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{{Short description|American poet, writer and activist (1943–2024)}}
{{Infobox writer <!-- for more information see ] -->
{{Use mdy dates|date=December 2024}}
{{Infobox writer
| name = Nikki Giovanni | name = Nikki Giovanni
| image = Nikki_Giovanni_1.jpg | image = Image:niki-giovanni.jpg
| pseudonym = | image_size = 220px
| birth_date = {{birth date and age|1943|6|7}} | caption = {{nobr|Giovanni c. 1980}}
| birth_name = Yolande Cornelia Giovanni Jr.
| birth_date = {{birth date|1943|6|7}}
| birth_place = ], U.S. | birth_place = ], U.S.
| death_date = {{death date and age|2024|12|9|1943|6|7}}
| occupation = Writer, poet, activist, educator
| nationality = ] | death_place = ], U.S.
| education = ] (])<br>]<br>]
| period = 1968–present
| occupation = {{nobr|{{flatlist|
| genre =
* Writer
| subject =
* poet
| movement =
* activist
| awards =
* educator
| signature =
}}}}
| website = {{URL|http://www.nikki-giovanni.com/}}
| period = 1968–2022
| partner = Virginia C. Fowler
| children = 1
| website = {{URL|nikki-giovanni.com}}
}} }}
'''Yolande Cornelia''' "'''Nikki'''" '''Giovanni, Jr.'''<ref>, Biography.com.</ref><ref name=barstow /> (born June 7, 1943) is an ] poet, writer, commentator, activist, and educator. One of the world's most well-known African-American poets,<ref name=barstow>Jane M. Barstow, Yolanda Williams Page (eds), , ''Encyclopedia of African American Women Writers'' (Greenwood Publishing Group, 2007), p. 213.</ref> her work includes poetry anthologies, poetry recordings, and nonfiction essays, and covers topics ranging from race and social issues to children's literature. She has won numerous awards, including the ] and the ]. She has been nominated for a ]<nowiki/> for her poetry album, ''The Nikki Giovanni Poetry Collection''. Additionally, she has been named as one of Oprah Winfrey's 25 "Living Legends".<ref name=barstow />


'''Yolande Cornelia''' "'''Nikki'''" '''Giovanni Jr.'''<ref name=":2">{{Cite news |last=Smith |first=Harrison |date=9 December 2024 |title=Nikki Giovanni, who explored Black life in verse, dies at 81 |url=https://www.washingtonpost.com/obituaries/2024/12/09/nikki-giovanni-dead/ |url-status=live |archive-url=https://web.archive.org/web/20241211141138/https://www.washingtonpost.com/obituaries/2024/12/09/nikki-giovanni-dead/ |archive-date=11 December 2024 |access-date=11 December 2024 |newspaper=]}}</ref><ref name=barstow /> (June 7, 1943 – December 9, 2024) was an American poet, writer, commentator, activist and educator. One of the world's best-known African-American poets,<ref name=barstow>Jane M. Barstow, Yolanda Williams Page (eds), , ''Encyclopedia of African American Women Writers'' (Greenwood Publishing Group, 2007), p. 213.</ref> her work includes poetry anthologies, poetry recordings, and nonfiction essays, and covers topics ranging from race and social issues to children's literature. She won numerous awards, including the ] and the ]. She was nominated for a 2004 ] for her poetry album, ''The Nikki Giovanni Poetry Collection''. Additionally, she was named as one of ]'s 25 "]".<ref name=barstow /> Giovanni was a member of The Wintergreen Women Writers Collective.<ref>.</ref>
Giovanni gained initial fame in the late 1960s as one of the foremost authors of the ]. Influenced by the ] and ] of the period, her early work provides a strong, militant African-American perspective, leading one writer to dub her the "Poet of the Black Revolution."<ref name=barstow /> During the 1970s, she began writing children's literature, and co-founded a publishing company, NikTom Ltd, to provide an outlet for other African-American women writers. Over subsequent decades, her works discussed social issues, human relationships, and hip-hop. Poems such as "Knoxville, Tennessee" and "Nikki-Rosa" have been frequently re-published in anthologies and other collections.<ref name=tehc>Margaret D. Binnicker, , ''Tennessee Encyclopedia of History and Culture''. Retrieved October 17, 2014.</ref>


Giovanni gained initial fame in the late 1960s as one of the foremost authors of the ]. Influenced by the ] and ] of the period, her early work provides a strong, militant African-American perspective, leading one writer to dub her the "Poet of the Black Revolution".<ref name=barstow /> During the 1970s, she began writing children's literature, and co-founded a publishing company, NikTom Ltd, to provide an outlet for other African-American women writers. Over subsequent decades, her works discussed social issues, human relationships, and ]. Poems such as "Knoxville, Tennessee" and "Nikki-Rosa" have been frequently re-published in anthologies and other collections.<ref name=tehc>Binnicker, Margaret D. (October 8, 2017), , ''Tennessee Encyclopedia of History and Culture''; updated March 7, 2018. Retrieved March 3, 2024.</ref><ref>] (ed.), '']: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present'' at .</ref>
Giovanni has taught at ], ], and ], and is currently a University Distinguished Professor at ]. Following the ] in 2007, she delivered a chant-poem at a memorial for the shooting victims.<ref name="Poetry Foundation Center" />


Giovanni received numerous awards and holds 27 honorary degrees from various colleges and universities. She was also given the key to more than two dozen cities. Giovanni was honored with the ] seven times. One of her unique honors was having a South America bat species, '']'', named after her in 2007.<ref>{{Cite web |title=Awards and Honors |url=https://nikki-giovanni.com/ |access-date=March 27, 2022 |website=nikki-giovanni.com |language=en}}</ref>
==Life and work==
Yolande Cornelia "Nikki" Giovanni, Jr. was born in ],<ref name="Poetry Foundation Center"> Nikki Giovanni Biography</ref> to Yolande Cornelia, Sr. and Jones "Gus" Giovanni. Soon after her birth, the family moved to Cincinnati, Ohio where her parents worked at Glenview School. In 1948, the family moved to Wyoming, and sometime in those first three years, Giovanni's sister, Gary, began calling her "Nikki." In 1958, Giovanni moved to Knoxville, TN to live with her grandparents and attend ].<ref name=tehc /> In 1960, she began her studies at her grandfather's alma mater, ] in ] as an "Early Entrant" which meant that she could enroll in college without having finished high school first.<ref>, ''Dallas News''.</ref> She immediately clashed with the Dean of Women, Ann Cheatam, and was expelled after neglecting to obtain the required permission from the Dean to leave campus and travel home for Thanksgiving break. Giovanni moved back to Knoxville where she worked at a Walgreens Drug Store and helped care for her nephew, Christopher. In 1964, Giovanni spoke with the new Dean of Women at Fisk University, Blanche McConnell Cowan ("Jackie"), who urged Giovanni to return to Fisk that fall. While at Fisk, Giovanni edited a student literary journal (titled Èlan), reinstated the campus chapter of SNCC (Student Non-Violent Coordinating Committee), and published an essay in Negro Digest on gender questions in the Movement.<ref name="nikki-giovanni.com">{{Cite web|url=http://nikki-giovanni.com/timeline.php|title=Chronology|last=Giovanni|first=Nikki|website=Nikki Giovanni|access-date=2018-02-11}}</ref> In 1967, she graduated with honors with a B.A. in History.


Giovanni was proud of her ]n roots and worked to change the way the world views Appalachians and ]ns.<ref>{{Cite web |title=Deeper Than Double: Nikki Giovanni and her Appalachian Elders – Pluck! |url=https://pluckjournal.uky.edu/welcome/2020/06/03/deeper-than-double-nikki-giovanni-and-her-appalachian-elders/ |access-date=March 27, 2022 |language=en-US}}</ref>
Soon after graduation, she suffered the loss of her grandmother, Louvenia Watson, and turned to writing to cope with her death. These poems would later be included in her anthology, ''Black Feelings, Black Talk''. In 1968, Giovanni attended a semester at ] and then moved to New York City. She briefly attended ] and privately published ''Black Feeling, Black Talk''.<ref name="encyclopedia.com">{{Cite web|url=http://www.encyclopedia.com/people/social-sciences-and-law/education-biographies/nikki-giovanni|title=Nikki Giovanni facts, information, pictures|last=|first=|date=|website=Encyclopedia.com|language=en|access-date=2018-02-11}}</ref> In 1969, Giovanni began teaching at ] of ]. She was an active member of the Black Arts Movement beginning in the late 1960s. In 1969, she gave birth to Thomas Watson Giovanni, her only child. In 1970, she began making regular appearances on the television program '']'', an entertainment/variety/talk show which promoted black art and culture and allowed political expression. ''Soul!'' hosted important guests like ], ], ], ], ], ], and ]. (In addition to being a "regular" on the show, Giovanni for several years helped design and produce episodes.) She published multiple poetry anthologies, children's books, and released spoken word albums from 1973-1987.<ref name="nikki-giovanni.com"/>


Giovanni taught at ], ], and ], and was a University Distinguished Professor at ] until she retired on September 1, 2022. After the ] in 2007, she delivered a well-received chant-poem at a memorial for the shooting victims.<ref name=":2" /><ref name="Poetry Foundation Center" />
Since 1987, she has taught writing and literature at Virginia Tech, where she is a University Distinguished Professor.<ref name="virginia-tech">{{cite web| url=http://www.english.vt.edu/directory/faculty-staff-profiles/giovanni.html| title=Nikki Giovanni, University Distinguished Professor| accessdate=December 16, 2013| publisher=]| deadurl=yes| archiveurl=https://archive.is/20131216171742/http://www.english.vt.edu/directory/faculty-staff-profiles/giovanni.html| archivedate=December 16, 2013| df=}}</ref> She has received the ] several times, received twenty honorary doctorates and various other awards, including the ] and the ] Award for Distinguished Contributions to Arts and Letters.<ref name="Poetry Foundation Center"/> She also holds the key to several different cities, including ], ], ], and ].<ref> Virginia Tech's Nikki Giovanni Nominated for Spoken Word GRAMMY</ref> She is a member of the ] (PHA), she has received the Life Membership and Scroll from the ], and is an Honorary Member of ] sorority.
]


==Life and work ==
Giovanni was diagnosed with lung cancer in the early 1990s, and underwent numerous surgeries. Her book ''Blues: For All the Changes: New Poems'', published in 1999, contains poems about nature and her battle with cancer. In 2002, Giovanni spoke in front of NASA about the need for African Americans to pursue space travel and later published ''Quilting the Black-Eyed Pea: Poems and Not Quite Poems'' which dealt with similar themes.<ref name="encyclopedia.com"/>
Yolande Cornelia "Nikki" Giovanni Jr. was born in ],<ref name="Poetry Foundation Center"> Nikki Giovanni Biography</ref> to Yolande Cornelia Sr. and Jones "Gus" Giovanni. At age four, the family moved to ], near ],<ref name=":3">{{Cite web |date=2024-12-10 |title=Nikki Giovanni, poet and literary celebrity, has died at 81 |url=https://apnews.com/article/nikki-giovanni-obit-e2232d5a003442afb76f084fe7c1b4a3 |access-date=2024-12-14 |website=AP News |language=en}}</ref> where her parents worked at Glenview School. In 1948, the family moved to ], and sometime in those first three years, Giovanni's sister, Gary, began calling her "Nikki". In 1958, Giovanni returned to Knoxville to live with her grandparents and attend ].<ref name=tehc /> As a child, she was an avid reader.<ref name=":3" /> In 1960, she began her studies at her grandfather's alma mater, ] in ], as an "]", which meant that she could enroll in college without having finished high school first.<ref name=":3" /><ref>{{Cite web |date=2013-08-12 |title=Kessler Theater: Nikki Giovanni-The Real Deal |url=http://listings.dallasnews.com/dallas_tx/events/show/358045663-nikki-giovanni-the-real-deal |archive-url=https://web.archive.org/web/20140227035708/http://listings.dallasnews.com/dallas_tx/events/show/358045663-nikki-giovanni-the-real-deal |archive-date=2014-02-27 |access-date=2024-12-14 |website=Dallas Morning News}}</ref>


