become very angry, and, as Batman, lashes out against criminals, nearly killing Mr. Freeze.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 8: Cold Days|publisher=]}}</ref> | |||
===Others=== | |||
The Batman is at times a member of superhero teams such as the ] and the ]. Batman has often been paired in adventure with his Justice League teammate Superman, notably as the co-stars of ''World's Finest'' and '']'' series. In pre-Crisis continuity, the two are depicted as close friends; however, in current continuity, they have a mutually respectful but uneasy relationship, with an emphasis on their differing views on crime-fighting and justice. In '']'' #3 (December 2003), ] observes, "Sometimes, I admit, I think of Bruce as a man in a costume. Then, with some gadget from his utility belt, he reminds me that he has an extraordinarily inventive mind. And how lucky I am to be able to call on him."<ref>{{cite comic| writer = ] | penciller = ] | inker = ] | title = ] | volume =1 | story = Running Wild | issue = 3 | date = December 2003 | publisher = ] }}</ref> | |||
Batman learns of Bane's control over Arkham and teams up with the Penguin to stop him.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 9: The Tyrant Wing|publisher=]}}</ref> Bane captures Batman, and Scarecrow causes him to hallucinate, although he eventually breaks free.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 10: Knightmares|publisher=]}}</ref> Batman escapes and reunites with Catwoman, while Bane captures and kills Alfred Pennyworth. Batman returns and defeats Bane, although too late to save Alfred. Gotham Girl prompts him to marry Catwoman.<ref>{{Cite book|last=King|first=Tom|title=Batman Vol. 13: The City of Bane Part 2|publisher=]}}</ref> | |||
Bruce Wayne has been portrayed as involved romantically with many women through his various incarnations. Some have been respected society figures: ], ], and ]. Some have been allies: ] and ]. Some have been villainesses: the ] and ]. With the latter he sired a son, Damian, and with the former of whom sired a daughter, Helena (on Earth-Two). While these relationships tend to be short, Batman's attraction to the Catwoman is present in nearly every version and medium in which the characters appear. Writers have varied in the approach over the years to the 'playboy' aspect of Bruce Wayne's persona; some show his playboy reputation as a manufactured illusion to support his mission as Batman, while others have depicted Bruce Wayne as genuinely enjoying the benefits of being "Gotham's most eligible bachelor." | |||
It is revealed that the Joker who was working for Bane was really ] in disguise. The real Joker has been plotting a master plan to take over Gotham. This plan comes to fruition during ''The Joker War'', in which Joker takes over the city. Batman defeats the Joker who vanishes after an explosion.<ref>{{Cite book|last=Tynion IV|first=James|title=Batman Vol. 2: The Joker War|publisher=]}}</ref> Ghost-Maker, an enemy from Batman's past, appears in Gotham, and, after a battle, becomes a sort of ally to Batman.<ref>{{Cite book|last=Tynion IV|first=James|title=Batman Vol. 3: Ghost Stories|publisher=]}}</ref> A new group called the Magistrate rises up in Gotham, led by Simon Saint, whose goal is to outlaw vigilantes such as Batman. At the same time, Scarecrow returns,<ref>{{Cite book|last=Tynion IV|first=James|title=Batman Vol. 4: The Cowardly Lot|publisher=]}}</ref> fighting Batman. During ''Fear State'', Batman battles and defeats both Scarecrow and the Magistrate's Peacekeepers. | |||
Other supporting characters in the Batman's world include ], Commissioner Gordon's daughter, who has fought crime under the aliases ] and, during a period in which she was confined to a wheelchair due to a gunshot wound inflicted by the Joker, the ] Oracle; Azrael, a would-be assassin who replaces Bruce Wayne as Batman for a time; ], an assassin's daughter who became the new Batgirl; ], the sole surviving member of a mob family turned Gotham vigilante who has worked with Batman on occasion, ], the daughter of a criminal who operated as the Spoiler and temporarily as Robin, Ace the Bat-Hound, Batman's canine partner;<ref name="138D">Daniels (1995), pg. 138</ref> and Bat-Mite, an extra-dimensional imp who idolizes Batman.<ref name="138D" /> | |||
== Other versions == | |||
==Cultural impact== | |||
{{Main article|Alternative versions of Batman}} | |||
Batman has become a pop culture icon, recognized around the world. The character's presence has extended beyond his comic book origins; events such as the release of the 1989 ''Batman'' film and its accompanying merchandising "brought the Batman to the forefront of public consciousness."<ref name="introduction" /> In an article commemorating the sixtieth anniversary of the character, '']'' wrote, "Batman is a figure blurred by the endless reinvention that is modern mass culture. He is at once an icon and a commodity: the perfect cultural <!-- IMPORTANT: Please do not amend the spelling of the following word, it is a direct quotation from a UK publication and is the correct spelling for that location. For more details see ] -->artefact<!-- IMPORTANT: See preceding note --> for the 21st century."<ref>{{cite news | url=http://www.guardian.co.uk/g2/story/0,,314504,00.html | title=Batman's big birthday | publisher=Guardian News and Media Limited | work=The Guardian | date=March 15, 1999 | accessdate=2007-06-19 | author=Finkelstein, David; Macfarlane, Ross | location=London| archiveurl=http://web.archive.org/web/20080114031758/http://www.guardian.co.uk:80/g2/story/0,,314504,00.html | archivedate=2008-01-14 }}</ref> In addition, media outlets have often used the character in trivial and comprehensive surveys — '']'' magazine estimated Bruce Wayne to be the 8th-richest fictional character with his $6.9 billion fortune, several places after ], who is at 5.<ref name="forbes">{{cite web|url= http://www.forbes.com/special-report/2012/fictional-15-12/bruce-wayne.html|title=The Forbes Fictional 15, Bruce Wayne|last=Noer|first=Michael|author2=David M. Ewalt|date=April 23, 2012|work=Forbes|accessdate=2012-08-14|archiveurl=http://web.archive.org/web/20131216081810/http://www.forbes.com/special-report/2012/fictional-15-12/bruce-wayne.html|archivedate=2013-12-16}}</ref> '']'' listed the character as one of the ten most intelligent superheroes appearing in American comics.<ref>{{cite web | last = Pisani | first = Joseph | authorlink = Joseph Pisani | title = The Smartest Superheroes | work = BusinessWeek | year = 2006 | url = http://images.businessweek.com/ss/06/05/smart_heroes/index_01.htm | accessdate =2007-11-25| archiveurl= http://web.archive.org/web/20071203062918/http://images.businessweek.com/ss/06/05/smart_heroes/index_01.htm| archivedate= 2007-12-03 | deadurl= no}}</ref> '']'' named Batman as one of ''The 20 All Time Coolest Heroes in Pop Culture''.<ref>{{cite web|url=http://www.ew.com/ew/gallery/0,,20268279,00.html#20489944 |title= 20 All Time Coolest Heroes in Pop Culture |work=Entertainment Weekly |accessdate=2010-05-21|archiveurl=http://web.archive.org/web/20140304163646/http://www.ew.com/ew/gallery/0,,20268279,00.html |archivedate=2014-03-04 }}</ref> He also was placed on '']'' from the ] by the ].<ref>{{cite web|url=http://connect.afi.com/site/DocServer/handv100.pdf?docID=246 |title=AFI's 100 Years... 100 Heroes and Villains |publisher=] |accessdate=2010-05-21|archiveurl = http://www.webcitation.org/67oI7bsRP |archivedate = 2012-05-20|deadurl=yes}}</ref> The character was the focus of the 2008 non-fiction book '']'' by ]. | |||
The character of Batman has been portrayed in numerous alternative versions across various media since his debut in 1939. These adaptations explore different facets and interpretations of the character. | |||
In the "]" a television series, Bruce Wayne adopts the Batman persona in 2001, later teaming up with Superman and other superheroes.<ref>''Smallville: Season 11'' #6-9</ref> ]'s influential series, "]", reimagines Batman as an older, more hardened vigilante, coming out of retirement to fight crime in a dystopian future.<ref>{{Cite web |title=Comics Reviews, News, Heroes, Villains, Superheroes & Toys |url=https://www.ign.com/comics |access-date=2024-06-06 |website=IGN |language=en}}</ref> | |||
===In other media=== | |||
{{Main|Batman franchise media}} | |||
The character of Batman has appeared in various media aside from comic books. The character has been developed as a vehicle for newspaper syndicated ]s, books, radio dramas, television, a ], and several theatrical feature films. The first adaptation of Batman was as a daily newspaper ] which premiered on October 25, 1943.<ref>Daniels (1999), pg. 50</ref> That same year the character was adapted in the 15-part ] '']'', with ] becoming the first actor to portray Batman on screen. While Batman never had a radio series of his own, the character made occasional guest appearance in '']'' starting in 1945 on occasions when Superman voice actor ] needed time off.<ref name="Dan99p64">Daniels (1999), pg. 64</ref> A second movie serial, '']'', followed in 1949, with ] taking over the role of Batman. The exposure provided by these adaptations during the 1940s "helped make a household name for millions who never bought a comic book."<ref name="Dan99p64"/> | |||
In the "]" universe, Batman leads a resistance against a tyrannical Superman who has taken control of Earth. | |||
