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|dykentry= ... that various incarnations of ''''']''''', the upcoming 2016 ] film, have been in development since 1986? |
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{{Top25 | place =3rd | week = ]}} |
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{{Top 25 report|Oct 23 2016 (10th)|Oct 30 2016 (3rd)|Nov 6 2016 (25th)}} |
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== Stingers == |
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In the mid-credits scene, Strange is paid a visit by Thor, who asks for his help in searching for Odin. |
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That isn't what happened. Thor doesn't ask for his help, he only explains that he is looking for Odin and needs Loki to find him. What happens is that Dr. Strange then offers to help, so that Thor and Loki will leave. IIRC Thor says offscreen he doesn't like tea, then you see him drinking a very large beer, very quickly, which Strange magically refills. Strange explains that he keeps a list of dangerous threats to Earth including Loki and asks why Thor needs him. Thor explains he needs Loki to find Odin. Strange asks if they find Odin will they then leave Earth and Thor says they will. Strange then says iirc "I'd better go with you". Thor doesn't ask Strange for help, Strange offers his help to Thor. |
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<br> |
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It would be better to be more brief and say Strange meets Thor (instead of "is paid a visit" which implies things you can't be sure about) and offers to help Thor find Odin. -- ] (]) 03:48, 28 October 2016 (UTC) |
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: I realise the restrictions of ] mean that it may be necessary to remove the description of the mid-credits scene entirely, but if it is to stay it should at least be accurate. It is at least mentioned in the Casting section by explaining that Chris Hemsworth makes a cameo appearance as Thor. -- ] (]) 04:05, 28 October 2016 (UTC) |
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:Without having read this post, I edited the article's plot section to add a short statement that is almost exactly quoted from the above: "Strange offers to help, so that the ] will leave quickly." But this addition was quickly reverted. Since the scene is described at all, and the scene itself contained a very pat resolution, it seems that the description should include the resolution. Can we get a consensus as to whether or not the plot description should include, in some wording, the information that Strange offers his help, and wants Loki out of New York? --] (]) 18:47, 7 November 2016 (UTC) |
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Strange offering his help should certainly be there. It's crucial, and is the main point of the stinger, implying that he'll be in Ragnarok. ] (]) 23:09, 7 November 2016 (UTC) |
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Wording is less wrong but still not very good. There is a difference between "agrees to help" and what Strange actually says "I'd better go with you". Thor didn't ask for help, nor did Strange agree to help. The wording does not accurately represent what was shown on screen. '''Strange says he will join Thor on his quest''', might be more accurate as it avoids the words offers or agrees and skips directly to the point. <br /> |
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The encyclopedia that anyone can edit sure does like locking articles and banning open editing. Flagged editing that requires approval is a much better answer than locking articles. -- ] (]) 03:50, 9 November 2016 (UTC) |
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:Actually Strange's exact words are "Allow me to help me to you." I concur "agrees to help" may not be accurate since Thor doesn't actually ask for it but "decides to help" is fine since it is not dependent on Thor's expressed consent.--] (]) 16:21, 13 March 2017 (UTC) |
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==Tony Todd almost voiced Dormammu== |
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. <span style="font-size: 110%;"><span style="font-family: Times New Roman">]</span> <span style="font-family: Times New Roman">]</span></span> 18:54, 28 January 2017 (UTC) |
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== GA nom reminder == |
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Since Derrickson the film has ended its theatrical run, this is just a reminder that we have until '''March 28, 2017''' to nominate the article to become a good article, per the guidelines for the MCU films Good Topic. Definitely think this is doable. - ] (]) 05:28, 22 February 2017 (UTC) |
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:I was probably going to nominate this article for GA relatively soon, since it is no longer in theaters and in pretty good shape. Does anyone have any objections to it being nominated in the next couple of days, over waiting until the 28th? - ] (]) 16:57, 15 March 2017 (UTC) |
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::I don't think there was much in the special features that we haven't already covered. So I say go ahead.--] (]) 17:34, 15 March 2017 (UTC) |
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:::Agreed. When I watched through there, there was not much I noticed that we had not already covered, but I think Adam added some bits from the commentary which were good. Will get the nom set up shortly. - ] (]) 19:00, 15 March 2017 (UTC) |