She immediately clashed with the then-Dean of Women and was expelled after neglecting to obtain the required permission from the Dean to leave campus and travel home for Thanksgiving break. Giovanni moved back to Knoxville, where she worked at a ] drug store and helped care for her nephew, Christopher. In 1964, Giovanni spoke with the new Dean of Women at Fisk University, Blanche McConnell Cowan, who urged her to return to Fisk that fall. While at Fisk, Giovanni edited a student literary journal (titled ''Élan''), reinstated the campus chapter of ] (Student Non-Violent Coordinating Committee), and published an essay in '']'' on gender questions in the Movement.<ref name="nikki-giovanni.com">{{Cite web|url=http://nikki-giovanni.com/timeline.php|title=Chronology|last=Giovanni|first=Nikki|website=Nikki Giovanni|access-date=February 11, 2018|archive-url=https://web.archive.org/web/20190305195423/http://nikki-giovanni.com/timeline.php|archive-date=March 5, 2019|url-status=dead}}</ref> In 1967, she graduated with honors with a B.A. degree in history.<ref name=":3" />
She has also been honored for her life and career by the History Makers along with being the first person to receive the Rosa L. Parks Women of Courage Award. She was awarded the Presidential Medal of Honor from Dillard University in 2010.<ref name="nikki-giovanni.com"/> In 2015, Giovanni was named one of the ] "Virginia Women in History" for her contributions to poetry, education, and society.<ref>{{cite web|title=Virginia Women in History: Nikki Giovanni|url=http://www.lva.virginia.gov/public/vawomen/2015/honoree.htm?bio=Giovanni|publisher=Library of Virginia|accessdate=March 4, 2015}}</ref>

Soon after graduation, she suffered the loss of her grandmother, Louvenia Watson, and turned to writing poems to cope with the death. These poems would later be included in her collection ''Black Feeling, Black Talk''. In 1968, Giovanni attended a semester at ] toward an ] and then moved to New York City. She briefly attended ] toward an ] in poetry and privately published ''Black Feeling Black Talk''.<ref name="encyclopedia.com">{{Cite web|url=http://www.encyclopedia.com/people/social-sciences-and-law/education-biographies/nikki-giovanni|title=Nikki Giovanni facts, information, pictures|website=Encyclopedia.com|language=en|access-date=February 11, 2018}}</ref> In 1969, Giovanni began teaching at ] of ]. She was an active member of the ] beginning in the late 1960s. In 1969, she gave birth to Thomas Watson Giovanni, her only child.<ref name="nikki-giovanni.com" /> As she told '']'' magazine: "I had a baby at 25 because I ''wanted'' to have a baby and I could ''afford'' to have a baby. I didn't ''want'' to get married, and I could ''afford'' not to get married."<ref name="Green NYT">{{cite news |last1=Green |first1=Penelope |title=Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81 |url=https://www.nytimes.com/2024/12/09/obituaries/nikki-giovanni-poet-who-wrote-of-black-joy-dies-at-81.html |access-date=December 10, 2024 |newspaper=] |date=December 9, 2024}}</ref><ref name="Independent Parkel">{{cite news|url=https://www.independent.co.uk/arts-entertainment/books/news/nikki-giovanni-death-cause-age-b2661978.html|title=Nikki Giovanni death: Poet and activist dies aged 81|work=]|first=Inga|last=Parkel|date=December 10, 2024|access-date=December 11, 2024}}</ref>

After the birth of her son, Giovanni was accused of setting a bad example because there were not many unmarried mothers at that time. Giovanni noted that the birth of her son helped her to realize that children have different interests and require different content than adults. This realization led her to write six children's books.<ref>{{Cite web |title=Ohio Reading Road Trip {{!}} Nikki Giovanni Biography |url=https://www.orrt.org/giovanni/ |access-date=March 27, 2022 |website=www.orrt.org}}</ref>

In 1970, Giovanni founded the publishing company NikTom,<ref>{{cite web|url=https://www.thehistorymakers.org/biography/nikki-giovanni-39|title=Nikki Giovanni|website=]|date=January 31, 2003|access-date=December 11, 2024}}</ref> publishing her own work as well as supporting the work of other Black women writers, among them ], ], ], and ].<ref>{{cite web|url=https://www.blackwomenwritersproject.com/nikki-giovanni|title=Nikki Giovanni|website=Black Women Writers Project|access-date=December 11, 2024}}</ref><ref>{{cite web|url=https://www.wabe.org/closer-look-show-host-rose-scott-remembers-literary-giant-nikki-giovanni/|title='Closer Look' show host Rose Scott remembers literary giant Nikki Giovanni|first=LaShawn|last=Hudson|publisher=WABE|date=December 10, 2024|access-date=December 11, 2024}}</ref> From 1970, she began making regular appearances on the television program '']'', an entertainment/variety/talk show that promoted black art and culture and allowed political expression. ''Soul!'' hosted important guests such as ], ], ], ], ], ], ], and ]. In addition to being a "regular" on the show, Giovanni for several years helped design and produce episodes. Giovanni's conversation with James Baldwin on ''Soul!'', filmed in ] and broadcast in 1971 as a two-part special,<ref>{{cite web|url=https://www.youtube.com/watch?v=AFGkNEt30Fo|title=Nikki Giovanni and James Baldwin in conversation on 'SOUL!' (PART 1) {{!}} ALL ARTS Vault|date=December 16, 2022 |publisher=ALL ARTS TV|via=YouTube|access-date=December 11, 2024}}</ref><ref>{{cite web|url=https://www.youtube.com/watch?v=Pg2t5b0m2d4|title=Nikki Giovanni and James Baldwin in conversation on 'SOUL!' (PART 2) {{!}} ALL ARTS Vault|date=December 17, 2022 |publisher=ALL ARTS TV|via=YouTube|access-date=December 11, 2024}}</ref> is considered a defining moment in her career,<ref name="BBC 12-2024">{{cite web|url=https://www.bbc.co.uk/news/articles/c9dpeqwl46jo|title=Black arts literary icon Nikki Giovanni dies at 81|first=Brandon|last=Drenon|publisher=BBC News|date=December 10, 2024|access-date=December 11, 2024}}</ref><ref>{{cite web|url=https://eu.knoxnews.com/story/entertainment/arts/2024/12/10/nikki-giovannis-life-moments-from-knoxville-childhood-to-global-fame/76890838007/|title=Nikki Giovanni's incredible life: 19 events that took the poet from Knoxville to global stage|first=Daniel|last=Dassow|website=Knox News|date=December 10, 2024|access-date=December 11, 2024}}</ref> and subsequently became a book.<ref>{{cite web|url=https://oxfordamerican.org/web-only/nikki-giovanni-interview-going-to-mars|title=Nikki Giovanni's Extraterrestrial Adventures|first=Hanna|last=Phifer|website=Oxfford American|date=January 30, 2024|access-date=December 11, 2024}}</ref> She appeared on other television programs, including '']'' in ],<ref>{{cite web|url=https://people.com/nikki-giovanni-poet-and-figure-of-black-arts-movement-dies-at-81-8759019|title=Nikki Giovanni, Poet and Leading Figure of Black Arts Movement, Dies at 81|first=Carly |last=Tagen-Dye|date=December 10, 2024|magazine=]|access-date=December 11, 2024}}</ref> accruing such popularity that for her 30th birthday celebration at the ], she was able to fill a 3,000-seat hall.<ref name="Independent Parkel" /><ref>{{cite web|url=https://www.dailykos.com/stories/2024/12/10/2291142/-The-Queen-of-spoken-word-poetry-has-joined-the-ancestors-RIP-Nikki-Giovanni|title=The Queen of spoken word poetry has joined the ancestors. RIP Nikki Giovanni.|first=Denise Oliver |last=Velez|publisher=]|date=December 10, 2024|access-date=December 13, 2024}}</ref> Between 1973 and 1987, she published multiple poetry anthologies, children's books, and released spoken-word albums.<ref name="nikki-giovanni.com" />

In 1987, Giovanni was recruited by her partner and eventual wife Virginia Fowler to teach creative writing and literature at ].<ref>{{cite news |last1=Harris |first1=Elizabeth A. |title=Nikki Giovanni, Finding the Song in the Darkest Days |url=https://www.nytimes.com/2020/12/16/books/nikki-giovanni-make-me-rain.html#:~:text=She%20has%20managed%20to%20keep,she%20calls%20her%20literary%20son. |access-date=December 10, 2024 |newspaper=The New York Times |date=December 16, 2020}}</ref> There, Giovanni later became a University Distinguished Professor, before retiring in 2022.<ref>{{cite web| url=http://www.english.vt.edu/directory/faculty-staff-profiles/giovanni.html| title=Nikki Giovanni, University Distinguished Professor| access-date=December 16, 2013| publisher=]| url-status=dead| archive-url=https://archive.today/20131216171742/http://www.english.vt.edu/directory/faculty-staff-profiles/giovanni.html| archive-date=December 16, 2013}}</ref><ref>{{cite web| url=https://news.vt.edu/articles/2022/08/clahs-giovanniretirement.html| title=End of a poetic era: Nikki Giovanni retires as English professor at Virginia Tech|first=Jenny Kincaid |last=Boone|date=August 31, 2022| access-date=December 10, 2023| publisher=]}}</ref> She received the ] seven times, received 20 honorary doctorates and various other awards, including the ] and the ] Award for Distinguished Contributions to Arts and Letters.<ref name="Poetry Foundation Center"/> She also held the key to several different cities, including ], ], ], and ].<ref>, ''Virginia Tech News'', January 9, 2003.</ref> She was a member of the ], she received the Life Membership and Scroll from the ], and was an Honorary Member of ] sorority.
] in 2008]]
Giovanni was diagnosed with ] in the early 1990s and underwent numerous surgeries. Her book ''Blues: For All the Changes: New Poems'', published in 1999, contains poems about nature and her battle with cancer. In 2002, Giovanni spoke in front of ] about the need for African Americans to pursue space travel, and later published ''Quilting the Black-Eyed Pea: Poems and Not Quite Poems'', which dealt with similar themes.<ref name="encyclopedia.com"/>

She was also honored for her life and career by the ], along with being the first person to receive the Rosa L. Parks Women of Courage Award. She was awarded the Presidential Medal of Honor from ] in 2010.<ref name="nikki-giovanni.com"/> In 2015, Giovanni was named one of the ] "Virginia Women in History" for her contributions to poetry, education, and society.<ref>{{Cite web |date=2015 |title=Nikki Giovanni · Virginia Changemakers |url=https://edu.lva.virginia.gov/changemakers/items/show/111 |archive-url=http://web.archive.org/web/20240521215945/https://edu.lva.virginia.gov/changemakers/items/show/111 |archive-date=2024-05-21 |access-date=2024-12-11 |website=edu.lva.virginia.gov |publisher=] |language=en-US}}</ref>

In 2020, Giovanni gave an extended interview to Bryan Knight's ''Tell A Friend'' Podcast where she gave an assessment of her life and legacy.<ref>{{Cite web|last=Knight|first=Bryan|title=The Power of Words (with Nikki Giovanni)|website=]|date=May 26, 2020 |url=https://www.youtube.com/watch?v=IyLORRGRbKM&t=1702s}}</ref>

Giovanni released a new album, ''The Gospel According to Nikki Giovanni'', on February 8, 2022.<ref>{{Cite web |last=Marovich |first=Bob |date=February 3, 2022 |title=Javon Jackson – The Gospel According to Nikki Giovanni |url=http://journalofgospelmusic.com/jazz/javon-jackson-the-gospel-according-to-nikki-giovanni/ |access-date=March 27, 2022 |website=The Journal of Gospel Music |language=en-US}}</ref>

