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{{Short description|Alleged anti-Spanish historiography}}
{{Other uses}}
{{About|the black legend concerning Spain and its empire|the black legend concerning the Spanish inquisition|Black Legend of the Spanish Inquisition|discuss=Talk:Black legend#Spanish Black Legend||}}
{{see |Hispanophobia}}
{{Redirect|Leyenda Negra|the film|La Leyenda Negra (film)}}
{{Use dmy dates|date=June 2013}}
{{Use dmy dates|date=November 2020}}
] depicting a Spaniard feeding slain ] women and children to his dogs. De Bry's works are characteristic of anti-Spanish ] which resulted from the ].]]
The '''Black Legend''' ({{langx|es|Leyenda negra}}) or the '''Spanish Black Legend''' ({{langx|es|Leyenda negra española|link=no}}) is a purported ] tendency which consists of ] and ] ]. Its proponents argue that its roots date back to the ], when Spain's European rivals were seeking, by ] and ] means, to ] the ], its people, and its culture, minimize Spanish discoveries and achievements, and counter its influence and power in world affairs.<ref name="Gibson" /><ref name="Juderías" /><ref name="Keen white legend" />


According to the theory, ] published during the ] and the ] against the ]s of the 16th century fostered an anti-Hispanic bias among subsequent historians. Along with a distorted view of the ] and the ], other parts of the world in the ] were also affected as a result of the ] and the ]s.<ref name="Gibson">{{cite web |last1=Gibson |first1=Charles |title=The Colonial Period in Latin American History |url=https://catalog.hathitrust.org/Record/006147282 |website=Hathi Trust |publisher=Service Center for Teachers of History |access-date=15 November 2019 |ref=Gibson}}</ref> Although this 17th-century propaganda was based in real events from the ], which involved atrocities, the theory of the Leyenda Negra suggests that it often employed lurid and exaggerated depictions of ], and ignored similar behavior by other powers.<ref>{{Cite web|url=http://link.galegroup.com/apps/doc/A11075070/LitRC?sid=googlescholar|title=The Black Legend: Spaniards hope to put an end next year to a propaganda campaign against their country that began half a millenium ago|last1=Duncan|first1=David Ewing|date=1991-08-01|website=Atlantic|language=en|access-date=2019-12-11}}</ref><ref name=":1">{{Cite web |last=Sanou |first=Hanneke |date=2018-01-17 |title=No 'Spanish blood' in short dark-haired Dutch, say researchers |url=https://www.dutchnews.nl/2018/01/no-spanish-blood-in-short-dark-haired-dutch-say-researchers/ |access-date=2024-12-11 |website=DutchNews.nl |language=en-GB}}</ref>
] depicting a Spaniard feeding ] children to his dogs. De Bry's works are characteristic of the anti-Spanish propaganda that originated as a result of the ].]]


Wars provoked by ] and the formation of new states in Europe during the 16th and 17th centuries also generated a propaganda war against the then–], bastion of the Catholic Church. As such, the assimilation of originally Dutch and English 16th-century propaganda into mainstream history is thought to have fostered an anti-Hispanic bias against the ]s among later historians, along with a distorted view of the history of Spain, Latin America, and other parts of the world.<ref name="Gibson" />
A "black legend" ({{lang-es|leyenda negra}}) is a historiographic phenomenon. It refers to the sustained trend in historical writing of biased reporting, introduction of fabricated, exaggerated and/or decontextualized facts about a certain nation, to create a distorted and uniquely inhuman and cruel image of it, while hiding from view all its positive contributions to history.


Although most scholars agree that while the term Black Legend might be useful to describe 17th and 18th century anti-Spanish propaganda, there is no consensus on whether the phenomenon persists in the present day. A number of authors have critiqued the use of the "black legend" idea in modern times to present an uncritical image of the Spanish Empire's colonial practices (the so called "white legend").
Historian Alfredo Alvar defined black legend as:
{{quote|"The careful distortion of the history of a nation, perpetrated by its enemies, in order to better fight it. And a distortion as monstrous as possible, with the goal of achieving a specific aim: the moral disqualification of the nation, whose supremacy must be fought in every way possible."<ref>...cuidadosa distorsión de la historia de un pueblo, realizada por sus enemigos, para mejor combatirle. Y una distorsión lo más monstruosa posible, a fin de lograr el objetivo marcado: la descalificación moral de ese pueblo, cuya supremacía hay que combatir por todos los medios''sine die''.»</ref>|source=''La Leyenda Negra'' (1997:5)|sign=Alfredo Alvar}}


=={{anchor|Term and definitions}}Historiography and definitions of the Spanish Black Legend==
=Black Legend=
The term "black legend" was first used by ] in reference to biographies of ], and he primarily used it in the context of two opposing legends, a "golden legend" and a "black legend": two extreme, simplistic, one-dimensional approaches to a character which portrayed him as a god or a demon. "Golden" and "black legends" had been used by Spanish historians and intellectuals with the same meaning in reference to aspects of Spanish history; ] used both terms about the portrayal of Castilian and Aragonese monarchs.{{citation needed|date=January 2019}} The use of the term ''leyenda negra'' to refer specifically to a biased, anti-Spanish depiction of history gained currency in the first two decades of the 20th century, and is most associated with ]. Throughout the 20th and into the 21st century, scholars have offered divergent interpretations of the Black Legend and debated its usefulness as a historical concept.


===Origins of the concept of a Spanish Black Legend===
The term was originally coined by ] in a conference, Paris, April 18, 1899, <ref>{{Cite web|url=http://filosofia.org/aut/001/1899epb4.htm|title=Emilia Pardo Bazán, La España de ayer y la de hoy (La muerte de una leyenda), 18 de Abril de 1899|last=http://www.fgbueno.es|website=filosofia.org|access-date=2016-07-05}}</ref> and popularized by ], both making reference to the Spanish Black Legend ({{lang-es|La leyenda negra española, or simply La leyenda negra}}). Since then, Historians had embraced it, and the term "Black legend" has been given a broader use to describe a black legend affecting any nation, such as Rome, United Estates, or the Ottoman Empire.
At an 18 April 1899 Paris conference, ] used the term "Black Legend" for the first time to refer to a general view of modern Spanish history:
The term "'''The''' Black Legend", however, likely indicates "The Spanish Black Legend" specifically ({{lang-es|La leyenda negra}}), since it was the first one described.


{{Blockquote|Abroad, our miseries are known and often exaggerated without balance; take as an example the book by M. ], which we can consider as the perfect model of a black legend, the opposite of a golden legend. The Spanish black legend is a strawman for those who seek convenient examples to support certain political theses ... The black legend replaces our contemporary history with a novel in the ] style, with mines and countermines, which doesn't even deserve the honor of analysis.<ref>{{Cite web|url=http://filosofia.org/aut/001/1899epb4.htm|title=Emilia Pardo Bazán, La España de ayer y la de hoy (La muerte de una leyenda), 18 de Abril de 1899|website=filosofia.org|access-date=2016-07-05}}</ref>}}


The conference had a great impact in Spain, particularly on Julián Juderías. Juderías, who worked at the Spanish Embassy in ], had noticed (and denounced) the spread of anti-Russian propaganda in Germany, France, and the United Kingdom and was interested in its possible long-term consequences. Juderías was the first historian to describe the "black legend" phenomenon, although he did not yet name it as such, in a book regarding the construction of an ] black legend. His work, initially concerned with the intentional deformation of Russia's image in Europe, led him to identify the same patterns of narration he detected in the construction of anti-Russian discourse in the dominant historical narrative regarding Spain. Juderías investigated the original sources supporting centuries old claims of Spanish atrocities and other misdeeds, tracing the origin or propagation of the majority to rival emerging powers. In his 1914 book, ''La leyenda negra y la verdad histórica'' (''The Black Legend and Historical Truth''), ] aspects of Spain's image (including those in '']''). According to Juderías, this biased ] was marked by acceptance of propagandistic and politically motivated historical sources and has consistently presented Spanish history in a negative light, purposefully ignoring Spanish achievements and advances. In ''La leyenda Negra'', he defines the Spanish black legend as:
According to historian ] the formation of a Black Legend is not an exclusively Spanish phenomenon, like Juderías thought, but one observed in all multicultural empires and powers that manage to maintain egemony for long periods of time. The black legend of empires would be the result of the following combined factors:


{{Blockquote|... the environment created by the fantastic stories about our homeland that have seen the light of publicity in all countries, the grotesque descriptions that have always been made of the character of Spaniards as individuals and collectively, the denial or at least the systematic ignorance of all that is favorable and beautiful in the various manifestations of culture and art, the accusations that in every era have been flung against Spain."<ref name="Juderías">Juderías, Julián, ''La leyenda negra'' (2003; 1914 1st ed.) {{ISBN|84-9718-225-1}}.</ref>}}{{full citation needed|date=November 2020}}
#The combined propagandistic attacks and efforts of most smaller powers of the time, as well as defeated rivals.
#The propaganda created by the many rival power factions within the Empire itself against each other as part of their struggle to win more power.
#The self criticism of the intellectual elite, which tends to be larger in larger Empires.
#The need of the new powers consolidated during the Empire´s life or after its dissolution to justify their new prevalence and the new order, by rejecting the past. <ref>Roca Barea, María Elvira (2016). Imperiofobia y leyenda negra. Roma, Rusia, Estados Unidos y el Imperio español. Madrid: Siruela. ISBN 978-84-16854233.</ref>


===Historiographic development of the term===
Said black legend tends to fade once the next grat power is stablished or that enough time has gone by.


Later writers supported and developed Juderías's critique. In ''Tree of Hate'' (1971),<ref name="Powell" /> Historian ] described it as "the accumulated tradition of propaganda and hispanophobia according to which the Spanish Empire is considered cruel, intolerant, degenerate, exploitative and sanctimonious above reality."<ref name="Gibson" />
=The Spanish Black Legend=


Historian ] argued that the Black Legend was still active in modern history, and plays an active role in shaping ]. His book provides examples of what he viewed as divergent treatment of Spain and other powers, and illustrates how this allows for a double narrative that taints Americans' view of Hispanic America as a whole:
] was the first historian to describe and denounce this phenomenon in an organized way, providing the first definition of "a black legend" as well as the first description of "The (Spanish) Black Legend". His book ''The Black Legend and the Historical Truth'' (Spanish: {{lang|es|La Leyenda Negra y la Verdad Histórica}}), a critique published in 1914, claims that this type of biased ] has presented ] history in a deeply negative light, purposely ignoring positive achievements or advances.


{{Blockquote |source=''Tree of Hate'' (2008 edition), page 11 |Spaniards who came to the ] seeking opportunities beyond the prospects of their European environment, are contemptuously called cruel and greedy "goldseekers," or other opprobrious epithets virtually synonymous with "Devils"; but ] are more respectfully called "colonists," or "homebuilders," or "seekers after liberty." ... When Spaniards expelled or punished religious dissidents, this came to be known as "bigotry," "intolerance," "fanaticism," and a cause of their decline. When Englishmen, Dutchmen, or Frenchmen did the same thing, it is known as "unifying the nation," or safeguarding it against treason or foreign conspiracy.}}


In his book ''Inquisition'', ] wrote:
The Spanish Black Legend is the hypothesis according to which ], the ], and ], their culture and their people, have been, or are, subjec of a black legend in western historiography. This hypothesis claims that political propaganda has been "absorbed and converted into broadly held stereotypes" that assumed that Spain was "uniquely evil." <ref>Maltby, William B. "The Black Legend" in ''Encyclopedia of Latin American History and Culture'', vol. 1, pp. 346-348. New York: Charles Scribner's Sons 1996.</ref>.
{{Blockquote |source=''Inquisition'' (1989 edition), p.131 |An image of Spain circulated through late sixteenth-century Europe, borne by means of political and religious propaganda that blackened the characters of Spaniards and their ruler to such an extent that Spain became the symbol of all forces of repression, brutality, religious and political intolerance, and intellectual and artistic backwardness for the next four centuries. Spaniards and Hispanophiles have termed this process and the image that resulted from it as "The Black Legend," ''la leyenda negra''.}}


In his 2002 book '''', American historian ] defined the Spanish black legend:
The black legend hypothesis does not deny the existence of documented atrocities,but they claim a comparative bias in the way in which the history and actions of different nations are portrayed. It is not an argument of total inocence but of unequal judgement.
{{Blockquote|Compounding this perception of Spain as an inferior 'other' was the Black Legend, the centuries-old cluster of Protestant beliefs that the United States inherited from the British and, to a certain extent, from the Dutch. The Black Legend equated Spain with ], religious bigotry, and the bloody persecution of ] and ]. It also conjured up images of despotic monarchs who denied their subjects access to any semblance of economic and political freedom and who had consequently set ] and political decline. Such a reading of Spanish history was overly simplistic but promoters of ] found it useful to see Spain as an example of what would happen to a country whose fundamental values were antithetical to those of the United States."}}


According to ], the creation of the Spanish black legend was not an exceptional phenomenon -similar disinformation and fabrication campaigns have affected most global powers of the past, such as Ottoman Turkey or Russia- but its persistence and integration into mainstream historiography is. For Marías the causes of its durability are:
==Unique Aspects==
#Overlap of the Spanish Empire with the introduction of the ] in England and Germany, which enabled the printing of hundreds of pamphlets daily
#Religious factors and identification
#Substitution of the Spanish intellectual class by another favorable to its former rival (France) after the ], which established a French narrative in Spain
#The unique characteristics of the early modern era's colonial wars and the need for new colonial powers to legitimize claims in now-independent Spanish colonies and the unique, new characteristics of the succeeding empire: the ].<ref>Marías, Julián (2006; primera edición 1985). España Inteligible. Razón Histórica de las Españas. Alianza Editorial. {{ISBN|84-206-7725-6}}.</ref>


] and ] view the Black Legend as a development of Spain's racialisation of ] in the 15th century. The accusations of ] and loose religiosity of the 15th century, first levelled at Jewish and Moorish ] both inside Spain and abroad, developed into 16th century hispanophobic views of Spaniards as religious fanatics tainted by association with Judaism. The only stable element they see in this hispanophobia is an element of "otherness" marked by interaction with the Eastern and African worlds, of "complete others", cruelty and lack of moral character, in which the same narratives are re-imagined and reshaped.<ref>{{cite book |last1=Greer |first1=Margaret |last2=Mignolo |first2=Walter |last3=Quilligan |first3=Maureen |title=Re-reading the Black Legend: Discourses of Religious and Racial Difference in the Renaissance Empires |date=2007 |publisher=University of Chicago Press |location=Chicago}}</ref>
However, the factors that would set the Spanish Black Legend apart from others, would be its abnormal permeation and outreach, its abnormal persistence through time way after the disolution of the empire, its recurrent use in later times, and its racialized component. The causes of this would be:


] suggests that the prominence of the Black Legend in Spanish historiography has meant that the real atrocities and brutal violence of the Spanish conquest of the Americas have not received the attention they deserve within Spain.<ref>{{cite journal |title=Uso de prácticas aterrorizantes en la conquista de las Indias: el ejemplo de las mutilaciones en vida |journal=Jahrbuch fü Geschichte Lateinamerikas |volume=49 |issue=1 |url=https://www.researchgate.net/publication/271377736}}</ref> He believes that some Hispanicists:
#The overlap of the period of splendour of the Spanish Empire with the introduction of the ] in England and Germany, that allowed the propaganda of such colonial and religious rivals to spread faster and wider than never before, and perdure in time way after the disappearance of said Empire. The printing press allowed protestant and anglican powers circulate fabrications or one sided propaganda aimed at presenting Spain as uniquely cruel, sadistic, greedy, retrograde and bigoted, in opposition to its tolerant an civilized northern rivals. This is agreed to be the main characteristic of the Spanish Black Legend.
#The religious taint in it, which made it useful and necessary during later religious conflicts between protestantism and catholicism, for example in the United States, and helped keep it alive.
#The substitution of the Spanish intellectual class by another favorable to former rival-France- after the War of the Spanish Succession, which established the French narrative in the country.
#The unique characteristics of the colonial wars of the early contemporary period and the need of new colonial powers to legitimate claims in now independent Spanish colonies.
#The unique characteristics of the next large empire, the British Colonial Empire, as a colonial Empire based mainly on trade control and soft power.
<ref> Marías, Julián (2006; primera edición 1985). España Inteligible. Razón Histórica de las Españas. Alianza Editorial. ISBN 84-206-7725-6.</ref>


{{Blockquote|...make an effort to justify the Spanish conquest of the Americas in the best way possible, as they were very conscious of the excesses committed by the "Black Legend", a set of ideas that are characterised by their intellectual coarseness.<ref>{{cite web |last1=Zurro |first1=Javier |title='Ejecuciones, mutilaciones, violaciones', así fue la Conquista de América |url=https://www.elconfidencial.com/cultura/2013-10-12/ejecuciones-mutilaciones-violaciones-asi-fue-la-conquista-de-america_40390/ |website=El Confidencial |date=12 October 2013 |access-date=30 May 2020}}</ref>}}
==Definitions==


According to historian ], the formation of a black legend and its assimilation by a nation is a phenomenon observed in all multicultural empires (not just the ]). For Roca Barea, a black legend about an empire is the cumulative result of the propaganda attacks launched by different groups: smaller rivals, allies within its political sphere and defeated rivals, and propaganda created by rival factions inside the imperial system; alongside self-criticism by the intellectual elite, and the needs of new powers consolidated during (or after) the empire's existence.<ref name="Roca Barea 2016">Roca Barea, María Elvira (2016). Imperiofobia y leyenda negra. Roma, Rusia, Estados Unidos y el Imperio español. Madrid: Siruela. {{ISBN|978-84-16854233}}.</ref>
In his book,<ref name="Juderías">Juderías, Julián, ''La Leyenda Negra'' (2003; first Edition of 1914) {{ISBN|84-9718-225-1}}</ref> Juderías defines The (Spanish) Black Legend as:


In response to Roca Barea, ] states that the "black legend" was primarily a factor related to the geopolitical situation of the 16th and 17th centuries. He argues that: {{Blockquote| After 1648 was not particularly current in European intellectual circles. To the contrary, old enemies, England and Holland, became the greatest defenders of the ] at the end of the 17th century, in order to avoid it falling into the hands of ."<ref name="Villacanas1">{{cite news |last1=Bono |first1=Ferran |title=La historia de la leyenda negra, un asunto político de filias y fobias |url=https://elpais.com/cultura/2019/06/03/actualidad/1559587359_810868.html |access-date=28 May 2020 |agency=El Pais |date=4 June 2019}}</ref>}}
{{quote|"The environment created by the fantastic stories about our homeland that have seen the light of publicity in all countries, the grotesque descriptions that have always been made of the character of Spaniards as individuals and collectively, the denial or at least the systematic ignorance of all that is favorable and beautiful in the various manifestations of culture and art, the accusations that in every era have been flung against Spain."<ref>"el ambiente creado por los relatos fantásticos que acerca de nuestra patria han visto la luz pública en todos los países, las descripciones grotescas que se han hecho siempre del carácter de los españoles como individuos y colectividad, la negación o por lo menos la ignorancia sistemática de cuanto es favorable y hermoso en las diversas manifestaciones de la cultura y del arte, las acusaciones que en todo tiempo se han lanzado sobre España..."</ref>|sign=]|source=''La Leyenda Negra''}}


The conceptual validity of a Spanish black legend is widely but not universally accepted by academics. Benjamin Keen expressed doubt about its usefulness as a historical concept,<ref name="jstor.org">{{cite journal |last1=Keen |first1=Benjamin |title=The Black Legend Revisited:Assumptions and Realities |journal= Hispanic American Historical Review|date=1969 |volume=49 |issue=4 |pages=703–719 |doi=10.1215/00182168-49.4.703 |jstor=2511162 |doi-access=free }}</ref> while ] and ] denied its existence in their 1991 book, ''The Black Legend'':
Historian ] in ''Tree of Hate'',<ref>Powell, Philip Wayne, 1971, "Tree of Hate" (first Ed.) {{ISBN|9780465087501}}</ref> gives this definition of the Black Legend:


{{Blockquote| It is neither a legend, insofar as the negative opinions of Spain have genuine historical foundations, nor is it black, as the tone was never consistent nor uniform. Gray abounds, but the color of these opinions was always viewed in contrast we have called the white legend.<ref>{{cite book |last1=Carcel Garcia |first1=Ricardo |last2=Mateo Bretos |first2=Lourdes |title=La Leyenda Negra |date=1991 |page=84}}</ref> }}
{{quote|sign= ]|source=''Tree of Hate'' (1985), |"An image of Spain circulated through late sixteenth-century Europe, borne by means of political and religious propaganda that blackened the characters of Spaniards and their ruler to such an extent that Spain became the symbol of all forces of repression, brutality, religious and political intolerance, and intellectual and artistic backwardness for the next four centuries. Spaniards … have termed this process and the image that resulted from it as ‘The Black Legend,’ la leyenda negra."}}


=={{anchor|Others}}Historical basis==
Despite having a vast empire stretching from Mexico to Peru across the Pacific to the Philippines and beyond, which required many Spaniards to travel overseas and deal with foreigners, eighteenth-century philosopher ] wrote, "The Spaniard's bad side is that he does not learn from foreigners; that he does not travel in order to get acquainted with other nations; that he is centuries behind in the sciences. He resists any reform; he is proud of not having to work; he is of a romantic quality of spirit, as the ] shows; he is cruel, as the former ] shows; and he displays in his taste an origin that is partly non-European."<ref>Mignolo, W. D. (2007). "What does the Black Legend Have to do with Race?" ''Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires'', 312–324.</ref> Thus, ] ] argues that the Spanish black legend was closely tied to race in using Spain's ] history to portray Spaniards as racially tainted and its treatment of ] and ] during Spanish colonization to symbolize the country's moral character. That notwithstanding, there is general agreement that the wave of anti-Spanish propaganda of the 16th and 17th centuries was linked to undisputed events and phenomena which occurred at the ] between 1492 and 1648.<ref name="Gibson" /><ref name="Reverte" /><ref name="Keen white legend" /><ref name="Villacanas1" />


==={{anchor|The conquest of the Americas}}Conquest of the Americas===
Later writers have supported and developed Juderías's critique. In 1958, ] wrote that Spain and the Spanish Empire were historically presented as "cruel, bigoted, exploitative and self-righteous in excess of reality".<ref>Gibson, Charles. 1958. "The Colonial Period in Latin American History" pages 13-14 defines the black legend as "The Accumulated tradition of propaganda and Hispanophobia according to which Spanish imperialism is regarded as cruel, bigoted, exploitative and self-righteous in excess of reality"</ref>.
During the three-century ], atrocities and crimes were committed by all European nations according to both contemporary opinion and modern moral standards. Spain's colonization involved genocide, massacres, murders, slavery, sexual slavery, torture, rape, forced removals, forced religious conversion, cultural genocide and other atrocities, especially in the early years, following the arrival of ] in the ].<ref name="Villacanas1" /><ref name="Keen white legend" /> However, ] was the first in recorded history to pass laws for the protection of indigenous peoples. As early as 1512, the ] attempted to regulate the behavior of Europeans in the New World forbidding the ill-treatment of indigenous people and limiting the power of '']''—landowners who received royal grants to indigenous communities and their labor. In return, the laws established a regulated regime of work, provisioning, living quarters, hygiene, and care for the natives. The regulation prohibited the use of any form of punishment by the landowners and required that the huts and cabins of the Indians be built together with those of the Spanish. The laws also ordered that the natives be taught the ] and outlawed bigamy.<ref name="Gibson" />
The hypothesis of a Spanish Black legend existing as a way of anti-Hispanic propaganda in the 16th and 17th centuries has a high level of acceptance among specialists, but the extent of its reach, the data it affected, and wheter it is still in efect today is the subject of heated debate.<ref/>MALTBY, W. S. The Black Legend in England (Maltby, 1971). Durham, N.C.: Duke University Press </ref> <ref>John L. Robinson, «The anti-hispanic bias in British historiography», Hispania Sacra, 1992, XLIV </ref>.