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::::Yeah, I added a few bits from the commentary. I am happy with where the article is as well, and the only thing I see changing really is the awards table. - ] (]) 10:00, 20 March 2017 (UTC) |
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{{Talk:Doctor Strange (film)/GA1}} |
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== External links modified == |
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Cheers.—] <span style="color:green;font-family:Rockwell">(])</span> 04:01, 15 May 2017 (UTC) |
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== About my changes == |
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* "Beyond time" is a direct quote (spoken at least twice). Is there one for "non-existent"? |
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* There is no "escape to Hong Kong". They go there to attack the Sanctum. |
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* "Moment" is a poor word choice, indicating a very brief interval. The loop is significantly longer than that. ] (]) 11:07, 20 May 2017 (UTC) |
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:We don't need direct quotes, in fact we generally don't use direct quotes in plot summaries. They still escape from the heroes to Hong Kong, regardless of what they end up doing there. And no, the interval is pretty brief. - ] (]) 11:10, 20 May 2017 (UTC) |
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::So it's okay to make up a description for the Dark Dimension rather than use what is given? Where is this policy described? '']'' seems to break this "guideline", as do '']'', '']'', etc. |
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::A deliberate attack at a time of their choosing is not an "escape". |
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::Synonyms of "moment": |
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::: "a minute portion or point of time : instant" () |
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::: "a very brief period of time" () ] (]) 11:29, 20 May 2017 (UTC) |
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::::We aren't making up a description, we are using the film's ("beyond time") but with wording that is appropriate for an encyclopaedia—we shouldn't be so poetic. They escape. And exactly, a "brief period of time". - ] (]) 11:57, 20 May 2017 (UTC) |
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:::::You are making something up: "beyond time" (whatever that means) is not the same as "non-existent". |
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:::::Yes they escape, just not to Hong Kong. They regroup someplace, then saunter (not flee) to Hong Kong. |
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:::::"Moment" is not generally used to describe several minutes in duration. ] (]) 12:08, 20 May 2017 (UTC) |
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:::::If you're not going to budge from your "Strange" position, it's probably time for ]. I'm turning in now. Back tomorrow. Same bat channel. ] (]) 12:11, 20 May 2017 (UTC) |
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:::::Gotcha. If time is non-existent in the Dark Dimension, what is Strange looping? ] (]) 22:36, 20 May 2017 (UTC) |
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::::::There's no need to be childish, especially when you really haven't "gotcha". That is the whole point of the scene; there is no time in that dimension as we understand it, but Strange introduces it with the Time Stone and confuses/scares Dormammu until he agrees to leave. - ] (]) 23:03, 20 May 2017 (UTC) |
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;::::::That is ], on top of your previous OR presumption. |
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:::::::Your version is so sloppy. E.g. "Strange and Mordo become disillusioned with the Ancient One after Kaecilius reveals that the Ancient One's long life is due to her drawing power from the Dark Dimension." Strange doesn't become disillusioned at this point because he hadn't even become "illusioned", i.e. he hadn't accepted the Ancient One's goals. ] (]) 08:20, 22 May 2017 (UTC) |
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::::::::No once again. Strange is the first one to take issue with the Ancient One, and then Mordo after him, so it should be both of them. Perhaps you should watch the film again before accusing others of making this stuff up. - ] (]) 11:38, 22 May 2017 (UTC) |
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:::::::::Wrong again. Strange does not embrace the Ancient One's goals until he talks to her as she is dying (which is noted in the next sentence, hence out of order and misleading). Yet another mistake: "Strange holds them off with the help of the Cloak of Levitation until Mordo and the Ancient One arrive." The villains depart before Mordo and the Ancient One show up, so once again the wording is misleading, making it sound like their arrival tipped the balance. ] (]) 10:26, 23 May 2017 (UTC) |
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::I think either "moment" or "short period of time" are fine - they're effectively synonyms. I'm inclined to go with the shorter one because a) it's shorter and b) the summary is already nearing the upper word count boundary. I'm not sure what the issue is with the escape to Hong Kong - "...frees himself and leaves" is a longer version of "escapes", and Clarityfiend's version leaves out where he goes after doing so. I have no opinion on how to describe time in the dark dimension. I haven't seen the film since November and don't remember exactly how it was explained. I do think "non-existent" is more clear for users unfamiliar with the topic. ] (]) 12:34, 22 May 2017 (UTC) |