She is the subject of the documentary film '']'', directed by ] and ], which premiered at and won the ] at the ].<ref>{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/taraji-p-henson-narrate-nikki-giovanni-documentary-1235303783|title=Sundance: Taraji P. Henson to Narrate Nikki Giovanni Doc 'Going to Mars' (Exclusive)|work=]|date=January 19, 2023|access-date=March 3, 2024|first=Mia|last=Galuppo}}</ref><ref>{{cite web|url=https://www.sundance.org/blogs/the-complete-list-of-2023-sundance-film-festival-award-winners/ |title=The Complete List of 2023 Sundance Film Festival Award Winners|publisher=Sundance Institute|date=January 28, 2023}}</ref> The documentary features Giovanni's son and granddaughter, as well as Giovanni's spouse Virginia Fowler, a fellow academic and author.<ref>{{Cite web |title=The Loneliness of Black Genius – Seen |url=https://www.blackstarfest.org/seen/read/observed/nikki-giovanni-little-richard-review-sundance/ |access-date=July 11, 2024 |website=BlackStar |language=en}}</ref><ref>{{Cite web |last=Dove-Viebahn |first=Aviva |date=February 6, 2023 |title=Sundance 2023: Documentary Exploring Nikki Giovanni's Life and Work Echoes the Beauty of the Artist's Mind |url=https://msmagazine.com/2023/02/06/sundance-2023-documentary-exploring-nikki-giovannis-life-and-work-echoes-the-beauty-of-the-artists-mind/ |access-date=July 11, 2024 |website=Ms. Magazine |language=en-US}}</ref>


===Virginia Tech shooting=== ===Virginia Tech shooting===
], the mass murderer who killed 32 people in the April 16, 2007 ], was a student in one of Giovanni's poetry classes. Describing him as "mean" and "menacing", she approached the department chair to have Cho taken out of her class, and said she was willing to resign rather than continue teaching him.<ref name="cho">{{cite web|url=http://www.cnn.com/2007/US/04/18/vtech.shooting/index.html|title=Killer's manifesto: 'You forced me into a corner'|work=cnn.com|accessdate=25 April 2016}}</ref> She stated that, upon hearing of the shooting, she immediately suspected that Cho might be the shooter.<ref name="cho"/> ], a mass murderer who killed 32 people in the ] on April 16, 2007, was a student in one of Giovanni's poetry classes. Describing him as "mean" and "menacing", she approached the department chair to have Cho taken out of her class, and said she was willing to resign rather than continue teaching him. Cho was removed from her class in 2005.<ref name="cho">{{cite web|url=http://www.cnn.com/2007/US/04/18/vtech.shooting/index.html|title=Killer's manifesto: 'You forced me into a corner'|work=cnn.com|access-date=April 25, 2016}}</ref> After the massacre, Giovanni stated that, upon hearing of the shooting, she immediately suspected that Cho might be the shooter.<ref name="cho"/>


Giovanni was asked by Virginia Tech president ] to give a ] speech at the April 17 memorial service for the shooting victims (she was asked by Steger at 5pm on the day of the shootings, giving her less than 24 hours to prepare the speech). She expressed that she usually feels very comfortable delivering speeches, but worried that her emotion would get the best of her.<ref name="Bowers" /> On April 17, 2007, at the Virginia Tech Convocation commemorating the April 16 ],<ref name="Bowers">{{cite web|last=Bowers|first=Mathew|title=Virginia Tech professor Nikki Giovanni reflects on tragedy and deep horror|url=http://hamptonroads.com/2008/04/virginia-tech-professor-nikki-giovanni-reflects-tragedy|publisher=''The Virginian-Pilot''|accessdate= October 22, 2013}}</ref> Giovanni closed the ceremony with a chant poem, intoning: {{quote|We know we did nothing to deserve it. But neither does a child in Africa dying of AIDS. Neither do the invisible children walking the night awake to avoid being captured by a rogue army. Neither does the baby elephant watching his community being devastated for ivory. Neither does the Mexican child looking for fresh water....We are Virginia Tech.... We will prevail.<ref>{{cite web |title=Transcript of Nikki Giovanni's Convocation address|url=http://www.remembrance.vt.edu/2007/archive/giovanni_transcript.html}}</ref><ref name=Kos>Nikki Giovanni, , ''The Tennessean'', April 17, 2007.</ref><ref>{{cite web |url=http://www.dailykos.com/story/2007/4/17/164317/173 |publisher=Daily Kos |title=We Are Virginia Tech |author=Nikki Giovanni |date=April 17, 2007}}</ref>|cquote}} Giovanni was asked by Virginia Tech president ] to give a ] speech at the April 17 memorial service for the shooting victims (she was asked by Steger at 5:00 pm on the day of the shootings, giving her less than 24 hours to prepare the speech). She expressed that she usually feels very comfortable delivering speeches, but worried that her emotion would get the best of her.<ref name="Bowers" /> On April 17, 2007, at the Virginia Tech Convocation commemorating the April 16 massacre,<ref name="Bowers">{{cite news|last=Bowers|first=Mathew|title=Virginia Tech professor Nikki Giovanni reflects on tragedy and deep horror|url=http://hamptonroads.com/2008/04/virginia-tech-professor-nikki-giovanni-reflects-tragedy|newspaper=The Virginian-Pilot|date=April 6, 2008|access-date=October 22, 2013|archive-date=September 15, 2015|archive-url=https://web.archive.org/web/20150915101423/http://hamptonroads.com/2008/04/virginia-tech-professor-nikki-giovanni-reflects-tragedy|url-status=dead}}</ref> Giovanni closed the ceremony with a chant poem, intoning: {{blockquote|We know we did nothing to deserve it. But neither does a child in Africa dying of AIDS. Neither do the invisible children walking the night awake to avoid being captured by a rogue army. Neither does the baby elephant watching his community being devastated for ivory. Neither does the Mexican child looking for fresh water....We are Virginia Tech.... We will prevail.<ref>{{Cite web|url=https://www.remembrance.vt.edu/2007/archive/giovanni_transcript.html|title=Transcript of Nikki Giovanni's Convocation address &#124; Virginia Tech|website=www.remembrance.vt.edu|date=2007}}</ref><ref>Giovanni, Nikki (April 17, 2007), , ''The Tennessean''.</ref><ref>{{cite web |url=http://www.dailykos.com/story/2007/4/17/164317/173 |publisher=Daily Kos |title=We Are Virginia Tech |first=Nikki |last=Giovanni |date=April 17, 2007}}</ref>|
}}


Her speech also sought to express the idea that really terrible things happen to good people: "I would call it, in terms of writing, in terms of poetry, it's a laundry list. Because all you're doing is: This is who we are, and this is what we think, and this is what we feel, and this is why - you know?... I just wanted to admit, you know, that we didn't deserve this, and nobody does. And so I wanted to link our tragedy, in every sense, you know - we're no different from anything else that has hurt...."<ref name="Bowers"/> Her speech also sought to express the idea that really terrible things happen to good people: "I would call it, in terms of writing, in terms of poetry, it's a laundry list. Because all you're doing is: This is who we are, and this is what we think, and this is what we feel, and this is why you know?... I just wanted to admit, you know, that we didn't deserve this, and nobody does. And so I wanted to link our tragedy, in every sense, you know we're no different from anything else that has hurt...."<ref name="Bowers"/>
She thought that ending with a thrice-repeated "We will prevail" would be anticlimactic, and she wanted to connect back with the beginning, for balance. So, shortly before going onstage, she added a closing: "We are Virginia Tech." <ref name="Bowers"/> Her performance produced a sense of unity and received a fifty-four second standing ovation from the over-capacity audience in Cassell Coliseum, including then-President George W. Bush.<ref>Robin Bernstein, ''African American Review'' 45.3 (2012): 341-353.</ref> She thought that ending with a thrice-repeated "We will prevail" would be anticlimactic, and she wanted to connect back with the beginning, for balance. So, shortly before going onstage, she added a closing: "We are Virginia Tech."<ref name="Bowers"/> Her performance received an over 90-second standing ovation from the over-capacity audience in ], including then-President ].<ref>Bernstein, Robin (2012), , ''African American Review'' 45, no. 3: 341–353.</ref><ref name=":2" />

===Later life and death===
Giovanni announced her retirement from Virginia Tech in September 2022, having taught there for 35 years.<ref>{{cite news |last1=Coleman |first1=Abbie |title=The end of an era: World-renowned poet, Virginia Tech professor retires |url=https://www.wsls.com/news/local/2022/09/01/the-end-of-an-era-world-renowned-poet-virginia-tech-professor-retires/ |access-date=December 10, 2024 |work=] |date=September 1, 2022 |language=en}}</ref> She was conferred the title of University Distinguished ] by the university in December 2022.<ref>{{cite news |last1=Helkowski |first1=Lauren |title=Nikki Giovanni honored with emerita status |url=https://www.wsls.com/news/local/2022/12/15/nikki-giovanni-honored-with-emerita-status/ |access-date=December 10, 2024 |work=WSLS |date=December 15, 2022 |language=en}}</ref>

On December 9, 2024, Giovanni died of complications from ] in a hospital in ]. She was 81.<ref name="Green NYT" /><ref>{{Cite web |url=https://www.wdbj7.com/2024/12/10/well-known-virginia-tech-professor-dies-81/|title=Well-known Virginia Tech professor dies at 81 |first=Leslie |last=Johnson |date=December 10, 2024 |website=www.wdbj7.com}}</ref> She had been working on a memoir titled ''A Street Called Mulvaney'', and her final poetry collection, ''The Last Book'', was set for publication in 2025.<ref name="BBC 12-2024" /><ref>{{cite news|url=https://www.theguardian.com/books/2024/dec/10/nikki-giovanni-acclaimed-poet-of-the-black-arts-movement-dies-aged-81|title=Nikki Giovanni, acclaimed poet of the Black Arts Movement, dies aged 81|first=Sian|last=Cain|newspaper=]|date=December 10, 2024|access-date=December 11, 2024}}</ref>