In July 1513, four more laws were added in what is known as ], three related to Indian women and Indian children and another more related to Indian males. In 1542 the ] expanded, amended and corrected the previous body of laws in order to ensure their application. These New Laws represented an effort to prevent abuse and de facto enslavement of natives that was not enough to dissuade rebellions by the {{lang|es|encomenderos}}, like that of ] in Perú. However, this body of legislation represents one of the earliest examples of humanitarian laws of modern history.<ref></ref>
==Origins==
Anti-Spanish sentiment appeared in many parts of Europe as the power of the Spanish empire grew. With the ] realm, Spain dominated much of Europe including present-day ], the ], ] and parts of ] and ]. In 1555 ] described Spaniards as "heretics, schismatics, accursed of God, the Offspring of Jews and ], the very scum of the earth".<ref>Swart, K. W. (1975). "The Black Legend During the Eighty Years War." In ''Britain and the Netherlands'' (pp. 36-57). Springer Netherlands.</ref> During the ] English and Dutch propaganda depicted Spaniards as bloodthirsty ]s. In the following centuries anti-Spanish stereotypes circulated widely, especially in English, Dutch and German-speaking parts of Europe. This propaganda would depict exaggerated versions of the evils of Spanish colonial practices and the ].
Various reasonable origins have been sugested for the Spanish Black legend.


]. Theodor de Bry's work is characteristic of the anti-Spanish propaganda that emerged in Protestant countries such as the United Provinces and England at the end of the 16th century as a result of the strong commercial and military rivalry with the Spanish Empire.]]
===Italian Origin===
Although these laws were not always followed, they reflect the conscience of the 16th century Spanish monarchy about native rights and well-being, and its will to protect the inhabitants of Spain's territories. These laws came about in the early period of colonization, following abuses reported by Spaniards themselves traveling with Columbus. Spanish colonization methods included the forceful conversion of indigenous populations to Christianity. The "Orders to the Twelve" Franciscan friars in 1523, urged that the natives be converted using military force if necessary.<ref>{{Cite book|title=Colonial Latin America : a documentary history|last=Mills, Kenneth; Taylor, William B.; Lauderdale Graham, Sandra|year=2004|orig-year=2002|publisher=SR Books|isbn=0-8420-2997-4|oclc=61460372|url-access=registration|url=https://archive.org/details/coloniallatiname00mill_0}}</ref> On par with this sentiment, ] argued that the Indian's inferiority justified using war to civilize and Christianize them. He encouraged enslavement and violence in order to end the barbarism of the natives. ], on the other hand, was strictly opposed to this viewpoint—claiming that the natives could be peacefully converted.<ref name="Borah 691">{{Cite journal|last1=Borah|first1=Woodrow|last2=Burkholder|first2=Mark A.|last3=Johnson|first3=Lyman L.|date=November 1990|title=Colonial Latin America.|journal=The Hispanic American Historical Review|volume=70|issue=4|pages=691|doi=10.2307/2516592|issn=0018-2168|jstor=2516592}}</ref>
], from the ], supports Juderías hypothesis of the existence of a Spanish Black Legend in European historiography, locates the origins of the Black Legend in medieval ], unlike previous authors who locate it in the 16th century.
In his book ''The Black Legend. A Study of its Origins'', Arnoldsson cites studies by ] and Arturo Farinelli to affirm that Italy in the 14th, 15th, and 16th centuries was extremely hostile to Spain, and considers that the texts produced and distributed there were later used as a base to build on by protestant nations.


Such reports of Spanish abuses led to an institutional debate in Spain about the colonization process and the rights and protection of indigenous peoples of the Americas. ] friar Bartolomé de las Casas published ''Brevísima relación de la destrucción de las Indias'' ('']''), a 1542 account of the alleged atrocities committed by landowners and officials during the early period of colonization of ] (particularly on ]).<ref name="WDL">{{cite web |url = http://www.wdl.org/en/item/515/ |title = Mirror of the Cruel and Horrible Spanish Tyranny Perpetrated in the Netherlands, by the Tyrant, the Duke of Alba, and Other Commanders of King Philip II |website = ] |year = 1620 |access-date = 2013-08-25 }}</ref> In his ''Short Account'', de las Casas underscores the innocence of the indigenous peoples while comparing the Spanish conquistadors to "ravening wild beasts, wolves, tigers, or lions that had been starved for many days."<ref>{{cite book |last1=Las Casas |first1=Bartolomé |title=A Short Account of the Destruction of the Indies|date=1552}}</ref> De las Casas, son of the merchant Pedro de las Casas (who accompanied Columbus on his second voyage), described Columbus's treatment of the natives in his ''History of the Indies''.<ref name="Stannard">{{cite book| first1 = David E.| last1 = Stannard| title = American Holocaust: The Conquest of the New World| year = 1993| publisher = Oxford University Press, US| isbn = 978-0-19-508557-0| page = | url-access = registration| url = https://archive.org/details/americanholocaus00stan/page/74}}</ref> His description of Spanish actions was used as a basis for attacks on Spain, including in ] during the ]. The accuracy of de las Casas's descriptions of Spanish colonization is still debated by some scholars due to supposed exaggerations. Although historian ] thought that de las Casas exaggerated atrocities in his accounts,<ref>], "A Modest Proposal for a Moratorium on Grand Generalizations: Some Thoughts on the Black Legend", '']'' 51, No. 1 (Feb., 1971), pp. 112–127</ref> ] found them more or less accurate.<ref>{{cite journal |doi=10.2307/2511162 |jstor=2511162 |title=The Black Legend Revisited: Assumptions and Realities |journal=The Hispanic American Historical Review |volume=49 |issue=4 |pages=703–719 |year=1969 |last1=Keen |first1=Benjamin }}</ref> ]'s 1964 monograph ''The Aztecs under Spanish Rule'' (the first comprehensive study of sources about relations between Indians and Spaniards in ]{{Citation needed|date=February 2022}}), concludes that the demonization of Spain "builds upon the record of deliberate sadism. It flourishes in an atmosphere of indignation which removes the issue from the category of objective understanding. It is insufficient in its understanding of institutions of colonial history."<ref name="Valley">{{cite book |last1=Gibson |first1=Charles |title=The Aztecs under Spanish rule; a history of the Indians of the Valley of Mexico, 1519–1810. |url=https://archive.org/details/aztecsunderspani00gibs |url-access=registration |date=1964 |publisher=Stanford University Press |isbn=978-0804701969 |ref=Valley}}</ref> However this view has been broadly criticised by other scholars such as Keen, who view Gibson's focus on legal codes rather than the copious documentary evidence of Spanish atrocities and abuses as problematic.<ref name="Keen white legend" />
Arnoldsson's theory on the origins of The Black legend has been disputed as confusing the process of Black Legend generation with simply a negative view or a critique of a foreign power. In general, they raise the following objections:<ref>Alvar, p.7</ref>
# Just because the earliest writings against Spaniards were written in Italy, that is not sufficient reason to describe Italy as the origin of the Black Legend. It is a normal reaction in any society dominated by a foreign power.
# The phrase "black legend" suggests a certain "tradition", which did not exist in Italian writings based primarily on a reaction to the recent presence of Spanish troops, that faded quickly.
# In 15th adn 16th century Italy there coexisted critics as well as Italian intelectuals that greatly admired Spain, specially ].


In 1550, Charles I tried to end this debate by halting forceful conquest. Philip II tried to follow in his footsteps with the ], but previous violent conquest had shaped colonial relations irreversibly. This was one of the lasting consequences that led to the dissemination of the Black legend by Spain's enemies.<ref name="Borah 691"/>
William S. Maltby further argues that the Italian satyre lacks the "conducting theme", the common topic and narrative that would later form of the black legend in the Netherlands and England.<ref>Maltby, p.7</ref>.
Roca Barea also protests this idea andm, even though she does not denny that Italian writings may have been used by German rivals, the Italian writings "lack the viciousness and blind deformation of black legend writings", and are just satyric reactions to an ocupation.
In general, the Italian origin hypothesis is a good field to explore and read about the difference between a black legend and a simply negative view.


The treatment of indigenous peoples during Spanish colonization was used in propaganda works of rival European powers in order to foster animosity towards the Spanish Empire. De las Casas' work was first cited in ] in the 1583 work {{lang|en-emodeng|italic=yes|The Spanish Colonie, or Brief Chronicle of the Actes and Gestes of the Spaniards in the West Indies}}, at a time when England was preparing to join the ] on the side of the anti-Spanish rebels.<ref name="Maltby, William B pp. 346">Maltby, William B. "The Black Legend" in ''Encyclopedia of Latin American History and Culture'', vol. 1, pp. 346–348. New York: Charles Scribner's Sons 1996.</ref>
===German Renaiscence Origin and Anti-mediterranean View===


Historians have noted that the mistreatment and exploitation of indigenous peoples was committed by all European powers which colonized the Americas, and such acts were never exclusive to the Spanish Empire. The revaluation of the Black Legend on contemporary ] has led to a reassessment of non-Spanish European colonial records in recent years as the historiographical evaluation of the ] continues to evolve. According to scholar William B. Maltby, "At least three generations of scholarship have produced a more balanced appreciation of Spanish conduct in both the Old World and the New, while the dismal records of other imperial powers have received a more objective appraisal."<ref name="Maltby, William B pp. 346"/>
Arnoldsson offered a second alternative to the Italian Origin in its polar opposite, the German Renaiscence<ref>Arnoldsson, pp. 104 ss</ref>.
German humanism was deeply nationalistic and longed to create a german identity in opposition to the Roman invaders". However, for both ] and ], the main authors of the movement, combine the "Roman" in a wider concept of the "Latino, or "Welsche". This Lating world includes Spain, portugal, France and Italy, and is perceived as "foreign, immoral, chaotic and fake, in opposition to the moral, ordered and german".<ref> Arnoldsson, pp. 117 ss.</ref>


=== War with the Netherlands ===
In addition to the idnetification of Spanish with Jews, heretics and "Africans" -see "anti-Semitic Origin- there was a clear increase in anti Spanish propaganda among the detractors of Emperor Charles V. The propaganda against Charles V was deeply nationalistic and identified him with Spain and Rome- Even though he was Flemish born and raised, from a German dinasty, and spoke little Spanish and no Italian at the time, and had issues with the Pope- and though with "Welsche" and chaos.
Spain's war with the ] and, in particular, the victories and atrocities of the Castilian nobleman ], contributed to anti-Spanish sentiment. Sent in August 1567 to counter political unrest in a part of Europe where printing presses encouraged a variety of opinions (especially against the ]), Alba seized control of the publishing industry; several printers were banished, and at least one was executed. Booksellers and printers were prosecuted and arrested for publishing ] books, many of which were part of the '']''.
To further the appeal of their cause, anti-Charles princes focused on identifying Charles with the Pope, a view that Charles himself had started as a way to force the Spanish troops to accept involvement in his personal German wars, which they very much resisted as not-their-business. The fact that the troops and supporters of Charles included german and protestant princes and soldiers was an extra reason to focalize atention on the rejection of the foreign elements, the Spanish, attached to them. It was necesary to create fear to the Spanish rule, and to do so a certain image must be created. At this point, the printing press would come into full action. Among the points most often highlighted was the identification of Spanish with "moors and jews", due to the high level of intermarriage and "conversos"(converted jews or muslims) in their society, and with the "natural cruelty of those two".


After years of unrest in the Low Countries, the summer of 1567 saw renewed ] in which Dutch ]s defaced statues and decorations in Catholic monasteries and churches. The March 1567 ] was the first Spanish military response to the unrest, and the beginning of the ]. In 1568 Alba had prominent Dutch nobles executed in Brussels' ], sparking anti-Spanish sentiment. In October 1572, after ] forces captured the city of ], its lieutenant attempted to surrender when he heard that a larger Spanish army was approaching. Despite efforts to placate the troops, ] (son of the governor of the Netherlands and commander of the duke's troops) allowed his men three days to ] the city; Alba reported to ] that "not a nail was left in the wall". A year later, magistrates were still attempting to retrieve church artifacts which Spanish soldiers had sold elsewhere.<ref name="SF-M_1">{{Cite book
Some authors consider that various incidents with the troops of Charles V in Germany during the war contributed to build The Spanish Blakc legend, while others consider that, the fact that the troops were majoritarely composed by Germans-with Spaniards and Italians- but the cruel actions were atributed exclusively to Spaniards proves that The Black legend had already been built, or deep in the process, prior to this events.
|url=https://books.google.com/books?id=bm_uS_K_jaEC&pg=PA226

By the end of the 16th century The Black Legend had acquired clear race-based elements under the influence of Flemish and French writers. By this time the power of Spain ahd also grown enought to threaten France´s sense of safety, and the Flemish nobles had given up all hope of extending their influence in the Castilian and Aragonese courts as they had initially tried to do -see ]. This created fear in France and discontent in the Flemish nobility, who saw their comparative power diminished and had been repeatedly denied its desire to participate in the American conquest by the courts of Castile. See following point.


===The Black Legend and the Anti-Semitic Origin===

This Origin combines elements of the german origin with the proofs of the anti-Hispanic narrative existing prior to the 16th century, and with the large number of paralelisms between anti-Spanish and anti-Semitic narratives in modern Europe, and it is among the ones that are gathering most support.

Roca Barea, among others, argues that The Black Legend is founded on a spin-off, a reused version of the anti-Semitic narratives forged and circulated through England and most of Central Europe from the 13th century on.
According to this view the Spanish Black Legend was created by transfering the already created "character" of the "cruel, gold lusty Jew" onto the Spanish nations. Since the narrative was familiar, the stereoype accepted, and the identification of Spaniards and jews was already mainstream in Europe due to the long history of coexistence between both in Iberia, at a time in which the Jews had been expulsed from most of Europe, the Black legend was proptly believed and asimilated in central Europe.

This case has three main sources of proof, the texts of German Renaiscence Intellectuals, the existence of black legend narrative in Europe prior to the conquest of America, and the similarity of the stereotypes associated to judaism by anti-semitic Europe and those that the black legend attributed to the Spaniards. <ref> Elvira, Roca Barea María, and Arcadi Espada. Imperiofobia Y Leyenda Negra: Roma, Rusia, Estados Unidos Y El Imperio Español. Madrid: Siruela, 201 </ref>

Texts identifying Spaniards with "heretics" and "jews" can be found in Germany from the 14th century, and various pieces of 15th and 16th century anti-Spanish propaganda are almost line by line copies of prior anti-semitic works. For example the famous account of the mistreated native Americans killing their oppressors by pouring melted gold on their heads is an exact copy of the same scene in the anti-semitic poem ]. It also suggests that the deep anti-semitism in ]´s works may have served a double function, nationalistic and anti Spanish as wella s religious, if that identification between both was already in circulation.

Luther creates a particularly explicit correlation between "the Jew", already detested in Germany at the time, and "the Spanish", which had a growing power in the area. He describes both as "thieves, false, proud and lusty". It is hard to believe that the words of such an influentian thinker would go unnoticed.
This animosity of Luther towards Spain, even though it sitll was not the power it would later become, is explained by Arnoldsson as follows:30​

-An identification of Italy and Spain with the papacy, even though the Papacy and Spain were bitter enemies at the time.
-His own antisemitism and the long history coexistence-and intermarriage-of Christians and Jews in Iberia -the Spanish royal line was known to have jewish blood in it. Luther characterized Spanairds as «sunt plerunque Marani, Mamalucken»; Jews, sons of jews".
-Identification of Spain and Turkey, and fear to an invassion by both.

Ideo prophetatum est Hispanos velle subigere Germaniam aut per se aut per alios, scilicet Turcam Et ita Germania vexabitur et viribus ac bonis suis exhausta Hispanico regno subiugabitur. Eo tendit Sathan, quod Germaniam liberam perturbare tentat.

Luther<ref>Luther op. cit., Tischr., III, p. 382, N° 3533 a (14-31 de enero de 1537); V, p. 284, N° 5635 a (12 de mayo de 1544): op. cit. Arnoldsson (1960). </ref>​

In 1566 Luther´s conversations are published. Among many other similar afirmations, he is quoted as writing:
Spaniern , die essen gern weiss Brot vnd küssen gern weisse Meidlein, vnd sind sie stiffelbraun vnd Pechschwartz wie König Balthasar mit seinem Affen.

The Spanish eat white bread and kiss blonde women with all pleasure, but they are as brown and black as King Balthasar and his monkey" <ref>Johann Fischart, Geschichtklitterung (1575)</ref>.

===Other Origins===
====England====
England is sometimes pointed at in relation to The Spanish Black Legend. England had a crucial role in its spread and use during colonial times, but it is also agreed that, no matter how much they added to it, the origin of the narrative was not here and actually reached the islands quite late in the game.

====Sephardic Jews====
This element has been highlighted by American Hispanist ]. He stated that the criticisms spread by the jews expelled by the Catholic Monarchs of Spain have been considered an important part in the spread of anti Hispanic sentiment, especially when it comes to religious stereotypes. Interestingly enough, those accounts tend to characterize Spain as godless, heathen and idolactric, as opposed to fanatically catholic like other German sources, but as usual those two things were not seen as mutually exclusive.
Even though the jew community had already been expelled by almost all parts of Europe, including some of those who re-admitted them as a result of their feud with Spain, the level of criticism that the Sephardic jews displayed was not seen regarding any other nation. Some of the explanations offered for this are that the jew community had never enjoyed such a golden period as they did in Spain, nor been so integrated, which made the expulsion more traumatic; that in other cases they were not so integrated in academic life; or that similar criticisms may have existed regarding other nations but found no amplifying mechanism in other parts of Europe and faded away, while the Sephardic jews got enthusiastic listeners in Holland and the Netherlands.

The active involvement of expelled Sephardic Jews, particularly of former intellectuals, in spreading a distorted image of Spanish religious practices has been supported by the studies of ], ] and].

==Aspects==
===The conquest of the Americas===
{{Main|Spanish colonization of the Americas}}
In the process of ] that lasted over three centuries, atrocities were committed by all nations, according to both contemporary opinion and modern moral standards. It is historically established fact that Spain's colonization involved murder, slavery (including sexual slavery) and genocide of Native peoples, and that these atrocities began during the ] voyages in the ]. However, ] did pass some laws for the protection of ]. As early as 1512, the ] regulated the behavior of Europeans in the New World forbidding the ill-treatment of indigenous people and limiting the power of '']''—those who received royal grants of authority to impose forced labor on specific groups of natives. In 1542 the ] expanded and corrected the previous body of laws in order to improve their application. Although these laws were not always followed across all American territories — resulting in documented cruelty by slave owners and little ground for redress by the natives — they at least reflect the will of the Spanish colonial government of the time to protect the rights of the native population.

