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{{about|the short story by Robert A. Heinlein|the song by The Hooters|All You Zombies (song)}} {{Short description|1958 SF short story by Robert A. Heinlein}}
{{About|the short story by Robert A. Heinlein|the song by The Hooters|All You Zombies (song)}}
{{one source|date=May 2010}}
{{Infobox short story | <!-- See ] or ] --> {{Infobox short story | <!-- See ] or ] -->
| name = "—All You Zombies—" | name = {{thinsp}}'—All You Zombies—'{{thinsp}}
| title_orig =
| translator =
| author = ] | author = ]
| country = ] | country = ]
| language = ] | language = ]
| series = | series =
| genre = ] | genre = ]
| published_in = ] | published_in = '']''
| publisher = | publisher =
| media_type = | media_type =
| pub_date = ] | pub_date = ]
| english_pub_date = | english_pub_date =
| preceded_by =
| followed_by =
}} }}
⚫ <!-- The quotation marks and both em dashes are part of the story's title -->''''"—All You Zombies—"'''' is a ] ] by ]. It was written in one day, July 11, 1958, and first published in the March 1959 issue of '']'' magazine after being rejected by '']''.


⚫ "'''{{thinsp}}'—All You Zombies—'{{thinsp}}'''"{{efn|Quotation marks and ] are used around the story's title (in one of its common variants), with the phrase being a fragmentary quotation. (The outer quotation marks here, however, are simply the conventional notation for indicating that this is the title of a short story.)}} is a ] ] by American writer ]. It was written in one day, July 11, 1958, and first published in the March 1959 issue of '']'' after being rejected by '']''.
⚫ The story involves a number of ]es caused by ]. In 1980, it was nominated for the ] for short fiction.<ref></ref>


⚫ The story involves a number of ]es caused by ]. In 1980, it was nominated for the ] for short fiction.<ref>{{cite web|url=http://www.locusmag.com/SFAwards/Db/Balrog1980.html|title=Locus Magazine award index, 1980 Balrog|archive-url=https://web.archive.org/web/20150912133151/http://locusmag.com/SFAwards/Db/Balrog1980.html|archive-date=2015-09-12|access-date=2018-09-05}}</ref>
⚫ '"—All You Zombies—"' further develops themes explored by the author in a previous work: "]", published some 18 years earlier. Some of the same elements also appear later in '']'' (1988), including the Circle of ] and the Temporal Corps.

⚫ {{"'}}—All You Zombies—{{'"}} further develops themes explored by the author in a previous work: "]", published some 18 years earlier. Some of the same elements also appear later in '']'' (1985), including the Circle of ] and the Temporal Corps.

⚫ The unusual title of the story, which includes both the quotation marks and dashes shown above,<ref>"", ''The Internet Time Travel Database''</ref> is a quotation from a sentence near the end of the story; the quotation is taken from the middle of the sentence, hence the dashes indicating ] before and after the title.


==Plot== ==Plot==
"'—All You Zombies—'" chronicles a young man (later revealed to be ]) taken back in time and tricked into ] his younger, female self (before he underwent a ]); he thus turns out to be the offspring of that union, with the ] that he is his own mother and father. As the story unfolds, all the major characters are revealed to be the same person, at different stages of her/his life. {{"'}}—All You Zombies—{{'"}} chronicles a young man (later revealed to be ]) taken back in time and tricked into ] his younger, female self (before he was forced to undergo ]); he turns out to be the offspring of that union, with the ] that he is his own mother and father. As the story unfolds, all the major characters are revealed to be the same person, at different stages of their life.


===Narrative order of events=== ===Narrative order of events===
]
The story involves an intricate series of time-travel journeys. It begins with a young man speaking to the narrator, the Bartender, in 1970. The young man is called the Unmarried Mother, because he writes stories for ]s, many of them presumably from the point of view of an unmarried mother. The story involves an intricate series of time-travel journeys (see diagram). It begins with a young man speaking to the narrator, the Bartender, in 1970. The two of them relate in that both of them are from unmarried parents. The Bartender remarks that no one in his family ever gets married, including him. He wears an ] ring. The young man is called the Unmarried Mother, because he writes stories for ]s, many of them presumably from the point of view of an unmarried mother.