==Writing== ==Writing==
] ]
The ] and ]s inspired her early poetry that was collected in ''Black Feeling, Black Talk'' (1968), which sold over ten thousand copies in its first year, ''Black Judgement'' (1968), selling six thousand copies in three months, and ''Re: Creation'' (1970). All three of these early works aided in establishing Giovanni as a new voice for African Americans.(30) In ''"After Mecca": Women Poets and the Black Arts Movement'', ] cites Giovanni as a woman poet who became a significant part of the Civil Rights and Black Power Movement.<ref>Clarke, Cheryl, ''"After Mecca": Women Poets and the Black Arts Movement'', New Brunswick: Rutgers University Press, 2005.</ref> Giovanni is commonly praised as one of the best African-American poets emerging from the 1960s Black Power and Black Arts Movements.<ref name="poetryfoundation.org">. Poetry Foundation. 2010.</ref> Her early poetry that was collected in the late 1960s and early 1970s are seen as radical as and more militant than her later work. Her poems are described as being "politically, spiritually, and socially aware".<ref name="poetryfoundation.org" /> ] describes Giovanni as "epitomizing the defiant, unapologetically political, unabashedly Afrocentric, BAM ethos".<ref> The ] and ]s inspired her early poetry, which was collected in ''Black Feeling, Black Talk'' (1968), which sold more than 10,000 copies in its first year;<ref>{{cite web|url=https://www.uncsa.edu/kenan/artist-as-leader/nikki-giovanni.aspx#influence|title=Artist As Leader: Nikki Giovanni|interviewer=Rob Kramer|website=uncsa.edu|publisher=University of North Carolina School of the Arts|access-date=December 11, 2024}}</ref> in ''Black Judgement'' (1968), selling 6,000 copies in three months; and in ''Re: Creation'' (1970). All three of these early works aided in establishing Giovanni as a new voice for African Americans.(30) In ''"After Mecca": Women Poets and the Black Arts Movement'', ] cites Giovanni as a woman poet who became a significant part of the Civil Rights and Black Power Movement.<ref>Clarke, Cheryl, ''"After Mecca": Women Poets and the Black Arts Movement'', New Brunswick: Rutgers University Press, 2005.</ref> Giovanni was commonly praised as one of the best African-American poets emerging from the 1960s Black Power and Black Arts Movements.<ref name="poetryfoundation.org">. Poetry Foundation. 2010.</ref> Her early poems that were collected in the late 1960s and early 1970s are seen as radical as and more militant than her later work. Her poetry is described as being "politically, spiritually, and socially aware".<ref name="poetryfoundation.org" /> ] describes Giovanni as "epitomizing the defiant, unapologetically political, unabashedly Afrocentric, BAM ethos".<ref>Shockley, Evie, ''Renegade Poetics: Black Aesthetics and Formal Innovation in African- American Poetry''. Iowa City, IA: University of Iowa Press, 2011.</ref> Her work is described as conveying "urgency in expressing the need for Black awareness, unity, solidarity." Likewise, Giovanni's early work has been considered to be "polemic" and "incendiary".<ref>{{cite journal |last1=Palmer |first1=R. Roderick |title=The Poetry of Three Revolutionists: Don L. Lee, Sonia Sanchez, and Nikki Giovanni |journal=CLA Journal |date=1971 |volume=15 |issue=1 |pages=25–36 |jstor=44321527 |url=http://www.jstor.org/stable/44321527 |access-date=June 24, 2020 |issn=0007-8549}}</ref> Examples of poems in which she vehemently advocated for change include "The True Import of Present Dialogue Black vs. Negro" (1968), "Poem for Black Boys" (1968), and "A Litany for Peppe" (1970).
Shockley, Evie, ''Renegade Poetics: Black Aesthetics and Formal Innovation in African- American Poetry''. Iowa City, IA: University of Iowa Press, 2011.</ref> Her work is described as conveying "urgency in expressing the need for Black awareness, unity, solidarity." Giovanni herself takes great pride in being a "Black American, a daughter, mother, and a Professor of English". (29) <ref name="poetryfoundation.org"/> She has since written more than two dozen books, including volumes of poetry, illustrated children's books, and three collections of essays. Her work is said to speak to all ages and she strives to make her work easily accessible and understood by both adults and children. (29) Her writing has been heavily inspired by African-American activists and artists.<ref>"Nikki Giovanni - Spotlight - Interview", ''Ebony'', December 2003.</ref><ref>"Poet, Tupac capture beauty beneath pain", ''Milwaukee Journal Sentinel'' (April 5, 1997).</ref> Issues of race, gender, sexuality, and the African-American family also have influenced her work.<ref name="poetryfoundation.org" /> Her book ''Love Poems'' (1997) was written in memory of ], and she has stated that she would "rather be with the thugs than the people who are complaining about them."<ref></ref> Additionally, in 2007 she wrote a children's picture book titled Rosa, which centers on the life of Civil Rights leader Rosa Parks. In addition to this book reaching number three on the New York Best Seller list, it also received the Caldecott Honors Award along with its illustrator Brian Collier, receiving the Coretta Scott King award. (29)


In addition to writing about racial equality,
Giovanni’s poetry reaches more readership through her active engagement with live audiences. She gave her first public reading at the New York City jazz spot, Birdland <ref>https://www.poetryfoundation.org/poets/nikki-giovanni</ref>. Her public expression of “oppression, anger, and solidarity”<ref>https://www.poetryfoundation.org/poets/nikki-giovanni</ref> as well as her political activism all her to reach more than just the poetic circles. After the birth of her son, Giovani recorder several of her poems with a musical backdrop of jazz and gospel. She began to travel all around the world and speak and read to a wider audience. In the 1970’s and 80’s her popularity as a speaker increased even more. In 1971 Giovani interviewed Muhammad Ali on Soul!<ref>https://www.thirteen.org/broadcastingwhileblack/uncategorized/soul-1971-miriam-makeba-muhammad-ali-nikki-giovanni-the-delfonics/</ref>.
Giovanni advocated for gender equality as well. Odon states that "Giovanni's realignment of female identity with sexuality is crucial to the burgeoning feminist movement within the black community."<ref>{{cite journal |last1=Odon |first1=Rochelle A. |title="o fight the fight I'm fighting": The Voice of Nikki Giovanni and the Black Arts Movement |journal=The Langston Hughes Review |date=2008 |volume=22 |pages=36–42 |jstor=26434651 |url=http://www.jstor.org/stable/26434651 |access-date=June 23, 2020 |issn=0737-0555}}</ref> In the poem, "Revolutionary Dreams" (1970), Giovanni discusses gender and objectification. She writes, "Woman doing what a woman/Does when she's natural/I would have a revolution" (lines 14–16). Another example of a poem that encourages sexual equality is "Woman Poem" (1968). In "Woman Poem", Giovanni shows that the Black Arts Movement and racial pride were not as liberating for women as they were for men (Virginia Fowler, Introduction to the ''Collected Works of Nikki Giovanni''). In "Woman Poem", Giovanni describes how pretty women become sex objects "and no love/or love and no sex if you're fat/get back fat black woman be a mother/grandmother strong thing but not woman."<ref>{{cite book |last1=Giovanni |first1=Nikki |title=The Collected Poetry of Nikki Giovanni |date=2003 |publisher=HarperCollins e-books |isbn=978-0-06-178979-3}}</ref>


Giovanni took pride in being a "Black American, a daughter, mother, and a Professor of English".<ref name="poetryfoundation.org" /> Giovanni was also known for her use of ].<ref name=":1" /> She wrote more than two dozen books, including volumes of poetry, illustrated children's books, and three collections of essays. Her work is said to speak to all ages, and she strived to make her work easily accessible and understood by both adults and children. Her writing, heavily inspired by African-American activists and artists,<ref name=":1">"Nikki Giovanni – Spotlight – Interview", '']'', December 2003.</ref><ref>"Poet, Tupac capture beauty beneath pain", '']'' (April 5, 1997).</ref> also reflects the influences of issues of race, gender, sexuality, and the African-American family.<ref name="poetryfoundation.org" /> Her book ''Love Poems'' (1997) was written in memory of ], and she stated that she would "rather be with the thugs than the people who are complaining about them."<ref>{{cite web|url=http://www.barnesandnoble.com/flash/vd.asp?PID=12012&aud=1&%7Bslinkprefix%7D&nav=1|title=Barnes and Noble, Meet the Authors audio|website=barnesandnoble.com|access-date=January 31, 2019}}</ref> Additionally, in 2007 she wrote a children's picture book titled '']'', which centers on the life of Civil Rights leader ]. In addition to this book reaching number three on the ], it also received the Caldecott Honors Award, and its illustrator, Brian Collier, received the Coretta Scott King Award.<ref name="Baldwin 1992" />
Giovanni is often interviewed regarding themes pertaining to her poetry such as gender and race. In an interview entitled "I am Black, Female, Polite", Peter Bailey questions her regarding the role of gender and race in the poetry she writes.<ref name=bailey>Bailey, Peter. "I am Black, Female, Polite". Nikki Giovanni and Virginia C. Fowler, ''Conversations with Nikki Giovanni'', Jackson: University of Mississippi, 1992. 31- 38.</ref> The interview looks specifically at the critically acclaimed poem, "Nikki-Rosa", and questions whether it is reflective of her own childhood experiences as well as the experiences in her community. In the interview, Giovanni stresses that she did not like constantly reading the trope of the black family as a tragedy and that "Nikki-Rosa" demonstrates the experiences that she witnessed in her communities.<ref name=bailey /> Specifically the poem deals with black folk culture, and touches on such issues as alcoholism and domestic violence, and such issues as not having an indoor bathroom. (30)


Giovanni's poetry reached more readership through her active engagement with live audiences. She gave her first public reading at the New York City ] spot, ].<ref name="auto">{{cite web|url=https://www.poetryfoundation.org/poets/nikki-giovanni|title=Nikki Giovanni|first=Poetry|last=Foundation|date=January 30, 2019|website=Poetry Foundation|access-date=January 31, 2019}}</ref> Her public expression of "oppression, anger, and solidarity"<ref name="auto"/> as well as her political activism allowed her to reach more than just the poetic circles. After the birth of her son in 1969, Giovanni recorded several of her poems with a musical backdrop of jazz and gospel. She began to travel all around the world and speak and read to a wider audience. Even though Giovanni's earlier works were known to carry a militant, revolutionary tone, Giovanni communicated "a global sense of solidarity amongst oppressed peoples in the world" in her travels.<ref name="auto"/> It is in this sense of human unity in which Giovanni aligned herself with the beliefs of ]. Like King, Giovanni believes a unified, collective government must be made up of the everyday, ordinary citizen, regardless of race, ethnicity, or gender.<ref name="auto"/> In the 1970s and '80s, her popularity as a speaker increased even more. In 1972, Giovanni interviewed Muhammad Ali on ''Soul!''<ref name="auto3">{{cite web|url=https://www.bing.com/videos/search?q=nikki+giovanni=interviews+muhammed+ali&view=detail&mid=18024AE78B61603529D2&FORM=VIRE/|title=Soul!: 1972-Miriam Makeba, Muhammad Ali, Nikki Giovanni, the Delfonics|date=April 11, 2013|website=bing.com|access-date=November 9, 2019}}</ref>
Giovanni's poetry in the late 1960s and early 1970s addressed black womanhood and black manhood amongst other themes. In a book she co-wrote with James Baldwin entitled ''A Dialogue'', the two authors speak blatantly about the status of the black male in the household. Baldwin challenges Giovanni's opinion on the representation of black women as the "breadwinners" in the household. Baldwin states, "A man is not a woman. And whether he's wrong or right.... Look, if we're living in the same house and you're my wife or my woman, I have to be responsible for that house.".<ref name="Baldwin 1992">Baldwin, James and Nikki Giovanni. "Excerpt from A Dialogue." Nikki Giovanni and Virginia C. Fowler, ''Conversations with Nikki Giovanni'', Jackson: University of Mississippi, 1992. 70-79.</ref> Conversely, Giovanni recognizes the black man's strength, whether or not he is "responsible" for the home or economically advantaged. The interview makes it clear that regardless of who is "responsible" for the home, the black woman and black man should be dependent on one another. Such themes appeared throughout her early poetry which focused on race and gender dynamics in the black community.<ref name="Baldwin 1992"/>


Giovanni was often interviewed regarding themes pertaining to her poetry such as gender and race. In an interview entitled "I am Black, Female, Polite", Peter Bailey questions her regarding the role of gender and race in the poetry she writes.<ref name=bailey>Bailey, Peter. "I am Black, Female, Polite". Nikki Giovanni and Virginia C. Fowler, ''Conversations with Nikki Giovanni'', Jackson: University of Mississippi, 1992. 31–38.</ref> Bailey specifically addresses the critically acclaimed poem "Nikki-Rosa," and questions whether it is reflective of the poet's own childhood and her experiences in her community. In the interview, Giovanni stresses that she did not like constantly reading the ] of the black family as a tragedy and that "Nikki-Rosa" demonstrates the experiences that she witnessed in her communities.<ref name=bailey /> For example, Giovanni wrote about her happy childhood as: "Black love is Black wealth and they'll/probably talk about my hard childhood/and never understand that/all the while I was quite happy" (lines 30–33).<ref>{{cite web |last1=Giovanni |first1=Nikki |title=Nikki-Rosa |url=https://www.poetryfoundation.org/poems/48219/nikki-rosa |website=Poetry Foundation |access-date=June 25, 2020}}</ref> Specifically, the poem deals with black folk culture and touches on such gender, race, and social issues as alcoholism and domestic violence and not having an indoor bathroom.<ref name=":0" />
Giovanni tours nationwide and frequently speaks out against hate-motivated violence.<ref>{{cite web|url=http://www.aavw.org/special_features/pofidr_poetry_giovanni.html|title=Poetry, Fiction, and Drama - Poetry|work=aavw.org|accessdate=25 April 2016}}</ref> At a 1999 ] event, she recalled the 1998 murders of ] and ]: "What's the difference between dragging a black man behind a truck in Jasper, Texas, and beating a white boy to death in Wyoming because he's gay?"<ref>, University of Michigan's ''The University Record'', January 25, 1999.</ref>