Testimonies of the time accuse ] of brutality against the natives and ], and ] tell of murder, rape and enslavement in the words of the perpetrators. These atrocities led to debate within Spain itself about the treatment and rights of indigenous peoples in the Americas. In 1552, the ] friar ] published the ''Brevísima relación de la destrucción de las Indias'' ('']''), an account of atrocities committed by landowners and some officials during the early period of colonization of ], particularly in ] (today ] and the ]).<ref name="WDL">{{cite web |url = http://www.wdl.org/en/item/515/ |title = Mirror of the Cruel and Horrible Spanish Tyranny Perpetrated in the Netherlands, by the Tyrant, the Duke of Alba, and Other Commanders of King Philip II |website = ] |year = 1620 |accessdate = 2013-08-25 }}</ref> Las Casas, son of the merchant Pedro de las Casas who accompanied Columbus on his second voyage, described Columbus's treatment of the natives in his ''History of the Indies''.<ref name=Stannard>{{cite book| first= David E. |last=Stannard| title = American Holocaust: The Conquest of the New World| year= 1993| publisher = Oxford University Press, USA| isbn = 978-0-19-508557-0|page=74}}</ref> Their description of Spanish savagery was used by writers of Spain's rivals as a convenient basis for attacks on Spain which would later be referred to as The Black Legend. They were already used in ] anti-Spanish propaganda during the ]. Today the degree to which Las Casas's descriptions of Spanish colonization represent a reasonable or wildly exaggerated picture is still debated among some scholars. For example, historian ] considers Las Casas to have exaggerated the atrocities in his accounts and thereby contributed to Black Legend propaganda.<ref>], "A Modest Proposal for a Moratorium on Grand Generalizations: Some Thoughts on the Black Legend", '']'' 51, No. 1 (Feb., 1971), pp. 112-127</ref> Historian ] on the other hand found them likely to be more or less accurate.<ref>{{cite journal |doi=10.2307/2511162 |jstor=2511162 |title=The Black Legend Revisited: Assumptions and Realities |journal=The Hispanic American Historical Review |volume=49 |issue=4 |pages=703–19 |year=1969 |last1=Keen |first1=Benjamin }}</ref> In ]'s 1964 monograph ''The ]s under Spanish Rule'', the first comprehensive study of the documentary sources of relations between Indians and Spaniards in ] (colonial Mexico), he concludes that the Black Legend "builds upon the record of deliberate sadism. It flourishes in an atmosphere of indignation which removes the issue from the category of objective understanding. It is insufficient in its understanding of institutions of colonial history."<ref>''The Aztecs Under Spanish Rule: A History of the Indians of the Valley of Mexico, 1519-1810''. Stanford: Stanford University Press, 1964. p. 403</ref>

This historical ill-treatment of Amerindians, also occurring in other European colonies in the Americas, was used as propaganda in works of competing European powers to create animosity against the Spanish Empire. The work of Las Casas was first cited in English with the 1583 publication ''The Spanish Colonie, or Brief Chronicle of the Actes and Gestes of the Spaniards in the West Indies'', at a time when England was preparing for war against Spain in the Netherlands. The biased use of such works, including the distortion or exaggeration of their contents, is part of the anti-Spanish historical propaganda or Black Legend.

From the perspective of history and the colonization of the Americas, all European powers that colonized the Americas, such as England, ], the Netherlands and others, were guilty of the ill-treatment of indigenous peoples. Colonial powers have been also accused of ], the ], and ]. These issues have received greater scholarly attention over recent years and have led to and evolution in historiographical evaluations of the effects of colonialism. "At least three generations of scholarship have produced a more balanced appreciation of Spanish conduct in both the Old World and the New, while the dismal records of other imperial powers have received a more objective appraisal."<ref>Maltby, William B. "The Black Legend" in ''Encyclopedia of Latin American History and Culture'', vol. 1, pp. 346-348. New York: Charles Scribner's Sons 1996.</ref>

===The Netherlands===
Spain's war with the ] and in particular the victories and atrocities of the ] contributed to the anti-Spanish propaganda. Sent in August 1567 to counter political unrest in a part of Europe where printing presses were a source of heterodox opinion, especially against the ], Alba took control of the book industry. Several printers were banished and at least one was executed. Book sellers and printers were prosecuted and arrested for publishing ] books, many of which were added to the '']''.

After years of unrest in the Low Countries, the summer of 1567 saw renewed violent outbursts of ], in which Dutch '' ']' '' ]s defaced statues and decorations of ] monasteries and churches. The ] in March 1567 was the first Spanish military response to the many riots, and a prelude to or the start of the ]. The 80 Years' War can be seen to have started on 13 March 1567 with the defeat of the rebels at Oosterweel. In 1568 Alba had prominent Dutch nobles executed on the ] in Brussels, sparking strong anti-Spanish sentiment. In October 1572, after the ] forces captured the city of ], its lieutenant attempted to surrender when he was informed that a larger Spanish army was approaching. They tried to welcome the Duke's forces by the singing of psalms, but ], son of the Governor of the Netherlands, and commander of the Duke's troops, allowed his men three days of pillage of the archbishopric city. Alba reported to ] that "not a nail was left in the wall". A year later, magistrates still attempted to retrieve precious church belongings that Spanish soldiers had sold in other cities.<ref name="SF-M_1">{{Cite book
|url=https://books.google.com/books?id=bm_uS_K_jaEC&pg=PA226&lpg=PA229
|title=Beggars, iconoclasts, and civic patriots: the political culture of the Dutch Revolt |title=Beggars, iconoclasts, and civic patriots: the political culture of the Dutch Revolt
|author=Arnade, Peter J. |author=Arnade, Peter J.
|pages=226–229 |pages=226–229
|isbn=978-0-8014-7496-5
|publisher=Cornell University Press, 2008 (Limited online by Google books)
|access-date=31 July 2011
|ISBN=978-0-8014-7496-5
|year=2008
|accessdate=31 July 2011
|publisher=Cornell University Press
}}</ref><ref name="SF-M_2">{{cite web }}</ref><ref name="SF-M_2">{{cite web
|url=http://www.elsen.eu/docs/vp091/elsen-veiling91-lasser-historischkader.pdf |url=http://www.elsen.eu/docs/vp091/elsen-veiling91-lasser-historischkader.pdf
|title=De nood-en belegeringsmunten van de Nederlandse opstand tegen Filips II - Historisch kader |title=De nood-en belegeringsmunten van de Nederlandse opstand tegen Filips II Historisch kader
|work=Collection J.R. Lasser (New York). Nood- en belegeringsmunten, Deel II |work=Collection J.R. Lasser (New York). Nood en belegeringsmunten, Deel II
|language=Dutch |language=nl
|date=February 2007 |date=February 2007
|author=Elsen, Jean |author=Elsen, Jean
|publisher=, Brussels, Belgium |publisher=Jean Elsen & ses Fils s.a., Brussels, Belgium
|page=4; 15 |pages=4, 15
|accessdate=1 August 2011 |access-date=1 August 2011
|url-status=dead
|deadurl=yes
|archiveurl=https://web.archive.org/web/20120118023741/http://www.elsen.eu/docs/vp091/elsen-veiling91-lasser-historischkader.pdf |archive-url=https://web.archive.org/web/20120118023741/http://www.elsen.eu/docs/vp091/elsen-veiling91-lasser-historischkader.pdf
|archivedate=18 January 2012 |archive-date=18 January 2012 }}</ref>

|df=dmy-all
This sack of Mechelen was the first of a series of events known as the ];<ref>{{cite web
}}</ref>
This sack of Mechelen was the first of the '']'';<ref>{{cite web
|url=http://www.nieuwsblad.be/article/detail.aspx?articleid=GJR8JBO9 |url=http://www.nieuwsblad.be/article/detail.aspx?articleid=GJR8JBO9
|title='Spaanse furie' terug thuis |title='Spaanse furie' terug thuis
Line 171: Line 109:
|publisher=journal Het Nieuwsblad, Belgium |publisher=journal Het Nieuwsblad, Belgium
|date=7 September 2004 |date=7 September 2004
|accessdate=31 July 2011 |access-date=31 July 2011
}}</ref><ref name="SF-UiE-Me1">{{cite web }}</ref><ref name="SF-UiE-Me1">{{cite web
|url=http://pagan-live-style.deviantart.com/art/Catherine-church-Mechelen-3-140255489 |url=http://pagan-live-style.deviantart.com/art/Catherine-church-Mechelen-3-140255489
|title=Catherine church Mechelen 3 |title=Catherine church Mechelen 3
|author=pagan-live-style |author=pagan-live-style
|publisher= |website=about.deviantart.com
|date=2009–2011 |date=2009–2011
|accessdate=3 August 2011 |access-date=3 August 2011
}}</ref><ref name="SF-UiE-Me2">{{cite web }}</ref><ref name="SF-UiE-Me2">{{cite web
|url=http://berryhillsturgeon.com/ArchiveIndex.htm |url=http://berryhillsturgeon.com/ArchiveIndex.htm
|title=Sold Items provided for Reference and Research Purposes OHN Bellingham - Assassin, St Petersburg, Russia, 3 December 1806 - ALS |title=Sold Items provided for Reference and Research Purposes OHN Bellingham Assassin, St Petersburg, Russia, 3 December 1806 ALS
|publisher= |website=berryhillsturgeon.com
|accessdate=3 August 2011 |access-date=3 August 2011
|archive-date=18 September 2011
|archive-url=https://web.archive.org/web/20110918135951/http://berryhillsturgeon.com/ArchiveIndex.htm
|url-status=dead
}}</ref><ref name="SF-UiE-Ma1">{{cite web }}</ref><ref name="SF-UiE-Ma1">{{cite web
|url=http://www.parkstad.com/lim/hist2-zdl.html |url=http://www.parkstad.com/lim/hist2-zdl.html
|title=History - South-Limburg |title=History South-Limburg
|publisher=, Limburg, Netherlands |website=www.parkstad.com
|accessdate=3 August 2011 |access-date=3 August 2011
|url-status=dead
|deadurl=yes
|archiveurl=https://web.archive.org/web/20110928222112/http://www.parkstad.com/lim/hist2-zdl.html |archive-url=https://web.archive.org/web/20110928222112/http://www.parkstad.com/lim/hist2-zdl.html
|archive-date=28 September 2011 }}</ref> several others occurred over the next several years.<ref name="SF-MNZHA_1">{{Cite book
|archivedate=28 September 2011
|chapter-url=http://www.bookrags.com/tandf/1567-revolt-of-the-netherlands-tf/
|df=dmy-all
}}</ref>
several events remembered by that name occurred in the four or five years to come.<ref name="SF-MNZHA_1">{{Cite book
|url=http://www.bookrags.com/tandf/1567-revolt-of-the-netherlands-tf/
|chapter=1567 Revolt of the Netherlands |chapter=1567 Revolt of the Netherlands
|title=A World History of Tax Rebellions - An Encyclopedia of Tax Rebels, Revolts, and Riots from Antiquity to the Present |title=A World History of Tax Rebellions An Encyclopedia of Tax Rebels, Revolts, and Riots from Antiquity to the Present
|author=Burg, David F. |author=Burg, David F.
|publisher=Taylor and Francis, London, UK, 2003, 2005; Routledge, 2004 (Online by ) |publisher=Taylor and Francis, London, 2003, 2005; Routledge, 2004
|ISBN=978-0-203-50089-7|id={{ISBN|978-0-415-92498-6}} |isbn=978-0-203-50089-7
|quote=in Madrid, ] was accused of following his own whims rather than ]’s wishes. According to ], ] reported to the king that ''“Excessive rigour, the misconduct of some officers and soldiers, and the ], are the cause of all the ills, and not heresy or rebellion.'' —— One of the governor’s officers reported that in the Netherlands ''“the name of the house of Alba”'' was held in abhorrence |quote=... in Madrid, ] was accused of following his own whims rather than ]'s wishes. According to ], ] reported to the king that ''"Excessive rigour, the misconduct of some officers and soldiers, and the ], are the cause of all the ills, and not heresy or rebellion".'' — ... — One of the governor's officers reported that in the Netherlands ''"the name of the house of Alba"'' was held in abhorrence
|accessdate=4 August 2011 |access-date=4 August 2011
|archive-url=https://web.archive.org/web/20110804010548/http://www.bookrags.com/tandf/1567-revolt-of-the-netherlands-tf/
}}</ref>
|archive-date=4 August 2011
In November and December of the same year, with permission by the Duke, Fadrique had many people of ] and of ] locked and burnt in their church.<ref
|url-status=dead
name=SF-M_2 /><ref name="SF-N_1">{{cite web|url=http://www.naarden.nl/index.php?simaction=content&mediumid=4&pagid=201&stukid=345 |title=Gemeente Naarden – Keverdijk, diverse straten |author=Lamers, Jaqueline |publisher=Municipality of Naarden, Netherlands |accessdate=31 July 2011 |deadurl=yes |archiveurl=https://web.archive.org/web/20110927032644/http://www.naarden.nl/index.php?simaction=content&mediumid=4&pagid=201&stukid=345 |archivedate=27 September 2011 }}</ref>
|date=9 January 2004
]
}}</ref> In November and December 1572, with the duke's permission, Fadrique had residents of ] and ] locked in churches and burnt to death.<ref name="SF-M_2" /><ref name="SF-N_1">{{cite web|url=http://www.naarden.nl/index.php?simaction=content&mediumid=4&pagid=201&stukid=345 |title=Gemeente Naarden – Keverdijk, diverse straten |author=Lamers, Jaqueline |publisher=Municipality of Naarden, Netherlands |access-date=31 July 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110927032644/http://www.naarden.nl/index.php?simaction=content&mediumid=4&pagid=201&stukid=345 |archive-date=27 September 2011 }}</ref> In July 1573, after ], the city of ] surrendered. The garrison's men (except for the German soldiers) were drowned or had their throats cut by the duke's troops, and eminent citizens were executed.<ref name=SF-M_2 /> More than 10,000 Haarlemers were killed on the ramparts, nearly 2,000 burned or tortured, and double that number drowned in the river.<ref>{{cite book |title=The Public and Private History of the Popes of Rome, Vol. 1: From the Earliest Period to the Present Time, Including the History of Saints, Martyrs, Fathers of the Church, Religious Orders, Cardinals, Inquisitions, Schisms, and the Great Reformers |date=1846 |publisher=T. B. Peterson |page=249}}</ref> After numerous complaints to the Spanish court, Philip II decided to change policy and relieve the Duke of Alba. Alba boasted that he had burned or executed 18,600 persons in the Netherlands,<ref>{{Cite web|url=http://necrometrics.com/pre1700a.htm#Ne1566|title=Twentieth Century Atlas – Historical Body Count|website=necrometrics.com}}</ref> in addition to the far greater number he massacred during the war, many of them women and children; 8,000 persons were burned or hanged in one year, and the total number of Alba's ] victims can not have fallen short of 50,000.<ref>{{cite book |last1=Sharp Hume |first1=Martín Andrew |title=The Spanish People: Their Origin, Growth and Influence |page=372}}</ref>
In July 1573, after ], the city of ] surrendered. Then the garrison's men (except for the German soldiers) were drowned or had their throats cut by the duke's troops, and eminent citizens were executed.<ref name=SF-M_2 /> In 1576, Spanish troops attacked and pillaged ]. The soldiers rampaged through the city, killing and looting; they demanded money from citizens and burned the homes of those who refused to (or could not) pay. ]'s printing establishment was threatened with destruction three times, but was saved each time when a ransom was paid. Antwerp was economically devastated by the attack. A thousand buildings were torched and as many as 18,000 men, women and children murdered. ] was besieged, sacked and destroyed twice in succession (in 1576 and 1579) by the Spanish. The ] ended with the destruction and sacking of the city known as the 'Spanish Fury'. During the assault they killed not only many of the town's defenders but also many women and children. The Spanish soldiers deliberately drowned hundreds of civilians by throwing them off the bridge leading over the river Maas, an episode which bore similarities to the earlier events in Zutphen.


{{Multiple image
The propaganda created by the ] during the struggle against the Spanish Crown can also be seen as part of the Black Legend. The depredations against the Indians that ] had described, were compared to the depredations of Alba and his successors in the Netherlands. The '']'' was reprinted no less than 33&nbsp;times between 1578 and 1648 in the Netherlands (more than in all other European countries combined).<ref>Schmidt, p. 97</ref>
| align = right
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The ''Articles and Resolutions of the Spanish Inquisition to Invade and Impede the Netherlands'' imputed a conspiracy to the ] to starve the Dutch population and exterminate its leading nobles, "as the Spanish had done in the Indies."<ref>Schmidt, p 112</ref> ], a prominent propagandist for the cause of the rebels, regularly used references to alleged intentions on the part of Spain to "colonize" the Netherlands, for instance in his 1578 address to the German ].
| width = 300
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| caption1 = Contemporary, anonymous painting of the 4 November 1576 ]
| image2 = De stadt Maastricht, door den prins van Parma (Alexander Farnese) met storm verovert, den 29 july des jaars 1579 (Jan Luyken, 1679).jpg
| caption2 = The ] at Maastricht in 1579
}}
The ] spread to the south in the mid-1570s after the ] mutinied for lack of pay and went on the rampage in several cities, most notably ] in 1576. Soldiers rampaged through the city, killing, looting, extorting money from residents and burning the homes of those who did not pay. ]'s printing establishment was threatened with destruction three times, but was spared each time with payment of a ransom. Antwerp was economically devastated by the attack; 1,000 buildings were torched, and as many as 17,000 civilians were raped, tortured and murdered.<ref>{{cite book |last1=Carlton |first1=Charles |title=This Seat of Mars: War and the British Isles, 1485–1746 |date=2011 |page=42}}</ref><ref>{{cite book|title=Mummies, Cannibals and Vampires: the History of Corpse Medicine from the Renaissance to the Victorians|url=https://books.google.com/books?id=jqagh4PLTxQC&pg=PT198|last1=Sugg|first1=Richard|publisher=Taylor & Francis|year=2012|isbn=9781136577369}}</ref> Parents were tortured in their children's presence, infants were slain in their mother's arms, wives were flogged to death before their husbands' eyes.<ref>{{cite book |last1=Durant |first1=Will |last2=Durant |first2=Ariel |title=The Age of Reason Begins: A History of European Civilization in the Period of Shakespeare, Bacon, Montaigne, Rembrandt, Galileo, and Descartes: 1558–1648 |page=451}}</ref> ] was besieged, sacked and destroyed twice by the '']s de Flandes'' (in 1576 and 1579), and the ] ended with a Spanish Fury which killed 10,000 men, women and children.<ref name="Nolan">{{cite book |last1=Nolan |first1=Cathal J. |title=The Age of Wars of Religion, 1000–1650: An Encyclopedia of Global Warfare and Civilization, Volume 1 |date=2006 |publisher=Greenwood Publishing Group}}</ref>{{rp|page=247}} Spanish troops who breached the city walls first raped the women, then massacred the population, reputedly tearing people limb from limb.<ref>{{cite book |title=The Early Modern World |date=2007 |publisher=Greenwood Publishing Group |page=60}}</ref> The soldiers drowned hundreds of civilians by throwing them off the bridge over the river Maas in an episode similar to earlier events in Zutphen. Military terror defeated the Flemish movement, and restored Spanish rule in ].<ref>{{cite web |title=The Dutch War of Independence |date=15 December 2014 |url=https://www.military-history.org/articles/the-dutch-war-of-independence.htm}}</ref>


The propaganda created by the Dutch Revolt during the struggle against the Spanish Crown can also be seen as part of the Black Legend. The depredations against the Indians that ] had described were compared to the depredations of Alba and his successors in the Netherlands. The '']'' was reprinted no less than 33&nbsp;times between 1578 and 1648 in the Netherlands (more than in all other European countries combined).<ref name="Schmidt, p. 97">Schmidt, p. 97</ref> The ''Articles and Resolutions of the Spanish Inquisition to Invade and Impede the Netherlands'' accused the ] of a conspiracy to starve the Dutch population and exterminate its leading nobles, "as the Spanish had done in the Indies."<ref name="Schmidt, p 112">Schmidt, p 112</ref> ], a prominent propagandist for the cause of the rebels, regularly used references to alleged intentions on the part of Spain to "colonize" the Netherlands, for instance in his 1578 address to the German ].
===Portugal===
King ], at the time also king of Portugal, was accused of cruelty for his hanging of supporters of ], the rival contender for the throne of Portugal, on yardarms on the ] islands, following the ].