In the 1964 publication of ]'s collection of short stories "Come Back, Dr. Caligari", Barthelme wrote "The Joker's Greatest Triumph." Batman is portrayed for purposes of spoof as a pretentious French-speaking rich man.<ref>Olsen, Lance. "Linguistic Pratfalls in Barthelme", '']'' 5.4 (1986), pp. 69–77. Stable URL: http://www.jstor.org/stable/3199757</ref> | |||
The ] series sets Batman in a World War II-era context, with Bruce Wayne taking inspiration from Batwoman to become the masked hero. The "Dark Multiverse" introduces various twisted versions of Batman, such as the Batman Who Laughs, a hybrid of Batman and the Joker, and Red Death, a fusion of Batman and the Flash. | |||
The '']'' television series, starring ], premiered in January 1966 on the ] television network. Inflected with a ] sense of humor, the show became a pop culture phenomenon. In his memoir, ''Back to the Batcave'', West notes his dislike for the term 'camp' as it was applied to the 1960s series, opining that the show was instead a ] or ], and a deliberate one, at that. The series ran for 120 episodes, ending in 1968. In between the first and second season of the ''Batman'' television series the cast and crew made the theatrical release '']'' (1966). ] performed the theme song from the Batman series on their 1967 album ]. The popularity of the ''Batman'' TV series also resulted in the first animated adaptation of Batman in the series '']'';<ref>Boichel, pg. 14</ref> the Batman segments of the series were repackaged as '']'' and ''Batman with Robin the Boy Wonder'' which produced thirty-three episodes between 1968 and 1977. From 1973 until 1986, Batman had a starring role in ABC's '']'' series, which was animated by ]. ] was the voice of Batman in all these series, but was eventually replaced during ''Super Friends'' by Adam West, who also voiced the character in ]'s 1977 series '']''. | |||
Other notable reimaginings include '']'', where Batman appears in a crossover with ]; ]'s ], which offers a completely different origin for Batman; and "Kingdom Come", where an older Batman operates in a dystopian future alongside other aged superheroes. | |||
In 1989, Batman returned to movie theaters in director ]'s '']'', starring ] as the title character. The film was a huge success; not only was it the top-grossing film of the year, but at the time was the fifth highest-grossing film in history.<ref>{{cite web | url=http://www.boxofficemojo.com/movies/?id=batman.htm | title= Batman (1989) | publisher=Box Office Mojo | accessdate=2007-05-27 | archiveurl= http://web.archive.org/web/20070513103130/http://www.boxofficemojo.com/movies/?id=batman.htm| archivedate= 2007-05-13 | deadurl= no}}</ref> The film spawned three sequels: '']'' (1992); '']'' (1995), and '']'' (1997), the latter two of which were directed by ] instead of Burton, and replaced Keaton as Batman with ] and ], respectively. The second Schumacher film, while a box office success, failed to outgross any of its predecessors and was critically panned, causing ] to cancel the planned '']'', and place the film series on hiatus. | |||
In "Superman: American Alien", Bruce Wayne's journey is retold with significant differences, and "Batman: White Knight" explores a reality where the Joker is cured of his insanity and seeks to expose Batman as the true villain of Gotham. These various adaptations and reinterpretations highlight the versatility and enduring appeal of Batman as a character, allowing for a rich exploration of his mythology across different narratives and settings. | |||
]'' (1992–95)]] | |||
In 1992, Batman returned to television in '']'', which was produced by ] and broadcast on the ] television network. ] described the series as " as close as any artistic statement has to defining the look of Batman for the 1990s" in his reference book, ''Batman: The Complete History''.<ref>Daniels (1999), pg. 178</ref> The series' success led to the theatrical spin-off film '']'' (1993), as well as various other TV series set in the ], including '']'', '']'', '']'', and '']''. As with ''Batman: The Animated Series'', each of these productions featured ] as the voice of Batman. The futuristic series '']'' was also set in this same animated continuity and featured a newer, younger ] voiced by ]. In 2004, a new animated series titled '']'' made its debut with ] as the title character. In 2008, this show was replaced by another animated series, '']'', with ] as Batman. In 2013, a new ]-animated series titled '']'' made its debut. | |||
== In popular culture == | |||
In 2005, '']'' was released to theaters as a ] of the film series; directed by ] and starring ] as Batman. Its sequel, '']'' (2008), set the record for the highest grossing opening weekend of all time in the U.S., earning approximately $158 million,<ref>{{cite web | url=http://boxofficemojo.com/alltime/weekends/ | title= Opening Weekends | publisher=Box Office Mojo | accessdate=2008-07-20 | archiveurl= http://web.archive.org/web/20080723181344/http://boxofficemojo.com/alltime/weekends/| archivedate= 2008-07-23 | deadurl= no}}</ref> and became the fastest film to reach the $400 million mark in the history of American cinema (eighteenth day of release).<ref>{{cite web | url=http://boxofficemojo.com/alltime/fastest.htm?page=400&p=.htm | title= Fastest to $400 million | publisher=Box Office Mojo | accessdate=2008-08-06 | archiveurl=http://web.archive.org/web/20140502213247/http://boxofficemojo.com/alltime/fastest.htm?page=400&p=.htm | archivedate=2014-05-02 }}</ref> These record breaking attendances saw ''The Dark Knight'' end its run as the second-highest domestic grossing film (at the time) with $533 million, bested then only by '']''.<ref>{{cite web | url=http://www.boxofficemojo.com/alltime/domestic.htm | title= All Time Domestic Box Office Results | publisher=Box Office Mojo | accessdate=2008-11-23 | archiveurl= http://web.archive.org/web/20081205064427/http://www.boxofficemojo.com/alltime/domestic.htm| archivedate= 2008-12-05 | deadurl= no}}</ref> It was eventually followed by another sequel, '']'' (2012), which served as a conclusion to Nolan's film series. On August 22, 2013, it was announced by Warner Bros. Pictures that ] will be taking the mantle of Batman in the ''Man of Steel'' sequel '']''.<ref>{{cite web|url=http://www.deadline.com/2013/08/ben-affeck-to-play-batman-in-warner-bros-batman-superman-pic/ |title=Ben Affleck To Play Batman In Warner Bros’ Batman-Superman Pic; Studio Sets July 17, 2015 Release Date |publisher=Deadline |date=2013-08-22|archiveurl=http://web.archive.org/web/20131101063221/http://www.deadline.com:80/2013/08/ben-affeck-to-play-batman-in-warner-bros-batman-superman-pic/ |archivedate=2013-11-01 }}</ref> | |||
{{Main article|Batman in popular culture}} | |||
Batman has ascended to the status of a ] phenomenon, transcending his origins in comic books. His influence expanded notably with the release of the 1989 film, which propelled him to the forefront of public consciousness through widespread merchandising. '']'' describes Batman as emblematic of the constant reinvention characteristic of modern mass culture, embodying both iconic status and commercial appeal, making him a quintessential cultural artifact of the 21st century.<ref>{{cite news |last1=Finkelstein |first1=David |last2=Macfarlane |first2=Ross |date=March 15, 1999 |title=Batman's big birthday |url=https://www.theguardian.com/g2/story/0,,314504,00.html |url-status=dead |archive-url=https://web.archive.org/web/20080114031758/http://www.guardian.co.uk/g2/story/0%2C%2C314504%2C00.html |archive-date=January 14, 2008 |access-date=June 19, 2007 |work=The Guardian |location=London}}</ref> | |||
===Media appearances=== | |||
Batman has also starred in multiple video games, most of which were adaptations of the various cinematic or animated incarnations of the character. Among the most successful of these was '']'' (2009), which was released by ] to critical acclaim; review aggregator ] reports it as having received 92% positive reviews.<ref>, accessed 2012-06-12 {{WebCite|url=http://www.webcitation.org/66jANryZF|date =2012-04-06}}</ref> It was followed by the sequel '']'' (2011), which also received widespread acclaim and holds a Metacritic ranking of 94%.<ref>, accessed 2012-06-12 {{WebCite|url=http://www.webcitation.org/68WomFZhV|date =2012-06-19}}</ref> As with most animated Batman media, Kevin Conroy has provided the voice of the character in these games. More recently, a prequel game titled '']'' (2013) has been released by ].<ref> {{WebCite|url=http://www.webcitation.org/6FkryLhJf|date =2013-04-09}}</ref> | |||
{{Main|Batman (franchise)}} | |||
Apart from comics, Batman's presence spans various mediums, including newspapers, radio dramas, television, stage, and film. From the 1940s serials to contemporary TV shows like "]" and "]", Batman's legacy endures. Celebrating the character's 75th anniversary, Warner Bros released "Batman: Strange Days", showcasing his timeless appeal.<ref>{{harvp|Daniels|1999|p=50}}</ref> | |||
===Gay interpretations=== | |||
{{Further|Homosexuality in the Batman franchise}} | |||
In September 2024, Batman become the first superhero to be given a star on the ]. It was the 2,790th star.<ref>{{Cite web |last=nrueda |date=2024-09-26 |title=Batman becomes first superhero with star on Hollywood Walk of Fame |url=https://usa.inquirer.net/157489/batman-becomes-first-superhero-with-star-on-hollywood-walk-of-fame |access-date=2024-10-06 |website=INQUIRER.net USA |language=en}}</ref> | |||
] | |||
=== Different interpretations === | |||