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:::It may be clearer, but it's just plain wrong. "Beyond time" is how they describe the Dark Dimension in the film (twice). AFAIK, they don't call it "non-existent". ] (]) 10:26, 23 May 2017 (UTC) |
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:This is taking up way too much time. If you're satisfied with a substandard, inaccurate synopsis, so be it. I've got other fish to fry. ] (]) 11:00, 23 May 2017 (UTC) |
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== Move discussion in progress == |
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There is a move discussion in progress on ] which affects this page. Please participate on that page and not in this talk page section. Thank you. <!-- Talk:Dr. Strange (film) crosspost --> —] 14:45, 5 June 2017 (UTC) |
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== Irrelevant projected total == |
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The information that "It was projected to earn $255 million for its total domestic gross" is irrelevant, as the source, http://pro.boxoffice.com, aren't box office analysts. Mentioning that they projected that total is unneeded. Additionally, considering the film made less money than they projected, adding their projection may cause doubt about the film's financial success. ] (]) 06:53, 24 August 2017 (UTC) |
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:As stated, this info is not irrelevant. ''BoxOffice'' is a reputable source covering box office numbers for films (including projections), and including it provides context around the film as to what the industry felt it could have made. Having it does not induce doubt that the film was or was not a financial success. Some readers may choose to feel that way, but as it is used and wording, is not the purpose. - ] (]) 16:28, 24 August 2017 (UTC) |
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::I tend to agree with (]) on this. I don't think it will create any doubt about the films financial success as those numbers are readily stated. The extra information is in no way superfluous or inflammatory. My main concern was y'all reverting each other's edits back and forth. It's a pretty insignificant, silly thing to get hung up on. ] (]) 17:59, 24 August 2017 (UTC) |
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:::The thing about projections is that they are constantly in flux and there are multiple algorithms/sources. To pick a single one, reputable or not, to portray as the definitive projection seems problematic. I do not agree that the inclusion casts any "doubt about the film's financial success", but I do think that whether or not a film meets the projection is more a reflection on the projection and not the film. As such, I do take issue with the concept of leaving the projection "until it surpasses that amount". If we want to include projections, okay. If we want to include projections until the box office run is complete, fine. Removing projections if and only if it meets of surpasses that amount seems suspect. - ] (]) 18:44, 24 August 2017 (UTC) |
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::::Did someone suggest leaving the projection until it surpasses that amount? ] (]) 18:48, 24 August 2017 (UTC) |
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:::::I quoted from Favre1fan93's edit summary for a similar revert on a different film . Hopefully I interpreted the statement correctly. - ] (]) 19:17, 24 August 2017 (UTC) |
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::::::Thanks for the diff. I think including the projection is fine regardless of how accurate/inaccurate it ends up being. If the issue is that it's ''one'' projection from ''one'' source, then add another source or two and convert the number into a range. It provides a basis for expectations for a film. ] (]) 19:53, 24 August 2017 (UTC) |
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:::::::Yes Dino, you interpreted correctly. I'll explain my thinking a bit, in case it is not clear to anyone. Generally, before a film is released (at least with MCU films), we get various projection numbers for what it will make, sometimes a range (as Argento mentioned). To me, once a film has released and we start getting box office number, these numbers are only relevant to keep until the film reaches said projection, if at all. For example, Disneyisatale also took issue with the projection number at ''Spider-Man: Homecoming'' that it will gross $325m domestically (as of this comment, it is at around $314m). Should it achieve $325m, the projection sentence and info can be removed, because why do we need to see a projection estimate for something that ultimately came true? In the case for ''Doctor Strange'', the film did not ultimately achieve the highest projection number, so in my eyes it is relevant to include the info as simply as it is. I also understand Argento's suggestion about potentially including a range. However, the other, lower-end projections for the film were all surpassed, hence why they weren't included per the reasoning I said earlier in this comment. - ] (]) 02:32, 25 August 2017 (UTC) |