In recent years, Prof. dr. Maarten Larmuseau of ] has used ] to examine a prevalent belief regarding the Spanish occupation<ref>{{cite journal |title=The black legend on the Spanish presence in the low countries: Verifying shared beliefs on genetic ancestry |year=2018|doi=10.1002/ajpa.23409|url=https://onlinelibrary.wiley.com/doi/abs/10.1002/ajpa.23409|last1=Larmuseau|first1=Maarten H.D.|last2=Calafell|first2=Francesc|last3=Princen|first3=Sarah A.|last4=Decorte|first4=Ronny|last5=Soen|first5=Violet|journal=American Journal of Physical Anthropology|volume=166|issue=1|pages=219–227|pmid=29327450|hdl=10230/37178|hdl-access=free}}</ref><ref name=":1" />
===Reception in England===
Other critics of Spain included ], the fallen secretary of King ], who fled to France and England, where he published attacks on the Spanish monarchy under the title ''Relaciones'' (1594). The English referred to these books to justify ] and wars against the Spanish.{{citation needed|date=February 2017}}


{{Blockquote|War atrocities committed by the Spanish army in the Low Countries during the 16th century are so ingrained in the collective memory of Belgian and Dutch societies that they generally assume a signature of this history to be present in ]. Historians claim this assumption is a consequence of the so‐called "Black Legend" and negative propaganda portraying and remembering Spanish soldiers as extreme sexual aggressors.|Prof. dr. Maarten Larmuseau, The black legend on the Spanish presence in the low countries: Verifying shared beliefs on genetic ancestry}}
==Others==


The memory of the large scale rape of local women by Spanish soldiers lives on to such extent that it is popularly believed that their genetic imprint can be seen today, and that most men and women with dark hair in the area descend from children conceived during those rapes. The study found no greater Iberian genetic component in the areas occupied by the Spanish army than in surrounding areas of northern France, and concluded that the genetic impact of the Spanish occupation, if any, must have been too small to survive until the present era. However, the study makes it clear that the absence of a Spanish genetic imprint in modern populations was not incompatible with the occurrence of mass sexual violence. The frequent murder of Flemish rape victims by Spanish soldiers, the fact rape does not always lead to fertilisation, and the reduced survival possibilities of the illegitimate offspring of rape victims would all militate against significant Iberian genetic contribution to modern populations. Larmuseau considers the persistence of the belief in a Spanish ] to be the fruit of the use of Black Legend tropes in the construction of Dutch and Flemish national identities in the 16th–19th century, giving prominence to the idea of the Spanish armies' cruelty in ].
In the 18th century, despite the fact that he never visited Spain, philosopher ] stated that "The Spaniard's bad side is that he does not learn from foreigners; that he does not travel in order to get acquainted with other nations; that he is centuries behind in the sciences. He resists any reform; he is proud of not having to work; he is of a romantic quality of spirit, as the ] shows; he is cruel, as the former ] shows; and he displays in his taste an origin that is partly non-European."<ref>Mignolo, W. D. (2007). "What does the Black Legend Have to do with Race?" ''Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires'', 312-24.</ref> Historian ] has argued that the Black Legend was closely tied to ideologies of race, both in the way that it used the ] history of Spain to depict Spaniards as racially tainted, and in the way that the treatment of ] and ] during Spanish colonial projects came to symbolize their moral character.


In an interview with a local newspaper, Larmuseau compared the persistence in popular memory of the actions of the Spanish with the lesser attention given to ], ] and ] who also occupied the Low Countries and participated in violence against their inhabitants.<ref>{{cite web |title=La Razón |date=17 January 2018 |url=https://www.larazon.es/sociedad/ciencia/los-holandeses-morenos-y-bajitos-no-tienen-sangre-espanola-LH17453787/ }}</ref>
== Criticism ==
] directly denies the existence of the Black Legend in his book ''The Black Legend'' (1991), arguing "It is neither a legend, insofar as the negative opinions of Spain have genuine historical foundations, nor is it black, as the tone was never consistent nor uniform. Gray abounds, but the color of these opinions was always viewed in contrast we have called the white legend."<ref>Jail and Matthew Garcia Bretos, ''The Black Legend'' (1991) & Matthew Garcia Carcel, Bretos, p.84</ref>


==Regional perspectives==
== Defenders ==
]
Among the main defenders and modern proponents of the Black Legend is the American historian ]. Other specialists in colonial history who have supported this view are ], ], ], ], ], ], ], ], ], ], ], ], and ].
Recently Spanish Historian ] has published a wildly succesful essay equating the process of black legend formation that the Spanish Empire suffered with the process that other empires like Rome, the Ottoman Empire, and modern United Estates suffered as well.


==={{anchor|Italian origin}}Italy===
== Black Legend Today. Controversy ==
] of the ] supports Juderías' hypothesis of a Spanish black legend in European historiography and identifies its origins in medieval ], unlike previous authors (who date it to the 16th century). In his book ''The Black Legend: A Study of its Origins'', Arnoldsson cites studies by ] and Arturo Farinelli to assert that Italy was hostile to Spain during the 14th, 15th and 16th centuries when the ] occupied most of Italy and texts produced and distributed there were later used as a base by Protestant nations.{{full citation needed|date=January 2019}}
While some authors, like Henry Kamen, consider that the black legend existed during the XVI century but is a thing of the past, other authors consider that it continues afecting Spanish adn Latin America diplomatic and economic present and world status. ], considered it the root of current diplomatic problems and anti-latino sentiment in the United States, and he shows so in his work ''The Tree of Hate: Propaganda and Prejudices Affecting Relations with the Hispanic World (1971)''. The view of the black legend afecting modern day USA´s immigration policy has gained suporters in the current political climate. <ref> Opinion | Immigration - and the Curse Of the Black Legend
Tony Horwitz - https://www.nytimes.com/2006/07/09/opinion/09horwitz.html</ref>


Liberal historians such as Benedetto Croce see in the ] process the conclusion of the unifying trend that began with the ], which suffered a long interruption between the middle of the 16th century and the beginning of the 18th century that coincided with direct domination by the ] over half of Italy and indirectly over part of the other half. Croce's statements about the Italian aristocracy and their responsibility for the decline of Italy, published in 1917, when the country was in the middle of the world war, aroused reactions, accusations and even indignation on the part of historians, writers, intellectuals and politicians and ''"...the controversy..."'' writes a well-known contemporary Spanish historian ''"...it has not yet died out, but there are many historians who today accept, at least in part, Croce's arguments."''<ref>Quote taken from: ], Historia de España. El antiguo régimen: los Reyes Católicos y los Austria” (tomo 3 de la Historia de España dirigida por Miguel Artiola), Alianza Editorial, Madrid, 1988, pág. 369, tomo 3 </ref>
Direct references to constructs from the times of the black legend were made in British and Canadian press during the "Fletan War" of 1992 between both countries.
Spanish proponents of the prevalence of the black legend point out that the black legend aproach to Spain and Spanish history, as wella s to its anti-catholic elements are common in popular culture, such as in movies like ], popular culture references to similar deeds by other colonial powers are scarce or idealized in movies such as ]. <ref>La Reina Victoria Y Abdul ¡viva El Imperialismo!. Noticias De Cine
Alejandro Alegré - https://www.elconfidencial.com/cultura/cine/2017-09-22/reina-victoria-y-abdul-judi-dench-colonialismo_1446891/</ref>
Spanish foreign minister ] explained that he sees a re-emergence of the black legend across Europe in the way the Catalonian conflict has been covered, especially by English speaking press, regarding the unquestioning acceptance of unchecked numbers of injured that turned out to be false. <ref> Borrell, El Cip Y La Leyenda Negra
Luis Oz - http://www.elmundo.es/television/2018/06/21/5b2bbdb7ca4741f77d8b461d.html </ref>


The vision of some Italian historians continues to identify the Spanish domination of Italy with a period of decadence for the country, due, in part, to the action of the Inquisition (the traditional religious court, not to be confused with the Spanish institution, which operated with different criteria). Authors such as ] or ] suffered persecution for religious reasons, as had also happened at the end of the fifteenth century and in the ] of ]. The identification of the occupier with oppression was part of the widely spread anti-Spanish propaganda known as the black legend, whose artistic products include ] "'']''" (set in 17th-century ]) or ] "Don Carlos". According to one interpretation of the Risorgimento, the historical period of Spanish misrule in Milan had been chosen by Manzoni with the intention of alluding to the same oppressive rule of Austrian rule over northern Italy. Other literary critics believe instead that what Manzoni wanted to describe was the Italian society of all times, with all its defects that have remained over time.<ref>Otello Ciacci, Manzoni Studies, A. Signorelli, 1975 p. 3 and following </ref>
The black legend is, allegedly, a main contributor to the construct of ] since it ereases both the ethical and intelectual contributions of Southern Europeans and reduce the power and competence achived by Native American Empires prior and during the Spanish conquest.

Arnoldsson's theory on the origins of Spain's black legend has been criticized as ] the process of black-legend generation with a negative view (or critique) of a foreign power. The following objections have been raised:<ref>Alvar, p. 7</ref>
# The Italian origin of the earliest writings against Spain is an insufficient reason to identify Italy as the origin of the black legend; it is a normal reaction in any society dominated by a foreign power.
# The phrase "black legend" suggests a tradition (non-existent in Italian writings) based on a reaction to the recent presence of Spanish troops (which quickly faded).{{citation needed|date=January 2019}}
# In 15th- and 16th-century Italy, critics and Italian intellectual admirers of Spain (particularly ]) coexisted.

] states in his work "Inquisition":{{Blockquote|In Italian anti-Spanish invective, the very Christian self-consciousness that had inspired much of the drive to purify the Spanish kingdoms, including the distinctive institution of the Spanish Inquisition, was regarded outside of Spain as a necessary cleansing, since all Spaniards were accused of having Moorish and Jewish ancestry. ... First condemned for the impurity of their Christian faith, the Spaniards then came under fire for excess of zeal in defending Catholicism. Influenced by the political and religious policies of Spain, a common kind of ethnic invective became an eloquent and vicious form of description by character assassination. Thus when Bartolomé de las Casas wrote his criticism of certain governmental policies in the New World, his limited, specific rhetorical purpose was ignored.|Edward Peters, Inquisition}}According to William S. Maltby, Italian writings lack a "conducting theme": a common narrative which would form the Spanish black legend in the Netherlands and England.<ref>Maltby, p. 7.</ref> Roca Barea agrees; although she does not deny that Italian writings may have been used by German rivals, the original Italian writings "lack the viciousness and blind deformation of black-legend writings" and are merely reactions to occupation.{{Quote without source|date=January 2019}}

==={{anchor|German origin}}Germany===
Arnoldsson offered an alternative to the Italian-origin theory in its polar opposite: the ].<ref>Arnoldsson, pp. 104–ff.</ref> German humanism, deeply nationalistic, wanted to create a German identity in opposition to that of the Roman invaders. ] and ], the main authors of the movement, used "Roman" in the broader concept "Latin". The Latin world, which included Spain, Portugal, France, and Italy, was perceived as "foreign, immoral, chaotic and fake, in opposition to the moral, ordered and German."<ref>Arnoldsson, pp. 117-ff.</ref>

In addition to the identification of Spaniards with Jews, heretics, and "Africans", there was an increase in anti-Spanish propaganda by detractors of Emperor ]. The propaganda against Charles was nationalistic, identifying him with Spain and Rome although he was born in Flanders, spoke Dutch but little Spanish and no Italian at the time, and was often at odds with the pope.

To further the appeal of their cause, rulers opposed to Charles focused on identifying him with the pope (a view Charles had encouraged to force Spanish troops to accept involvement in his German wars, which they had resisted). The fact that troops and supporters of Charles included German and Protestant princes and soldiers was an extra reason to reject the Spanish elements attached to them. It was necessary to instill fear of Spanish rule, and a certain image had to be created. Among published points most often highlighted were the identification of Spaniards with Moors and Jews (due to the frequency of intermarriage), the number of ''conversos'' (Jews or Muslims who converted to Christianity) in their society, and the "natural cruelty of those two."<ref>Arnoldsson, pp. 123 ss.; Kamen, pp. 305 ss.</ref>

=== England/ Britain ===

Spanish statesman ], who served as the secretary to ] before fleeing to France and then England after being arrested, wrote ''Pedacos de Historia o Relaciones'', which was published in ] by English printer ] in 1594. The work, which was read widely in England, heavily denounced the Spanish monarchy and further contributed to pre-existing anti-Spanish and anti-Catholic sentiments among the English. A violently hispanophobic preacher and pamphleteer, ], would echo this sort of epithet a generation later, in the 1620s, when he urged England to go to war against "those wolvish Antichristians" instead of accepting the ].<ref>{{cite book |last1=Powell |first1=Philip Wayne |title=Tree of Hate: Propaganda and Prejudices Affecting United States Relations with the Hispanic World}}</ref>

], regarding Spain in the Netherlands, said that:{{Blockquote|As part of an Elizabethan campaign against Spain and the Catholic Church ...Literally hundreds of anti-Spanish publications appeared in English, Dutch, French, and German in the sixteenth century. New editions, and new works restating old accusations, would appear in the Thirty Years War and in other occasions when it seemed useful to excite anti-Spanish sentiment. Given the pervasiveness of such material, it is not surprising that the authors of scholarly histories absorbed anti-hispanism and transmitted it to later generations.|William S. Maltby, ''The Rise and Fall of the Spanish Empire''}}

==={{anchor|Other origins}}Sephardic Jews===
{{See also|Jewish pirates}}
According to ], the criticism which was spread by the Jews who were expelled by Spain's Catholic monarchs was an important factor in the spread of anti-Spanish sentiment (particularly religious stereotypes). Powell places the beginning of the criticism of the Jewish populations against Spain in 1480, with the creation of the ], which was directed mainly against crypto-Jews and false converts. But it was from ] that this opinion became general. Despite the fact that they had previously been expelled from almost all European countries, in no other had they had such deep roots during the Middle Ages, coming to live what has been called a ], giving special relevance to this expulsion.<ref name="Powell, pp. 50 ss">Powell, pp. 50 ss.</ref> The persecution of Jews, crypto-Jews, Muslims and converts was viewed favorably in the rest of Europe and even applauded in the case of "a country so mixed with Jews and Moors" like Spain.<ref>Perez, p. 85 ff</ref>

Studies by ], ], ] and ] show that many expelled Jewish intellectuals collaborated in spreading the negative image of Spain. The largest ] community was in Amsterdam, in the Netherlands, with two synagogues. His activity, "little affected to the service of his Majesty", came to provoke the protest of the Spanish ambassadors before the archduke in Brussels. Especially hated was the Inquisition, considered the "fourth beast spoken of by the ]", a denatured justification, an accumulation of evil, which had corrupted society. Criticism spread to Flanders and Venice, where Sephardim had also settled. Thus, the communities publicized the executions of the Inquisition, such as the one that occurred in 1655 in Córdoba.<ref>García Cárcel, pp. 71–72.</ref>

The Sephardim were grateful to their new homeland during the Eighty Years' War: just as Spain was a "land of idolatry" and slavery, like Egypt, whose rulers suffer the curse of Yahweh; The Netherlands, on the other hand, is the land of freedom, on which the God of Israel will bring down all the blessings, as ] or ] (previously called Manoel Soeiro) wrote.<ref>García Cárcel, pp. 73 ss.</ref> They also used their power within the publishing industry, both to support the Dutch in their struggle and to spread criticism of Spain.<ref name="Powell, pp. 50 ss"/>

==={{anchor|Anti-Islamic and anti-Semitic origin}}Islamophobia and antisemitism===
{{blockquote |sign=], ''Inquisition'' (1989)<ref>{{cite book |title=Inquisition |publisher=University of California Press |location=Berkeley and Los Angeles |year=1989 |isbn=0-520-06630-8 |author=] |pages=132–133 |url=https://archive.org/details/inquisition0000pete/page/132/}}</ref> |In Italian anti-Spanish invective ... the ] ... was regarded as a necessary cleansing, since all Spaniards were accused of having ] and ] ancestry. ... First condemned by the impurity of their Christian faith, the Spaniards then came under fire for excess of zeal in defending Catholicism. Influenced by the political and religious policies of Spain, a common type of ethnic invective became an eloquent and vicious form of description by ]. Thus when ] wrote his criticism of certain governmental policies in the New World, his limited, specific purpose was ignored.}}

According to Elvira Roca Barea, the Spanish Black Legend is a variant of the ] which had already been circulated in ] Northern, Central and Southern European nations since the 13th century, critical of the perceived tolerance of Jews and heretics in Spain.<ref name="Roca Barea 2016"/> In 1555, after the expulsion of the Spanish Jews, ] described Spaniards as "heretics, schismatics, accursed of God, the offspring of ] and Moors, the very scum of the earth".<ref>Swart, K. W. (1975). "The Black Legend During the Eighty Years War" In ''Britain and the Netherlands'' (pp. 36–57). Springer Netherlands.</ref> This climate would facilitate the transfer of antisemitic and ] stereotypes to Spaniards.<ref>{{cite book |title=Inquisition |publisher=University of California Press |location=Berkeley and Los Angeles |year=1989 |isbn=0-520-06630-8 |author=] |pages=132 |url=https://archive.org/details/inquisition0000pete/page/132/ |quote=Otherwise routine criticism increasingly took the form of identifying Spaniards, not with Christianity, but with Judaism and Islam.}}</ref> This case has three main sources of proof, the texts of German Renascence Intellectuals, the existence of the black legend narrative in Europe prior to the conquest of America, and the similarity of the stereotypes to other stereotypes which were attributed to Judaism by anti-Semitic Europeans and the stereotypes which the Black Legend attributed to the Spanish.<ref name="Elvira">Elvira, Roca Barea María, and Arcadi Espada. Imperiofobia Y Leyenda Negra: Roma, Rusia, Estados Unidos Y El Imperio Español. Madrid: Siruela, 201</ref>

] correlated "the Jew" (who was detested in Germany at the time) with "the Spanish", whose power was increasing in the region. According to Sverker Arnoldsson, Luther:
*Identified Italy and Spain with the papacy, even though the ] and Spain were enemies at the time
*Ignored the coexistence (including intermarriage) of Christians and Jews in Spain
*Conflated Spain and ] out of fear of an invasion by either power.<ref>Luther op. cit., Tischr., III, p. 382, N° 3533 (14–31 January 1537); V, p. 284, N° 5635 (12 May 1544): op. cit. Arnoldsson (1960).</ref>

In 1566, Luther's conversations were published. Among many other similar affirmations, he is quoted as saying: {{Text and translation|{{lang|de|... Spaniern ..., die essen gern weiss Brot vnd küssen gern weisse Meidlein, vnd sind sie stiffelbraun vnd pechschwartz wie König Balthasar mit seinem Affen.}}|The Spanish eat white bread with pleasure and kiss white women with pleasure, but they are as dirt-brown and tar-black as King Balthasar and his monkeys".|Johann Fischart, Geschichtklitterung (1575).}}
{{Text and translation|{{lang|la|Ideo prophetatum est Hispanos velle subigere Germaniam aut per se aut per alios, scilicet Turcam ... Et ita Germania vexabitur et viribus ac bonis suis exhausta Hispanico regno subiugabitur. Eo tendit Sathan, quod Germaniam liberam perturbare tentat}}
|Thus, it is prophesied that the Spaniards want to subjugate Germany, by itself or through others, such as the Turks. And so Germany will be humiliated and stripped of its men and property, will be submitted to the kingdom of Spain. Satan tries this because he tries to prevent a free Germany
|Luther<ref name="Elvira" />}}

== Distribution ==
Proponents such as Powell,<ref name="Powell">{{cite book |last=Powell |first=Philip Wayne |title=The Tree of Hate: Propaganda and Prejudices affecting US relations with the Hispanic World |date=1971 |publisher=UNM Press |isbn=978-0-8263-4576-9 |url=https://books.google.com/books?id=aSWbrxf1kEsC}}</ref> Mignolo<ref>Mignolo, W. D. (2007). "What does the Black Legend Have to do with Race?" ''Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires''.</ref> and Roca Barea<ref name="Roca Barea 2016"/> allege that the Spanish Black Legend prevails in most of Europe, especially Protestant nations and France, and the Americas. There is, however, no significant trace of it in the Muslim world or Turkey despite the almost seven centuries of sustained warfare in which Spain and the Islamic world were engaged. Historian ] has argued that the Black Legend was closely tied to ideologies of race, both in the way that it used the ] history of Spain to depict Spaniards as racially tainted, and in the way that the treatment of ] and ] during Spanish colonial projects came to symbolize their moral character.<ref>Mignolo, W. D. (2007). "What does the Black Legend Have to do with Race?" ''Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires'', 312–324.</ref>

=== America ===
The first Puritan settlers were deeply hostile to Spain, seeing themselves as the Protestant advance guard that would free the Indians from Spanish oppression and cruelty. Prominent among these Puritan authors was ], who ] for distribution among the Indians of New Spain.<ref>Ortego y Gasca, Felipe de (2008). «». ''Somos Primos'' (104 y 105).</ref> After its independence, the United States soon became a territorial rival of Spain in America, both on the border with New Spain, and in Florida, the Mississippi or in New Orleans, a port that the Americans wanted to export their products from. The enlightened and liberal ideas that had entered the United States in the eighteenth century, joined their sympathies for ], increasing anti-Spanish sentiment.<ref>Powell, pp. 117–118.</ref> This hostility reached its zenith during the ], when the propaganda machine of ] and ], used by their newspaper empires, had an enormous influence on public opinion in their country. The hispanophobic speeches heard in Congress during the conflict were so insulting that they led to massive protests in Spain.<ref>Powell, p. 122.</ref>

The tensions in ] between the upper classes of ] and {{lang|es|]}}, that is, the Spaniards from the Iberian Peninsula, predate the independence of the Latin American countries. It was a confrontation for the right to control and exploit the riches of the American lands and peoples and that, in general, did not affect the lower classes. Around 1800, the ideas of the ], with its ], its ] to authorities, and its support by ] lodges, had been enthusiastically embraced among American intellectuals. According to Powell, these ideas were mixed with the black legend, that is, with the identification of Spain as a "horrible example" of ] and backwardness, as an enemy of ].<ref>Powell, pp. 113–114, p. 149.</ref> Indeed, he claims that the American wars of independence were to some degree civil wars, with the rebels led by minorities of Creoles.