Giovanni's poetry in the late 1960s and early 1970s addressed black womanhood and black manhood, among other themes. She co-wrote a book with ] entitled ''A Dialogue'', in which the two authors speak openly and frankly about the status of the black male in the household. Baldwin challenges Giovanni's opinion on the representation of black women as the "breadwinners" in the household. He states: "A man is not a woman. And whether he's wrong or right... Look, if we're living in the same house and you're my wife or my woman, I have to be responsible for that house."<ref name="Baldwin 1992">Baldwin, James and Nikki Giovanni. "Excerpt from a Dialogue". Nikki Giovanni and Virginia C. Fowler, ''Conversations with Nikki Giovanni'', Jackson: University of Mississippi, 1992. 70–79.</ref> Conversely, Giovanni recognizes the black man's strength, whether or not he is "responsible" for the home or economically advantaged. The interview makes it clear that regardless of who is "responsible" for the home, the black woman and the black man should be dependent on one another. In a 1972 ''Soul!'' interview with ], Giovanni used her popularity as a speaker to a broader audience to read some of her essay "Gemini" from her book ''Gemini''. In the excerpt from that essay, Giovanni intones: "we are born men and women...we need some happiness in our lives, some hope, some love...I really like to think a black, beautiful loving world is possible."<ref name="auto3"/> Such themes appeared throughout her early poetry which focused on race and gender dynamics in the black community.<ref name="Baldwin 1992"/>
''Those Who Ride the Night Winds'' (1983) acknowledged black figures. Giovanni collected her essays in the 1988 volume ''Sacred Cows ... and Other Edibles''. Her more recent works include ''Acolytes'', a collection of 80 new poems, and ''On My Journey Now''. ''Acolytes'' is her first published volume since her 2003 ''Collected Poems''. The work is a celebration of love and recollection directed at friends and loved ones and it recalls memories of nature, theater, and the glories of children. However, Giovanni's fiery persona still remains a constant undercurrent in ''Acolytes'', as some of the most serious verse links her own life struggles (being a black woman and a cancer survivor) to the wider frame of African-American history and the continual fight for equality.


Giovanni toured nationwide and frequently spoke out against hate-motivated violence.<ref name=":0">{{cite web|url=http://www.aavw.org/special_features/pofidr_poetry_giovanni.html|title=Poetry, Fiction, and Drama – Poetry|work=aavw.org|access-date=April 25, 2016}}</ref> At a 1999 ] event, she recalled the 1998 murders of ] and ]: "What's the difference between dragging a black man behind a truck in ], and beating a white boy to death in ] because he's gay?"<ref> {{Webarchive|url=https://web.archive.org/web/20071101024547/http://www.umich.edu/~urecord/9899/Jan25_99/keynote.htm |date=November 1, 2007}}, University of Michigan's ''The University Record'', January 25, 1999.</ref>
Giovanni's collection ''Bicycles: Love Poems'' (2009) is a companion work to her 1997 ''Love Poems''. They touch on the deaths of both her mother and her sister, as well as the massacre on the Virginia Tech campus. "Tragedy and trauma are the wheels" of the bicycle. The first poem ("Blacksburg Under Siege: 21 August 2006") and the last poem ("We Are Virginia Tech") reflect this. Giovanni chose the title of the collection as a metaphor for love itself, "because love requires trust and balance."<ref>, February 13, 2009.</ref>


''Those Who Ride the Night Winds'' (1983) acknowledged black figures. Giovanni collected her essays in the 1988 volume ''Sacred Cows... and Other Edibles''. Her later works include ''Acolytes'', a collection of 80 new poems, and ''On My Journey Now''. ''Acolytes'' was her first published volume since her 2003 ''Collected Poems''. The work is a celebration of love and recollection directed at friends and loved ones, and it recalls memories of nature, theater, and the glories of children. However, Giovanni's fiery persona still remains a constant undercurrent in ''Acolytes'', as some of the most serious verse links her own life struggles (being a black woman and a cancer survivor) to the wider frame of African-American history and the continual fight for equality.
In ''Chasing Utopia: A Hybrid'' (2013), Giovanni describes falling off of a bike and her mother saying, "Come here, Nikki and I will pick you up." She has explained that it was comforting to hear her mother say this, and that "it took me the longest to realize – no, she made me get up myself."<ref>Sara Kugler, , ''Melissa Harris-Perry'', MSNBC, December 16, 2013.</ref> Chasing Utopia continues as a hybrid (poetry and prose) work about food as a metaphor and as a connection to the memory of her mother, sister, and grandmother. The theme of the work is love relationships.<ref>, ''Tavis Smiley'', PBS, November 18, 2013.</ref>


Giovanni's collection ''Bicycles: Love Poems'' (2009) is a companion work to her 1997 ''Love Poems''. Both works touch on the deaths of her mother, her sister, and those massacred on the Virginia Tech campus. "Tragedy and trauma are the wheels" of the bicycle. The first poem ("Blacksburg Under Siege: 21 August 2006") and the last poem ("We Are Virginia Tech") reflect this. Giovanni chose the title of the collection as a metaphor for love itself, "because love requires trust and balance."<ref>, ''Bill Moyers Journal'', ], February 13, 2009.</ref>
In 2004, Giovanni was nominated for the ] at the ] for her album ''The Nikki Giovanni Poetry Collection''. This was a collection of poems that she read against the backdrop of gospel music.(29) She also featured on the track "Ego Trip by Nikki Giovanni" on ]'s 2000 album '']''. In November 2008, a song cycle of her poems, ''Sounds That Shatter the Staleness in Lives'' by Adam Hill, was premiered as part of the Soundscapes ] Series in ].


In ''Chasing Utopia: A Hybrid'' (2013), Giovanni described falling off of a bike and her mother saying: "Come here, Nikki, and I will pick you up." Giovanni explained that it was comforting to hear her mother say this, and that "it took me the longest to realize – no, she made me get up myself."<ref>{{cite web |first=Sara |last=Kugler |url=http://www.msnbc.com/melissa-harris-perry/poet-nikki-giovanni-visits-nerdland |title=Nikki Giovanni reflects on 'Chasing Utopia,' and other struggles |website=Melissa Harris-Perry |publisher=MSNBC |date=December 16, 2013}}</ref> ''Chasing Utopia'' continues as a hybrid (poetry and prose) work about food as a metaphor and as a connection to the memory of her mother, sister, and grandmother. The theme of the work is love relationships.<ref>, ''Tavis Smiley'', PBS, November 18, 2013.</ref>
She was commissioned by National Public Radio's '']'' to create an inaugural poem for President ].<ref>{{cite news|url=https://www.npr.org/templates/story/story.php?storyId=99264347|title=Yes We Can, Yes We Can, Yes We Can!|date=January 16, 2009 |work=All Things Considered|publisher=National Public Radio|accessdate=2009-02-19}}</ref> Giovanni read poetry at the ] as a part of the bi-centennial celebration of Lincoln's birth on February 12, 2009.<ref>{{cite news|url=http://voices.washingtonpost.com/house-divided/2009/02/washingtons_official_lincoln_c.html|title=Washington's Official Lincoln Celebration To Begin Feb. 12|last=Wheeler|first=Linda|work=Washington Post|accessdate=2009-02-19}}</ref>


In 2004, Giovanni was nominated for the ] at the ] for her album ''The Nikki Giovanni Poetry Collection''. This was a collection of poems that she read against the backdrop of ].(29) She also featured on the track "Ego Trip by Nikki Giovanni" on ]'s 2000 album '']''. In November 2008, a song cycle of her poems, ''Sounds That Shatter the Staleness in Lives'' by Adam Hill, was premiered as part of the Soundscapes ] Series in ].
Giovani was part of the 2016 Writer’s Symposium by the Sea at Loma Nazarene University <ref>https://www.uctv.tv/series/Writers-Symposium-By-The-Sea-87</ref>. The University of California Television (UCTV) published the readings of Giovanni at the symposium. In October 2017 Giovani published her newest collection A Good Cry: What We Learn From Tears and Laughter. This collection includes poems that pay homage to the greatest influences on her life that have passed away, including close friend Maya Angelou whom passed away in 2014 <ref>https://www.barnesandnoble.com/p/a-good-cry-nikki-giovanni/1125579057/2678217181324?st=PLA&sid=BNB_Core+Catch-All,+Low&sourceId=PLAGoNA&dpid=tdtve346c&2sid=Google_c&gclid=EAIaIQobChMIt9Cgsou83gIVAr7ACh30ewAsEAQYASABEgITBfD_BwE</ref>. Giovani often reads from her book. In one reading she shares her poem, “I Married My Mother.” In 2017, Giovanni presented at a TEDx event. Here she read the poem, “My Sister and Me.” She called her and her sister, “Two little chocolate girls.” After reading the poem she claims, “Sometimes you write a poem because damnit, you want to.” <ref>https://www.youtube.com/watch?v=Ekpw2xzPK2Y</ref> Giovanni is a renowned public speaker, and her voice is still active and relevant even today.


She was commissioned by ]'s '']'' to create an inaugural poem for President ]. The poem, entitled "Roll Call: A Song of Celebration", ends with the following enthusiastic, optimistic three lines: "Yes We Can/Yes We Can/Yes We Can".<ref>{{cite news|url=https://www.npr.org/templates/story/story.php?storyId=99264347|title=Yes We Can, Yes We Can, Yes We Can!|date=January 12, 2009 |work=All Things Considered|first=Nikki|last=Giovanni|publisher=National Public Radio|access-date=February 19, 2009}}</ref> Giovanni read poetry at the ] as a part of the bi-centennial celebration of Lincoln's birth on February 12, 2009.<ref>{{cite news|url=http://voices.washingtonpost.com/house-divided/2009/02/washingtons_official_lincoln_c.html|archive-url=https://archive.today/20120724195642/http://voices.washingtonpost.com/house-divided/2009/02/washingtons_official_lincoln_c.html|url-status=dead|archive-date=July 24, 2012|title=Washington's Official Lincoln Celebration To Begin Feb. 12|last=Wheeler|first=Linda|newspaper=Washington Post|date=February 4, 2009|access-date=February 19, 2009}}</ref>
== Awards ==

Sources:<ref>{{cite web|url=https://sites.psu.edu/pablackwriters/the-writers/nikki-giovanni/|title=Nikki Giovanni|last=|first=|date=|website=Black Writers of PA: In Pursuit of Social Justice, Recognizing Pennsylvania Black Artists|access-date=}}</ref><ref>{{cite web|url=http://www.howard.edu/library/reference/guides/threefaces/giovanni/awards.htm|title=Awards, Honors, Citations|last=|first=|date=|website=Howard University Library System|access-date=}}</ref><ref>{{cite web|url=https://americaninfluences.wikispaces.com/Nikki+Giovanni|title=Nikki Giovanni|last=|first=|date=|website=American Influences Wikispaces.com. Welcome to Crestwood's Honors English 9 Wiki Project!|access-date=}}</ref>
Giovanni was part of the 2016 Writer's Symposium by the Sea at Loma Nazarene University.<ref>{{cite web|url=https://www.uctv.tv/series/Writers-Symposium-By-The-Sea-87|title=Writer's Symposium By The Sea -|publisher=UCTV, University of California Television-|website=www.uctv.tv|access-date=January 31, 2019}}</ref> The University of California Television (UCTV) published the readings of Giovanni at the symposium. In October 2017 Giovanni published her collection ''A Good Cry: What We Learn from Tears and Laughter'', which includes poems that pay homage to the greatest influences on her life who have passed away, including close friend ], who died in 2014.<ref>{{cite web|url=https://www.publishersweekly.com/9780062399458|title=A Good Cry: What We Learn from Tears and Laughter|website=]|date=November 6, 2017|access-date=December 11, 2024}}</ref><ref>{{cite web|url=https://www.barnesandnoble.com/w/a-good-cry-nikki-giovanni/1125579057?ean=9780062399465|title=A Good Cry: What We Learn From Tears and Laughter|last=Barnes & Noble|website=Barnes & Noble|access-date=December 11, 2024}}</ref> Giovanni often read from her books. In one reading she shared her poem "I Married My Mother". In 2017, Giovanni presented at a ] event. Here she read the poem "My Sister and Me". She called herself and her sister "two little chocolate girls". After reading the poems she stated: "Sometimes you write a poem because damnit, you want to."<ref>{{cite web|url=https://www.youtube.com/watch?v=Ekpw2xzPK2Y |archive-url=https://ghostarchive.org/varchive/youtube/20211215/Ekpw2xzPK2Y |archive-date=December 15, 2021 |url-status=live|title=Why Not the Right Thing the First Time – Nikki Giovanni – TEDxHerndon|last=TEDx Talks|date=June 13, 2017 |access-date=January 31, 2019|via=YouTube}}{{cbignore}}</ref>