Controversy has arisen over various sexual interpretations made regarding the content of Batman comics in the early decades. Gay interpretations have been part of the academic study of Batman since psychologist ] asserted in his '']'' in 1954 that "Batman stories are psychologically homosexual." He claimed, "The Batman type of story may stimulate children to homosexual ], of the nature of which they may be unconscious." Wertham wrote, "Only someone ignorant of the fundamentals of psychiatry and of the ] of sex can fail to realize a subtle atmosphere of ] which pervades the adventures of the mature 'Batman' and his young friend 'Robin.'"<ref>Wertham, Fredric. ''Seduction of the Innocent''. Rinehart and Company, Inc., 1954. pg. 189–90</ref> | |||
{{Further|Homosexuality in the Batman franchise|Batman in popular culture#Psychological interpretation}} | |||
Gay interpretations of Batman have been studied academically since psychologist ]'s claims in 1954.<ref>Wertham, Fredric. ''Seduction of the Innocent''. Rinehart and Company, Inc., 1954. pp. 189–90. | |||
For discussion of Wertham's impact see Brooker (2001).</ref> Andy Medhurst and Will Brooker have explored Batman's appeal to gay audiences and the validity of a queer reading.<ref>Medhurst, Andy. "Batman, Deviance, and Camp." ''The Many Lives of the Batman: Critical Approaches to a Superhero and His Media''. Routledge: London, 1991. {{ISBN|978-0-85170-276-6}}, p. 150.</ref> Meanwhile, in ] interpretations, Dr. Travis Langley sees Batman as representing the "shadow archetype", confronting inner darkness to fight evil, according to Carl Jung and Joseph Campbell's theories. Langley's analysis adds depth to Batman's psychological complexity.<ref name="Langley">Langley, Travis. ''Batman and Psychology: A Dark and Stormy Knight''. John Wiley & Sons; 1st edition, 2012, {{ISBN|1-118-16765-1}}</ref> | |||
== Notes == | |||
Creators associated with the character have expressed their own opinions. Writer Alan Grant has stated, "The Batman I wrote for 13 years isn't gay. Denny O'Neil's Batman, ]'s Batman, everybody's Batman all the way back to Bob Kane... none of them wrote him as a gay character. Only Joel Schumacher might have had an opposing view." Writer ] has commented, "It depends who you ask, doesn't it? Since you're asking me, I'll say no, I don't think he is ... I certainly understand the gay readings, though."<ref>{{cite web | url=http://www.comicsbulletin.com/panel/106070953757230.htm | title=Is Batman Gay? | accessdate=28 December 2005 | archiveurl=http://web.archive.org/web/20081201072032/http://www.comicsbulletin.com/panel/106070953757230.htm | archivedate=5 September 2013}}</ref> While Frank Miller has described the relationship between Batman and the Joker as a "] nightmare,"<ref>Sharrett, pg. 37–38</ref> he views the character as ] his sexual urges into crimefighting, concluding, "He'd be ''much'' healthier if he were gay."<ref>Sharrett, pg. 38</ref> ], who portrayed Robin in the 1960s television show, has also remarked upon this interpretation in his autobiography ''Boy Wonder: My Life in Tights''; he writes that the relationship could be interpreted as a sexual one, with the show's ]s and lavish camp also possibly offering ambiguous interpretation.<ref>{{cite web |title=Bruce Wayne: Bachelor |publisher=Ninth Art: Andrew Wheeler Comment |url=http://www.ninthart.com/display.php?article=963 |archiveurl=http://web.archive.org/web/20050428003852/http://www.ninthart.com/display.php?article=963 |archivedate=2005-04-28 |accessdate=2005-06-21}}</ref> | |||
{{notelist}} | |||
== References == | |||
Such gay interpretations continue to attract attention. One notable example occurred in 2000, when DC Comics refused to allow permission for the reprinting of four panels (from ''Batman'' #79, 92, 105 and 139) to illustrate Christopher York's paper ''All in the Family: Homophobia and Batman Comics in the 1950s''.<ref>{{cite journal |last=Beatty |first=Bart |title=Don't Ask, Don't Tell: How Do You Illustrate an Academic Essay about Batman and Homosexuality? |journal=The Comics Journal |year=2000 |volume= |issue=228 |pages=17–18 |url= }}</ref> Another happened in the summer of 2005, when painter Mark Chamberlain displayed a number of ]s depicting both Batman and Robin in suggestive and sexually explicit poses.<ref>{{cite web |title=Mark Chamberlain (American, 1967) |publisher=Artnet |url=http://www.artnet.com/artists/mark-chamberlain/past-auction-results|archiveurl=http://web.archive.org/web/20140309070124/http://www.artnet.com/artists/mark-chamberlain/past-auction-results|archivedate=2014-03-09}}</ref> DC threatened both artist and the Kathleen Cullen Fine Arts gallery with legal action if they did not cease selling the works and demanded all remaining art, as well as any profits derived from them.<ref>{{cite news | url=http://news.bbc.co.uk/2/hi/entertainment/4167032.stm | title=Gallery told to drop 'gay' Batman | publisher=BBC News Online | date=August 19, 2005| archiveurl=http://web.archive.org/web/20131104232835/http://news.bbc.co.uk/2/hi/entertainment/4167032.stm | archivedate=2013-11-04 }}</ref> | |||
{{reflist}} | |||
== Sources == | |||
] argues in ''Batman Unmasked: Analyzing a Cultural Icon'',<ref>Brooker, Will (2001) ''Batman Unmasked: Analyzing a Cultural Icon'', Continuum | |||
{{Refbegin|30em}} | |||
</ref> that a queer reading of ''Batman'' is a valid interpretation, and that gay readers would naturally find themselves drawn to the lifestyle depicted within, whether the character of Bruce Wayne himself is explicitly gay or not. He also identifies a homophobic element to the vigour with which mainstream fandom rejects the possibility of a gay reading of the character. In the April 2012 issue of ], long time Batman writer ] said that "Gayness is built into Batman. I'm not using gay in the pejorative sense, but Batman is very, very gay. There's just no denying it. Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay. I think that's why people like it. All these women fancy him and they all wear fetish clothes and jump around rooftops to get to him. He doesn't care—he's more interested in hanging out with the old guy and the kid."<ref>, accessed 2012-05-02 {{WebCite|url=http://www.webcitation.org/67oIQD5AR|date =2012-05-20}}</ref> Building on this, a Comics Alliance opinion piece titled ''The Gayness of Batman'' discussed the question of gay readings of the character, citing his relationship with the flamboyant Joker as "a monstrous distortion of the conflict between the closet and the scene."<ref>, Comics Alliance, accessed 2012-05-02 {{Wayback|url=http://www.comicsalliance.com/2012/04/30/the-gayness-of-batman-a-brief-history-opinion-morrison|date =20130101061539}}</ref> | |||
* {{cite book|last=Beatty|first=Scott|title=The Batman Handbook: The Ultimate Training Manual|publisher=Quirk Books|year=2005|isbn=978-1-59474-023-7}} | |||
* {{cite book|last=Boichel|first=Bill|year=1991|chapter=Batman: Commodity as Myth |title=The Many Lives of the Batman: Critical Approaches to a Superhero and His Media |publisher=Routledge |place=London |isbn=978-0-85170-276-6}} | |||
==Notes== | |||
* {{cite book|author-link=Les Daniels|last=Daniels|first=Les|year=1999|title=Batman: The Complete History|publisher=Chronicle Books|isbn=978-0-8118-2470-5}} | |||
{{Reflist|colwidth=20em}} | |||
* {{cite book|last=Daniels|first=Les|title=DC Comics: Sixty Years of the World's Favorite Comic Book Heroes|publisher=Bulfinch|year=1995|isbn=978-0-8212-2076-4}} | |||
* {{cite book|last=Daniels|first=Les|title=DC Comics: A Celebration of the World's Favorite Comic Book Heroes|publisher=Billboard Books/Watson-Guptill Publications|date=2003|isbn=978-0-8230-7919-3}} | |||
* {{cite book|last=Daniels|first=Les|title=Batman: The Complete History: The Life and Times of the Dark Knight|url=https://books.google.com/books?id=73wknu2cVIkC|date=April 2004|publisher=Chronicle Books |isbn=978-0-8118-4232-7|access-date=November 8, 2020}} | |||
* {{cite book|editor1-last=Pearson|editor1-first=Roberta E.|editor2-last=Uricchio|editor2-first=William|title=The Many Lives of the Batman: Critical Approaches to a Superhero and His Media|publisher=Routledge|location=London|year=1991|isbn=978-0-85170-276-6}} | |||
* {{cite book|last=Wright|first=Bradford W.|title=Comic Book Nation: The Transformation of Youth Culture in America|publisher=The Johns Hopkins University Press|year=2001|isbn=978-0-8018-6514-5|url-access=registration|url=https://archive.org/details/comicbooknationt00wrig}} | |||
{{Refend}} | |||
== Further reading == | |||
==References== | |||
{{Refbegin}} | {{Refbegin}} | ||
* {{cite book |
* {{cite book|author-link=Gerard Jones|last=Jones|first=Gerard|title=Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book|publisher=Basic Books|year=1995|isbn=978-0-465-03657-8|url-access=registration|url=https://archive.org/details/menoftomorrowgee0000jone}} | ||
* ]. ''Batman: The Complete History''. Chronicle Books, 1999. ISBN 978-0-8118-2470-5 | |||
* Daniels, Les. ''DC Comics: Sixty Years of the World's Favorite Comic Book Heroes''. Bulfinch, 1995. ISBN 978-0-8212-2076-4 | |||
* ]. ''Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book''. Basic Books, 1995. ISBN 978-0-465-03657-8 | |||
* Pearson, Roberta E.; Uricchio, William (editors). ''The Many Lives of the Batman: Critical Approaches to a Superhero and His Media''. Routledge: London, 1991. ISBN 978-0-85170-276-6 | |||
* Wright, Bradford W. ''Comic Book Nation: The Transformation of Youth Culture in America''. The Johns Hopkins University Press, 2001. ISBN 978-0-8018-6514-5 | |||
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Latest revision as of 22:09, 30 December 2024
Comic book superhero This article is about the superhero. For the city in Turkey, see Batman, Turkey. For other uses, see Batman (disambiguation).