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::::::::At $314 million, Spider-Man was at about 97% of the projection. At what threshold do we agree that it has met the criteria? Hypothetically, what if it finishes at $324 million? On the other side, would it be noteworthy again if it surpassed the projection by a large amount? If so, what amount would that be? Sorry for the intellectual exercise, but I prefer to eliminate as much gray area as possible ... even if it is just a rule of thumb. - ] (]) 19:03, 30 August 2017 (UTC) |
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:::::::::"because why do we need to see a projection estimate for something that ultimately came true?" - Because it provides context for the amount, whether it exceeded, met, or missed expectations. ] (]) 19:11, 30 August 2017 (UTC) |
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::::::::::RE Dino: In my opinion, when approaching a projected number, I feel if the resulting gross surpasses or gets within 5-10 million of the projection, the projection isn't needed anymore. (unlike this article where the difference is ~20million) On the other side, if a film vastly outgrosses a projection and commentary speaking to that is available (ie in Deadline.com's weekly box office report articles), then I think a mention of the projection would be fine. "Vastly" I think ultimately depends on what the original projection numbers were. |
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::::::::::RE Argento: I still think if a gross surpasses a projection, that projection isn't needed anymore. And if no projection data remains (and wishfully thinking the article had some to begin with), one could assume the final gross exceeded or met the expectations. In a case like this film, while the low end isn't needed in my opinion, it might be clearer if the sentence read: "It was projected to earn '''upwards of''' $255 million for its total domestic gross." For this film, it shows it met the majority of the other projections, just not the highest end. - ] (]) 03:04, 31 August 2017 (UTC) |
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:::::::::::I think you're expecting more of our regular readers than I do. If a projection wasn't mentioned in an article, it wouldn't occur to me that its omission implies anything. I think your wording is acceptable, and in some cases it might even be appropriate to remove the actual dollar amount of the projection in favor of something like "the total domestic gross far exceeded the projections". ] (]) 12:21, 31 August 2017 (UTC) |
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::::::::::::I might have more wishful thinking about regular readers and editors. I know whatever is decided here, I can try to apply to MCU related films, because I tend to help craft the box office sections and I don't know how regularly other film articles include projection numbers, should they be available. I can add in that wording I suggested if others are agreeable. - ] (]) 20:35, 31 August 2017 (UTC) |
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== External links modified == |
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*Added archive https://www.webcitation.org/6OrxyPxjH?url=http://www.mania.com/goyer-bighost-riderib-bizigzagib-more_article_87833.html to http://www.mania.com/goyer-bighost-riderib-bizigzagib-more_article_87833.html |
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Cheers.—] <span style="color:green;font-family:Rockwell">(])</span> 22:41, 11 September 2017 (UTC) |
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== External links modified == |
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*Corrected formatting/usage for http://www.deadline.com/2014/06/marvel-starts-doctor-strange-search-tom-hardy-benedict-cumberbatch-early-wish-listers |
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*Added archive https://www.webcitation.org/6lVJ9z218?url=http://www.clactonandfrintongazette.co.uk/news/north_essex_news/14818960.Former_Colchester_schoolgirl_lands_role_in_latest_Marvel_blockbuster/ to http://www.clactonandfrintongazette.co.uk/news/north_essex_news/14818960.Former_Colchester_schoolgirl_lands_role_in_latest_Marvel_blockbuster/ |
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*Corrected formatting/usage for https://www.nytimes.com/2016/11/04/movies/doctor-strange-review.html?_r=1 |
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==White washing and Casting Criticism section== |
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When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs. |
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The way the Cast section and whole article written in relation to casting is a form of Historical Negationism for the casting. Indeed, the Cast section gives one sided choices of the director, Scott Derrickerson, and his reasoning and justifications for his choices. However, beyond just his side, his casting choices was meet with outcry, especially from asian demographics. Personally, the white washing of the Ancient one is a reason why I don't like this film series. And indeed, at the historical time of release of this movie, its whitewashing and ghost in the shell (2017) whitewashing were talked about much in the media around its release, such as talk about how the oscars didn't have any non-white nominees (https://en.wikipedia.org/88th_Academy_Awards#Criticism_regarding_lack_of_diversity). Thus, this article as it is, has is a form of historical negationism for its lack of historical relevance and prominence of that issue at the time of its release and because its cast choices are one-sided as if it wasn't with criticism from the public, especially asian communities. I suggest a subsection, such as "Casting Criticism" like Ghost in the Shell (2017) has. That would remedy this issue. Such subsection would give criticism against the one sided choices and reasoning quoted of the director in the Cast subsection. ] (]) 07:54, 16 August 2019 (UTC) |