Cajoled by the Bartender, the Unmarried Mother explains why he understands the female viewpoint so well: he was born a girl, in 1945, and raised in an orphanage. While a fairly ugly teenager in 1963, he (that is, she) was seduced, impregnated, and abandoned by an older man. During the delivery of her child, doctors discovered she had an ] condition: internally, she had both male and female sex organs. Complications during delivery forced them to give her a sex change. The baby was later kidnapped and not seen again. The now-former girl had to adjust to being a man and surviving as such, despite being unprepared for any attainable job. As a girl he/she had taken ] lessons, hoping to get into space as a comfort worker for workers and colonists. Disqualified for such work by the physical aftereffects of childbirth, he used his secretarial skills to type manuscripts, and eventually began writing. Cajoled by the Bartender, the Unmarried Mother explains why he understands the female viewpoint so well: he was born a girl, in 1945, and raised in an orphanage. While a fairly ugly teenager in 1963, she was seduced, impregnated, and abandoned by an older man. During the delivery of her child, doctors discovered she was ], with internalized male sex organs as well as female sex organs. Complications during delivery, by Caesarean section, rendered the female organs unviable and the physicians gave her a ]. The baby was kidnapped by a mysterious older gentleman, and not seen again. The Unmarried Mother then had to adjust to life as a man, despite an upbringing that left him unqualified for "men's" jobs; he had planned to get into space as a ]er for male workers and colonists. Instead, he used his secretarial skills to type manuscripts and eventually began writing.


Professing sympathy, the Bartender offers to top his story. He guides him into a back room, and casts a net over the two of them. This is part of a ]. The young man is set loose in 1963 where he dates, falls for, seduces, impregnates, and leaves a young girl; at the same time the Bartender goes forward eleven months, kidnaps a baby and takes it to an orphanage in 1945. He then returns to 1963, and picks up the Unmarried Mother, who is just beginning to realize what has happened. As the Bartender tells him, "Now you know who ''he'' is—and after you think it over you'll know who you are . . . and if you think hard enough, you'll figure out who the baby is . . . and who ''I'' am." Professing sympathy, the Bartender offers to take him to the abandoning seducer, whom the Unmarried Mother wishes revenge on. The Bartender guides him into a back room, where he (Bartender) uses a ] to take them to 1963, and sets the young man loose. The Bartender goes forward eleven months, kidnaps a one-month-old baby, and takes her to 1945, leaving her at an orphanage. He returns to 1963 one month later and picks up the Unmarried Mother, who was instinctively attracted to his younger female self and has seduced and impregnated her. The Bartender nudges him to connect the dots and realize that the seducer, the young woman, the baby, and the time traveler are all ''him''.


The Bartender then drops the Unmarried Mother—his younger self—at an outpost of the Temporal Bureau, a time-traveling secret police force that causes events in history to protect the human race. He has just recruited himself. The Bartender then drops the Unmarried Mother in 1985 at an outpost of the Temporal Bureau, a time-traveling secret police force that manipulates events in history, to protect the human race. He has just created and recruited himself.


Finally the Bartender returns to 1970, arriving a short time after he left the bar. He allows a customer to play "]" on the ], having yelled at the customer for playing the song before he left. Closing the bar he time travels again to his home base. As he beds down for a much deserved rest, he contemplates the scar left over from the ] performed when he gave birth to his daughter, father, mother and entire history. He thinks "I ''know'' where ''I'' came from—but ''where did all you zombies come from?''". Finally, the Bartender returns to 1970, arriving a short time after he left the bar. He allows a customer to play "]" on the ], having yelled at the customer for playing the song before he left. Closing the bar, he time travels again to his home base in 1993. As he beds down for a much-deserved rest, he contemplates the scar left over from the ] performed when he gave birth to his daughter, father, mother, and entire history. He thinks, "I ''know'' where ''I'' came from—but ''where did all you zombies come from?''{{-"}}


⚫ ===Chronological order of events===
===Title===
⚫ As the story is told as a disjointed point of view reference by several other points thereafter, this is the actual chronological history of "Jane" according to the story, although the story itself is still a classic example of a time paradox.