Comics character
Batman | |
---|---|
Cover of the DC Comics Absolute Edition of Batman: Hush (2011) Art by Jim Lee | |
Publication information | |
Publisher | DC Comics |
First appearance | Detective Comics #27 (cover-dated May 1939; published March 30, 1939) |
Created by | |
In-story information | |
Alter ego | Bruce Wayne |
Place of origin | Gotham City |
Team affiliations | |
Partnerships |
|
Notable aliases |
|
Abilities |
|
Batman is a superhero who appears in American comic books published by DC Comics. Batman was created by the artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book Detective Comics on March 30, 1939. In the DC Universe, Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist who resides in Gotham City. His origin story features him swearing vengeance against criminals after witnessing the murder of his parents, Thomas and Martha, as a child, a vendetta tempered by the ideal of justice. He trains himself physically and intellectually, crafts a bat-inspired persona, and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with supporting characters, including his sidekicks Robin and Batgirl; allies Alfred Pennyworth and James Gordon; love interest Catwoman; and foes such as the Penguin, the Riddler, Two-Face, and his archenemy, the Joker.
Kane conceived Batman in early 1939 to capitalize on the popularity of Superman; although Kane frequently claimed sole creation credit, Finger substantially developed the concept from a generic superhero into something more bat-like. They drew inspiration from pulp fiction characters like the Shadow and Sherlock Holmes. Batman received a spin-off publication, Batman, in 1940. Kane and Finger introduced Batman as a ruthless vigilante who frequently killed or maimed criminals, but he evolved into a just, tempered superhero with a stringent moral code that prohibits killing during the 1940s. Unlike most superheroes, Batman does not possess any superpowers, instead relying on his intellect, fighting skills, and wealth. The 1960s Batman television series used a camp aesthetic, which continued to be associated with Batman for years after it ended. Various creators worked to return Batman to his darker roots in the 1970s and 1980s, culminating with the 1986 miniseries The Dark Knight Returns by Frank Miller.
DC has featured Batman in many comic books, including comics published under its imprints such as Vertigo and Black Label; he has been considered DC's flagship character since the 1990s. The longest-running Batman comic, Detective Comics, is the longest-running comic book in the United States. Batman is frequently depicted alongside other DC superheroes, such as Superman and Wonder Woman, as a member of organizations such as the Justice League and the Outsiders. In addition to Bruce Wayne, other characters used the Batman persona, such as Jean-Paul Valley / Azrael in the 1993–1994 "Knightfall" story arc; Dick Grayson, the first Robin, from 2009 to 2011; and Jace Fox, the son of Wayne's ally Lucius, since 2021. DC has also published comics featuring alternate versions of Batman, including the incarnation seen in The Dark Knight Returns and its successors, the incarnation from the Flashpoint (2011) event, and numerous interpretations in comics published under the Elseworlds label.
Batman is one of the most iconic characters in popular culture and has been listed among the greatest comic book superheroes and characters ever created. He is one of the most commercially successful superheroes, and his likeness has been licensed and featured in various media and merchandise sold around the world; this includes toy lines such as Lego Batman and video games such as the Batman: Arkham series. Batman has been adapted in many live-action and animated television series and films. Adam West portrayed him in the 1960s Batman television series, and he has been portrayed in film by Michael Keaton, Val Kilmer, George Clooney, Christian Bale, Ben Affleck, and Robert Pattinson. Many actors, most prolifically Kevin Conroy, have provided Batman's voice in animation and video games. In September 2024, Batman was given a star on the Hollywood Walk of Fame, being the first superhero to receive the honor.
Publication history
Main article: Publication history of BatmanCreation and early history
In early 1939, following the success of Superman, DC Comics' editors requested more superheroes. Bob Kane created Batman, initially drawing a character with red tights, bat wings, and a domino mask. Bill Finger, a collaborator, made significant contributions by suggesting a cowl, cape, gloves, and a darker costume. The character's alter ego, Bruce Wayne, was inspired by historical figures Robert the Bruce and Mad Anthony Wayne. Batman's early adventures drew inspiration from contemporary pulp fiction and characters like Zorro and the Shadow, establishing Batman as a master detective with a dark, brooding persona driven by the murder of his parents.
Golden, Silver and Bronze Ages
See also: List of Batman comicsBatman debuted in Detective Comics #27 in 1939. Early stories were dark, featuring a Batman who did not shy away from killing. The character quickly became popular, leading to his own solo title in 1940. Robin, Batman's sidekick, was introduced in 1940, lightening the tone and boosting sales. Over the next few years, Batman's rogues' gallery expanded with iconic villains like the Joker and Catwoman. The 1950s saw Batman in lighter, science fiction-influenced stories. However, declining sales led to a 1964 revamp by editor Julius Schwartz, who returned Batman to his detective roots and updated his appearance. The 1966 Batman TV series introduced a campy, humorous tone, which was reflected in the comics until its cancellation in 1968. In the 1970s, writers Dennis O'Neil and Neal Adams restored Batman's dark, gritty nature, a trend that continued despite fluctuating sales.
Modern Age and reboots
In the Modern Age of Comic Books Batman comics have undergone significant transformations, reflecting changing storytelling trends and audience interests. Beginning with seminal works like The Dark Knight Returns in the 1980s, which reintroduced Batman in a grittier, more mature context, the character's narrative evolved to explore deeper themes and darker tones. This period also saw the exploration of Batman's origins and psyche through works like Batman: Year One, and Batman: The Killing Joke, which delved into the complexities of heroism and villainy. In the 1990s, storylines such as "Knightfall" introduced new adversaries like Bane, who physically and mentally challenged Batman, leading to a temporary replacement by Jean-Paul Valley. The aftermath of an earthquake in "No Man's Land" depicted Gotham City in chaos, further pushing Batman to new limits of heroism and survival. Entering the 21st century, Grant Morrison's influential run introduced Damian Wayne as Batman's son and heir, bringing familial dynamics and a new generation of challenges to the forefront. Morrison's storytelling also delved into surreal and existential themes, such as in Batman R.I.P. and Final Crisis, which tested Batman's resolve and sanity against cosmic threats and personal demons. The New 52 reboot in 2011 refreshed Batman's continuity while preserving core elements of his character. This era introduced modern interpretations of classic storylines, like Night of the Owls, where Batman confronts the Court of Owls, a clandestine society controlling Gotham for centuries. The chilling return of the Joker in "Death of the Family" explored the intricate relationships within Batman's extended family of allies and adversaries. More recent developments under DC Rebirth and Infinite Frontier have continued to evolve Batman's universe, exploring new characters like Gotham and Gotham Girl, and tackling contemporary issues within the context of Gotham City's ever-evolving landscape of crime and heroism.
Characterization
Bruce Wayne
"Bruce Wayne" redirects here. For other uses, see Bruce Wayne (disambiguation).Batman's secret identity is Bruce Wayne, a wealthy American industrialist. As a child, Bruce witnessed the murder of his parents, Dr. Thomas Wayne and Martha Wayne, which ultimately led him to craft the Batman persona and seek justice against criminals. He resides on the outskirts of Gotham City in his personal residence, Wayne Manor. Wayne averts suspicion by acting the part of a superficial playboy idly living off his family's fortune and the profits of Wayne Enterprises, his inherited conglomerate. He supports philanthropic causes through his nonprofit Wayne Foundation, which in part addresses social issues encouraging crime as well as assisting victims of it, but is more widely known as a celebrity socialite. In public, he frequently appears in the company of high-status women, which encourages tabloid gossip while feigning near-drunkenness with consuming large quantities of disguised ginger ale since Wayne is actually a strict teetotaler to maintain his physical and mental prowess. Although Bruce Wayne leads an active romantic life, his vigilante activities as Batman account for most of his time.
Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade. This is in contrast to the Post-Crisis Superman, whose Clark Kent persona is the true identity, while the Superman persona is the facade. In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Wayne's principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason, and anything is possible.
Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. Morrison notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.
Will Brooker notes in his book Batman Unmasked that "the confirmation of the Batman's identity lies with the young audience ...he doesn't have to be Bruce Wayne; he just needs the suit and gadgets, the abilities, and most importantly the morality, the humanity. There's just a sense about him: 'they trust him ...and they're never wrong."
Personality
Batman's primary character traits can be summarized as "wealth; physical prowess; deductive abilities and obsession". The details and tone of Batman comic books have varied over the years with different creative teams. Dennis O'Neil noted that character consistency was not a major concern during early editorial regimes: "Julie Schwartz did a Batman in Batman and Detective and Murray Boltinoff did a Batman in the Brave and the Bold and apart from the costume they bore very little resemblance to each other. Julie and Murray did not want to coordinate their efforts, nor were they asked to do so. Continuity was not important in those days."
The driving force behind Bruce Wayne's character is his parents' murder and their absence. Bob Kane and Bill Finger discussed Batman's background and decided that "there's nothing more traumatic than having your parents murdered before your eyes". Despite his trauma, he sets his mind on studying to become a scientist and to train his body into physical perfection to fight crime in Gotham City as Batman, an inspired idea from Wayne's insight into the criminal mind. He also speaks over 40 languages.
Another of Batman's characterizations is that of a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break the law himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions". The origin is the source of the character's traits and attributes, which play out in many of the character's adventures.
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order". Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting, a fear that originates from the criminals' own guilty conscience. Miller is often credited with reintroducing anti-heroic traits into Batman's characterization, such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned to have a stringent moral code, which has stayed with the character of Batman ever since. Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.
Others
On several occasions former Robin Dick Grayson has served as Batman; most notably in 2009 while Wayne was believed dead, and served as a second Batman even after Wayne returned in 2010. As part of DC's 2011 continuity relaunch, Grayson returned to being Nightwing following the Flashpoint crossover event.
In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained their intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero. The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."
Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean-Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga. Jim Gordon donned a mecha-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016. In 2021, as part of the Fear State crossover event, Lucius Fox's son Jace Fox succeeds Bruce as Batman in a 2021 storyline, depicted in the series I Am Batman, after Batman was declared dead.
Additionally, members of the group Batman Incorporated, Bruce Wayne's experiment at franchising his brand of vigilantism, have at times stood in as the official Batman in cities around the world. Various others have also taken up the role of Batman in stories set in alternative universes and possible futures, including, among them, various former proteges of Bruce Wayne.