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:If you didn't watch the film, I'm not really sure how you can have an opinion on whether or not you like it. But ok. |
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:I'm sorry you had to "search and read" to find the information you were looking for, but the information is present in the article. I'm not convinced that a full section is needed. All the sources currently used to support the whitewashing elements are either ''prior to'' or ''right at'' the film's release. Do you have reliable sources discussing this casting issue ''after'' the film was released and viewers could evaluate the decision based on the film, rather than their pre-conceived notions? ] (]) 13:02, 16 August 2019 (UTC) |
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::'''Note''' - my comments are based on an version of this user's concern, not the revised one currently showing. ] (]) 13:04, 16 August 2019 (UTC) |
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:::Moving it to its own section would give it ] weight by prominence of placement. Like Argento stated the uproar seems to have died down after release and did not lead to entire movement like ] as in the OP's example.--] (]) 16:05, 16 August 2019 (UTC) |
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::::I agree that there should not be any more weight given to this. The current wording pretty clearly acknowledges the issues here while establishing the filmmaker's reasoning, which is also important since this article is about the film and how it was made. - ] (]) 21:28, 16 August 2019 (UTC) |
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:::::RE: @Argento Surfer. It is not the case that I didn't watch the film. Nowhere did I say I didn't watch this film. Thus, I must conclude you are not listening to begin with or you have closed ears. RE: TriiipleThreat. This is one of a few whitewashing films. I will admit that maybe I was greater disappointed in this film because I watch comic book films more than say, Aloha (2015). RE: . I said Ghost in the Shell film wikipedia doesn't practice Historical Negationism like this article does. This article gives the point of views and justification of the director and makers of this film. I ask you this, what were the director and makers of this film responding to? I see now that someone added this to the article, "Still, Swinton's casting was widely criticized as whitewashing." That mitigates this issue albeit it mitigates it to appear as if it wasn't more wide blown nor widely appalled. Rather, it says just one sentence. This article has the director talking 95+% of the time in response to people who aren't identified, not even anonymously, and thus, aren't there. He must be right and just as he is the only person in the big room left standing, but he was the only one person there to begin with in his argumentation, according to this negationism. Again, ghost in the shell film, which also whitewashed, doesn't have this historical negationism. However, like RE: TriiipleThreat if you wish to argue that all is lost in the midst of constant and lots of whitewashing, then fine, that works too. I could argue that each and every single dot in reality is not important even though I actually believe otherwise. |
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::::::You said "The white washing controversy is the main reason '''I didn't watch nor like this film series'''." (emphasis mine) As I noted above, you removed that sentence before I replied. So really, I'm just listening closer than you want me to. |
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::::::Also, the line you say was added to the article was . ] (]) 12:31, 10 September 2019 (UTC) |
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:::::::Yeah, I edited my post because I fast forward the Tilda Swinton parts the media player I have on my computer. It was indeed an error for me to say that. I can search for computer logs to support that I did watch this film, but skipped over those parts. However, it has been a while. It is important that I support I watch the film in order give an opinion on the film because your argument is that I have to watch and have first hand experience of the film to know or not there is whitewashing. You argument is that unless I see it with my own eyes, I cannot know there is whitewashing, and that is the most important thing when talking about whitewashing in this film. Indeed, I cannot tell there is whitewashing based on criticism of the film, I had to see it first hand experience. Let me look for logs if you want to stick to that argument, so I could counter it that I have direct firsthand experience. The second part of your argument is that being turned off by seeing trailers of casting or knowing there is whitewashing is not a valid experience unless I actually see it first hand by watching it. Even though the casting has whitewashing in the trailers, maybe the whitewashing isn't so bad if i actually see it. Maybe I will like the whitewashing or the whitewashing is something only 30 seconds, you say. Again, I can find computer logs to dispute this very important thing about me personally rather than the film. My credibility rather than what the film is is what is at stake here. To prove my credibility. I will give some things I remember. I remember some