⚫ # On September 20, 1945, the Bartender drops off baby Jane at an orphanage. She grows up there. She dreams of joining one of the "comfort organizations" dedicated to providing ] for spacemen.
⚫ The title of the story, which includes both the quotation marks and dashes,<ref></ref> is actually a quotation from a sentence near the end of the story itself (taken from the middle of the sentence, hence the dashes indicating edited text before and after the title). In this way it mirrors the life of the protagonist, whose life is a "quotation" from itself.
⚫ # Nearly 18 years later, the man who refers to himself as "an unmarried mother" is dropped off on April 3, 1963, by the Bartender. He meets and, after some weeks of dating, seduces and impregnates the 17-year-old Jane, who has an intersex condition. From Jane's point of view, he then disappears. Actually, he has been retrieved by the Bartender, and taken to 1985 (see sixth bullet point).
⚫ # Jane learns that she is pregnant by the now-missing unknown man. On waking after giving birth by ], she is told she is ] and has two full sets of reproductive organs, of which the female organs have developed fully, allowing her to have a child. She is told the female organs have been severely damaged by the pregnancy and birth; she learns that she has been subjected (without her consent) to a "sex change" using her male reproductive set, which reassigns her sex to male.
⚫ # On March 10, 1964, the Bartender kidnaps the baby and takes it back in time to the orphanage (see first bullet point). Jane, now male, becomes a stenographer, and then a writer. Whenever he is asked his occupation, he replies, somewhat truculently, "I'm an unmarried mother—at four cents a word. I write confession stories." He becomes a regular at the bar where the narrator, the Bartender, works, but does not interact with him significantly for six years.
⚫ # On November 7, 1970, the Bartender meets the Unmarried Mother, yells at the customer playing "]", conducts the Unmarried Mother into the back office, and takes him back to 1963 to "find" (and, ostensibly, get revenge upon) the man who got him pregnant (see second bullet point). He returns to the bar, seconds after going into the back room, and allows the customer to play the song. From his own point of view, he has carried out his mission of ensuring his own existence.
# On August 12, 1985, the Bartender travels to 1963 and retrieves the Unmarried Mother—whom he had left there and then during the events of the fifth (and second) bullet point(s)—to the ] base and enlists him (actually a younger version of himself) in the Temporal Bureau.
⚫ # On January 12, 1993, the Bartender, who is also Jane/mother/father/Unmarried Mother, arrives back at his base from 1970 to think about his life.


== Reception ==
⚫ ===Chronological order of events===
Philosopher ] considered {{"'}}—All You Zombies—{{'"}} and "]" to be examples of "perfectly consistent" time travel stories.<ref>{{cite journal|last1=Lewis|first1=David|title=The Paradoxes of Time Travel|journal=]|date=April 1976|volume=13|issue=2|pages=145–152 |jstor=20009616}}</ref> Stating that it and other Heinlein time-travel stories "force the reader into contemplations of the nature of causality and the arrow of time", ] listed {{"'}}—All You Zombies—{{'"}} as an example of how science fiction "can convey bits and pieces, hints and phrases, of knowledge unknown or inaccessible to the reader".<ref name="sagan19780528">{{Cite news |url=https://www.nytimes.com/1978/05/28/archives/growing-up-with.html |title=Growing up with Science Fiction |last=Sagan |first=Carl |date=1978-05-28 |work=The New York Times |access-date=2018-12-12 |page=SM7 |language=en-US |issn=0362-4331}}</ref> ], in his monograph '']'', mentioned {{"'}}—All You Zombies—{{'"}} as an example of a minimal possible ] in SF.
⚫ (As the story is told is a ] point of view reference by one then several other points thereafter, this is the actual chronological history of "Jane" according to the story, although the story itself is still a classic example of a ].)