During the ], Giovanni appeared in a campaign ad for ], reading her poem "Dream".<ref>{{cite news |last1=Harris |first1=Elizabeth A. |title=Nikki Giovanni, Finding the Song in the Darkest Days |url=https://www.nytimes.com/2020/12/16/books/nikki-giovanni-make-me-rain.html#:~:text=She%20has%20managed%20to%20keep,she%20calls%20her%20literary%20son. |access-date=December 10, 2024 |work=] |issue=December 18, 2020 |date=December 16, 2020}}</ref>

== Awards and recognition ==
=== Personal awards ===
{{columns-list|colwidth=35em|
*Keys to more than two dozen American cities, including New York, Miami, Los Angeles, and New Orleans *Keys to more than two dozen American cities, including New York, Miami, Los Angeles, and New Orleans
*State Historical markers in Knoxville, Tennessee,<ref>{{cite web|url=https://eu.knoxnews.com/story/news/local/2019/05/22/knoxville-poet-nikki-giovanni-gets-new-historical-marker/3765304002/|title=New marker for poet Nikki Giovanni says Knoxville's urban renewal was a mistake|first=Sarah|last=Riley|website=Knox News|date=May 22, 2019|access-date=December 11, 2024}}</ref><ref>{{cite web|url=https://eu.knoxnews.com/story/news/local/2019/05/23/nikki-giovanni-poet-knoxville-historical-marker/1206029001/|title='She made it cool to be your authentic black self': Knoxville celebrates poet Nikki Giovanni|first=Allie|last=Clouse|website=Knox News|date=May 23, 2019|access-date=December 11, 2024}}</ref> and Lincoln Heights, Ohio
*State Historical markers in Knoxville, Tennessee, and Lincoln Heights, Ohio
*] Fellowship (1968)<ref name="pablackwriters"/>
*Seven NAACP Image Awards:
*] (1969)<ref name="pablackwriters">{{cite web |title=Nikki Giovanni |url=https://sites.psu.edu/pablackwriters/the-writers/nikki-giovanni/ |url-status=dead |archive-url=https://web.archive.org/web/20190504211617/http://sites.psu.edu/pablackwriters/the-writers/nikki-giovanni/ |archive-date=May 4, 2019 |access-date=October 25, 2017 |website=Black Writers of PA: In Pursuit of Social Justice, Recognizing Pennsylvania Black Artists}}</ref>
**Love Poems (1998)
*Woman of the Year, '']'' (1970)<ref name="pablackwriters"/>
**Blues: For All the Changes (1999)
*Woman of the Year, '']'' magazine (1971)<ref name="pablackwriters"/>
**Quilting the Black-Eyed Pea (2003)
*Woman of the Year, '']'' (1972)<ref name="pablackwriters"/>
**Acolytes (2008)
*National Association of Radio and Television Announcers Award for Best Spoken Word Album, for ''Truth Is on Its Way'' (1972)<ref name="pablackwriters"/>
**Hip Hop Speaks to Children (2009)
*Life Membership & Scroll, ] (1973)
**100 Best African American Poems (2011)
*Woman of the Year, Cincinnati ] (1983)<ref name="HowardAwards">{{cite web|url=http://www.howard.edu/library/reference/guides/threefaces/giovanni/awards.htm|title=Awards, Honors, Citations|website=Howard University Library System}}</ref>
**Bicycles (2010)
*Induction in the ] (1985)<ref name="HowardAwards"/>
*National Endowment for the Arts Fellowship (1968)
*Harlem Cultural Council (1969)
*Woman of the Year, Ebony Magazine (1970)
*Woman of the Year, Mademoiselle Magazine (1971)
*Woman of the Year, Ladies Home Journal (1972)
*National Association of Radio and Television Announcers Award for Best Spoken Word Album, for Truth Is on Its Way (1972)
*National Endowment for the Arts Fellowship (1968)
*Harlem Cultural Council (1969)
*National Association of Radio and Television Announcers Award for Best Spoken Word Album, for Truth Is on Its Way (1972)
*National Association of Radio and Television Announcers Award for Best Spoken Word Album
*National Book Award Nomination for Gemini (1973)
*Life Membership & Scroll, The National Council of Negro Women (1973)
*Woman of the Year, Cincinnati YWCA (1983)
*The Ohio Women's Hall of Fame (1985)
*Outstanding Woman of Tennessee (1985) *Outstanding Woman of Tennessee (1985)
*Duncanson Artist in Residence, The Taft Museum (1986) *Duncanson Artist in Residence, The Taft Museum (1986)<ref name="HowardAwards"/>
*The Post-Corbett Award (1986) *The Post-Corbett Award (1986)<ref name="pablackwriters"/><ref name="HowardAwards"/>
* ] for ''Sacred Cows'' (1988)<ref name="pablackwriters"/>
*The Post-Corbett Award (1986)
* Cecil H. and Ida Green Honors Chair, ] (1991)<ref name="HowardAwards"/>
*The Children's Reading Roundtable of Chicago Award for Vacation Time (1988)
* Hill Visiting Professor, ] (1993)<ref name="HowardAwards"/>
*The Ohioana Library Award for Sacred Cows (1988)
*Tennessee Writer's Award, '']'' (1994)<ref name="pablackwriters"/>
*The Children's Reading Roundtable of Chicago Award for Vacation Time (1988)
* ] in the Humanities (1996)<ref name="HowardAwards"/>
*The Ohioana Library Award for Sacred Cows (1988)
* ] for Distinguished Contributions to Arts and Letters, ] (1996)<ref name="HowardAwards"/>
*The Cecil H. and Ida Green Honors Chair, Texas Christian University (1991)
*Artist-in-Residence. The Philadelphia Clef Club of Jazz and Performing Arts (1996)<ref name="HowardAwards"/>
*The Hill Visiting Professor, University of Minnesota (1993)
*Contributor's Arts Award, The ] (1996)<ref name="pablackwriters"/>
*Tennessee Writer's Award, The Nashville Banner (1994)
*Living Legacy Award, ] Festival of Columbus, Ohio (1998)<ref name="pablackwriters"/><ref name="HowardAwards"/>
*The Tennessee Governor's Award in the Humanities (1996)
*Distinguished Visiting Professor, Johnson & Wales University (1998)<ref name="HowardAwards"/>
*The Langston Hughes Award for Distinguished Contributions to Arts and Letters (1996)
* ], ] (1998)<ref name="pablackwriters"/>
*Parents' Choice Award for The Sun Is So Quiet (1996)
*Cincinnati Bi-Centennial Honoree (1998)<ref name="HowardAwards"/>
*Artist-in-Residence. The Philadelphia Clef Club of Jazz and Performing Arts (1996)
* Tennessee Governor's Award in the Arts (1998)<ref name="HowardAwards"/>
*Contributor's Arts Award, The Gwendolyn Brooks Center for Black Literature and Creative Writing (1996)
*National Literary Hall of Fame for Writers of African Descent, the Gwendolyn Brooks Center of ] (1998)<ref name="pablackwriters"/>
*Living Legacy Award, Juneteenth Festival of Columbus, Ohio (1998)
*Distinguished Visiting Professor, Johnson & Wales University (1998)
*The Appalachian Medallion Award (1998)
*Cincinnati Bi-Centennial Honoree (1998)
*The Tennessee Governor's Award in the Arts (1998)
*National Literary Hall of Fame for Writers of African Descent, the Gwendolyn Brooks Center of Chicago State University (1998)
*Inducted into The Literary Hall of Fame for Writers of African Descent (1999) *Inducted into The Literary Hall of Fame for Writers of African Descent (1999)
*United States Senate Certificate of Commendation (2000) *United States Senate Certificate of Commendation (2000)
*2000 Council of Ideas, The Gihon Foundation (2000) *2000 Council of Ideas, The Gihon Foundation (2000)
*Virginia Governor's Award for the Arts (2000) *Virginia Governor's Award for the Arts (2000)<ref name="pablackwriters"/>
*The Rosa Parks Women of Courage Award, first recipient (2001 and again in 2002) * ], first recipient (2002)<ref name="pablackwriters"/><ref name="HowardAwards"/>
*The SHero Award for Lifetime Achievement (2002) *The SHero Award for Lifetime Achievement (2002)<ref name="HowardAwards"/>
* Inducted into ], Delta of Tennessee chapter, ] (2003)<ref name="HowardAwards"/>
*American Library Association's Black Caucus Award for Non-fiction for (2003)
*Inducted into ], Delta of Tennessee chapter, Fisk University (2003)
*Named a History Maker (2003)
*The East Tennessee Writers Hall of Fame Award (2004) *The East Tennessee Writers Hall of Fame Award (2004)
*Finalist, Best Spoken Word Grammy (2004) *Finalist, Best Spoken Word Grammy (2004)
*Named one of ]'s 25 Living Legends (2005)<ref>{{cite web|url=http://abc.go.com/primetime/legendsball/ |work=ABC.com|title=Oprah Winfrey's Legends Ball |archiveurl=https://web.archive.org/web/20071007071949/http://abc.go.com/primetime/legendsball/ |archivedate=October 7, 2007}}</ref>
*A species of bat named in her honor (Micronycteris giovanniae) (2004)
*Named one of Oprah Winfrey's 25 Living Legends (2005)
*Poet-In-Residence, Walt Whitman Birthplace Association Award (2005) *Poet-In-Residence, Walt Whitman Birthplace Association Award (2005)
*Child Magazine Best Children's Book of the Year (2005) *'']'' magazine Best Children's Book of the Year (2005)
*John Henry "Pop" Lloyd Humanitarian Award (2005) *John Henry "Pop" Lloyd Humanitarian Award (2005)
*ALC Lifetime Achievement Award (2005) *ALC Lifetime Achievement Award (2005)<ref name="HowardAwards"/>
*Delta Sigma Theta Sorority (Honorary Member) (2006) *] sorority (Honorary Member) (2006)
*Caldecott Honor Book Award (2006) *] Book Award (2006)
*Carl Sandburg Literary Award (2007) *] (2007)
*The National Council of Negro Women Appreciation Award (2007) * ] Appreciation Award (2007)
*The Legacy Award, National Alumni Council United Negro College Fund (2007) * Legacy Award, National Alumni Council ] (2007)
*Legends and Legacies Award (2007) *Legends and Legacies Award (2007)
*'']'' Women of Power Legacy Award (2008)<ref>{{cite web|url=https://www.blackenterprise.com/ladies-legacy-nikki-giovanni-poet-professor-educator/|title=Ladies of Legacy: Nikki Giovanni|website=Black Enterprise|first=Raqiyah|last=Mays|date=December 22, 2014|access-date=December 11, 2024}}</ref>
*Women of Power Legacy Award (2008)
*National Parenting Publications Gold Award (2008) *National Parenting Publications Gold Award (2008)
*Sankofa Freedom Award (2008)<ref>{{cite web|url=https://www.tulsalibrary.org/research/african-american-resource-center/sankofa-freedom-award|title=Sankofa Freedom Award|publisher=Tulsa Library|access-date=December 11, 2024}}</ref>
*Sankofa Freedom Award (2008)
*American Book Award honoring outstanding literary achievement from the diverse spectrum of the American literary community (2008) *American Book Award honoring outstanding literary achievement from the diverse spectrum of the American literary community (2008)
*Literary Excellence Award (2008) *Literary Excellence Award (2008)
*Excellence in Leadership Award from Dominion Power (2008) *Excellence in Leadership Award from ] (2008)
*Ann Fralin Award, ] (2009)<ref>{{Cite web|title=The Taubman Museum of Art to present Ann Fralin Awards|url=https://roanoke.com/entertainment/arts/the-taubman-museum-of-art-to-present-ann-fralin-awards/article_d773baaf-4059-5e1a-9acf-041437fbe20b.html|work=The Roanoke Times|first=Mike|last=Allen|date=November 18, 2009}}</ref>
*Ann Fralin Award (2009)
*Martin Luther King Jr. Award for Dedication and Commitment to Service (2009)<ref>{{Cite web|url=https://poets.org/poet/nikki-giovanni|title=Nikki Giovanni|website=Poets.org}}</ref>
*Moonbeam Children's Book Award (2009)
*Art Sanctuary's Lifetime Achievement Award (2010)<ref>{{cite web|url=https://archive.constantcontact.com/fs069/1101470781139/archive/1103173317955.html|title=Art Sanctuary Honors Nikki Giovanni - Friday, May 28, 2010|website=constantcontact.com|access-date=December 13, 2024}}</ref><ref>{{cite web|url=https://www.youtube.com/watch?v=GE6iegkc42c|title=Nikki Giovanni-Sanctuary|publisher=Art Sanctuary|via=YouTube|date=December 7, 2012|access-date=December 13, 2024}}</ref>
*Martin Luther King Jr. Award for Dedication and Commitment to Service (2009)
*Presidential Medal of Honor, ] (2010)
*Art Sanctuary's Lifetime Achievement Award (2010)
*]n Award, ] (2011)<ref>{{Cite web|url=https://stemcats.uky.edu/affrilachian-legacy-awards|title=Affrilachian Legacy Awards|website=] College of Arts and Sciences}}</ref>
*Presidential Medal of Honor, Dillard University (2010)
*Library of Virginia's Literary Lifetime Achievement Award (2016)<ref>{{cite web|url=https://www.lva.virginia.gov/news/press/Giovannirelease.pdf|title=Nikki Giovanni to Receive 2016 Literary Lifetime Achievement Award from the Library of Virginia|publisher=Library of Virginia|date=June 10, 2016|access-date=December 13, 2024}}</ref>
*Affrilachian Award (2011)
*] Lifetime Achievement Award (2017)<ref>{{cite web|url=http://www.blackprwire.com/press-releases/bprw-2017-aambc-awards-will-honor-acclaimed-poet-nikki-giovanni |title=Nikki Giovanni|website=(BPRW) 2017 AAMBC AWARDS WILL HONOR ACCLAIMED POET NIKKI GIOVANNI}}</ref>
*Library of Virginia's Literary Lifetime Achievement Award (2016)
*] (2022)<ref>{{cite web |title=Ruth Lilly Poetry Prize |url=https://www.poetryfoundation.org/awards/prizes-lilly |website=] |access-date=December 10, 2024}}</ref>
*Maya Angelou Lifetime Achievement Award (2017)<ref>{{cite web|url=http://www.blackprwire.com/press-releases/bprw-2017-aambc-awards-will-honor-acclaimed-poet-nikki-giovanni |title=Nikki Giovanni|last=|first=|date=|website=(BPRW) 2017 AAMBC AWARDS WILL HONOR ACCLAIMED POET NIKKI GIOVANNI|access-date=}}</ref>
}}