Supporting characters
Main article: List of Batman supporting charactersBatman's interactions with both villains and cohorts have, over time, developed a strong supporting cast of characters.
Enemies
Main article: List of Batman family enemiesBatman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime. These foes are commonly referred to as Batman's rogues gallery. Batman's "most implacable foe" is the Joker, a homicidal maniac with a clown-like appearance. The Joker is considered by critics to be his perfect adversary, since he is the antithesis of Batman in personality and appearance; the Joker has a maniacal demeanor with a colorful appearance, while Batman has a serious and resolute demeanor with a dark appearance. As a "personification of the irrational", the Joker represents "everything Batman ". Other long-time recurring foes that are part of Batman's rogues gallery include Catwoman (a cat burglar anti-heroine who is variously an ally and romantic interest), the Penguin, Ra's al Ghul, Two-Face (Harvey Dent), the Riddler, the Scarecrow, Mr. Freeze, Poison Ivy, Harley Quinn, Bane, Clayface, and Killer Croc, among others. Many of Batman's adversaries are often psychiatric patients at Arkham Asylum.
Allies
Alfred Pennyworth, Batman's loyal butler and father figure, first appeared in Batman #16 (1943). After Bruce Wayne's parents were killed, Alfred raised Bruce and became one of the few people to know his secret identity. He is often portrayed as a steadying presence in Bruce's life, offering both emotional support and practical assistance in Batman's crime-fighting endeavors. More than just a caretaker, Alfred is a trusted ally and sometimes sidekick, sharing Wayne Manor with Bruce and contributing to Batman's mission.
One of Batman's most crucial allies is Commissioner James Gordon. Their relationship is built on mutual respect and a shared commitment to justice in Gotham City. In Batman: Year One, Gordon and Batman learn to trust each other, which transforms their efforts against crime into a more effective partnership. Gordon's perspective as a police officer complements Batman's vigilantism, allowing them to tackle Gotham's challenges together. Another important ally is the Justice League, which further emphasizes the importance of collaboration. Batman's relationship with Superman showcases how their contrasting ideologies can complement each other. In stories like World's Finest, their friendship highlights how Batman's methods benefit from Superman's optimism and strength.
Sidekicks
Main article: Robin (character)Robin, Batman's vigilante partner, has been a widely recognized supporting character for many years; each iteration of the Robin character, of which there have been five in the mainstream continuity, function as members of the Batman family, but additionally, as Batman's "central" sidekick in various media. Bill Finger stated that he wanted to include Robin because "Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking." The first Robin, Dick Grayson, was introduced in 1940. In the 1970s he finally grew up, went off to college and became the hero Nightwing. A second Robin, Jason Todd was introduced in the 1980s, following Dick Grayson's departure from the role. Initially impulsive and rebellious, Jason's tenure as Robin was controversial among fans. In 1988, DC held a fan vote to determine his fate in the iconic A Death in the Family storyline, where the Joker brutally beat Jason with a crowbar and left him to die in an explosion. The fans voted for his death. However, Jason was later resurrected and returned as the antihero Red Hood.
The third Robin in the mainstream comics is Tim Drake, who first appeared in 1989. He went on to star in his own comic series, and goes by the name Red Robin, a variation on the traditional Robin persona. In the first decade of the new millennium, Stephanie Brown served as the fourth in-universe Robin between stints as her self-made vigilante identity the Spoiler, and later as Batgirl. After Brown's apparent death, Drake resumed the role of Robin for a time. The role eventually passed to Damian Wayne, the 10-year-old son of Bruce Wayne and Talia al Ghul, in the late 2000s. Damian's tenure as du jour Robin ended when the character was killed off in the pages of Batman Incorporated in 2013. Batman's next young sidekick is Harper Row, a streetwise young woman who avoids the name Robin but followed the ornithological theme nonetheless; she debuted the codename and identity of the Bluebird in 2014. Unlike the Robins, the Bluebird is willing and permitted to use a gun, albeit non-lethal; her weapon of choice is a modified rifle that fires taser rounds. In 2015, a new series began titled We Are...Robin, focused on a group of teenagers using the Robin persona to fight crime in Gotham City. The most prominent of these, Duke Thomas, later becomes Batman's crimefighting partner as The Signal.
Romantic interests
Batman's romantic history spans decades, filled with relationships that reflect his struggle between personal happiness and his duty as Gotham's protector. His first love interest was Julie Madison, introduced in Detective Comics #31 (1939). Though engaged to Bruce Wayne, she left due to his distant and playboy persona, highlighting the conflict between Bruce's dual life and his desire for a normal relationship.
Selina Kyle, also known as Catwoman, is perhaps the most notable figure in Batman's romantic history. Debuting in Batman #1 (1940), their relationship is characterized by a blend of romance and rivalry. Over the years, they have shared intense connections, often navigating the fine line between love and conflict. Their relationship culminated in an engagement during the Rebirth era.
Another important figure is Vicki Vale, a journalist introduced in Batman #49 (1948). Vicki's attempts to uncover Batman's true identity lead to a complicated romantic involvement that waxed and waned over the years, especially during the early 1980s when their relationship became more serious.
Talia al Ghul, introduced in Detective Comics #411 (1971), is another key player in Batman's love life. Their relationship is fraught with conflict due to her father, Ra's al Ghul, and his criminal ambitions. Despite the challenges, their love story resulted in the birth of Damian Wayne, who would grow to become the latest Robin and add a new layer of complexity to Batman's character.
Additionally, Batman's relationship with Wonder Woman has been explored in various storylines, including a passionate kiss in JLA (2003) during a moment of crisis. However, their relationship remains largely unexplored, often overshadowed by their respective commitments.
One of the most controversial romantic pairings emerged from the animated adaptation of Batman: The Killing Joke (2016), which depicted a brief romantic involvement between Batman and Batgirl (Barbara Gordon). This portrayal sparked significant criticism among fans, reflecting the challenges and complexities of Batman's romantic entanglements over the years.
Abilities
Skills and training
Batman has no inherent superhuman powers; he relies on "his own scientific knowledge, detective skills, and athletic prowess". Batman's inexhaustible wealth gives him access to advanced technologies, and as a proficient scientist, he is able to use and modify these technologies to his advantage. In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver. Batman has been repeatedly described as having a genius-level intellect, being one of the greatest martial artists in the DC Universe, and having peak human physical and mental conditioning. As a polymath, his knowledge and expertise in countless disciplines is nearly unparalleled by any other character in the DC Universe. He has shown prowess in assorted fields such as mathematics, biology, physics, chemistry, and several levels of engineering. He has traveled the world acquiring the skills needed to aid him in his endeavors as Batman. In the Superman: Doomed story arc, Superman considers Batman to be one of the most brilliant minds on the planet.
Batman has trained extensively in various fighting styles, making him one of the best hand-to-hand fighters in the DC Universe. He possesses a photographic memory, and has fully utilized his photographic memory to master a total of 127 forms of martial arts. In terms of his physical condition, Batman is described as peak human and far beyond an Olympic-athlete-level condition, able to perform feats such as easily running across rooftops in a Parkour-esque fashion, pressing thousands of pounds regularly, and even bench pressing six hundred pounds of soil and coffin in a poisoned and starved state. Superman describes Batman as "the most dangerous man on Earth", able to defeat an entire team of superpowered extraterrestrials by himself in order to rescue his imprisoned teammates in Grant Morrison's first storyline in JLA.
Batman is strongly disciplined, and he has the ability to function under great physical pain and resist most forms of telepathy and mind control. He is a master of disguise, multilingual, and an expert in espionage, often gathering information under the identity of a notorious gangster named Matches Malone. Batman is highly skilled in stealth movement and escapology, which allows him to appear and disappear at will and to break free of nearly inescapable deathtraps with little to no harm. He is also a master strategist, considered DC's greatest tactician, with numerous plans in preparation for almost any eventuality.
Batman is an expert in interrogation techniques and his intimidating and frightening appearance alone is often all that is needed in getting information from suspects. Despite having the potential to harm his enemies, Batman's most defining characteristic is his strong commitment to justice and his reluctance to take a life. This unyielding moral rectitude has earned him the respect of several heroes in the DC Universe, most notably that of Superman and Wonder Woman.
Among physical and other crime fighting related training, he is also proficient at other types of skills. Some of these include being a licensed pilot (in order to operate the Batplane), as well as being able to operate other types of machinery. In some publications, he even underwent some magician training.
Technology
Batman utilizes a vast arsenal of specialized, high-tech vehicles and gadgets in his war against crime, the designs of which usually share a bat motif. Batman historian Les Daniels credits Gardner Fox with creating the concept of Batman's arsenal with the introduction of the utility belt in Detective Comics #29 (July 1939) and the first bat-themed weapons the batarang and the "Batgyro" in Detective Comics #31 and 32 (Sept. and October 1939).
- Personal armor
Batman's batsuit aids in his combat against enemies, having the properties of both Kevlar and Nomex. It protects him from gunfire and other significant impacts, and incorporates the imagery of a bat in order to frighten criminals.
The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. His gloves typically feature three scallops that protrude from long, gauntlet-like cuffs, although in his earliest appearances he wore short, plain gloves without the scallops. The overall look of the character, particularly the length of the cowl's ears and of the cape, varies greatly depending on the artist. Dennis O'Neil said, "We now say that Batman has two hundred suits hanging in the Batcave so they don't have to look the same ...Everybody loves to draw Batman, and everybody wants to put their own spin on it."
Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue. Hence, the costume's colors have appeared in the comics as dark blue and grey; as well as black and grey. In the Tim Burton's Batman and Batman Returns films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. Christopher Nolan's The Dark Knight Trilogy depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. Ben Affleck's Batman in the DC Extended Universe films wears a suit grey in color with a black cowl, cape, and bat symbol. Seemingly following the suit of the DC Extended Universe outfit, Robert Pattinson's uniform in The Batman restores the more traditional gray bodysuit and black appendage design, notably different from prior iterations by mostly utilizing real world armor and apparel pieces from modern military and motorcycle gear.
- Batmobile
Batman's primary vehicle is the Batmobile, which is usually depicted as an imposing black car, often with tailfins that suggest a bat's wings.
Batman also has an aircraft called the Batplane (originally a relatively traditionally, but bat-motifed plane, later seen as the much more unique "Batwing" starting in the 1989 film), along with various other means of transportation.
In proper practice, the "bat" prefix (as in Batmobile or batarang) is rarely used by Batman himself when referring to his equipment, particularly after some portrayals (primarily the 1960s Batman live-action television show and the Super Friends animated series) stretched the practice to campy proportions. For example, the 1960s television show depicted a Batboat, Bat-Sub, and Batcycle, among other bat-themed vehicles. The 1960s television series Batman has an arsenal that includes such "bat-" names as the Bat-computer, Bat-scanner, bat-radar, bat-cuffs, bat-pontoons, bat-drinking water dispenser, bat-camera with polarized bat-filter, bat-shark repellent bat-spray, and Bat-rope. The storyline "A Death in the Family" suggests that given Batman's grim nature, he is unlikely to have adopted the "bat" prefix on his own. In The Dark Knight Returns, Batman tells Carrie Kelley that the original Robin came up with the name "Batmobile" when he was young, since that is what a kid would call Batman's vehicle.
The Batmobile, which was before frequently depicted to resemble a sports car, was redesigned in 2011 when DC Comics relaunched its entire line of comic books, with the Batmobile being given heavier armor and new aesthetics.
- Utility belt
Batman keeps most of his field equipment in his utility belt. Over the years it has shown to contain an assortment of crime-fighting tools, weapons, and investigative and technological instruments. Different versions of the belt have these items stored in compartments, often as pouches or hard cylinders attached evenly around it.
Since the 1989 film, Batman is often depicted as carrying a projectile which shoots a retractable grappling hook attached to a cable (before this, a he employed a traditionally thrown grappling hook.) This allows him to attach to distant objects, be propelled into the air, and thus swing from the rooftops of Gotham City.
An exception to the range of Batman's equipment are hand guns, which he refuses to use on principle, since a gun was used in his parents' murder. In modern stories in terms of his vehicles, Batman compromises on that principle to install weapon systems on them for the purpose of non-lethally disabling other vehicles, forcing entry into locations and attacking dangerous targets too large to defeat by other means.
- Bat-Signal
When Batman is needed, the Gotham City police activate a searchlight with a bat-shaped insignia over the lens called the Bat-Signal, which shines into the night sky, creating a bat-symbol on a passing cloud which can be seen from any point in Gotham. The origin of the signal varies, depending on the continuity and medium.
In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.
- Batcave
The Batcave is Batman's secret headquarters, consisting of a series of caves beneath his mansion, Wayne Manor. As his command center, the Batcave serves multiple purposes; supercomputer, surveillance, redundant power-generators, forensics lab, medical infirmary, private study, training dojo, fabrication workshop, arsenal, hangar and garage. It houses the vehicles and equipment Batman uses in his campaign to fight crime. It is also a trophy room and storage facility for Batman's unique memorabilia collected over the years from various cases he has worked on.
In both the comic book Batman: Shadow of the Bat #45 and the 2005 film Batman Begins, the cave is said to have been part of the Underground Railroad.
Fictional character biography
Batman's history has undergone many retroactive continuity revisions, both minor and major. Elements of the character's history have varied greatly. Scholars William Uricchio and Roberta E. Pearson noted in the early 1990s, "Unlike some fictional characters, the Batman has no primary urtext set in a specific period, but has rather existed in a plethora of equally valid texts constantly appearing over more than five decades."
20th century
Origin
Main article: Origin of BatmanThe central fixed event in the Batman stories is the character's origin story. As a young boy, Bruce Wayne was horrified and traumatized when he watched his parents, the physician Dr. Thomas Wayne and his wife Martha, murdered with a gun by a mugger named Joe Chill. Batman refuses to utilize any sort of gun on the principle that a gun was used to murder his parents. This event drove him to train his body to its peak condition and fight crime in Gotham City as Batman. Pearson and Uricchio also noted beyond the origin story and such events as the introduction of Robin, "Until recently, the fixed and accruing and hence, canonized, events have been few in number", a situation altered by an increased effort by later Batman editors such as Dennis O'Neil to ensure consistency and continuity between stories.
Golden Age
See also: Batman (Earth-Two)In Batman's first appearance in Detective Comics #27, he is already operating as a crime-fighter. Batman's origin is first presented in Detective Comics #33 (November 1939) and is later expanded upon in Batman #47. As these comics state, Bruce Wayne is born to Dr. Thomas Wayne and his wife Martha, two very wealthy and charitable Gotham City socialites. Bruce is brought up in Wayne Manor, and leads a happy and privileged existence until the age of 8, when his parents are killed by a small-time criminal named Joe Chill while on their way home from a movie theater. That night, Bruce Wayne swears an oath to spend his life fighting crime. He engages in intense intellectual and physical training; however, he realizes that these skills alone would not be enough. "Criminals are a superstitious cowardly lot", Wayne remarks, "so my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible ..." As if responding to his desires, a bat suddenly flies through the window, inspiring Bruce to craft the Batman persona.
In early strips, Batman's career as a vigilante earns him the ire of the police. During this period, Bruce Wayne has a fiancé named Julie Madison. In Detective Comics #38, Wayne takes in an orphaned circus acrobat, Dick Grayson, who becomes his vigilante partner, Robin. Batman also becomes a founding member of the Justice Society of America, although he, like Superman, is an honorary member, and thus only participates occasionally. Batman's relationship with the law thaws quickly, and he is made an honorary member of Gotham City's police department. During this time, Alfred Pennyworth arrives at Wayne Manor, and after deducing the Dynamic Duo's secret identities, joins their service as their butler.
Silver Age
The Silver Age of Comic Books in DC Comics is sometimes held to have begun in 1956 when the publisher introduced Barry Allen as a new, updated version of the Flash. Batman is not significantly changed by the late 1950s for the continuity which would be later referred to as Earth-One. The lighter tone Batman had taken in the period between the Golden and Silver Ages led to the stories of the late 1950s and early 1960s that often feature many science-fiction elements, and Batman is not significantly updated in the manner of other characters until Detective Comics #327 (May 1964), in which Batman reverts to his detective roots, with most science-fiction elements jettisoned from the series.
After the introduction of DC Comics' Multiverse in the 1960s, DC established that stories from the Golden Age star the Earth-Two Batman, a character from a parallel world. This version of Batman partners with and marries the reformed Earth-Two Catwoman (Selina Kyle). The two have a daughter, Helena Wayne, who becomes the Huntress. She assumes the position as Gotham's protector along with Dick Grayson, the Earth-Two Robin, once Bruce Wayne retires to become police commissioner. Wayne holds the position of police commissioner until he is killed during one final adventure as Batman. Batman titles, however, often ignored that a distinction had been made between the pre-revamp and post-revamp Batmen (since unlike the Flash or Green Lantern, Batman comics had been published without interruption through the 1950s) and would occasionally make reference to stories from the Golden Age. Nevertheless, details of Batman's history were altered or expanded upon through the decades. Additions include meetings with a future Superman during his youth, his upbringing by his uncle Philip Wayne (introduced in Batman #208 (February 1969)) after his parents' death, and appearances of his father and himself as prototypical versions of Batman and Robin, respectively. In 1980, then-editor Paul Levitz commissioned the Untold Legend of the Batman miniseries to thoroughly chronicle Batman's origin and history.
Batman meets and regularly works with other heroes during the Silver Age, most notably Superman, whom he began regularly working alongside in a series of team-ups in World's Finest Comics, starting in 1954 and continuing through the series' cancellation in 1986. Batman and Superman are usually depicted as close friends. As a founding member of the Justice League of America, Batman appears in its first story, in 1960's The Brave and the Bold #28. In the 1970s and 1980s, The Brave and the Bold became a Batman title, in which Batman teams up with a different DC Universe superhero each month.
Bronze Age
In 1969, Dick Grayson attends college as part of DC Comics' effort to revise the Batman comics. Additionally, Batman also moves from his mansion, Wayne Manor into a penthouse apartment atop the Wayne Foundation building in downtown Gotham City, in order to be closer to Gotham City's crime. In 1974's "Night of the Stalker" storyline, a diploma on the wall reveals Bruce Wayne as a graduate of Yale Law School. Batman spends the 1970s and early 1980s mainly working solo, with occasional team-ups with Robin or Batgirl. Batman's adventures also become somewhat darker and more grim during this period, depicting increasingly violent crimes, including the first appearance (since the early Golden Age) of the Joker as a homicidal psychopath, and the arrival of Ra's al Ghul, a centuries-old terrorist who knows Batman's secret identity. In the 1980s, Dick Grayson becomes Nightwing.
In the final issue of The Brave and the Bold in 1983, Batman quits the Justice League and forms a new group called the Outsiders. He serves as the team's leader until Batman and the Outsiders #32 (1986) and the comic subsequently changed its title.