With this background, Powell argues that the rebels were able to use the black legend as a propaganda weapon against the metropolis. Countless manifestos and proclamations were published quoting and praising Las Casas, poems and hymns describing the depraved nature of the "Spaniards", letters and pamphlets designed to advance the patriotic cause.<ref>Powell, pp. 114 ss.</ref> One of the first was the Peruvian ] in his ''Carta dirigida a los españoles americanos por uno de sus compatriotas'', accusing the metropolis of the serious exploitation suffered, summarizing the situation as «ingratitude, injustice, servitude and desolation». Another example is one of the great heroes of American independence, ], an admirer of Las Casas, whose texts he would use profusely, blamed the Spanish for all the sins committed in America (by Creoles and non-Creoles) in the last 200 years, making the Creoles the victims, the "colonized". He would also be one of the first to appeal for the theft of American wealth and claim its return.<ref>García Cárcel (1997), pp. 272 ss.; Carbia, pp. 135 ss.; Pérez, p. 112.</ref>

This anti-Spanish mentality was maintained during the 19th century and part of the 20th among the ] elites, who considered "de-Hispanization" the solution to national problems.<ref>Powell, pp. 114 ss.; Carbia, pp. 150 ss.</ref> The historian Powell affirms that as a consequence of denigrating Spanish culture, it has been possible to denigrate their own, of which the first is a part, both in their own eyes and in foreign eyes. In addition, the fact would have produced a certain lack of roots among the American peoples, by rejecting part of their own.<ref>Powell, p. 115.</ref>

=== Europe ===
At the same time, on the beginning of the 19th century, a school of liberal historians appeared in ] and ] who began to speak of the Spanish decline, considering ] responsible for this economic and cultural decline and for all the ills that afflicted the country. Other European historians would take up the subject later, maintaining this position in some authors until today. The reasoning stated that the expulsion of the Jews and the persecution of the converts would have led to the impoverishment and decline of Spain, in addition to the destruction of the middle class.<ref>Kamen, p. 313.</ref> In 1867 ] had also raised the issue of Spanish decline. Both he and ] wondered if the fact was due to the Spanish character. He was joined by French and Italian sociologists, anthropologists and criminologists, who spoke more of "degeneration" than decadence, and later other Spaniards such as ] or ]. ] blamed Spanish decadence on religious intolerance and ] on Spanish pride. These ideas passed into literature with the ], in texts by ], ] and ]: « a piece of the planet crossed by the wandering shadow of Caín»; reaching in some extremes to masochism and the inferiority complex. Joseph Pérez relates this rejection of one part of his own history (the expulsion of the Jews, the Inquisition, the conquest of America) and the idealization of another (]) with similar movements in Portugal and France.<ref>Pérez, pp. 164 ss.; García Cárcel (1991), p. 71.</ref>

Also, after the ], many Italian historians tended to narrate in a negative way the time when part of the Italian peninsula had formed a dynastic union with Spain. In particular, ] denounced what in his eyes had been the plunder and corruption of southern Italy "under the Spanish".<ref>Pepe, Gabriele (1952). ''Il Mezzogiorno d'Italia sotto gli spagnoli : la tradizione storiografica''. Firenze: Sansoni.</ref> This view only began to change in the last third of the 20th century, thanks to a series of congresses and authors such as Rosario Villari and Elena Fasano Guarini.<ref>González Talavera, Blanca (2011). ''''. Universidad de Granada., pp. 19–20</ref> The works of ]<ref name=":3">{{Cite web |title=The 'Leyenda Negra' and the Circulation of Anti-Catholic and Anti-Spanish Prejudices |url=http://ieg-ego.eu/en/threads/models-and-stereotypes/the-spanish-century/friedrich-edelmayer-the-leyenda-negra-and-the-circulation-of-anti-catholic-and-anti-spanish-prejudices |access-date=2023-06-28 |website=EGO(http://www.ieg-ego.eu) |language=de}}</ref><ref>{{Cite journal |last=Scamuzzi |first=Iole M. C. |title=Literatura aurea y leyenda negra: el intertexto ibérico entre Fermo e Lucia y Los novios, en José CHECA BELTRÁN, ed., La cultura Española en la Europa romántica, (pp. 209-236). |url=https://www.academia.edu/11968424}}</ref><ref>{{Cite web |title=Alessandro Manzoni |url=https://leyendasnegrasdelaiglesia.wordpress.com/tag/alessandro-manzoni/ |access-date=2023-06-28 |website=Leyendas Negras de la Iglesia |language=es}}</ref><ref>{{Cite web |last=caminoespanol |date=2017-09-19 |title=El virus de la Leyenda Negra crece en... Italia, con su obra maestra de la literatura. |url=https://www.xn--elcaminoespaol-1nb.com/virus-leyenda-negra-crece-gracias-literatura-de-italia/ |access-date=2023-06-28 |website=El Camino Español |language=es}}</ref> and ]<ref>{{Cite web |last=Salazar |first=David |date=2017-03-11 |title=Verdi's 'Don Carlo' As A World Of Failures |url=https://operawire.com/on-this-day-verdis-don-carlo-as-a-world-of-failures/ |access-date=2023-06-28 |website=OperaWire |language=en-US}}</ref> also propagated anti-Spanish propaganda on Italian literature.

=== East Asia ===
The period of Spanish rule in the Philippines is often presented negatively in the present day.{{citation needed|date=August 2023}} Although the Philippine Islands were occupied by both ] and the ] and the ], only the Spaniards were considered as the oppressors who kept the society in feudal backwardness, along with the development of a servile mentality and the cause of the ignorance through religious fanaticism, while the Americans were portrayed as liberators of the nation in the process of building a national identity against the interference of other powers (the Spanish Catholics and the Islamic sultanates), who, with their defects, were able to bring Modernization in the Islands with its liberal policies.{{citation needed|date=August 2023}} A lot of investigators mention that ] has an important role in the construction of anti-Spanish propaganda on Philippines' education.<ref>{{Cite journal |last=Moran |first=Katherine D. |date=2015 |title=Beyond the Black Legend: Catholicism and U.S. Empire-Building in the Philippines and Puerto Rico, 1898–1914 |url=https://www.jstor.org/stable/24584715 |journal=U.S. Catholic Historian |volume=33 |issue=4 |pages=27–51 |jstor=24584715 |issn=0735-8318}}</ref> The anti-Spanish propaganda has endured in historiography to this day, since scholars used to copy from the same standard books that have distorted the images of the Philippines with such tropes of the black legend.<ref name=":0"></ref> That being the case, it has been denounced that "official" historiography in the Philippines, from the nationalist and liberal school, has lacked objectivity by assuming long-repeated misconceptions regarding the early modern history of the Philippines.<ref name=":0" />

According to Phillip Powell, the leading historians of the United States in the 19th century, ], ], ], and ], would also write History tinged with the black legend, texts that remain important in later American historiography.<ref>Powell, p. 119.</ref> An example of this is '']'', important source of Philippine history for non-Spanish speakers that has been criticized by modern historians, notably ], for deliberately distorting the original Spanish documents to portray the ] in a negative light.<ref name="Cano">{{Cite journal |last=Cano |first=Glòria |date=2008 |title=Evidence for the Deliberate Distortion of the Spanish Philippine Colonial Historical Record in "The Philippine Islands 1493–1898" |journal=Journal of Southeast Asian Studies |volume=39 |issue=1 |pages=1–30 |doi=10.1017/S0022463408000015 |jstor=20071868|s2cid=159759508 }}</ref><ref>{{Cite web |title=How to Research the History of Maritime Asia and the Spanish Pacific During a Pandemic |url=https://toynbeeprize.org/posts/how-to-research-the-history-of-the-maritime-spanish-empire-during-a-pandemic/ |access-date=2 July 2021 |website=Toynbee Prize Foundation |language=en}}</ref> In addition, after the ], the ] was carried out, with the purpose of preparing the conditions for the government of the Philippine islands, and in which the Philippine upper class of the ] and the ] intellectuals participated. Thus, ] built and shaped a discourse that emphasized a negative view of the ] (while declaring that the Filipinos are not ready for independence) and outlined an ] image of the Spanish regime, for which they appealed typical dichotomies between ] vs. ], where the Spanish regime represented an apparent ] and ] backwardness, while the US administration presented itself as ] and ].{{citation needed|date=August 2023}}

Thus, the Americans in the Philippines developed a narrative with they belittled Spain, following the traditional lines of the Black Legend, as a ], exploitative and oppressive power, while also praising the Hispanic legacy in the Filipino (on a more social than political level), especially their conversion of "savages" to Christianity, but at the cost of underestimating ] (many of Hispanic origin by Catholic tradition, which the Americans considered a mistake for the Spanish to seek to achieve cultural syncretism with the barbaric and pagan).<ref>{{Cite web |title=The Blood Of Government: Race, Empire, The United States, And The Philippines |url=https://vdoc.pub/documents/the-blood-of-government-race-empire-the-united-states-and-the-philippines-7ria93gnfph0 |access-date=2023-06-20 |website=vdoc.pub |language=en}}</ref> American works such as ''The Philippine Islands, 1493–1898'', by Blair and Robertson, or ''The Americans in the Philippines'', by James LeRoy, have been accused of having presented a caricatural image of Spanish history in the islands, as well as giving an erroneous image of the Catholic Church and its power as opposed to any possibility of social reforms in the Philippines.<ref></ref><ref></nowiki>]</ref> The US administration invoked negative views of Spanish colonialism to legitimize its occupation of the islands during the next decades, as a benevolent, modern and democratic colonization against a tyrannical and backward malevolent colonizer who had not been able to develop a national identity to the Filipinos.<ref></ref>

== Modern era ==
{{confusing|section|date=November 2024}} ]
Historians disagree on whether the Black Legend exists as a genuine factor in current discourse around Spain and its history.In recent years a group of historians including ], Ricardo García Cárcel and ] have argued that the Black Legend does not currently exist beyond Spanish society's own perception of how the world views Spain's legacy.<ref>Jail and Matthew Garcia Bretos, ''The Black Legend'' (1991) & Matthew Garcia Carcel, Bretos, p. 84</ref> According to ], the Black Legend consists of negative traits which the Spanish people see in themselves and is shaped by political propaganda.<ref>Vaca de Osma, p. 208</ref>

The view of the group around García Cárcel is echoed by Benjamin Keen, writing in 1969. He argues that the concept of the Black Legend cannot be considered valid, given that the negative depiction of Spanish behavior in the Americas was largely accurate. He further claims that whether a concerted campaign of anti-Spanish propaganda based on imperial rivalry ever existed is at least open to question.<ref>{{cite journal |last1=Keen |first1=Benjamin |title=The Black Legend Revisited: Assumptions and Realities |journal= Hispanic American Historical Review|date=1969 |volume=49 |issue=4 |pages=703–719 |doi=10.1215/00182168-49.4.703 |jstor=2511162 |doi-access=free }}</ref>

Henry Kamen argues that the Black Legend existed during the 16th century but has disappeared in contemporary perceptions of Spain. However, other authors, like Elvira Roca Barea, Tony Horowitz and ], have argued that it still affects the manner in which Spain is perceived, and that it is brought up strategically during diplomatic conflicts of interest as well as in popular culture to draw attention away from the negative actions of other nations. Historian ] argued that the most detrimental impact of the Black Legend was to reduce the Spanish colonization of the Americas (and the resulting culture that emerged) to "three centuries of theocracy, obscurantism, and barbarism."<ref>''Tree of Hate'', pp. 25–26</ref> In 2006, Tony Horowitz argued in '']'' that the Spanish Black Legend affected current ].<ref>{{cite web|url=https://www.nytimes.com/2006/07/09/opinion/09horwitz.html|work=]|title=Immigration – and the Curse of the Black Legend|first1=Tony|last1=Horwitz|date=9 July 2006|archive-url=https://web.archive.org/web/20180627010951/https://www.nytimes.com/2006/07/09/opinion/09horwitz.html|archive-date=27 June 2018|url-status=live}}</ref>

The Venezuelan case has been studied by ] in his book «La Leyenda Negra y su influjo en la historiografía venezolana de la Independencia» (April 2004).<ref>{{cite web |url=http://www2.scielo.org.ve/scielo.php?script=sci_arttext&pid=S0798-29682004000200004&lng=es&nrm=iso |title=Tierra Firme - '''La Leyenda Negra y su influjo en la historiografía venezolana de la Independencia''' |website=www2.scielo.org.ve |access-date=7 September 2022 |archive-url=https://web.archive.org/web/20111229221242/http://www2.scielo.org.ve/scielo.php?script=sci_arttext&pid=S0798-29682004000200004&lng=es&nrm=iso |archive-date=29 December 2011 |url-status=dead}}</ref>

In her 2016 book exploring “empire-phobia” as a recurring sociopolitical phenomenon in human history, ] argues that the unique persistence of the Spanish Black Legend beyond the end of the Spanish Empire is tied to a continued anti-Spanish and anti-Catholic sentiment in traditionally Protestant European countries:

{{Blockquote|If we deprive Europe of its hispanophobia and anti-Catholicism, its modern history becomes incomprehensible.<ref>Roca Barea, María Elvira (2016). Imperiofobia y leyenda negra. Roma, Rusia, Estados Unidos y el Imperio español. Madrid: Siruela. p. 478 {{ISBN|978-84-16854233}}.</ref>}}

José Luis Villacañas, in his 2019 response to Roca Barea, labels her work as "populist national-Catholic propaganda" and accuses her of minimising Spanish atrocities in the Americas along with those of the Inquisition. He argues that, for all intents and purposes, the Black Legend has no meaning outside the context of 17th century propaganda, although he recognises that certain negative stereotypes of Spain may have persisted during the ].<ref name="Villacanas1" />

García Cárcel criticises Roca Barea's position as adding to a long tradition of Spanish society's insecurities about how other countries perceive it. On the other hand, he also criticizes Villacañas's discourse as being heavily ideological in the opposite direction and systematically indulging in ]. García Cárcel calls for an analysis of Spain's history that renounces both “narcissism and masochism” in favor of nuanced awareness of its “lights and shadows”.<ref>{{cite web |last1=Garcia Carcel |first1=Ricardo |title=¿Imperiofobia o imperiofilia? |url=https://www.lavanguardia.com/cultura/culturas/20190831/463785754622/elvira-roca-villacanas-imperialismo.html |website=La Vanguardia |date=31 August 2019 |access-date=29 May 2020}}</ref>

Other proponents of the continuity theory include musicologist Judith Etzion<ref>Etzion, Judith (1998) "Spanish music as perceived in western music historiography: a case of the black legend?" ''International Review of the Aesthetics and Sociology of Music 2'' (29).</ref> and ],<ref>{{cite book |last1=Fernandez Retamar |first1=Roberto |title=Contra la Leyenda Negra |date=1978 |url=https://cdigital.uv.mx/bitstream/handle/123456789/7259/19765P4.pdf;jsessionid=1278926F5B526DAB6FFE20777992A520?sequence=2 |access-date=30 May 2020}}</ref> and Samuel Amago who, in his essay "Why Spaniards Make Good Bad Guys" analyzes the persistence of the legend in contemporary European cinema.<ref name="Amago">{{cite journal |last1=Amago |first1=Samuel |title=Why Spaniards make good bad guys: Sergi Lopez and the persistence of the Black Legend in contemporary American cinema. |journal=Film Criticism |date=2005 |volume=33 |issue=1 |pages=41–63 |jstor=24777304 }}</ref>


==White Legend== ==White Legend==
The label "White Legend" is used by some historians to describe a historiographic approach that they consider to go too far in trying to counter the Black Legend, and which consequently ends up painting an uncritical or idealized image of Spanish colonial practices.<ref name="Keen, Benjamin 1969. pp.703-719">]. 1969. "The Black Legend Revisited: Assumptions and realities". ''The Hispanic American Historical Review''. volume 49. no. 4. pp.703-719</ref> Such an approach has been described as characteristic of ] historiography during the regime of ], which associated itself with the imperial past couched in positive terms.<ref>Molina Martínez, Miguel. 2012. "La Leyenda Negra revisitada: la polémica continúa", ''Revista Hispanoamericana''. Revista Digital de la Real Academia Hispano Americana de Ciencias, Artes y Letras. 2012, nº2 Disponible en: < http://revista.raha.es/>. {{ISSN|2174-0445}}</ref> Some, such as ], have criticized the works of ] and ] as going too far towards idealizing Spanish history.<ref name="Reverte">{{cite book | title=Arturo Pérez-Reverte: narrative tricks and narrative strategies | author=Walsh, Anne L. | series= Colección Támesis: Monografías (Volume 246)| year=2007 | publisher=Tamesis Books | location=London | page=117 | isbn=1-85566-150-0}}</ref> The label "White Legend" (''Leyenda Blanca'') is used to describe a historiographic approach which presents an uncritical or idealized image of Spanish colonial practices.<ref name="jstor.org"/> Some authors consider this to be the result of taking attempts to counter the bias of the Black Legend too far, whereas others consider it to have developed independently. Miguel Molina Martinez describes this legend as a characteristic of the ] historiography which was propagated during the ] of ], a regime which associated itself with the imperial past and couched it in positive terms. Molina Martinez points to the classic text of Spanish Americanists during the Franco period, Rómulo Carbia's ''Historia de la leyenda negra hispanoamericana'', as a work with a strong ideological motivation which frequently fell into arguments which could be qualified as part of the White Legend, while also giving more current examples of the trope.<ref>{{cite journal |first1=Miguel |last1=Molina Martínez|year=2012 |url=http://revista.raha.es/articulo1.pdf |title=La Leyenda Negra revisitada: la polémica continúa |journal=Revista Hispanoamericana |publisher=Revista Digital de la Real Academia Hispano Americana de Ciencias, Artes y Letras |edition=2nd |issn=2174-0445}}</ref> Some, such as ], have criticized the works of ] and ] as going too far towards idealizing Spanish history.<ref name="Reverte">{{cite book | title=Arturo Pérez-Reverte: narrative tricks and narrative strategies | author=Walsh, Anne L. | series= Colección Támesis: Monografías (Volume 246)| year=2007 | publisher=Tamesis Books | location=London | page=117 | isbn=978-1-85566-150-9}}</ref> While recognising the general merit of Hanke's work, Keen suggests that the United States' contemporary imperial ventures in the Caribbean and the Philippines had led him to idealise the Spanish Empire as an analogy for American colonialism. He further argues that the proponents of the White Legend focus on Spanish legal codes protecting the Indigenous population, while ignoring the copious documentary evidence that they were widely ignored.<ref name="Keen white legend">{{cite journal |last1=Keen |first1=Benjamin |title=The White Legend Revisited: A Reply to Professor Hanke's 'Modest Proposal' |journal=The Hispanic American Historical Review |date=1971 |volume=51 |issue=2 |pages=336–355 |doi=10.2307/2512479 |jstor=2512479 }}</ref>
White legend may also refer to the propaganda spread within spain by ``Phillip II++ and his descendants, to present his actions to preserve his own patrimony in the Netherlands and America as religiously motivated. This propaganda would create the view of a prudent and pious monarch within Spain, helping to control the unrest that his agressive policies and wars in the Netherlands were generating.