=== Awarded works ===
{| class="wikitable"
|+
!Year
!Award
!Category
!Work
!Result
!Ref
!Notes
|-
|1973
|]
|
|''Gemini''
|{{nom}}
|<ref name="pablackwriters"/>
|
|-
|1996
|]
|
|''The Sun Is So Quiet''
|{{won}}
|<ref name="pablackwriters" /><ref name="HowardAwards" />
|
|-
| rowspan="2" |1998
|Children's Reading Roundtable of Chicago Award
|
|''Vacation Time''
|{{won}}
|<ref name="pablackwriters" /><ref name="HowardAwards" />
|
|-
|]
|
|''Love Poems''
|{{won}}
|<ref name="pablackwriters"/>
|
|-
|1999
|]
|
|''Blues: For All the Changes''
|{{won}}
|<ref name="pablackwriters" />
|
|-
| rowspan="2" |2003
|]
|]
|''Quilting the Black-Eyed Pea''
|{{won}}
|<ref name="pablackwriters" />
|
|-
|]'s Black Caucus Award
|
|''Quilting the Black-Eyed Pea''
|{{won}}
|<ref name="pablackwriters" /><ref name="HowardAwards" />
|
|-
|2004
|]
|]
|''The Collected Poetry of Nikki Giovanni''
|Finalist
|<ref>{{Cite web |date=2004-01-08 |title=Official List of 35th NAACP Image Awards Nominations |url=http://www.naacpimageawards.net/media/35thnominees.html |archive-url=https://web.archive.org/web/20040312072443/http://www.naacpimageawards.net/media/35thnominees.html |archive-date=2004-03-12 |access-date=2024-04-20 }}</ref>
|-
|2008
|]
|]
|''Acolytes''
|{{won}}
|<ref>{{cite news |last1=Peters |first1=Derek |last2=McCarthy |first2=Libby |title='Debaters' dominates Image Awards |url=https://variety.com/2008/film/awards/debaters-dominates-image-awards-1117980967/ |access-date=10 December 2024 |work=] |date=15 February 2008}}</ref>
|
|-
| rowspan="3" |2009
|]
|Elementary
|''Lincoln and Douglass: An American Friendship''
|{{won}}
|<ref>{{cite web |title=Carter G. Woodson Book Award and Honor Winners |url=https://www.socialstudies.org/awards/woodson/winners |access-date=January 3, 2019 |website=National Council for the Social Studies}}</ref>
|
|-
|Moonbeam Children's Book Awards
|Children's Poetry
| rowspan="2" |''Hip Hop Speaks to Children''
|Silver Award
|<ref>{{Cite web |title=2009 Moonbeam Children's Book Awards Results |url=https://www.independentpublisher.com/article.php?page=1315 |access-date=December 10, 2024 |website=Independent Publisher − feature}}</ref>
|
|-
|]
|
|{{won}}
|
|
|-
|2010
|]
|]
|''Bicycles''
|{{won}}
|
|
|-
|2011
|]
|]
|''100 Best African American Poems''
|{{won}}
|<ref>{{cite news |last1=Frankel |first1=Daniel |title=The 42nd NAACP Image Awards: Complete Winners List |url=https://www.thewrap.com/42nd-naacp-image-awards-complete-winners-list-25284/ |access-date=10 December 2024 |work=] |date=6 March 2011}}</ref>
|
|-
|2014
|]
|]
|''Chasing Utopia: A Hybrid''
|Finalist
|<ref>{{cite news |last1=Washington |first1=Arlene |last2=Couch |first2=Aaron |title=NAACP Image Awards: The Winners |url=https://www.hollywoodreporter.com/news/general-news/naacp-image-awards-winners-682585/ |access-date=10 December 2024 |work=] |date=22 February 2014}}</ref>
|}

== Eponym ==
], also known as ''Micronycteris giovanniae,'' was named in her honor in 2007. The bat is found in western ] and the naming was given "in recognition of her poetry and writings".<ref>{{Cite book|last=Beolens, Bo.|url=https://www.worldcat.org/oclc/593239356|title=The eponym dictionary of mammals|date=2009|publisher=Johns Hopkins University Press|others=Watkins, Michael, 1940–, Grayson, Michael.|isbn=978-0-8018-9533-3|location=Baltimore|pages=155|oclc=593239356}}</ref>


==Works== ==Works==
{{more citations needed|section|date=June 2018}}
{{Div col|colwidth=30em}} {{Div col|colwidth=30em}}


===Poetry collections=== ===Poetry collections===
*''Black Feeling, Black Talk'' (1968)<ref>{{Cite web|url=https://nmaahc.si.edu/object/nmaahc_2014.325|title=Black Feeling, Black Talk|website=National Museum of African American History and Culture}}</ref>
*''Black Feeling, Black Talk'' (1968)
*''Black Judgement'' (1968)<ref name="auto2">{{Cite web|url=https://www.poetryfoundation.org/poets/nikki-giovanni|title=Nikki Giovanni|first=Poetry|last=Foundation|date=February 24, 2021|website=Poetry Foundation}}</ref>
*''Black Judgement'' (1968)
*''Re: Creation'' (1970) *''Re: Creation'' (1970)<ref name="auto2"/>
*''Black Feeling, Black Talk/ Black Judgement (contains Black Feeling, Black Talk, and Black Judgement)'' (1970) *''Black Feeling, Black Talk/Black Judgement'' (contains ''Black Feeling, Black Talk'' and ''Black Judgement'') (1970)<ref name="auto2"/>
*''My House'' (1972) *''My House'' (1972)<ref name="auto2"/>
*''The Women and The Men'' (1975) *''The Women and The Men'' (1975)<ref>{{cite book |title=The women and the men |date=January 1979 |publisher=W. Morrow |isbn=9780688079475}}</ref>
*''Cotton Candy on a Rainy Day'' (1978) *''Cotton Candy on a Rainy Day'' (1978)<ref name="auto2"/>
*''Woman'' (1978) *''Woman'' (1978)
*''Those Who Ride The Night Winds'' (1983) *''Those Who Ride The Night Winds'' (1983)<ref name="auto2"/>
*''Knoxville, Tennessee'' (1994) *''Knoxville, Tennessee'' (1994)<ref name="auto2"/>
*''The Selected Poems of Nikki Giovanni'' (1996) *''The Selected Poems of Nikki Giovanni'' (1996)<ref>{{cite book |title=The selected poems of Nikki Giovanni. |date=1996 |publisher=William Morrow and Co |edition=1st |isbn=9780688140472}}</ref>
*''Love Poems'' (1997) *''Love Poems'' (1997)<ref name="auto2"/>
*''Blues: For All the Changes'' (1999) *''Blues: For All the Changes'' (1999)<ref>{{cite book |title=Blues : for all the changes : new poems |date=April 21, 1999 |publisher=HarperCollins e-books |isbn=9780688156985}}</ref>
*''Quilting the Black-Eyed Pea: Poems and Not Quite Poems'' (2002) *''Quilting the Black-Eyed Pea: Poems and Not Quite Poems'' (2002)
*''The Prosaic Soul of Nikki Giovanni'' (2003) *''The Prosaic Soul of Nikki Giovanni'' (2003)
*''The Collected Poetry of Nikki Giovanni: 1968-1998'' (2003) *''The Collected Poetry of Nikki Giovanni: 1968-1998'' (2003)<ref name="auto2"/>
*''Acolytes'' (2007) *''Acolytes'' (2007)
*''Bicycles: Love Poems'' (2009) (]) *''Bicycles: Love Poems'' (2009) (])<ref name="auto2"/>
*''100 Best African American Poems'' (2010) (] MediaFusion) *''100 Best African American Poems'' (2010) (] MediaFusion)<ref name="auto2"/>
*''Chasing Utopia: A Hybrid'' (2013) (]) *''Chasing Utopia: A Hybrid'' (2013) (])<ref name="auto2"/>
*''A Good Cry: What We Learn From Tears and Laughter'' (2017) (])
*''Make Me Rain'' (2020)