⚫ == Film adaptation ==
⚫ * On September 20, 1945, the Bartender drops off baby Jane at an orphanage. She grows up there. She dreams of joining one of the "comfort organizations" dedicated to providing ] for spacemen.
⚫ {{Main|Predestination (film)}}
⚫ * Nearly 18 years later, the man who refers to himself as "an unmarried mother" is dropped off at April 3, 1963, by the Bartender. He meets and after some weeks of dating seduces the 17-year-old Jane, who has an intersex condition. From Jane's point of view, he then disappears; actually, he has been retrieved by the Bartender, and taken to 1985.
⚫ * Jane becomes pregnant. After giving birth by ], she is found to be a "true ]" who has been severely damaged by the pregnancy and birth; on waking she learns that she has been subjected (without her consent) to a "sex change" which reassigns her sex to male.
⚫ * On March 10, 1964, the Bartender steals the baby and takes it back in time to the orphanage. Jane, now male, becomes a stenographer, and then a writer. Whenever he is asked his occupation, he replies, somewhat truculently, "I'm an unmarried mother—at four cents a word. I write confession stories." He becomes a regular at the bar where the narrator, the Bartender, works.
⚫ * On November 7, 1970, the Bartender meets the Unmarried Mother, conducts him into the back office, and takes him back to 1963 to "find" the man who got him pregnant. He returns to the bar, seconds after going into the back room, and yells at the customer playing "]". From his own point of view he has carried out his mission of ensuring his existence.
* On August 12, 1985, the Bartender brings the Unmarried Mother to the ] base and enlists him in the Temporal Bureau.
⚫ * On January 12, 1993, the Bartender, who is also Jane/mother/father, arrives back at his base from 1970 to think about his life.
:''I'' know ''where'' I ''came from—but'' where did all you zombies come from?
:''I felt a headache coming on, but a headache powder is one thing I do not take. I did once—and you all went away.''
:''So I crawled into bed and whistled out the light.''
:You ''aren’t really there at all. There isn’t anybody but me—Jane—here alone in the dark.''
:''I miss you dreadfully!''


The ] directed the Australian ] '']'' (2014) based on the story. The film starred ] and ].<ref>{{cite web|title=Arclight Films Snags the International Rights for the Spierig Brothers' Predestination|website=Anythinghorror.com|access-date=3 July 2017|url=http://anythinghorror.com/2012/05/24/arclight-films-snags-the-international-rights-for-the-spierig-brothers-predestination/|url-status=dead|archiveurl=https://web.archive.org/web/20180923162918/http://anythinghorror.com/2012/05/24/arclight-films-snags-the-international-rights-for-the-spierig-brothers-predestination/|archivedate=23 September 2018}}</ref>
⚫ ==Film adaptation==
⚫ {{main|Predestination (film)}}
The ] directed an action sci-fi thriller film titled '']'' based on the story. The film stars ] in the lead.<ref>{{Cite web|url=http://www.dreadcentral.com/news/55589/international-rights-spierig-brothers-predestination-acquired-arclight-films|title=International Rights for the Spierig Brothers' Predestination Acquired by Arclight Films|publisher=Dread Central}}</ref>


==See also== ==See also==
{{portal|Novels}} {{portal|Novels|Science Fiction}}
*"]" * {{annotated link|By His Bootstraps|quote=yes}}
*] * {{annotated link|Predestination paradox}}; ]
*] * {{annotated link|Ontological paradox}}
Other stories about being descended from oneself: ;Other stories about being descended from oneself
* ] * {{annotated link|The Man Who Folded Himself|''The Man Who Folded Himself''}}
* {{annotated link|Rant (novel)|''Rant: An Oral Biography of Buster Casey''}}
* ]
;In television:
* ] * {{annotated link|Ouroboros (Red Dwarf)|Ouroboros|quote=yes}} ('']'' episode)
* ]
* {{annotated link|Roswell That Ends Well|quote=yes}} ('']'' episode)


== Explanatory notes ==
==Notes==
{{Reflist}} {{notelist}}


==References== ==References==
=== Citations ===
⚫ *Robert A. Heinlein. '']''. Del Rey, 1980.
{{Reflist}}
⚫ *

=== General sources ===
⚫ * Robert A. Heinlein. '']''. Del Rey, 1989.
⚫ * James Gifford. from ''Robert A. Heinlein: A Reader's Companion''


==External links== ==External links==
*{{isfdb title|id=58494|title="All You Zombies..."}} * {{Isfdb title|id=58494|title="All You Zombies..."}}
* , ]


{{Heinlein (Novel)}} {{Heinlein (Novel)}}
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] ]
] ]
] ]
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Latest revision as of 23:02, 26 November 2024

1958 SF short story by Robert A. Heinlein This article is about the short story by Robert A. Heinlein. For the song by The Hooters, see All You Zombies (song).
" '—All You Zombies—' "
Short story by Robert A. Heinlein
CountryUnited States
LanguageEnglish
Genre(s)Science fiction
Publication
Published inThe Magazine of Fantasy and Science Fiction
Publication date1959

" '—All You Zombies—' " is a science fiction short story by American writer Robert A. Heinlein. It was written in one day, July 11, 1958, and first published in the March 1959 issue of The Magazine of Fantasy & Science Fiction after being rejected by Playboy.