Luis Castellvi Laukamp accuses Elvira Roca Barea of "transforming the Black Legend into the White Legend" in her influential 2016 work, ''Imperofobia y Leyenda Negra'', in which she claims that Spain confronted the ''other'' "not with racist theories but with laws". Castellvi Laukamp points out that not only did the Spanish Laws of the Indies include racism from the beginning, but slavery continued in Spanish colonies in the Americas until 1886. He further takes issue with claims that Spanish colonies' high level of ] (biological and cultural mixing of the European and Indigenous population) demonstrates the absence of racism in the Spanish Empire. Castellvi Laukamp quotes from contemporary sources showing that Indigenous women were treated as spoils of war and subject to racialised sexual slavery and subordination and demonstrates the discriminatory racial stereotypes deployed against black and other non-white women in the colonial period.<ref name="Castellvi Laukamp">{{cite web |last1=Castellvi Laukamp |first1=Luis |title=Repensar la Hispanidad |url=https://www.elespanol.com/opinion/tribunas/20181011/repensar-hispanidad/344585540_12.html |website=El Español |date=11 October 2018 |access-date=2 June 2020}}</ref>
==See also==

{{portal|Colonialism}}
Dominican Historian Esteban Mira Caballos argues that the Black and White legends form part of a single unity, which he calls a "Great Lie".<ref name="Mira C">{{cite web |last1=Mira Caballos |first1=Esteban |title=Mito, Realidad y actualidad de la leyenda negra |url=https://rebelion.org/mito-realidad-y-actualidad-de-la-leyenda-negra/ |website=Rebelion.org |access-date=2 June 2020}}</ref> He goes on to describe the way the Black Legend is instrumentalised to support the White Legend:
{{div col|colwidth=30em}}

*]
{{Blockquote|The consequence of the positioning of those who allude to the Black Legend in order to, in reality, defend the White Legend, has been to silence any criticism of the past: We were marvellous, and anything negative anyone has to say about us is fruit of the Black Legend. And without the possibility of criticism, the science of History loses all meaning.|Esteban Mira Caballos, ''Mito, realidad y actualidad de la leyenda negra''}}
*]

*]
The "White Legend" or the "Pink Legend" (Sp: ''Leyenda Rosa'') may also refer to the propaganda which was circulated within Spain by ] and his descendants, propaganda which claimed that his actions in the Netherlands and America were religiously motivated, so his own patrimony would be preserved. This propaganda was intended to foster the image that Spain was ruled by a prudent and pious monarch, and control the unrest that was generated by his aggressive policies and his wars in the Netherlands.<ref>{{cite book |last1=Garcia Carcel |first1=Ricardo |title=El Demonio del Sur: La leyenda Negra de Felipe II |date=2017 |publisher=Historia}}</ref>
*], a similar concept in Australia

*]
== See also ==
*]

*]
{{portal|History}}
*]

*]
* {{annotated link|Anti-Catholicism}}
*]
* {{annotated link|Antisemitic trope}}
*]
* {{annotated link|Atrocity propaganda}}
*]
* {{annotated link|Australian history wars}} ("black armband")
*]
* {{annotated link|Black Legend of the Spanish Inquisition}}
*]
* {{annotated link|Colonial mentality}}
*]
* {{annotated link|Cultural depictions of Philip II of Spain}}
*]
* {{annotated link|Historical revisionism}}
*]
* {{annotated link|Islamophobia}}
*]
* {{annotated link|Lost cause of the Confederacy}}
*]
* {{annotated link|Population history of indigenous peoples of the Americas}}
*]
* {{annotated link|Stereotypes of Hispanic and Latino Americans in the United States}}
*]
* {{annotated link|Stereotypes of Jews}}
*]
{{div col end|2}}


==Notes== ==References==
{{Reflist|3}} {{Notelist}}
{{Reflist}}
{{Reflist|group=nota}} {{Reflist|group=nota}}


==Further reading== ==Further reading==
{{div col|colwidth=30em}} {{div col|colwidth=30em}}
* {{cite web|access-date=17 October 2024 |title="Leyenda negra española, origen y desarrollo hasta la actualidad" |url=https://traslaultimafrontera.com/la-leyenda-negra-espanola-origen-desarrollo-y-realidad/ |work=Hispanidad tras la última frontera|date=11 July 2024 }}<!-- auto-translated from Spanish by Module:CS1 translator -->
*Ardolino, Frank. ''Apocalypse and Armada in Kyd's Spanish Tragedy'' (Kirksville, Missouri: Sixteenth Century Studies, 1995).
*{{cite book |url=http://simurg.bibliotecas.csic.es/viewer/image/CSIC000227068/9/#topDocAnchor |title=Juicio imparcial sobre las principales causas de la revolución de la América Española y acerca de las poderosas razones que tiene la metrópoli para reconocer su absoluta independencia. (original document) |trans-title=Fair judgment about the main causes of the revolution of Spanish America and about the powerful reasons that the metropolis has for recognizing its absolute independence |year=1828 |author=José Presas y Marull |publisher=Imprenta de D. Pedro Beaume |location=Burdeaux |author-link=José Presas y Marull}}
*Arnoldsson, Sverker. "La Leyenda Negra: Estudios Sobre Sus Orígines," ''Göteborgs Universitets Årsskrift'', 66:3, 1960
* Ardolino, Frank. ''Apocalypse and Armada in Kyd's Spanish Tragedy'' (Kirksville, Missouri: Sixteenth Century Studies, 1995).
*{{cite journal| title=Beyond Tannenbaum| author=Díaz, María Elena| journal=Law and History Review| volume=22| issue=2 |year=2004 |pages=371–376| doi=10.2307/4141650}}
* Arnoldsson, Sverker. "La Leyenda Negra: Estudios Sobre Sus Orígines," ''Göteborgs Universitets Årsskrift'', 66:3, 1960
*{{cite journal| title=The "Leyenda Negra" and the Circulation of Anti-Catholic and Anti-Spanish Prejudices| url=http://nbn-resolving.de/urn:nbn:de:0159-2011051268| author=Edelmayer, Friedrich| journal=]| year=2011}}
* {{cite journal |title=Beyond Tannenbaum |author=Díaz, María Elena |journal=Law and History Review |volume=22 |issue=2 |year=2004 |pages=371–376 |doi=10.2307/4141650 |jstor=4141650 |s2cid=232394988}}
*], Luis, "Leyendas Negras: Vida y Obra de Julian Juderías", Junta de Castilla y Leon, 2007.
* {{cite journal |title=The "Leyenda Negra" and the Circulation of Anti-Catholic and Anti-Spanish Prejudices |url=http://nbn-resolving.de/urn:nbn:de:0159-2011051268 |author=Edelmayer, Friedrich |journal=] |year=2011}}
* ], Luis, "Leyendas Negras: Vida y Obra de Julian Juderías", Junta de Castilla y Leon, 2007.
* ]. ''The Black Legend: Anti-Spanish Attitudes in the Old World and the New''. 1971. * ]. ''The Black Legend: Anti-Spanish Attitudes in the Old World and the New''. 1971.
*{{cite journal| title=Review: From "Others" to Actors: New Perspectives on Popular Political Cultures and National State Formation in Latin America| author=Gledhill, John| journal=American Anthropologist |series=New Series| volume=98| issue=3| year=1996| pages=630–633| doi=10.1525/aa.1996.98.3.02a00210}} * {{cite journal |title=Review: From "Others" to Actors: New Perspectives on Popular Political Cultures and National State Formation in Latin America |author=Gledhill, John |journal=American Anthropologist |series=New Series |volume=98 |issue=3 |year=1996 |pages=630–633 |doi=10.1525/aa.1996.98.3.02a00210}}
*Griffin, Eric. "Ethos to Ethnos: Hispanizing 'the Spaniard' in the Old World and the New," ''The New Centennial Review'', 2:1, 2002. * Griffin, Eric. "Ethos to Ethnos: Hispanizing 'the Spaniard' in the Old World and the New," ''The New Centennial Review'', 2:1, 2002.
*Hadfield, Andrew. "Late Elizabethan Protestantism, Colonialism and the Fear of the Apocalypse," ''Reformation'', 3, 1998. * Hadfield, Andrew. "Late Elizabethan Protestantism, Colonialism and the Fear of the Apocalypse," ''Reformation'', 3, 1998.
* ]. ''The Spanish Struggle for Justice in the Conquest of America''. 1949. * ]. ''The Spanish Struggle for Justice in the Conquest of America''. 1949.
* Hanke, Lewis. ''Bartolomé de Las Casas: Bookman, Scholar and Propagandist''. 1952. * Hanke, Lewis. ''Bartolomé de Las Casas: Bookman, Scholar and Propagandist''. 1952.
*{{cite journal| title=White Legend against Black: Nationalism and Enlightenment in a Spanish Context| author= Hauben, Paul J.| journal=The Americas| volume=34| issue=1| year=1977| pages=1–19| doi=10.2307/980809}} * {{cite journal |title=White Legend against Black: Nationalism and Enlightenment in a Spanish Context |author=Hauben, Paul J. |journal=The Americas |volume=34 |issue=1 |year=1977 |pages=1–19 |doi=10.2307/980809 |jstor=980809 |s2cid=96485994}}
*{{cite journal| title=Spanish Historiography and Iberian Reality |author=Hillgarth, J. N.| journal=History and Theory| volume=24| issue=1| year=1985| pages=23–43| doi=10.2307/2504941}} * {{cite journal |title=Spanish Historiography and Iberian Reality |author=Hillgarth, J. N. |journal=History and Theory |volume=24 |issue=1 |year=1985 |pages=23–43 |doi=10.2307/2504941 |jstor=2504941}}
*Kamen, Henry, ''Empire: How Spain Became a World Power, 1492-1763''. New York: HarperCollins. 2003. {{ISBN|0-06-093264-3}} * Kamen, Henry, ''Empire: How Spain Became a World Power, 1492–1763''. New York: HarperCollins. 2003. {{ISBN|0-06-093264-3}}
*], "The Black Legend Revisited: Assumptions and Realities", ''Hispanic American Historical Review 49'', no. 4 (November 1969): 703–19. * ], "The Black Legend Revisited: Assumptions and Realities", ''Hispanic American Historical Review 49'', no. 4 (November 1969): 703–719.
*Keen, Benjamin, "The White Legend Revisited: A Reply to Professor Hanke's 'Modest Proposal,'" ''Hispanic American Historical Review 51'', no. 2 (May 1971): 336–55. * Keen, Benjamin, "The White Legend Revisited: A Reply to Professor Hanke's 'Modest Proposal,'" ''Hispanic American Historical Review 51'', no. 2 (May 1971): 336–355.
*{{cite journal| title=Religion in a Changing Latin America: A Review| author=LaRosa, Michael |journal=Journal of Interamerican Studies and World Affairs| volume=34| issue=4| year=1992–1993| pages=245–255| doi=10.2307/165811}} * {{cite journal |title=Religion in a Changing Latin America: A Review |author=LaRosa, Michael |journal=Journal of Interamerican Studies and World Affairs |volume=34 |issue=4 |year=1992–1993 |pages=245–255 |doi=10.2307/165811 |jstor=165811}}
* Lock, Julian. "'How Many Tercios Has the Pope?' The Spanish War and the Sublimation of Elizabethan ]," ''History'', 81, 1996. * Lock, Julian. "'How Many Tercios Has the Pope?' The Spanish War and the Sublimation of Elizabethan ]," ''History'', 81, 1996.
*Maltby, William S., ''The Black Legend in England''. Duke University Press, Durham, 1971, {{ISBN|0-8223-0250-0}}. * Maltby, William S., ''The Black Legend in England''. Duke University Press, Durham, 1971, {{ISBN|0-8223-0250-0}}.
*Maura, Juan Francisco. "La hispanofobia a través de algunos textos de la conquista de América: de la propaganda política a la frivolidad académica". ''Bulletin of Spanish Studies'' 83. 2 (2006): 213-240. * Maura, Juan Francisco. "La hispanofobia a través de algunos textos de la conquista de América: de la propaganda política a la frivolidad académica". ''Bulletin of Spanish Studies'' 83. 2 (2006): 213–240.
*Maura, Juan Francisco. "Cobardía, crueldad y oportunismo español: algunas consideraciones sobre la 'verdadera' historia de la conquista de la Nueva España". ''Lemir (Revista de literatura medieval y del Renacimiento)'' 7 (2003): 1-29. * Maura, Juan Francisco. ¿"Cobardía, crueldad y oportunismo español?: algunas consideraciones sobre la 'verdadera' historia de la conquista de la Nueva España". ''Lemir (Revista de literatura medieval y del Renacimiento)'' 7 (2003): 1–29.
*Mignolo, W. D. (2007). "What does the Black Legend Have to do with Race?" ''Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires'', 312-24. * Mignolo, W. D. (2007). "What does the Black Legend Have to do with Race?" ''Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires'', 312–324.
*Powell, Philip Wayne, ''Tree of Hate: Propaganda and Prejudices Affecting United States Relations with the Hispanic World''. Basic Books, New York, 1971, {{ISBN|0-465-08750-7}}. * Powell, Philip Wayne, ''Tree of Hate: Propaganda and Prejudices Affecting United States Relations with the Hispanic World''. Basic Books, New York, 1971, {{ISBN|0-465-08750-7}}.
*{{cite journal| title=Aesthetics of Colonial Violence: The Massacre of Acoma in Gaspar de Villagrá's "Historia de la Nueva México"| author=Rabasa, José| journal=College Literature| volume=20| issue=3| year=1993| pages=96–114}} * {{cite journal |title=Aesthetics of Colonial Violence: The Massacre of Acoma in Gaspar de Villagrá's "Historia de la Nueva México" |author=Rabasa, José |journal=College Literature |volume=20 |issue=3 |year=1993 |pages=96–114}}
*Sanchez, M.G., ''Anti-Spanish Sentiment in English Literary and Political Writing, 1553-1603'' (Phd Diss; University of Leeds, 2004) * Sanchez, M.G., ''Anti-Spanish Sentiment in English Literary and Political Writing, 1553–1603'' (Phd Diss; University of Leeds, 2004)
*Schmidt, Benjamin, ''Innocence Abroad. The Dutch Imagination and the New World, 1570-1670'', Cambridge U.P. 2001, {{ISBN|978-0-521-02455-6}} * Schmidt, Benjamin, ''Innocence Abroad. The Dutch Imagination and the New World, 1570–1670'', Cambridge U.P. 2001, {{ISBN|978-0-521-02455-6}}
*{{cite journal| title=Review: Inequality and Ideology in Borderlands Historiography| author=Vigil, Ralph H.| journal=Latin American Research Review| volume=29| issue=1| year=1994| pages=155–171}} * {{cite journal |title=Review: Inequality and Ideology in Borderlands Historiography |author=Vigil, Ralph H. |journal=Latin American Research Review |volume=29 |issue=1 |year=1994 |pages=155–171 |doi=10.1017/S002387910003538X |doi-access=free}}
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Latest revision as of 16:57, 16 December 2024

Alleged anti-Spanish historiography This article is about the black legend concerning Spain and its empire. For the black legend concerning the Spanish inquisition, see Black Legend of the Spanish Inquisition. "Leyenda Negra" redirects here. For the film, see La Leyenda Negra (film).

See caption
A 1598 engraving by Theodor de Bry depicting a Spaniard feeding slain Indigenous American women and children to his dogs. De Bry's works are characteristic of anti-Spanish propaganda which resulted from the Eighty Years' War.

The Black Legend (Spanish: Leyenda negra) or the Spanish Black Legend (Spanish: Leyenda negra española) is a purported historiographical tendency which consists of anti-Spanish and anti-Catholic propaganda. Its proponents argue that its roots date back to the 16th century, when Spain's European rivals were seeking, by political and psychological means, to demonize the Spanish Empire, its people, and its culture, minimize Spanish discoveries and achievements, and counter its influence and power in world affairs.

According to the theory, Protestant propaganda published during the Hispano-Dutch War and the Anglo-Spanish War against the Catholic monarchs of the 16th century fostered an anti-Hispanic bias among subsequent historians. Along with a distorted view of the history of Spain and the history of Latin America, other parts of the world in the Portuguese Empire were also affected as a result of the Iberian Union and the Luso-Dutch Wars. Although this 17th-century propaganda was based in real events from the Spanish colonization of the Americas, which involved atrocities, the theory of the Leyenda Negra suggests that it often employed lurid and exaggerated depictions of violence, and ignored similar behavior by other powers.

Wars provoked by the religious schism and the formation of new states in Europe during the 16th and 17th centuries also generated a propaganda war against the then–Spanish Empire, bastion of the Catholic Church. As such, the assimilation of originally Dutch and English 16th-century propaganda into mainstream history is thought to have fostered an anti-Hispanic bias against the Catholic monarchs among later historians, along with a distorted view of the history of Spain, Latin America, and other parts of the world.

Although most scholars agree that while the term Black Legend might be useful to describe 17th and 18th century anti-Spanish propaganda, there is no consensus on whether the phenomenon persists in the present day. A number of authors have critiqued the use of the "black legend" idea in modern times to present an uncritical image of the Spanish Empire's colonial practices (the so called "white legend").

Historiography and definitions of the Spanish Black Legend

The term "black legend" was first used by Arthur Lévy in reference to biographies of Napoleon, and he primarily used it in the context of two opposing legends, a "golden legend" and a "black legend": two extreme, simplistic, one-dimensional approaches to a character which portrayed him as a god or a demon. "Golden" and "black legends" had been used by Spanish historians and intellectuals with the same meaning in reference to aspects of Spanish history; Antonio Soler used both terms about the portrayal of Castilian and Aragonese monarchs. The use of the term leyenda negra to refer specifically to a biased, anti-Spanish depiction of history gained currency in the first two decades of the 20th century, and is most associated with Julián Juderías. Throughout the 20th and into the 21st century, scholars have offered divergent interpretations of the Black Legend and debated its usefulness as a historical concept.

Origins of the concept of a Spanish Black Legend

At an 18 April 1899 Paris conference, Emilia Pardo Bazán used the term "Black Legend" for the first time to refer to a general view of modern Spanish history:

Abroad, our miseries are known and often exaggerated without balance; take as an example the book by M. Yves Guyot, which we can consider as the perfect model of a black legend, the opposite of a golden legend. The Spanish black legend is a strawman for those who seek convenient examples to support certain political theses ... The black legend replaces our contemporary history with a novel in the Ponson du Terrail style, with mines and countermines, which doesn't even deserve the honor of analysis.

The conference had a great impact in Spain, particularly on Julián Juderías. Juderías, who worked at the Spanish Embassy in Russia, had noticed (and denounced) the spread of anti-Russian propaganda in Germany, France, and the United Kingdom and was interested in its possible long-term consequences. Juderías was the first historian to describe the "black legend" phenomenon, although he did not yet name it as such, in a book regarding the construction of an anti-Russian black legend. His work, initially concerned with the intentional deformation of Russia's image in Europe, led him to identify the same patterns of narration he detected in the construction of anti-Russian discourse in the dominant historical narrative regarding Spain. Juderías investigated the original sources supporting centuries old claims of Spanish atrocities and other misdeeds, tracing the origin or propagation of the majority to rival emerging powers. In his 1914 book, La leyenda negra y la verdad histórica (The Black Legend and Historical Truth), deconstructs aspects of Spain's image (including those in Foxe's Book of Martyrs). According to Juderías, this biased historiography was marked by acceptance of propagandistic and politically motivated historical sources and has consistently presented Spanish history in a negative light, purposefully ignoring Spanish achievements and advances. In La leyenda Negra, he defines the Spanish black legend as:

... the environment created by the fantastic stories about our homeland that have seen the light of publicity in all countries, the grotesque descriptions that have always been made of the character of Spaniards as individuals and collectively, the denial or at least the systematic ignorance of all that is favorable and beautiful in the various manifestations of culture and art, the accusations that in every era have been flung against Spain."

Historiographic development of the term

Later writers supported and developed Juderías's critique. In Tree of Hate (1971), Historian Charles Gibson described it as "the accumulated tradition of propaganda and hispanophobia according to which the Spanish Empire is considered cruel, intolerant, degenerate, exploitative and sanctimonious above reality."

Historian Philip Wayne Powell argued that the Black Legend was still active in modern history, and plays an active role in shaping Latin America–United States relations. His book provides examples of what he viewed as divergent treatment of Spain and other powers, and illustrates how this allows for a double narrative that taints Americans' view of Hispanic America as a whole:

Spaniards who came to the New World seeking opportunities beyond the prospects of their European environment, are contemptuously called cruel and greedy "goldseekers," or other opprobrious epithets virtually synonymous with "Devils"; but Englishmen who sought New World opportunities are more respectfully called "colonists," or "homebuilders," or "seekers after liberty." ... When Spaniards expelled or punished religious dissidents, this came to be known as "bigotry," "intolerance," "fanaticism," and a cause of their decline. When Englishmen, Dutchmen, or Frenchmen did the same thing, it is known as "unifying the nation," or safeguarding it against treason or foreign conspiracy.

— Tree of Hate (2008 edition), page 11

In his book Inquisition, Edward Peters wrote:

An image of Spain circulated through late sixteenth-century Europe, borne by means of political and religious propaganda that blackened the characters of Spaniards and their ruler to such an extent that Spain became the symbol of all forces of repression, brutality, religious and political intolerance, and intellectual and artistic backwardness for the next four centuries. Spaniards and Hispanophiles have termed this process and the image that resulted from it as "The Black Legend," la leyenda negra.

— Inquisition (1989 edition), p.131

In his 2002 book Spain in America: The Origins of Hispanism in the United States, American historian Richard Kagan defined the Spanish black legend:

Compounding this perception of Spain as an inferior 'other' was the Black Legend, the centuries-old cluster of Protestant beliefs that the United States inherited from the British and, to a certain extent, from the Dutch. The Black Legend equated Spain with the Inquisition, religious bigotry, and the bloody persecution of Protestants and Jews. It also conjured up images of despotic monarchs who denied their subjects access to any semblance of economic and political freedom and who had consequently set Spain onto the road of economic weakness and political decline. Such a reading of Spanish history was overly simplistic but promoters of American exceptionalism found it useful to see Spain as an example of what would happen to a country whose fundamental values were antithetical to those of the United States."

According to Julián Marías, the creation of the Spanish black legend was not an exceptional phenomenon -similar disinformation and fabrication campaigns have affected most global powers of the past, such as Ottoman Turkey or Russia- but its persistence and integration into mainstream historiography is. For Marías the causes of its durability are:

  1. Overlap of the Spanish Empire with the introduction of the printing press in England and Germany, which enabled the printing of hundreds of pamphlets daily
  2. Religious factors and identification
  3. Substitution of the Spanish intellectual class by another favorable to its former rival (France) after the War of the Spanish Succession, which established a French narrative in Spain
  4. The unique characteristics of the early modern era's colonial wars and the need for new colonial powers to legitimize claims in now-independent Spanish colonies and the unique, new characteristics of the succeeding empire: the British Empire.

Walter Mignolo and Margaret Greer view the Black Legend as a development of Spain's racialisation of Jewishness in the 15th century. The accusations of mixed blood and loose religiosity of the 15th century, first levelled at Jewish and Moorish conversos both inside Spain and abroad, developed into 16th century hispanophobic views of Spaniards as religious fanatics tainted by association with Judaism. The only stable element they see in this hispanophobia is an element of "otherness" marked by interaction with the Eastern and African worlds, of "complete others", cruelty and lack of moral character, in which the same narratives are re-imagined and reshaped.

Antonio Espino López suggests that the prominence of the Black Legend in Spanish historiography has meant that the real atrocities and brutal violence of the Spanish conquest of the Americas have not received the attention they deserve within Spain. He believes that some Hispanicists:

...make an effort to justify the Spanish conquest of the Americas in the best way possible, as they were very conscious of the excesses committed by the "Black Legend", a set of ideas that are characterised by their intellectual coarseness.

According to historian Elvira Roca Barea, the formation of a black legend and its assimilation by a nation is a phenomenon observed in all multicultural empires (not just the Spanish Empire). For Roca Barea, a black legend about an empire is the cumulative result of the propaganda attacks launched by different groups: smaller rivals, allies within its political sphere and defeated rivals, and propaganda created by rival factions inside the imperial system; alongside self-criticism by the intellectual elite, and the needs of new powers consolidated during (or after) the empire's existence.

In response to Roca Barea, José Luis Villacañas states that the "black legend" was primarily a factor related to the geopolitical situation of the 16th and 17th centuries. He argues that:

After 1648 was not particularly current in European intellectual circles. To the contrary, old enemies, England and Holland, became the greatest defenders of the Spanish Empire at the end of the 17th century, in order to avoid it falling into the hands of ."