Modern Age
After the 12-issue miniseries Crisis on Infinite Earths, DC Comics retconned the histories of some major characters in an attempt at updating them for contemporary audiences. Frank Miller retold Batman's origin in the storyline "Year One" from Batman #404–407, which emphasizes a grittier tone in the character. Though the Earth-Two Batman is erased from history, many stories of Batman's Silver Age/Earth-One career (along with an amount of Golden Age ones) remain canonical in the Post-Crisis universe, with his origins remaining the same in essence, despite alteration. For example, Gotham's police are mostly corrupt, setting up further need for Batman's existence. The guardian Phillip Wayne is removed, leaving young Bruce to be raised by Alfred Pennyworth. Additionally, Batman is no longer a founding member of the Justice League of America, although he becomes leader for a short time of a new incarnation of the team launched in 1987. To help fill in the revised backstory for Batman following Crisis, DC launched a new Batman title called Legends of the Dark Knight in 1989 and has published various miniseries and one-shot stories since then that largely take place during the "Year One" period.
Subsequently, Batman begins exhibiting an excessive, reckless approach to his crimefighting, a result of the pain of losing Jason Todd. Batman works solo until the decade's close, when Tim Drake becomes the new Robin.
Many of the major Batman storylines since the 1990s have been intertitle crossovers that run for a number of issues. In 1993, DC published "Knightfall". During the storyline's first phase, the new villain Bane paralyzes Batman, leading Wayne to ask Azrael to take on the role. After the end of "Knightfall", the storylines split in two directions, following both the Azrael-Batman's adventures, and Bruce Wayne's quest to become Batman once more. The story arcs realign in "KnightsEnd", as Azrael becomes increasingly violent and is defeated by a healed Bruce Wayne. Wayne hands the Batman mantle to Dick Grayson (then Nightwing) for an interim period, while Wayne trains for a return to the role.
The 1994 company-wide crossover storyline Zero Hour: Crisis in Time! changes aspects of DC continuity again, including those of Batman. Noteworthy among these changes is that the general populace and the criminal element now consider Batman an urban legend rather than a known force.
Batman once again becomes a member of the Justice League during Grant Morrison's 1996 relaunch of the series, titled JLA. During this time, Gotham City faces catastrophe in the decade's closing crossover arc. In 1998's "Cataclysm" storyline, Gotham City is devastated by an earthquake and ultimately cut off from the United States. Deprived of many of his technological resources, Batman fights to reclaim the city from legions of gangs during 1999's "No Man's Land".
Meanwhile, Batman's relationship with the Gotham City Police Department changed for the worse with the events of "Batman: Officer Down" and "Batman: War Games/War Crimes"; Batman's long-time law enforcement allies Commissioner Gordon and Harvey Bullock are forced out of the police department in "Officer Down", while "War Games" and "War Crimes" saw Batman become a wanted fugitive after a contingency plan of his to neutralize Gotham City's criminal underworld is accidentally triggered, resulting in a massive gang war that ends with the sadistic Black Mask the undisputed ruler of the city's criminal gangs. Lex Luthor arranges for the murder of Batman's on-again, off-again love interest Vesper Lynd (introduced in the mid-1990s) during the "Bruce Wayne: Murderer?" and "Bruce Wayne: Fugitive" story arcs. Though Batman is able to clear his name, he loses another ally in the form of his new bodyguard Sasha, who is recruited into the organization known as "Checkmate" while stuck in prison due to her refusal to turn state's evidence against her employer. While he was unable to prove that Luthor was behind the murder of Vesper, Batman does get his revenge with help from Talia al Ghul in Superman/Batman #1–6.
21st century
2000s
DC Comics' 2005 miniseries Identity Crisis reveals that JLA member Zatanna had edited Batman's memories to prevent him from stopping the Justice League from lobotomizing Dr. Light after he raped Sue Dibny. Batman later creates the Brother I satellite surveillance system to watch over and, if necessary, kill the other heroes after he remembered. The revelation of Batman's creation and his tacit responsibility for the Blue Beetle's death becomes a driving force in the lead-up to the Infinite Crisis miniseries, which again restructures DC continuity. Batman and a team of superheroes destroy Brother EYE and the OMACs, though, at the very end, Batman reaches his apparent breaking point when Alexander Luthor Jr. seriously wounds Nightwing. Picking up a gun, Batman nearly shoots Luthor in order to avenge his former sidekick, until Wonder Woman convinces him to not pull the trigger.
Following Infinite Crisis, Bruce Wayne, Dick Grayson (having recovered from his wounds), and Tim Drake retrace the steps Bruce had taken when he originally left Gotham City, to "rebuild Batman". In the Face the Face storyline, Batman and Robin return to Gotham City after their year-long absence. Part of this absence is captured during Week 30 of the 52 series, which shows Batman fighting his inner demons. Later on in 52, Batman is shown undergoing an intense meditation ritual in Nanda Parbat. This becomes an important part of the regular Batman title, which reveals that Batman is reborn as a more effective crime fighter while undergoing this ritual, having "hunted down and ate" the last traces of fear in his mind. At the end of the "Face the Face" story arc, Bruce officially adopts Tim (who had lost both of his parents at various points in the character's history) as his son. The follow-up story arc in Batman, Batman and Son, introduces Damian Wayne, who is Batman's son with Talia al Ghul. Although originally, in Batman: Son of the Demon, Bruce's coupling with Talia was implied to be consensual, this arc retconned it into Talia forcing herself on Bruce.
Batman, along with Superman and Wonder Woman, reforms the Justice League in the new Justice League of America series, and is leading the newest incarnation of the Outsiders.
Grant Morrison's 2008 storyline, "Batman R.I.P." featured Batman being physically and mentally broken by the enigmatic villain Doctor Hurt and attracted news coverage in advance of its highly promoted conclusion, which would speculated to feature the death of Bruce Wayne. However, though Batman is shown to possibly perish at the end of the arc, the two-issue arc "Last Rites", which leads into the crossover storyline "Final Crisis", shows that Batman survives his helicopter crash into the Gotham City River and returns to the Batcave, only to be summoned to the Hall of Justice by the JLA to help investigate the New God Orion's death. The story ends with Batman retrieving the god-killing bullet used to kill Orion, setting up its use in "Final Crisis". In the pages of Final Crisis Batman is reduced to a charred skeleton. In Final Crisis #7, Wayne is shown witnessing the passing of the first man, Anthro. Wayne's "death" sets up the three-issue Battle for the Cowl miniseries in which Wayne's ex-proteges compete for the "right" to assume the role of Batman, which concludes with Grayson becoming Batman, while Tim Drake takes on the identity of the Red Robin. Dick and Damian continue as Batman and Robin, and in the crossover storyline "Blackest Night", what appears to be Bruce's corpse is reanimated as a Black Lantern zombie, but is later shown that Bruce's corpse is one of Darkseid's failed Batman clones. Dick and Batman's other friends conclude that Bruce is alive.
2010s
Bruce subsequently returned in Morrison's miniseries Batman: The Return of Bruce Wayne, which depicted his travels through time from prehistory to present-day Gotham. Bruce's return set up Batman Incorporated, an ongoing series which focused on Wayne franchising the Batman identity across the globe, allowing Dick and Damian to continue as Gotham's Dynamic Duo. Bruce publicly announced that Wayne Enterprises will aid Batman on his mission, known as "Batman, Incorporated". However, due to rebooted continuity that occurred as part of DC Comics' 2011 relaunch of all of its comic books, The New 52, Dick Grayson was restored as Nightwing with Wayne serving as the sole Batman once again. The relaunch also interrupted the publication of Batman, Incorporated, which resumed its story in 2012–2013 with changes to suit the new status quo.
The New 52
During The New 52, all of DC's continuity was reset and the timeline was changed, making Batman the first superhero to emerge. This emergence took place during Zero Year, where Bruce Wayne returns to Gotham and becomes Batman, fighting the original Red Hood and the Riddler. In the present day, Batman discovers the Court of Owls, a secret organization operating in Gotham for decades. Batman somewhat defeats the Court by defeating Owlman, although the Court continues to operate on a smaller scale. The Joker returns after losing the skin on his face (as shown in the opening issue of the second volume of Detective Comics) and attempts to kill the Batman's allies, though he is stopped by Batman. After some time, Joker returns again, and both he and Batman die while fighting each other. Jim Gordon temporarily becomes Batman, using a high-tech suit, while it is revealed that an amnesiac Bruce Wayne is still alive. Gordon attempts to fight a new villain called Mr. Bloom, while Wayne, regains his memories with the help of Alfred Pennyworth and Julie Madison. Once with his memories, Wayne becomes Batman again and defeats Mr. Bloom with the help of Gordon.
DC Rebirth
The timeline was reset again during Rebirth, although no significant changes were made to the Batman mythos. Batman meets two new superheroes operating in Gotham named Gotham and Gotham Girl. Psycho-Pirate gets into Gotham's head and turns against Batman, and is finally defeated when he is killed. This event is very traumatic for Gotham Girl and she begins to lose her sanity.
Batman forms his own Suicide Squad, including Catwoman, and attempts to take down Bane. The mission is successful, and Batman breaks Bane's back. Batman proposes to Catwoman.
After healing from his wounds, an angry Bane travels to Gotham, where he fights Batman and loses. Batman then tells Catwoman about the War of Jokes and Riddles, and she agrees to marry him. Bane takes control of Arkham Asylum and manipulates Catwoman into leaving Wayne before the wedding. This causes Wayne to become very angry, and, as Batman, lashes out against criminals, nearly killing Mr. Freeze.
Batman learns of Bane's control over Arkham and teams up with the Penguin to stop him. Bane captures Batman, and Scarecrow causes him to hallucinate, although he eventually breaks free. Batman escapes and reunites with Catwoman, while Bane captures and kills Alfred Pennyworth. Batman returns and defeats Bane, although too late to save Alfred. Gotham Girl prompts him to marry Catwoman.