The story involves a number of paradoxes caused by time travel. In 1980, it was nominated for the Balrog Award for short fiction.

"'—All You Zombies—'" further develops themes explored by the author in a previous work: "By His Bootstraps", published some 18 years earlier. Some of the same elements also appear later in The Cat Who Walks Through Walls (1985), including the Circle of Ouroboros and the Temporal Corps.

The unusual title of the story, which includes both the quotation marks and dashes shown above, is a quotation from a sentence near the end of the story; the quotation is taken from the middle of the sentence, hence the dashes indicating elided text before and after the title.

Plot

"'—All You Zombies—'" chronicles a young man (later revealed to be intersex) taken back in time and tricked into impregnating his younger, female self (before he was forced to undergo sexual reassignment surgery); he turns out to be the offspring of that union, with the paradoxical result that he is his own mother and father. As the story unfolds, all the major characters are revealed to be the same person, at different stages of their life.

Narrative order of events

Diagram showing timeline of short story
Timeline of "'—All You Zombies—'" in diagrammatic form

The story involves an intricate series of time-travel journeys (see diagram). It begins with a young man speaking to the narrator, the Bartender, in 1970. The two of them relate in that both of them are from unmarried parents. The Bartender remarks that no one in his family ever gets married, including him. He wears an Ouroboros ring. The young man is called the Unmarried Mother, because he writes stories for confession magazines, many of them presumably from the point of view of an unmarried mother.

Cajoled by the Bartender, the Unmarried Mother explains why he understands the female viewpoint so well: he was born a girl, in 1945, and raised in an orphanage. While a fairly ugly teenager in 1963, she was seduced, impregnated, and abandoned by an older man. During the delivery of her child, doctors discovered she was intersex, with internalized male sex organs as well as female sex organs. Complications during delivery, by Caesarean section, rendered the female organs unviable and the physicians gave her a gender reassignment. The baby was kidnapped by a mysterious older gentleman, and not seen again. The Unmarried Mother then had to adjust to life as a man, despite an upbringing that left him unqualified for "men's" jobs; he had planned to get into space as a sex worker for male workers and colonists. Instead, he used his secretarial skills to type manuscripts and eventually began writing.

Professing sympathy, the Bartender offers to take him to the abandoning seducer, whom the Unmarried Mother wishes revenge on. The Bartender guides him into a back room, where he (Bartender) uses a time machine to take them to 1963, and sets the young man loose. The Bartender goes forward eleven months, kidnaps a one-month-old baby, and takes her to 1945, leaving her at an orphanage. He returns to 1963 one month later and picks up the Unmarried Mother, who was instinctively attracted to his younger female self and has seduced and impregnated her. The Bartender nudges him to connect the dots and realize that the seducer, the young woman, the baby, and the time traveler are all him.

The Bartender then drops the Unmarried Mother in 1985 at an outpost of the Temporal Bureau, a time-traveling secret police force that manipulates events in history, to protect the human race. He has just created and recruited himself.

Finally, the Bartender returns to 1970, arriving a short time after he left the bar. He allows a customer to play "I'm My Own Grandpa" on the jukebox, having yelled at the customer for playing the song before he left. Closing the bar, he time travels again to his home base in 1993. As he beds down for a much-deserved rest, he contemplates the scar left over from the Caesarean section performed when he gave birth to his daughter, father, mother, and entire history. He thinks, "I know where I came from—but where did all you zombies come from?"

Chronological order of events

As the story is told as a disjointed point of view reference by several other points thereafter, this is the actual chronological history of "Jane" according to the story, although the story itself is still a classic example of a time paradox.