The conceptual validity of a Spanish black legend is widely but not universally accepted by academics. Benjamin Keen expressed doubt about its usefulness as a historical concept, while Ricardo García Cárcel and Lourdes Mateo Bretos denied its existence in their 1991 book, The Black Legend:

It is neither a legend, insofar as the negative opinions of Spain have genuine historical foundations, nor is it black, as the tone was never consistent nor uniform. Gray abounds, but the color of these opinions was always viewed in contrast we have called the white legend.

Historical basis

Despite having a vast empire stretching from Mexico to Peru across the Pacific to the Philippines and beyond, which required many Spaniards to travel overseas and deal with foreigners, eighteenth-century philosopher Immanuel Kant wrote, "The Spaniard's bad side is that he does not learn from foreigners; that he does not travel in order to get acquainted with other nations; that he is centuries behind in the sciences. He resists any reform; he is proud of not having to work; he is of a romantic quality of spirit, as the bullfight shows; he is cruel, as the former auto-da-fé shows; and he displays in his taste an origin that is partly non-European." Thus, semiotician Walter Mignolo argues that the Spanish black legend was closely tied to race in using Spain's Moorish history to portray Spaniards as racially tainted and its treatment of Africans and Native Americans during Spanish colonization to symbolize the country's moral character. That notwithstanding, there is general agreement that the wave of anti-Spanish propaganda of the 16th and 17th centuries was linked to undisputed events and phenomena which occurred at the apogee of Spanish power between 1492 and 1648.

Conquest of the Americas

During the three-century European colonization of the Americas, atrocities and crimes were committed by all European nations according to both contemporary opinion and modern moral standards. Spain's colonization involved genocide, massacres, murders, slavery, sexual slavery, torture, rape, forced removals, forced religious conversion, cultural genocide and other atrocities, especially in the early years, following the arrival of Christopher Columbus in the Caribbean. However, Spain was the first in recorded history to pass laws for the protection of indigenous peoples. As early as 1512, the Laws of Burgos attempted to regulate the behavior of Europeans in the New World forbidding the ill-treatment of indigenous people and limiting the power of encomenderos—landowners who received royal grants to indigenous communities and their labor. In return, the laws established a regulated regime of work, provisioning, living quarters, hygiene, and care for the natives. The regulation prohibited the use of any form of punishment by the landowners and required that the huts and cabins of the Indians be built together with those of the Spanish. The laws also ordered that the natives be taught the Christian religion and outlawed bigamy.

In July 1513, four more laws were added in what is known as Leyes Complementarias de Valladolid 1513, three related to Indian women and Indian children and another more related to Indian males. In 1542 the New Laws expanded, amended and corrected the previous body of laws in order to ensure their application. These New Laws represented an effort to prevent abuse and de facto enslavement of natives that was not enough to dissuade rebellions by the encomenderos, like that of Gonzalo Pizarro in Perú. However, this body of legislation represents one of the earliest examples of humanitarian laws of modern history.

An illustration of Spanish atrocities by Theodor de Bry. Theodor de Bry's work is characteristic of the anti-Spanish propaganda that emerged in Protestant countries such as the United Provinces and England at the end of the 16th century as a result of the strong commercial and military rivalry with the Spanish Empire.

Although these laws were not always followed, they reflect the conscience of the 16th century Spanish monarchy about native rights and well-being, and its will to protect the inhabitants of Spain's territories. These laws came about in the early period of colonization, following abuses reported by Spaniards themselves traveling with Columbus. Spanish colonization methods included the forceful conversion of indigenous populations to Christianity. The "Orders to the Twelve" Franciscan friars in 1523, urged that the natives be converted using military force if necessary. On par with this sentiment, Juan Ginés de Sepúlveda argued that the Indian's inferiority justified using war to civilize and Christianize them. He encouraged enslavement and violence in order to end the barbarism of the natives. Bartolomé de las Casas, on the other hand, was strictly opposed to this viewpoint—claiming that the natives could be peacefully converted.

Such reports of Spanish abuses led to an institutional debate in Spain about the colonization process and the rights and protection of indigenous peoples of the Americas. Dominican friar Bartolomé de las Casas published Brevísima relación de la destrucción de las Indias (A Short Account of the Destruction of the Indies), a 1542 account of the alleged atrocities committed by landowners and officials during the early period of colonization of New Spain (particularly on Hispaniola). In his Short Account, de las Casas underscores the innocence of the indigenous peoples while comparing the Spanish conquistadors to "ravening wild beasts, wolves, tigers, or lions that had been starved for many days." De las Casas, son of the merchant Pedro de las Casas (who accompanied Columbus on his second voyage), described Columbus's treatment of the natives in his History of the Indies. His description of Spanish actions was used as a basis for attacks on Spain, including in Flanders during the Eighty Years' War. The accuracy of de las Casas's descriptions of Spanish colonization is still debated by some scholars due to supposed exaggerations. Although historian Lewis Hanke thought that de las Casas exaggerated atrocities in his accounts, Benjamin Keen found them more or less accurate. Charles Gibson's 1964 monograph The Aztecs under Spanish Rule (the first comprehensive study of sources about relations between Indians and Spaniards in New Spain), concludes that the demonization of Spain "builds upon the record of deliberate sadism. It flourishes in an atmosphere of indignation which removes the issue from the category of objective understanding. It is insufficient in its understanding of institutions of colonial history." However this view has been broadly criticised by other scholars such as Keen, who view Gibson's focus on legal codes rather than the copious documentary evidence of Spanish atrocities and abuses as problematic.

In 1550, Charles I tried to end this debate by halting forceful conquest. Philip II tried to follow in his footsteps with the Philippine Islands, but previous violent conquest had shaped colonial relations irreversibly. This was one of the lasting consequences that led to the dissemination of the Black legend by Spain's enemies.

The treatment of indigenous peoples during Spanish colonization was used in propaganda works of rival European powers in order to foster animosity towards the Spanish Empire. De las Casas' work was first cited in English in the 1583 work The Spanish Colonie, or Brief Chronicle of the Actes and Gestes of the Spaniards in the West Indies, at a time when England was preparing to join the Dutch Revolt on the side of the anti-Spanish rebels.

Historians have noted that the mistreatment and exploitation of indigenous peoples was committed by all European powers which colonized the Americas, and such acts were never exclusive to the Spanish Empire. The revaluation of the Black Legend on contemporary historiography has led to a reassessment of non-Spanish European colonial records in recent years as the historiographical evaluation of the Impact of Western European colonialism and colonisation continues to evolve. According to scholar William B. Maltby, "At least three generations of scholarship have produced a more balanced appreciation of Spanish conduct in both the Old World and the New, while the dismal records of other imperial powers have received a more objective appraisal."

War with the Netherlands

Spain's war with the United Provinces and, in particular, the victories and atrocities of the Castilian nobleman Fernando Álvarez de Toledo, 3rd Duke of Alba, contributed to anti-Spanish sentiment. Sent in August 1567 to counter political unrest in a part of Europe where printing presses encouraged a variety of opinions (especially against the Catholic Church), Alba seized control of the publishing industry; several printers were banished, and at least one was executed. Booksellers and printers were prosecuted and arrested for publishing banned books, many of which were part of the Index Librorum Prohibitorum.

After years of unrest in the Low Countries, the summer of 1567 saw renewed violence in which Dutch Calvinists defaced statues and decorations in Catholic monasteries and churches. The March 1567 Battle of Oosterweel was the first Spanish military response to the unrest, and the beginning of the Eighty Years' War. In 1568 Alba had prominent Dutch nobles executed in Brussels' central square, sparking anti-Spanish sentiment. In October 1572, after Orange forces captured the city of Mechelen, its lieutenant attempted to surrender when he heard that a larger Spanish army was approaching. Despite efforts to placate the troops, Fadrique Álvarez de Toledo (son of the governor of the Netherlands and commander of the duke's troops) allowed his men three days to pillage the city; Alba reported to King Philip II that "not a nail was left in the wall". A year later, magistrates were still attempting to retrieve church artifacts which Spanish soldiers had sold elsewhere.

This sack of Mechelen was the first of a series of events known as the Spanish Fury; several others occurred over the next several years. In November and December 1572, with the duke's permission, Fadrique had residents of Zutphen and Naarden locked in churches and burnt to death. In July 1573, after a six-month siege, the city of Haarlem surrendered. The garrison's men (except for the German soldiers) were drowned or had their throats cut by the duke's troops, and eminent citizens were executed. More than 10,000 Haarlemers were killed on the ramparts, nearly 2,000 burned or tortured, and double that number drowned in the river. After numerous complaints to the Spanish court, Philip II decided to change policy and relieve the Duke of Alba. Alba boasted that he had burned or executed 18,600 persons in the Netherlands, in addition to the far greater number he massacred during the war, many of them women and children; 8,000 persons were burned or hanged in one year, and the total number of Alba's Flemish victims can not have fallen short of 50,000.

Contemporary, anonymous painting of the 4 November 1576 Spanish Fury in AntwerpThe Spanish Fury at Maastricht in 1579

The Dutch Revolt spread to the south in the mid-1570s after the Army of Flanders mutinied for lack of pay and went on the rampage in several cities, most notably Antwerp in 1576. Soldiers rampaged through the city, killing, looting, extorting money from residents and burning the homes of those who did not pay. Christophe Plantin's printing establishment was threatened with destruction three times, but was spared each time with payment of a ransom. Antwerp was economically devastated by the attack; 1,000 buildings were torched, and as many as 17,000 civilians were raped, tortured and murdered. Parents were tortured in their children's presence, infants were slain in their mother's arms, wives were flogged to death before their husbands' eyes. Maastricht was besieged, sacked and destroyed twice by the Tercios de Flandes (in 1576 and 1579), and the 1579 siege ended with a Spanish Fury which killed 10,000 men, women and children. Spanish troops who breached the city walls first raped the women, then massacred the population, reputedly tearing people limb from limb. The soldiers drowned hundreds of civilians by throwing them off the bridge over the river Maas in an episode similar to earlier events in Zutphen. Military terror defeated the Flemish movement, and restored Spanish rule in Belgium.

The propaganda created by the Dutch Revolt during the struggle against the Spanish Crown can also be seen as part of the Black Legend. The depredations against the Indians that De las Casas had described were compared to the depredations of Alba and his successors in the Netherlands. The Brevissima relación was reprinted no less than 33 times between 1578 and 1648 in the Netherlands (more than in all other European countries combined). The Articles and Resolutions of the Spanish Inquisition to Invade and Impede the Netherlands accused the Holy Office of a conspiracy to starve the Dutch population and exterminate its leading nobles, "as the Spanish had done in the Indies." Marnix of Sint-Aldegonde, a prominent propagandist for the cause of the rebels, regularly used references to alleged intentions on the part of Spain to "colonize" the Netherlands, for instance in his 1578 address to the German Diet.

In recent years, Prof. dr. Maarten Larmuseau of KU Leuven has used genetic testing to examine a prevalent belief regarding the Spanish occupation

War atrocities committed by the Spanish army in the Low Countries during the 16th century are so ingrained in the collective memory of Belgian and Dutch societies that they generally assume a signature of this history to be present in their genetic ancestry. Historians claim this assumption is a consequence of the so‐called "Black Legend" and negative propaganda portraying and remembering Spanish soldiers as extreme sexual aggressors.

— Prof. dr. Maarten Larmuseau, The black legend on the Spanish presence in the low countries: Verifying shared beliefs on genetic ancestry

The memory of the large scale rape of local women by Spanish soldiers lives on to such extent that it is popularly believed that their genetic imprint can be seen today, and that most men and women with dark hair in the area descend from children conceived during those rapes. The study found no greater Iberian genetic component in the areas occupied by the Spanish army than in surrounding areas of northern France, and concluded that the genetic impact of the Spanish occupation, if any, must have been too small to survive until the present era. However, the study makes it clear that the absence of a Spanish genetic imprint in modern populations was not incompatible with the occurrence of mass sexual violence. The frequent murder of Flemish rape victims by Spanish soldiers, the fact rape does not always lead to fertilisation, and the reduced survival possibilities of the illegitimate offspring of rape victims would all militate against significant Iberian genetic contribution to modern populations. Larmuseau considers the persistence of the belief in a Spanish genetic contribution in Flanders to be the fruit of the use of Black Legend tropes in the construction of Dutch and Flemish national identities in the 16th–19th century, giving prominence to the idea of the Spanish armies' cruelty in collective memory.

In an interview with a local newspaper, Larmuseau compared the persistence in popular memory of the actions of the Spanish with the lesser attention given to the Austrians, the French and the Germans who also occupied the Low Countries and participated in violence against their inhabitants.

Regional perspectives

Anachronous map of the Spanish Empire, including territorial claims

Italy

Sverker Arnoldsson of the University of Gothenburg supports Juderías' hypothesis of a Spanish black legend in European historiography and identifies its origins in medieval Italy, unlike previous authors (who date it to the 16th century). In his book The Black Legend: A Study of its Origins, Arnoldsson cites studies by Benedetto Croce and Arturo Farinelli to assert that Italy was hostile to Spain during the 14th, 15th and 16th centuries when the Crown of Aragon occupied most of Italy and texts produced and distributed there were later used as a base by Protestant nations.

Liberal historians such as Benedetto Croce see in the Il Risorgimento process the conclusion of the unifying trend that began with the Italian Renaissance, which suffered a long interruption between the middle of the 16th century and the beginning of the 18th century that coincided with direct domination by the Hispanic Monarchy over half of Italy and indirectly over part of the other half. Croce's statements about the Italian aristocracy and their responsibility for the decline of Italy, published in 1917, when the country was in the middle of the world war, aroused reactions, accusations and even indignation on the part of historians, writers, intellectuals and politicians and "...the controversy..." writes a well-known contemporary Spanish historian "...it has not yet died out, but there are many historians who today accept, at least in part, Croce's arguments."

The vision of some Italian historians continues to identify the Spanish domination of Italy with a period of decadence for the country, due, in part, to the action of the Inquisition (the traditional religious court, not to be confused with the Spanish institution, which operated with different criteria). Authors such as Campanella or Giordano Bruno suffered persecution for religious reasons, as had also happened at the end of the fifteenth century and in the Florence of Savonarola. The identification of the occupier with oppression was part of the widely spread anti-Spanish propaganda known as the black legend, whose artistic products include Manzoni's "The Betrothed" (set in 17th-century Milan) or Verdi's "Don Carlos". According to one interpretation of the Risorgimento, the historical period of Spanish misrule in Milan had been chosen by Manzoni with the intention of alluding to the same oppressive rule of Austrian rule over northern Italy. Other literary critics believe instead that what Manzoni wanted to describe was the Italian society of all times, with all its defects that have remained over time.

Arnoldsson's theory on the origins of Spain's black legend has been criticized as conflating the process of black-legend generation with a negative view (or critique) of a foreign power. The following objections have been raised:

  1. The Italian origin of the earliest writings against Spain is an insufficient reason to identify Italy as the origin of the black legend; it is a normal reaction in any society dominated by a foreign power.
  2. The phrase "black legend" suggests a tradition (non-existent in Italian writings) based on a reaction to the recent presence of Spanish troops (which quickly faded).
  3. In 15th- and 16th-century Italy, critics and Italian intellectual admirers of Spain (particularly Ferdinand II of Aragon) coexisted.

Edward Peters states in his work "Inquisition":

In Italian anti-Spanish invective, the very Christian self-consciousness that had inspired much of the drive to purify the Spanish kingdoms, including the distinctive institution of the Spanish Inquisition, was regarded outside of Spain as a necessary cleansing, since all Spaniards were accused of having Moorish and Jewish ancestry. ... First condemned for the impurity of their Christian faith, the Spaniards then came under fire for excess of zeal in defending Catholicism. Influenced by the political and religious policies of Spain, a common kind of ethnic invective became an eloquent and vicious form of description by character assassination. Thus when Bartolomé de las Casas wrote his criticism of certain governmental policies in the New World, his limited, specific rhetorical purpose was ignored.

— Edward Peters, Inquisition

According to William S. Maltby, Italian writings lack a "conducting theme": a common narrative which would form the Spanish black legend in the Netherlands and England. Roca Barea agrees; although she does not deny that Italian writings may have been used by German rivals, the original Italian writings "lack the viciousness and blind deformation of black-legend writings" and are merely reactions to occupation.

Germany

Arnoldsson offered an alternative to the Italian-origin theory in its polar opposite: the German Renaissance. German humanism, deeply nationalistic, wanted to create a German identity in opposition to that of the Roman invaders. Ulrich of Hutten and Martin Luther, the main authors of the movement, used "Roman" in the broader concept "Latin". The Latin world, which included Spain, Portugal, France, and Italy, was perceived as "foreign, immoral, chaotic and fake, in opposition to the moral, ordered and German."

In addition to the identification of Spaniards with Jews, heretics, and "Africans", there was an increase in anti-Spanish propaganda by detractors of Emperor Charles V. The propaganda against Charles was nationalistic, identifying him with Spain and Rome although he was born in Flanders, spoke Dutch but little Spanish and no Italian at the time, and was often at odds with the pope.

To further the appeal of their cause, rulers opposed to Charles focused on identifying him with the pope (a view Charles had encouraged to force Spanish troops to accept involvement in his German wars, which they had resisted). The fact that troops and supporters of Charles included German and Protestant princes and soldiers was an extra reason to reject the Spanish elements attached to them. It was necessary to instill fear of Spanish rule, and a certain image had to be created. Among published points most often highlighted were the identification of Spaniards with Moors and Jews (due to the frequency of intermarriage), the number of conversos (Jews or Muslims who converted to Christianity) in their society, and the "natural cruelty of those two."

England/ Britain

Spanish statesman Antonio Pérez del Hierro, who served as the secretary to Philip II of Spain before fleeing to France and then England after being arrested, wrote Pedacos de Historia o Relaciones, which was published in London by English printer Richard Field in 1594. The work, which was read widely in England, heavily denounced the Spanish monarchy and further contributed to pre-existing anti-Spanish and anti-Catholic sentiments among the English. A violently hispanophobic preacher and pamphleteer, Thomas Scott, would echo this sort of epithet a generation later, in the 1620s, when he urged England to go to war against "those wolvish Antichristians" instead of accepting the Spanish match.

William S. Maltby, regarding Spain in the Netherlands, said that:

As part of an Elizabethan campaign against Spain and the Catholic Church ...Literally hundreds of anti-Spanish publications appeared in English, Dutch, French, and German in the sixteenth century. New editions, and new works restating old accusations, would appear in the Thirty Years War and in other occasions when it seemed useful to excite anti-Spanish sentiment. Given the pervasiveness of such material, it is not surprising that the authors of scholarly histories absorbed anti-hispanism and transmitted it to later generations.

— William S. Maltby, The Rise and Fall of the Spanish Empire

Sephardic Jews

See also: Jewish pirates

According to Philip Wayne Powell, the criticism which was spread by the Jews who were expelled by Spain's Catholic monarchs was an important factor in the spread of anti-Spanish sentiment (particularly religious stereotypes). Powell places the beginning of the criticism of the Jewish populations against Spain in 1480, with the creation of the Spanish Inquisition, which was directed mainly against crypto-Jews and false converts. But it was from the expulsion of 1492 that this opinion became general. Despite the fact that they had previously been expelled from almost all European countries, in no other had they had such deep roots during the Middle Ages, coming to live what has been called a Golden Age, giving special relevance to this expulsion. The persecution of Jews, crypto-Jews, Muslims and converts was viewed favorably in the rest of Europe and even applauded in the case of "a country so mixed with Jews and Moors" like Spain.

Studies by Kaplan, Yerushalmi, Mechoulan and Jaime Contreras show that many expelled Jewish intellectuals collaborated in spreading the negative image of Spain. The largest Sephardic community was in Amsterdam, in the Netherlands, with two synagogues. His activity, "little affected to the service of his Majesty", came to provoke the protest of the Spanish ambassadors before the archduke in Brussels. Especially hated was the Inquisition, considered the "fourth beast spoken of by the prophet Daniel", a denatured justification, an accumulation of evil, which had corrupted society. Criticism spread to Flanders and Venice, where Sephardim had also settled. Thus, the communities publicized the executions of the Inquisition, such as the one that occurred in 1655 in Córdoba.

The Sephardim were grateful to their new homeland during the Eighty Years' War: just as Spain was a "land of idolatry" and slavery, like Egypt, whose rulers suffer the curse of Yahweh; The Netherlands, on the other hand, is the land of freedom, on which the God of Israel will bring down all the blessings, as Daniel Levi de Barrios or Menasseh Ben Israel (previously called Manoel Soeiro) wrote. They also used their power within the publishing industry, both to support the Dutch in their struggle and to spread criticism of Spain.

Islamophobia and antisemitism

In Italian anti-Spanish invective ... the Spanish Inquisition ... was regarded as a necessary cleansing, since all Spaniards were accused of having Moorish and Jewish ancestry. ... First condemned by the impurity of their Christian faith, the Spaniards then came under fire for excess of zeal in defending Catholicism. Influenced by the political and religious policies of Spain, a common type of ethnic invective became an eloquent and vicious form of description by character assassination. Thus when Bartolomé de las Casas wrote his criticism of certain governmental policies in the New World, his limited, specific purpose was ignored.