Benedict Wong being in some kind of library. I also remember some kind of round disc moving stage that the actors were on at one time. I remember things about a necklace too. I get your point that watching and paying attention to the story is important to know the film. However, my argument is it is not important to '''detest''' the film nor to criticize the film's whitewashing unless one is talking about the story itself. This is not about whether it was good whitewashing or bad whitewashing or harmless whitewashing or benign whitewashing based on how that whitewashing was done by the cast or how the story related to that casting. I detest the film because it had whitewashing period. It is very difficult for any ethnic group to see films where their ethnic group is valued less or mocked or some other negative light. It does provide that ethnic group realities and realism what facts of their own society in how that society values and see that ethnic group viewer. It is difficult for me to watch the first dark night, batman begins (2005), and I tolerate and watch sometimes ghost in the shell (2017), but I think it could have been better if it had an asian lead. I disliked Iron Fist tv series. I watched about 30 minutes of one episode. I didn't see the full series. Given, it might have a good story though. Likewise, you have a good point that this Doctor Strange movie might have a good story, especially if it were a comic book or a novel rather than visual movie. ] (]) 10:17, 19 October 2019 (UTC) |
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::::::::Geez that's a lot of text. Look, I don't care if you watched the film. I don't care if you only watched the portions with actors whose skin color you approve of. If you look back at my first comment, I followed my comment about you not watching the film with "but ok." Hopefully I have clarified my comment and we can move on. |
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::::::::The material you were asking for is in the article. It was in the article before you asked for it. I do not see any reason to address criticism of a casting choice outside of the cast section, especially since few or none of the reliable reviews carried the concerns past the film's release. ] (]) 13:17, 21 October 2019 (UTC) |
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== "Untitled Doctor Strange sequel" listed at ] == |
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] |
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An editor has asked for a discussion to address the redirect ]. Please participate in ] if you wish to do so. <!-- from Template:RFDNote --> Regards, ]'']'' 19:09, 5 April 2020 (UTC) |
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== "Untitled Doctor Strange sequel" listed at ] == |
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] |
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An editor has asked for a discussion to address the redirect ]. Please participate in ] if you wish to do so. <!-- from Template:RFDNote --> ] (]) 22:28, 12 April 2020 (UTC) |
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=="Drive responsibly" warning at end of film== |
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Cheers.—] <span style="color:green;font-family:Rockwell">(])</span> 20:28, 20 November 2017 (UTC) |
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Forgive me if it's already mentioned somewhere, but the "Please drive responsibly" notice at the end of the film probably ranks a mention. I think it should be covered somewhere, just unsure where (maybe "Production"?). |
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References as follows: |
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== "Tibetan sovereignty"? == |
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* {{cite web |url=https://comicbook.com/marvel/news/doctor-strange-easter-egg-is-hidden-within-the-credits/ |title=Doctor Strange easter egg is hidden within the credits |work=] |date=September 6, 2017 |access-date=October 10, 2021 |author=Peters, Megan |archive-url=http://web.archive.org/web/20211010005157/https://comicbook.com/marvel/news/doctor-strange-easter-egg-is-hidden-within-the-credits/ |archive-date=October 10, 2021 |url-status=live}} |
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* {{cite web |url=https://www.digitalspy.com/movies/a812145/doctor-strange-easter-eggs/ |title=11 Doctor Strange Easter eggs you might have missed |work=] |date=October 29, 2016 |access-date=October 10, 2021 |author=Armitage, Hugh |archive-url=http://web.archive.org/web/20191108015200/https://www.digitalspy.com/movies/a812145/doctor-strange-easter-eggs/ |archive-date=November 8, 2019 |url-status=live}} |
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Thanks. ] (]) 00:54, 10 October 2021 (UTC) |
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Both of the cited sources are videos, and neither of the citations includes a time. Could someone tell me where in the 26-minute video this information is verified? How casting a Chinese character in a Nepalese-set film would relate to the Tibetan sovereignty issue is ... confusing, if not itself confused. ] (<small>]]</small>) 09:24, 26 November 2017 (UTC) |
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:I don't think that is noteworthy. It seems more like insignificant trivia, which is why it has only been discussed in those types of sources. – ] (]) 18:00, 12 October 2021 (UTC) |