  1. On September 20, 1945, the Bartender drops off baby Jane at an orphanage. She grows up there. She dreams of joining one of the "comfort organizations" dedicated to providing R&R for spacemen.
  2. Nearly 18 years later, the man who refers to himself as "an unmarried mother" is dropped off on April 3, 1963, by the Bartender. He meets and, after some weeks of dating, seduces and impregnates the 17-year-old Jane, who has an intersex condition. From Jane's point of view, he then disappears. Actually, he has been retrieved by the Bartender, and taken to 1985 (see sixth bullet point).
  3. Jane learns that she is pregnant by the now-missing unknown man. On waking after giving birth by C-section, she is told she is intersex and has two full sets of reproductive organs, of which the female organs have developed fully, allowing her to have a child. She is told the female organs have been severely damaged by the pregnancy and birth; she learns that she has been subjected (without her consent) to a "sex change" using her male reproductive set, which reassigns her sex to male.
  4. On March 10, 1964, the Bartender kidnaps the baby and takes it back in time to the orphanage (see first bullet point). Jane, now male, becomes a stenographer, and then a writer. Whenever he is asked his occupation, he replies, somewhat truculently, "I'm an unmarried mother—at four cents a word. I write confession stories." He becomes a regular at the bar where the narrator, the Bartender, works, but does not interact with him significantly for six years.
  5. On November 7, 1970, the Bartender meets the Unmarried Mother, yells at the customer playing "I'm My Own Grandpa", conducts the Unmarried Mother into the back office, and takes him back to 1963 to "find" (and, ostensibly, get revenge upon) the man who got him pregnant (see second bullet point). He returns to the bar, seconds after going into the back room, and allows the customer to play the song. From his own point of view, he has carried out his mission of ensuring his own existence.
  6. On August 12, 1985, the Bartender travels to 1963 and retrieves the Unmarried Mother—whom he had left there and then during the events of the fifth (and second) bullet point(s)—to the Rocky Mountains base and enlists him (actually a younger version of himself) in the Temporal Bureau.
  7. On January 12, 1993, the Bartender, who is also Jane/mother/father/Unmarried Mother, arrives back at his base from 1970 to think about his life.

Reception

Philosopher David Lewis considered "'—All You Zombies—'" and "By His Bootstraps" to be examples of "perfectly consistent" time travel stories. Stating that it and other Heinlein time-travel stories "force the reader into contemplations of the nature of causality and the arrow of time", Carl Sagan listed "'—All You Zombies—'" as an example of how science fiction "can convey bits and pieces, hints and phrases, of knowledge unknown or inaccessible to the reader". Stanisław Lem, in his monograph Science Fiction and Futurology, mentioned "'—All You Zombies—'" as an example of a minimal possible bootstrap paradox in SF.

Film adaptation

Main article: Predestination (film)

The Spierig brothers directed the Australian science fiction film Predestination (2014) based on the story. The film starred Ethan Hawke and Sarah Snook.

See also

Other stories about being descended from oneself
In television
  • "Ouroboros" – episode of Red DwarfPages displaying wikidata descriptions as a fallback (Red Dwarf episode)
  • "Roswell That Ends Well" – 19th episode of the third season of FuturamaPages displaying wikidata descriptions as a fallback (Futurama episode)

Explanatory notes

  1. Quotation marks and dashes are used around the story's title (in one of its common variants), with the phrase being a fragmentary quotation. (The outer quotation marks here, however, are simply the conventional notation for indicating that this is the title of a short story.)

References

Citations

  1. "Locus Magazine award index, 1980 Balrog". Archived from the original on 2015-09-12. Retrieved 2018-09-05.
  2. "Robert A. Heinlein", The Internet Time Travel Database
  3. Lewis, David (April 1976). "The Paradoxes of Time Travel". American Philosophical Quarterly. 13 (2): 145–152. JSTOR 20009616.
  4. Sagan, Carl (1978-05-28). "Growing up with Science Fiction". The New York Times. p. SM7. ISSN 0362-4331. Retrieved 2018-12-12.
  5. "Arclight Films Snags the International Rights for the Spierig Brothers' Predestination". Anythinghorror.com. Archived from the original on 23 September 2018. Retrieved 3 July 2017.

General sources

External links

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