— Edward Peters, Inquisition (1989)

According to Elvira Roca Barea, the Spanish Black Legend is a variant of the antisemitic narratives which had already been circulated in medieval-era Northern, Central and Southern European nations since the 13th century, critical of the perceived tolerance of Jews and heretics in Spain. In 1555, after the expulsion of the Spanish Jews, Pope Paul IV described Spaniards as "heretics, schismatics, accursed of God, the offspring of Jews and Moors, the very scum of the earth". This climate would facilitate the transfer of antisemitic and anti-Muslim stereotypes to Spaniards. This case has three main sources of proof, the texts of German Renascence Intellectuals, the existence of the black legend narrative in Europe prior to the conquest of America, and the similarity of the stereotypes to other stereotypes which were attributed to Judaism by anti-Semitic Europeans and the stereotypes which the Black Legend attributed to the Spanish.

Martin Luther correlated "the Jew" (who was detested in Germany at the time) with "the Spanish", whose power was increasing in the region. According to Sverker Arnoldsson, Luther:

  • Identified Italy and Spain with the papacy, even though the Pontifical States and Spain were enemies at the time
  • Ignored the coexistence (including intermarriage) of Christians and Jews in Spain
  • Conflated Spain and Turkey out of fear of an invasion by either power.

In 1566, Luther's conversations were published. Among many other similar affirmations, he is quoted as saying:

... Spaniern ..., die essen gern weiss Brot vnd küssen gern weisse Meidlein, vnd sind sie stiffelbraun vnd pechschwartz wie König Balthasar mit seinem Affen.The Spanish eat white bread with pleasure and kiss white women with pleasure, but they are as dirt-brown and tar-black as King Balthasar and his monkeys".

—Johann Fischart, Geschichtklitterung (1575).

Ideo prophetatum est Hispanos velle subigere Germaniam aut per se aut per alios, scilicet Turcam ... Et ita Germania vexabitur et viribus ac bonis suis exhausta Hispanico regno subiugabitur. Eo tendit Sathan, quod Germaniam liberam perturbare tentat Thus, it is prophesied that the Spaniards want to subjugate Germany, by itself or through others, such as the Turks. And so Germany will be humiliated and stripped of its men and property, will be submitted to the kingdom of Spain. Satan tries this because he tries to prevent a free Germany

—Luther

Distribution

Proponents such as Powell, Mignolo and Roca Barea allege that the Spanish Black Legend prevails in most of Europe, especially Protestant nations and France, and the Americas. There is, however, no significant trace of it in the Muslim world or Turkey despite the almost seven centuries of sustained warfare in which Spain and the Islamic world were engaged. Historian Walter Mignolo has argued that the Black Legend was closely tied to ideologies of race, both in the way that it used the Moorish history of Spain to depict Spaniards as racially tainted, and in the way that the treatment of Africans and Native Americans during Spanish colonial projects came to symbolize their moral character.

America

The first Puritan settlers were deeply hostile to Spain, seeing themselves as the Protestant advance guard that would free the Indians from Spanish oppression and cruelty. Prominent among these Puritan authors was Cotton Mather, who translated the Bible into Spanish for distribution among the Indians of New Spain. After its independence, the United States soon became a territorial rival of Spain in America, both on the border with New Spain, and in Florida, the Mississippi or in New Orleans, a port that the Americans wanted to export their products from. The enlightened and liberal ideas that had entered the United States in the eighteenth century, joined their sympathies for the new republics emerging to the south, increasing anti-Spanish sentiment. This hostility reached its zenith during the Spanish-American War, when the propaganda machine of Hearst and Pulitzer, used by their newspaper empires, had an enormous influence on public opinion in their country. The hispanophobic speeches heard in Congress during the conflict were so insulting that they led to massive protests in Spain.

The tensions in Hispanic America between the upper classes of creoles and peninsulares, that is, the Spaniards from the Iberian Peninsula, predate the independence of the Latin American countries. It was a confrontation for the right to control and exploit the riches of the American lands and peoples and that, in general, did not affect the lower classes. Around 1800, the ideas of the Enlightenment, with its anticlericalism, its skepticism to authorities, and its support by Masonic lodges, had been enthusiastically embraced among American intellectuals. According to Powell, these ideas were mixed with the black legend, that is, with the identification of Spain as a "horrible example" of obscurantism and backwardness, as an enemy of modernity. Indeed, he claims that the American wars of independence were to some degree civil wars, with the rebels led by minorities of Creoles.

With this background, Powell argues that the rebels were able to use the black legend as a propaganda weapon against the metropolis. Countless manifestos and proclamations were published quoting and praising Las Casas, poems and hymns describing the depraved nature of the "Spaniards", letters and pamphlets designed to advance the patriotic cause. One of the first was the Peruvian Juan Pablo Vizcardo y Guzmán in his Carta dirigida a los españoles americanos por uno de sus compatriotas, accusing the metropolis of the serious exploitation suffered, summarizing the situation as «ingratitude, injustice, servitude and desolation». Another example is one of the great heroes of American independence, Simón Bolívar, an admirer of Las Casas, whose texts he would use profusely, blamed the Spanish for all the sins committed in America (by Creoles and non-Creoles) in the last 200 years, making the Creoles the victims, the "colonized". He would also be one of the first to appeal for the theft of American wealth and claim its return.

This anti-Spanish mentality was maintained during the 19th century and part of the 20th among the liberal elites, who considered "de-Hispanization" the solution to national problems. The historian Powell affirms that as a consequence of denigrating Spanish culture, it has been possible to denigrate their own, of which the first is a part, both in their own eyes and in foreign eyes. In addition, the fact would have produced a certain lack of roots among the American peoples, by rejecting part of their own.

Europe

At the same time, on the beginning of the 19th century, a school of liberal historians appeared in Spain and France who began to speak of the Spanish decline, considering the Inquisition responsible for this economic and cultural decline and for all the ills that afflicted the country. Other European historians would take up the subject later, maintaining this position in some authors until today. The reasoning stated that the expulsion of the Jews and the persecution of the converts would have led to the impoverishment and decline of Spain, in addition to the destruction of the middle class. In 1867 Joaquín Costa had also raised the issue of Spanish decline. Both he and Lucas Mallada wondered if the fact was due to the Spanish character. He was joined by French and Italian sociologists, anthropologists and criminologists, who spoke more of "degeneration" than decadence, and later other Spaniards such as Rafael Salillas or Ángel Pulido. Pompeu Gener blamed Spanish decadence on religious intolerance and Juan Valera on Spanish pride. These ideas passed into literature with the Generation of '98, in texts by Pío Baroja, Azorín and Antonio Machado: « a piece of the planet crossed by the wandering shadow of Caín»; reaching in some extremes to masochism and the inferiority complex. Joseph Pérez relates this rejection of one part of his own history (the expulsion of the Jews, the Inquisition, the conquest of America) and the idealization of another (Al-Andalus) with similar movements in Portugal and France.

Also, after the Unification of Italy, many Italian historians tended to narrate in a negative way the time when part of the Italian peninsula had formed a dynastic union with Spain. In particular, Gabriele Pepe denounced what in his eyes had been the plunder and corruption of southern Italy "under the Spanish". This view only began to change in the last third of the 20th century, thanks to a series of congresses and authors such as Rosario Villari and Elena Fasano Guarini. The works of Alessandro Manzoni and Giuseppe Verdi also propagated anti-Spanish propaganda on Italian literature.

East Asia

The period of Spanish rule in the Philippines is often presented negatively in the present day. Although the Philippine Islands were occupied by both Spain and the United States and the Empire of Japan, only the Spaniards were considered as the oppressors who kept the society in feudal backwardness, along with the development of a servile mentality and the cause of the ignorance through religious fanaticism, while the Americans were portrayed as liberators of the nation in the process of building a national identity against the interference of other powers (the Spanish Catholics and the Islamic sultanates), who, with their defects, were able to bring Modernization in the Islands with its liberal policies. A lot of investigators mention that United States Military Government of the Philippine Islands has an important role in the construction of anti-Spanish propaganda on Philippines' education. The anti-Spanish propaganda has endured in historiography to this day, since scholars used to copy from the same standard books that have distorted the images of the Philippines with such tropes of the black legend. That being the case, it has been denounced that "official" historiography in the Philippines, from the nationalist and liberal school, has lacked objectivity by assuming long-repeated misconceptions regarding the early modern history of the Philippines.

According to Phillip Powell, the leading historians of the United States in the 19th century, Francis Parkman, George Bancroft, William H. Prescott, and John Lothrop Motley, would also write History tinged with the black legend, texts that remain important in later American historiography. An example of this is The Philippine Islands, 1493–1898, important source of Philippine history for non-Spanish speakers that has been criticized by modern historians, notably Glòria Cano, for deliberately distorting the original Spanish documents to portray the Captaincy General of the Philippines in a negative light. In addition, after the United States Occupation of the Philippines, the Schurman Commission was carried out, with the purpose of preparing the conditions for the government of the Philippine islands, and in which the Philippine upper class of the Principalía and the Ilustrado intellectuals participated. Thus, Jacob Schurman built and shaped a discourse that emphasized a negative view of the Philippine Republic (while declaring that the Filipinos are not ready for independence) and outlined an obscurantist image of the Spanish regime, for which they appealed typical dichotomies between modernity vs. tradition, where the Spanish regime represented an apparent medieval and reactionary backwardness, while the US administration presented itself as liberal and progressive.

Thus, the Americans in the Philippines developed a narrative with they belittled Spain, following the traditional lines of the Black Legend, as a feudal, exploitative and oppressive power, while also praising the Hispanic legacy in the Filipino (on a more social than political level), especially their conversion of "savages" to Christianity, but at the cost of underestimating Filipino customs (many of Hispanic origin by Catholic tradition, which the Americans considered a mistake for the Spanish to seek to achieve cultural syncretism with the barbaric and pagan). American works such as The Philippine Islands, 1493–1898, by Blair and Robertson, or The Americans in the Philippines, by James LeRoy, have been accused of having presented a caricatural image of Spanish history in the islands, as well as giving an erroneous image of the Catholic Church and its power as opposed to any possibility of social reforms in the Philippines. The US administration invoked negative views of Spanish colonialism to legitimize its occupation of the islands during the next decades, as a benevolent, modern and democratic colonization against a tyrannical and backward malevolent colonizer who had not been able to develop a national identity to the Filipinos.

Modern era

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The Spanish Brute, US cartoon, 1898

Historians disagree on whether the Black Legend exists as a genuine factor in current discourse around Spain and its history.In recent years a group of historians including Alfredo Alvar, Ricardo García Cárcel and Lourdes Mateo Bretos have argued that the Black Legend does not currently exist beyond Spanish society's own perception of how the world views Spain's legacy. According to Carmen Iglesias, the Black Legend consists of negative traits which the Spanish people see in themselves and is shaped by political propaganda.

The view of the group around García Cárcel is echoed by Benjamin Keen, writing in 1969. He argues that the concept of the Black Legend cannot be considered valid, given that the negative depiction of Spanish behavior in the Americas was largely accurate. He further claims that whether a concerted campaign of anti-Spanish propaganda based on imperial rivalry ever existed is at least open to question.

Henry Kamen argues that the Black Legend existed during the 16th century but has disappeared in contemporary perceptions of Spain. However, other authors, like Elvira Roca Barea, Tony Horowitz and Philip Wayne Powell, have argued that it still affects the manner in which Spain is perceived, and that it is brought up strategically during diplomatic conflicts of interest as well as in popular culture to draw attention away from the negative actions of other nations. Historian John Tate Lanning argued that the most detrimental impact of the Black Legend was to reduce the Spanish colonization of the Americas (and the resulting culture that emerged) to "three centuries of theocracy, obscurantism, and barbarism." In 2006, Tony Horowitz argued in The New York Times that the Spanish Black Legend affected current U.S. immigration policy.

The Venezuelan case has been studied by Gilberto Ramón Quintero Lugo in his book «La Leyenda Negra y su influjo en la historiografía venezolana de la Independencia» (April 2004).

In her 2016 book exploring “empire-phobia” as a recurring sociopolitical phenomenon in human history, Elvira Roca Barea argues that the unique persistence of the Spanish Black Legend beyond the end of the Spanish Empire is tied to a continued anti-Spanish and anti-Catholic sentiment in traditionally Protestant European countries:

If we deprive Europe of its hispanophobia and anti-Catholicism, its modern history becomes incomprehensible.

José Luis Villacañas, in his 2019 response to Roca Barea, labels her work as "populist national-Catholic propaganda" and accuses her of minimising Spanish atrocities in the Americas along with those of the Inquisition. He argues that, for all intents and purposes, the Black Legend has no meaning outside the context of 17th century propaganda, although he recognises that certain negative stereotypes of Spain may have persisted during the Franco regime.

García Cárcel criticises Roca Barea's position as adding to a long tradition of Spanish society's insecurities about how other countries perceive it. On the other hand, he also criticizes Villacañas's discourse as being heavily ideological in the opposite direction and systematically indulging in presentism. García Cárcel calls for an analysis of Spain's history that renounces both “narcissism and masochism” in favor of nuanced awareness of its “lights and shadows”.

Other proponents of the continuity theory include musicologist Judith Etzion and Roberto Fernandez Retamar, and Samuel Amago who, in his essay "Why Spaniards Make Good Bad Guys" analyzes the persistence of the legend in contemporary European cinema.

White Legend

The label "White Legend" (Leyenda Blanca) is used to describe a historiographic approach which presents an uncritical or idealized image of Spanish colonial practices. Some authors consider this to be the result of taking attempts to counter the bias of the Black Legend too far, whereas others consider it to have developed independently. Miguel Molina Martinez describes this legend as a characteristic of the Nationalist Spanish historiography which was propagated during the regime of Francisco Franco, a regime which associated itself with the imperial past and couched it in positive terms. Molina Martinez points to the classic text of Spanish Americanists during the Franco period, Rómulo Carbia's Historia de la leyenda negra hispanoamericana, as a work with a strong ideological motivation which frequently fell into arguments which could be qualified as part of the White Legend, while also giving more current examples of the trope. Some, such as Benjamin Keen, have criticized the works of John Fiske and Lewis Hanke as going too far towards idealizing Spanish history. While recognising the general merit of Hanke's work, Keen suggests that the United States' contemporary imperial ventures in the Caribbean and the Philippines had led him to idealise the Spanish Empire as an analogy for American colonialism. He further argues that the proponents of the White Legend focus on Spanish legal codes protecting the Indigenous population, while ignoring the copious documentary evidence that they were widely ignored.

Luis Castellvi Laukamp accuses Elvira Roca Barea of "transforming the Black Legend into the White Legend" in her influential 2016 work, Imperofobia y Leyenda Negra, in which she claims that Spain confronted the other "not with racist theories but with laws". Castellvi Laukamp points out that not only did the Spanish Laws of the Indies include racism from the beginning, but slavery continued in Spanish colonies in the Americas until 1886. He further takes issue with claims that Spanish colonies' high level of mestizaje (biological and cultural mixing of the European and Indigenous population) demonstrates the absence of racism in the Spanish Empire. Castellvi Laukamp quotes from contemporary sources showing that Indigenous women were treated as spoils of war and subject to racialised sexual slavery and subordination and demonstrates the discriminatory racial stereotypes deployed against black and other non-white women in the colonial period.

Dominican Historian Esteban Mira Caballos argues that the Black and White legends form part of a single unity, which he calls a "Great Lie". He goes on to describe the way the Black Legend is instrumentalised to support the White Legend:

The consequence of the positioning of those who allude to the Black Legend in order to, in reality, defend the White Legend, has been to silence any criticism of the past: We were marvellous, and anything negative anyone has to say about us is fruit of the Black Legend. And without the possibility of criticism, the science of History loses all meaning.

— Esteban Mira Caballos, Mito, realidad y actualidad de la leyenda negra

The "White Legend" or the "Pink Legend" (Sp: Leyenda Rosa) may also refer to the propaganda which was circulated within Spain by Philip II and his descendants, propaganda which claimed that his actions in the Netherlands and America were religiously motivated, so his own patrimony would be preserved. This propaganda was intended to foster the image that Spain was ruled by a prudent and pious monarch, and control the unrest that was generated by his aggressive policies and his wars in the Netherlands.

See also

References

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  2. ^ Juderías, Julián, La leyenda negra (2003; 1914 1st ed.) ISBN 84-9718-225-1.
  3. ^ Keen, Benjamin (1971). "The White Legend Revisited: A Reply to Professor Hanke's 'Modest Proposal'". The Hispanic American Historical Review. 51 (2): 336–355. doi:10.2307/2512479. JSTOR 2512479.
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Further reading

  • ""Leyenda negra española, origen y desarrollo hasta la actualidad"". Hispanidad tras la última frontera. 11 July 2024. Retrieved 17 October 2024.
  • José Presas y Marull (1828). Juicio imparcial sobre las principales causas de la revolución de la América Española y acerca de las poderosas razones que tiene la metrópoli para reconocer su absoluta independencia. (original document) [Fair judgment about the main causes of the revolution of Spanish America and about the powerful reasons that the metropolis has for recognizing its absolute independence]. Burdeaux: Imprenta de D. Pedro Beaume.
  • Ardolino, Frank. Apocalypse and Armada in Kyd's Spanish Tragedy (Kirksville, Missouri: Sixteenth Century Studies, 1995).
  • Arnoldsson, Sverker. "La Leyenda Negra: Estudios Sobre Sus Orígines," Göteborgs Universitets Årsskrift, 66:3, 1960
  • Díaz, María Elena (2004). "Beyond Tannenbaum". Law and History Review. 22 (2): 371–376. doi:10.2307/4141650. JSTOR 4141650. S2CID 232394988.
  • Edelmayer, Friedrich (2011). "The "Leyenda Negra" and the Circulation of Anti-Catholic and Anti-Spanish Prejudices". European History Online.
  • Español Bouché, Luis, "Leyendas Negras: Vida y Obra de Julian Juderías", Junta de Castilla y Leon, 2007.
  • Gibson, Charles. The Black Legend: Anti-Spanish Attitudes in the Old World and the New. 1971.
  • Gledhill, John (1996). "Review: From "Others" to Actors: New Perspectives on Popular Political Cultures and National State Formation in Latin America". American Anthropologist. New Series. 98 (3): 630–633. doi:10.1525/aa.1996.98.3.02a00210.
  • Griffin, Eric. "Ethos to Ethnos: Hispanizing 'the Spaniard' in the Old World and the New," The New Centennial Review, 2:1, 2002.
  • Hadfield, Andrew. "Late Elizabethan Protestantism, Colonialism and the Fear of the Apocalypse," Reformation, 3, 1998.
  • Hanke Lewis. The Spanish Struggle for Justice in the Conquest of America. 1949.
  • Hanke, Lewis. Bartolomé de Las Casas: Bookman, Scholar and Propagandist. 1952.
  • Hauben, Paul J. (1977). "White Legend against Black: Nationalism and Enlightenment in a Spanish Context". The Americas. 34 (1): 1–19. doi:10.2307/980809. JSTOR 980809. S2CID 96485994.
  • Hillgarth, J. N. (1985). "Spanish Historiography and Iberian Reality". History and Theory. 24 (1): 23–43. doi:10.2307/2504941. JSTOR 2504941.
  • Kamen, Henry, Empire: How Spain Became a World Power, 1492–1763. New York: HarperCollins. 2003. ISBN 0-06-093264-3
  • Keen, Benjamin, "The Black Legend Revisited: Assumptions and Realities", Hispanic American Historical Review 49, no. 4 (November 1969): 703–719.
  • Keen, Benjamin, "The White Legend Revisited: A Reply to Professor Hanke's 'Modest Proposal,'" Hispanic American Historical Review 51, no. 2 (May 1971): 336–355.
  • LaRosa, Michael (1992–1993). "Religion in a Changing Latin America: A Review". Journal of Interamerican Studies and World Affairs. 34 (4): 245–255. doi:10.2307/165811. JSTOR 165811.
  • Lock, Julian. "'How Many Tercios Has the Pope?' The Spanish War and the Sublimation of Elizabethan Anti-Popery," History, 81, 1996.
  • Maltby, William S., The Black Legend in England. Duke University Press, Durham, 1971, ISBN 0-8223-0250-0.
  • Maura, Juan Francisco. "La hispanofobia a través de algunos textos de la conquista de América: de la propaganda política a la frivolidad académica". Bulletin of Spanish Studies 83. 2 (2006): 213–240.
  • Maura, Juan Francisco. ¿"Cobardía, crueldad y oportunismo español?: algunas consideraciones sobre la 'verdadera' historia de la conquista de la Nueva España". Lemir (Revista de literatura medieval y del Renacimiento) 7 (2003): 1–29.
  • Mignolo, W. D. (2007). "What does the Black Legend Have to do with Race?" Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires, 312–324.
  • Powell, Philip Wayne, Tree of Hate: Propaganda and Prejudices Affecting United States Relations with the Hispanic World. Basic Books, New York, 1971, ISBN 0-465-08750-7.
  • Rabasa, José (1993). "Aesthetics of Colonial Violence: The Massacre of Acoma in Gaspar de Villagrá's "Historia de la Nueva México"". College Literature. 20 (3): 96–114.
  • Sanchez, M.G., Anti-Spanish Sentiment in English Literary and Political Writing, 1553–1603 (Phd Diss; University of Leeds, 2004)
  • Schmidt, Benjamin, Innocence Abroad. The Dutch Imagination and the New World, 1570–1670, Cambridge U.P. 2001, ISBN 978-0-521-02455-6
  • Vigil, Ralph H. (1994). "Review: Inequality and Ideology in Borderlands Historiography". Latin American Research Review. 29 (1): 155–171. doi:10.1017/S002387910003538X.
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