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:I believe it comes from the second video, which is used as a reference multiple times throughout the article, so giving one time would be inappropriate. But I would note that just because you find something confusing does not mean it is out of place here. - ] (]) 10:11, 26 November 2017 (UTC) |
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::{{tq|which is used as a reference multiple times throughout the article, so giving one time would be inappropriate}} Technically, the way to deal with that would be to format the ref differently each time it is cited. Similarly to how multiple pages of the same book or article can be cited. {{tq|I would note that just because you find something confusing does not mean it is out of place here.}} Umm... what? If you're going to note that then I should probably note that popular understandings of just about everything relating to China, Tibet, Buddhism, Central Asia... and pretty much everything in between is woefully inadequate, and the kind of entertainment sources cited in this article are generally not considered reliable for just about any of it, being written both by and for the people whose understanding is inadequate. That said, it's 21:57 and I have an early day tomorrow, so I'll check back in once I've actually checked the source. If Triiiplethreat's quote below is accurate, then ... yeah, it is a gross oversimplification and probably inaccurate. As far as I can tell, no one in China denies "that Tibet is a place" or "that Tibetan", so how a billion Chinese would be alienated by a fictional movie doing otherwise is ... yeah, weird and confusing. ] (<small>]]</small>) 13:00, 27 November 2017 (UTC) |
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:::It doesn't matter if a billion Chinese would be alienated by such an action, only that Cargil ''feels'' that they would be alienated, which is how the information in the article is presented. Infact, the article doesn't even go that far into detail. It only states that Cargil believes that the casting would involve the film in the Tibetan-sovereignty debate. Theres no need for expert sources because we are not debating Tibetan sovereignty, we are just stating the thoughts and opinions of the filmmakers that lead them to make their decisions.--] (]) 15:05, 27 November 2017 (UTC) |
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::::{{tq|It doesn't matter if a billion Chinese would be alienated by such an action, only that Cargil ''feels'' that they would be alienated, which is how the information in the article is presented.}} Umm... citation needed? The article says he "explained" that this was the reason. Not "he expressed his personal opinion" or anything of the sort. {{tq|Theres no need for expert sources because we are not debating Tibetan sovereignty, we are just stating the thoughts and opinions of the filmmakers that lead them to make their decisions.}} That's not how it works. We don't present factual claims in Misplaced Pages's voice about real-world issues unless they can be verified in reliable sources ''anywhere'' on Misplaced Pages, be they in articles on Tibetan sovereignty or in articles on MCU movies. That said, if it weren't for the word "explained" implying that Cargill had some kind of specialist knowledge of this that entitles him to "explain" it to the rest of us, there would probably be no problem. Maybe "opined"? ] (<small>]]</small>) 20:47, 27 November 2017 (UTC) |
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:Check around the 18:00 mark, Cargil says,”The Ancient One was a racist stereotype who comes from a region of the world that is in a very weird political place. He originates from Tibet, so if you acknowledge that Tibet is a place and that he‘s Tibetan, you risk alienating one billion people who think that that’s bullshit and risk the Chinese government going, ‘Hey, you know one of the biggest film-watching countries in the world? We’re not going to show your movie because you decided to get political.”—] (]) 11:46, 26 November 2017 (UTC) |
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The way the Cast section and whole article written in relation to casting is a form of Historical Negationism for the casting. Indeed, the Cast section gives one sided choices of the director, Scott Derrickerson, and his reasoning and justifications for his choices. However, beyond just his side, his casting choices was meet with outcry, especially from asian demographics. Personally, the white washing of the Ancient one is a reason why I don't like this film series. And indeed, at the historical time of release of this movie, its whitewashing and ghost in the shell (2017) whitewashing were talked about much in the media around its release, such as talk about how the oscars didn't have any non-white nominees (https://en.wikipedia.org/88th_Academy_Awards#Criticism_regarding_lack_of_diversity). Thus, this article as it is, has is a form of historical negationism for its lack of historical relevance and prominence of that issue at the time of its release and because its cast choices are one-sided as if it wasn't with criticism from the public, especially asian communities. I suggest a subsection, such as "Casting Criticism" like Ghost in the Shell (2017) has. That would remedy this issue. Such subsection would give criticism against the one sided choices and reasoning quoted of the director in the Cast subsection. Ap4lmtree2 (talk) 07:54, 16 August 2019 (UTC)
Forgive me if it's already mentioned somewhere, but the "Please drive responsibly" notice at the end of the film probably ranks a mention. I think it should be covered somewhere, just unsure where (maybe "Production"?).