It is revealed that the Joker who was working for Bane was really Clayface in disguise. The real Joker has been plotting a master plan to take over Gotham. This plan comes to fruition during The Joker War, in which Joker takes over the city. Batman defeats the Joker who vanishes after an explosion. Ghost-Maker, an enemy from Batman's past, appears in Gotham, and, after a battle, becomes a sort of ally to Batman. A new group called the Magistrate rises up in Gotham, led by Simon Saint, whose goal is to outlaw vigilantes such as Batman. At the same time, Scarecrow returns, fighting Batman. During Fear State, Batman battles and defeats both Scarecrow and the Magistrate's Peacekeepers.
Other versions
Main article: Alternative versions of BatmanThe character of Batman has been portrayed in numerous alternative versions across various media since his debut in 1939. These adaptations explore different facets and interpretations of the character.
In the "Smallville" a television series, Bruce Wayne adopts the Batman persona in 2001, later teaming up with Superman and other superheroes. Frank Miller's influential series, "The Dark Knight Returns", reimagines Batman as an older, more hardened vigilante, coming out of retirement to fight crime in a dystopian future.
In the "Injustice: Gods Among Us" universe, Batman leads a resistance against a tyrannical Superman who has taken control of Earth.
The DC Bombshells series sets Batman in a World War II-era context, with Bruce Wayne taking inspiration from Batwoman to become the masked hero. The "Dark Multiverse" introduces various twisted versions of Batman, such as the Batman Who Laughs, a hybrid of Batman and the Joker, and Red Death, a fusion of Batman and the Flash.
Other notable reimaginings include JLA/Avengers, where Batman appears in a crossover with Marvel's Avengers; Stan Lee's Just Imagine, which offers a completely different origin for Batman; and "Kingdom Come", where an older Batman operates in a dystopian future alongside other aged superheroes.
In "Superman: American Alien", Bruce Wayne's journey is retold with significant differences, and "Batman: White Knight" explores a reality where the Joker is cured of his insanity and seeks to expose Batman as the true villain of Gotham. These various adaptations and reinterpretations highlight the versatility and enduring appeal of Batman as a character, allowing for a rich exploration of his mythology across different narratives and settings.
In popular culture
Main article: Batman in popular cultureBatman has ascended to the status of a global pop culture phenomenon, transcending his origins in comic books. His influence expanded notably with the release of the 1989 film, which propelled him to the forefront of public consciousness through widespread merchandising. The Guardian describes Batman as emblematic of the constant reinvention characteristic of modern mass culture, embodying both iconic status and commercial appeal, making him a quintessential cultural artifact of the 21st century.
Media appearances
Main article: Batman (franchise)Apart from comics, Batman's presence spans various mediums, including newspapers, radio dramas, television, stage, and film. From the 1940s serials to contemporary TV shows like "Gotham" and "Titans", Batman's legacy endures. Celebrating the character's 75th anniversary, Warner Bros released "Batman: Strange Days", showcasing his timeless appeal.
In September 2024, Batman become the first superhero to be given a star on the Hollywood Walk of Fame. It was the 2,790th star.
Different interpretations
Further information: Homosexuality in the Batman franchise and Batman in popular culture § Psychological interpretationGay interpretations of Batman have been studied academically since psychologist Fredric Wertham's claims in 1954. Andy Medhurst and Will Brooker have explored Batman's appeal to gay audiences and the validity of a queer reading. Meanwhile, in psychological interpretations, Dr. Travis Langley sees Batman as representing the "shadow archetype", confronting inner darkness to fight evil, according to Carl Jung and Joseph Campbell's theories. Langley's analysis adds depth to Batman's psychological complexity.
Notes
- Finger was not credited in official materials until 2015.
- Sometimes referred to as "the Batman" and originally stylized as The Bat-Man
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Bruce: "I remember being drugged senseless and refusing to co-operate in some depraved eugenics experiment."
Talia: "Believe me, you cooperated ...magnificently." - Brad Meltzer (w), Ed Benes (p). "The Tornado's Path" Justice League of America vol. 2, no. 1 (August 2006). DC Comics.
- Chuck Dixon (w), Julian Lopex (p). Batman and the Outsiders vol. 2, no. 1 (November 2007). DC Comics.
- Adams, Guy. "Holy smoke, Batman! Are you dead?" November 28, 2008, The Independent. Archived November 28, 2008.
- Newsarama: "Batman R.I.P. – Finally?" January 15, 2009 Archived January 15, 2013, at the Wayback Machine
- Grant Morrison (w), J. G. Jones (p). "How to Murder the Earth" Final Crisis, no. 6 (January 2009). DC Comics.
- Grant Morrison (w). Final Crisis, no. 7 (January 2009). DC Comics.
- "Grant Morrison: Final Crisis Exit Interview, Part 2". Archived from the original on February 7, 2009. Retrieved June 7, 2009.
- Tony Daniel (w). Battle for the Cowl, no. 3 (May 2009). DC Comics.
- Chris Yost (w). Red Robin, no. 1 (August 2009). DC Comics.
- Geoff Johns (w). Blackest Night, no. 0 (June 2009). DC Comics.
- Grant Morrison (w). Batman and Robin, no. 7 (January 2010). DC Comics.
- Grant Morrison (w). Batman and Robin, no. 8 (February 2010). DC Comics.
- Geddes, John (December 9, 2009). "Grant Morrison on return of original Batman". USA Today. Archived from the original on December 12, 2009. Retrieved December 10, 2009.
- Segura, Alex (December 9, 2009). "DCU in 2010: The Return of Bruce Wayne hits in April". DC Comics. Archived from the original on December 13, 2009. Retrieved December 10, 2009.
- "Batman solicitations for May 2010 at DC's The Source". DC Comics. February 11, 2010. Archived from the original on March 6, 2012. Retrieved June 17, 2010.
- Snyder, Scott. Batman Vol. 4: Zero Year- Secret City. DC Comics.
- Snyder, Scott. Batman Vol 5: Zero Year- Dark City. DC Comics.
- Snyder, Scott. Batman Vol. 1: The Court of Owls. DC Comics.
- Snyder, Scott. Batman Vol. 2: The City of Owls. DC Comics.
- Snyder, Scott. Batman Vol. 10: Epilogue. DC Comics.
- Snyder, Scott. Batman Vol. 3: Death of the Family. DC Comics.
- King, Tom. Batman Vol. 1: I Am Gotham. DC Comics.
- King, Tom. Batman Vol. 2: I Am Suicide. DC Comics.
- King, Tom. Batman Vol. 3: I Am Bane. DC Comics.
- King, Tom. Batman Vol. 4: The War of Jokes and Riddles. DC Comics.
- King, Tom. Batman Vol. 7: The Wedding. DC Comics.
- King, Tom. Batman Vol. 8: Cold Days. DC Comics.
- King, Tom. Batman Vol. 9: The Tyrant Wing. DC Comics.
- King, Tom. Batman Vol. 10: Knightmares. DC Comics.
- King, Tom. Batman Vol. 13: The City of Bane Part 2. DC Comics.
- Tynion IV, James. Batman Vol. 2: The Joker War. DC Comics.
- Tynion IV, James. Batman Vol. 3: Ghost Stories. DC Comics.
- Tynion IV, James. Batman Vol. 4: The Cowardly Lot. DC Comics.
- Smallville: Season 11 #6-9
- "Comics Reviews, News, Heroes, Villains, Superheroes & Toys". IGN. Retrieved June 6, 2024.
- Finkelstein, David; Macfarlane, Ross (March 15, 1999). "Batman's big birthday". The Guardian. London. Archived from the original on January 14, 2008. Retrieved June 19, 2007.
- Daniels (1999), p. 50
- nrueda (September 26, 2024). "Batman becomes first superhero with star on Hollywood Walk of Fame". INQUIRER.net USA. Retrieved October 6, 2024.
- Wertham, Fredric. Seduction of the Innocent. Rinehart and Company, Inc., 1954. pp. 189–90. For discussion of Wertham's impact see Brooker (2001).
- Medhurst, Andy. "Batman, Deviance, and Camp." The Many Lives of the Batman: Critical Approaches to a Superhero and His Media. Routledge: London, 1991. ISBN 978-0-85170-276-6, p. 150.
- Langley, Travis. Batman and Psychology: A Dark and Stormy Knight. John Wiley & Sons; 1st edition, 2012, ISBN 1-118-16765-1
Sources
- Beatty, Scott (2005). The Batman Handbook: The Ultimate Training Manual. Quirk Books. ISBN 978-1-59474-023-7.
- Boichel, Bill (1991). "Batman: Commodity as Myth". The Many Lives of the Batman: Critical Approaches to a Superhero and His Media. London: Routledge. ISBN 978-0-85170-276-6.
- Daniels, Les (1999). Batman: The Complete History. Chronicle Books. ISBN 978-0-8118-2470-5.
- Daniels, Les (1995). DC Comics: Sixty Years of the World's Favorite Comic Book Heroes. Bulfinch. ISBN 978-0-8212-2076-4.
- Daniels, Les (2003). DC Comics: A Celebration of the World's Favorite Comic Book Heroes. Billboard Books/Watson-Guptill Publications. ISBN 978-0-8230-7919-3.
- Daniels, Les (April 2004). Batman: The Complete History: The Life and Times of the Dark Knight. Chronicle Books. ISBN 978-0-8118-4232-7. Retrieved November 8, 2020.
- Pearson, Roberta E.; Uricchio, William, eds. (1991). The Many Lives of the Batman: Critical Approaches to a Superhero and His Media. London: Routledge. ISBN 978-0-85170-276-6.
- Wright, Bradford W. (2001). Comic Book Nation: The Transformation of Youth Culture in America. The Johns Hopkins University Press. ISBN 978-0-8018-6514-5.
Further reading
- Jones, Gerard (1995). Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book. Basic Books. ISBN 978-0-465-03657-8.
External links
- Official website
- Batman Bio at the Unofficial Guide to the DC Universe
- Batman on DC Database, a DC Comics wiki
- Batman (1940–present) Comics Inventory
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