===Children's books=== ===Children's books===
*''Spin a Soft Black Song'' (1971) *''Spin a Soft Black Song'' (1971)<ref name="auto2"/>
*''Ego-Tripping and Other Poems For Young People'' (1973) *''Ego-Tripping and Other Poems For Young People'' (1973)<ref name="auto2"/>
*''Vacation Time: Poems for Children'' (1980) *''Vacation Time: Poems for Children'' (1980)<ref name="auto2"/>
* ''Ego-Tripping and Other Poems for Young People Revised Edition'' (1993) * ''Ego-Tripping and Other Poems for Young People Revised Edition'' (1993)
**''The Genie in The Jar'' (1996) **''The Genie in The Jar'' (1996)
*''The Sun Is So Quiet'' (1996) *''The Sun Is So Quiet'' (1996)<ref name="auto2"/>
*''The Girls in the Circle (Just for You!) (2004) *''The Girls in the Circle (Just for You!)'' (2004)
*''Rosa*'' (2005) *'']*'' (2005)
*''Poetry Speaks to Children: A Celebration of Poetry with a Beat'' (2005) (]) *''Poetry Speaks to Children: A Celebration of Poetry with a Beat'' (2005) (])
*''Lincoln and Douglass: An American Friendship '' (2008) *''Lincoln and Douglass: An American Friendship '' (2008)<ref name="auto2"/>
*''Hip Hop Speaks to Children: A Celebration of Poetry with a Beat'' (2008) (]) *''Hip Hop Speaks to Children: A Celebration of Poetry with a Beat'' (2008) (])
*''The Grasshopper's Song: An Aesop's Fable '' (2008) *''The Grasshopper's Song: An Aesop's Fable '' (2008)
*''I Am Loved'' (2018) *''I Am Loved'' (2018)
*''A Library'' (2022) Illustrated by Erin K. Robinson


===Discography=== ===Discography===
*''Truth Is On Its Way'' (Right-On Records, 1971)<ref name="auto1">{{cite web |title=Nikki Giovanni {{!}} Album Discography |url=https://www.allmusic.com/artist/nikki-giovanni-mn0000410869/discography |website=AllMusic |access-date=March 5, 2020 |language=en-us}}</ref>
*''Truth Is On Its Way'' (], 1976)
*''The Reason I Like Chocolate'' (], 1976) *''Like a Ripple on a Pond'' (Niktom, 1973)
*''Legacies: The Poetry of Nikki Giovanni'' (Folkways, 1976) *''The Way I Feel'' (Niktom, 1975)
*''Cotton Candy on a Rainy Day'' (Folkways, 1978) *''The Reason I Like Chocolate'' (], 1976)<ref name="auto1"/>
*''Legacies: The Poetry of Nikki Giovanni'' (Folkways, 1976)<ref name="auto1"/>
*''Nikki Giovanni and the New York Community Choir*'' (Collectibles, 1993)
*''Every Tone A Testimony'' (], 2001) *''Cotton Candy on a Rainy Day'' (Folkways, 1978)<ref name="auto1"/>
* ''The Nikki Giovanni Poetry Collection'' (2002) *''Nikki Giovanni and the New York Community Choir*'' (Collectibles, 1993)<ref name="auto1"/>
*''Every Tone A Testimony'' (], 2001)<ref name="auto1"/>
* ''The Nikki Giovanni Poetry Collection'' (2002)<ref name="auto1"/>
* ''The Gospel According To Nikki Giovanni'' (Solid Jackson, 2022) with ]


===Other=== ===Other===
*(Editor) ''Night Comes Softly: An Anthology of Black Female Voices, Medic Press'' (1970) *(Editor) ''Night Comes Softly: An Anthology of Black Female Voices, Medic Press'' (1970)<ref>{{cite web |title=Night Comes Softly |url=https://www.nikki-giovanni.com/works/essays-and-conversations/night-comes-softly/ |website=nikki-giovanni.com |access-date=March 5, 2020 |language=en}}</ref>
*''Gemini: An Extended Autobiographical Statement on My First Twenty-five Years of Being a Black Poet*'' (1971) *''Gemini: An Extended Autobiographical Statement on My First Twenty-five Years of Being a Black Poet'' (1971)<ref>{{cite book |last1=Giovanni |first1=Nikki |title=Gemini : an extended autobiographical statement on my first twenty-five years of being a Black poet |year=1976 |publisher=Penguin Books |isbn=0140042644}}</ref>
*''A Dialogue with James Baldwin*'' (1973) *''A Dialogue with James Baldwin'' (1973)<ref>{{cite book |title=A dialogue |year=1975 |publisher=M. Joseph |isbn=0718113136}}</ref>
*(With Margaret Walker) ''A Poetic Equation: Conversations between Nikki Giovanni and Margaret Walker*'' (1974) *(With Margaret Walker) ''A Poetic Equation: Conversations between Nikki Giovanni and Margaret Walker'' (1974)<ref>{{cite book |title=A poetic equation : conversations between Nikki Giovanni and Margaret Walker. |year=1974 |publisher=Howard University Press |isbn=0882580884 |edition=Rev. paperback}}</ref>
*(Author of introduction) ''Adele Sebastian: Intro to Fine (poems), Woman in the Moon (1985) *(Author of introduction) ''Adele Sebastian: Intro to Fine (poems), Woman in the Moon'' (1985)<ref>{{cite book |title=The chant of the women of Magdalena and the Magdalena poems, with author's preface, Tradition and poetic memory |date=1990 |publisher=Woman in the Moon Publications |isbn=0934172145}}</ref>
*''Sacred Cows ... and Other Edibles'' (essays)* (1988) *''Sacred Cows ... and Other Edibles'' (essays) (1988)<ref>{{cite book |title=Sacred cows-- and other edibles |year=1988 |publisher=W. Morrow |isbn=0688089097 |edition=1st}}</ref>
*(Editor, with C. Dennison) ''Appalachian Elders: A Warm Hearth Sampler*'' (1991) *(Editor, with C. Dennison) ''Appalachian Elders: A Warm Hearth Sampler'' (1991)<ref>{{cite book |title=Appalachian elders : a Warm Hearth sampler |year=1991 |publisher=Pocahontas Press |isbn=9780936015323}}</ref>
*(Author of foreword) ''The Abandoned Baobob: The Autobiography of a Woman*'' (1991) *(Foreword) ''The Abandoned Baobob: The Autobiography of a Woman'' (1991)
*''Racism 101*'' (essays, 1994) *''Racism 101*'' (essays, 1994)
*(Editor) ''Grand Mothers: Poems, Reminiscences, and Short Stories about the Keepers of Our Traditions*'' (1994) *(Editor) ''Grand Mothers: Poems, Reminiscences, and Short Stories about the Keepers of Our Traditions'' (1994)<ref>{{cite book |last1=Giovanni |first1=Nikki |title=Grand mothers : poems, reminiscences, and short stories about the keepers of our traditions |date=September 15, 1996 |publisher=Holt |isbn=0805049037 |edition=1st}}</ref>
*(Editor) ''Shimmy Shimmy Shimmy Like My Sister Kate: Looking at the Harlem Renaissance through Poems*'' (1995)<ref name=poetryfoundation.org /> *(Editor) ''Shimmy Shimmy Shimmy Like My Sister Kate: Looking at the Harlem Renaissance through Poems'' (1995)<ref name=poetryfoundation.org />
* Foreword to ] (ed.), ''Honey, Hush!: An Anthology of African American Women's Humor'' (1998)<ref>, W.W. Norton, {{ISBN|978-0-393-31818-0}}.</ref>
* (Editor) ''100 Best African American Poems'' (2010)
* (Editor) ''100 Best African American Poems'' (2010)<ref>{{cite book |last1=Giovanni |first1=Nikki |title=The 100 best African American poems : (*but I cheated) |year=2010 |publisher=Sourcebooks |isbn=9781402221118}}</ref>
* (Afterword) ''Continuum: New and Selected Poems'' by Mari Evans (2012) * (Afterword) ''Continuum: New and Selected Poems'' by Mari Evans (2012)
* (Foreword) ''Heav'nly Tidings From the Afric Muse: The Grace and Genius of Phillis Wheatley'' by Richard Kigel (2017)(Foreword) * (Foreword) ''Heav'nly Tidings From the Afric Muse: The Grace and Genius of Phillis Wheatley'' by Richard Kigel (2017)
*(Featured Artist) ''Artemis 2017'' (Academic Journal of southwest Virginia) (2017) *(Featured Artist) ''Artemis 2017'' (Academic Journal of southwest Virginia) (2017)<ref>{{cite book |title=ARTEMIS 2017. |date=April 16, 2017 |publisher=WILDER PUBLICATIONS |isbn=9781515417071}}</ref>
* (Foreword) ''Black Ink: Literary Legends on the Peril, Power, and Pleasure of Reading and Writing'' (2018) * (Foreword) ''Black Ink: Literary Legends on the Peril, Power, and Pleasure of Reading and Writing'' (2018)
{{div col end}} {{div col end}}


==References== ==References==
{{Reflist|2}} {{Reflist}}


==External links== ==External links==
{{wikiquote}}
{{Commons category}} {{Commons category}}
{{Portal|Virginia|Biography}} {{Portal|Virginia|Biography}}
* *
*{{IMDb name| 0320514}}
*
*
*{{worldcat id|id=lccn-n80-14902}}
* {{discogs artist|Nikki Giovanni}}
* at the Poetry Foundation. * at the Poetry Foundation.
* at ] *
* at ].
* for the WGBH series , December 12, 1975.
*
* , ] radio interview, March 19, 1981, at American Archive of Public Broadcasting.
* for the WGBH series
*{{C-SPAN|Nikki Giovanni}} *{{C-SPAN|1008848}}
** **, February 8, 2004.
* Nikki Giovanni named the first Coretta Scott King Fellow, video, April 3, 2009 *. Nikki Giovanni named the first Coretta Scott King Fellow, video, April 3, 2009.
* "We are Virginia Tech" - convocation poem read by Giovanni * "We are Virginia Tech" convocation poem read by Giovanni.
** **
** **
* on ] *, '']'', October 2, 2012.
* on ] *, ''Democracy Now!'', December 16, 2013.
* on ] *, ''Democracy Now!'', December 16, 2013.
* Liz McCormick, , interview, ], October 16, 2015.
* , radio interview, ], October 11, 2019.
* Claire McIntosh, , ''Sisters'', April 6, 2020.
* ], , ''The Guardian'', February 24, 2024.
* Adrian Horton, , ''The Guardian, December 10, 2024.


{{Ohio Women's Hall of Fame}} {{Virginia Women in History}}


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Latest revision as of 20:26, 30 December 2024

American poet, writer and activist (1943–2024)

Nikki Giovanni
Giovanni c. 1980Giovanni c. 1980
BornYolande Cornelia Giovanni Jr.
(1943-06-07)June 7, 1943
Knoxville, Tennessee, U.S.
DiedDecember 9, 2024(2024-12-09) (aged 81)
Blacksburg, Virginia, U.S.
Occupation
  • Writer
  • poet
  • activist
  • educator
EducationFisk University (BA)
University of Pennsylvania
Columbia University
Period1968–2022
PartnerVirginia C. Fowler
Children1
Website
nikki-giovanni.com

Yolande Cornelia "Nikki" Giovanni Jr. (June 7, 1943 – December 9, 2024) was an American poet, writer, commentator, activist and educator. One of the world's best-known African-American poets, her work includes poetry anthologies, poetry recordings, and nonfiction essays, and covers topics ranging from race and social issues to children's literature. She won numerous awards, including the Langston Hughes Medal and the NAACP Image Award. She was nominated for a 2004 Grammy Award for her poetry album, The Nikki Giovanni Poetry Collection. Additionally, she was named as one of Oprah Winfrey's 25 "Living Legends". Giovanni was a member of The Wintergreen Women Writers Collective.

Giovanni gained initial fame in the late 1960s as one of the foremost authors of the Black Arts Movement. Influenced by the Civil Rights Movement and Black Power Movement of the period, her early work provides a strong, militant African-American perspective, leading one writer to dub her the "Poet of the Black Revolution". During the 1970s, she began writing children's literature, and co-founded a publishing company, NikTom Ltd, to provide an outlet for other African-American women writers. Over subsequent decades, her works discussed social issues, human relationships, and hip hop. Poems such as "Knoxville, Tennessee" and "Nikki-Rosa" have been frequently re-published in anthologies and other collections.

Giovanni received numerous awards and holds 27 honorary degrees from various colleges and universities. She was also given the key to more than two dozen cities. Giovanni was honored with the NAACP Image Award seven times. One of her unique honors was having a South America bat species, Micronycteris giovanniae, named after her in 2007.

Giovanni was proud of her Appalachian roots and worked to change the way the world views Appalachians and Affrilachians.

Giovanni taught at Queens College, Rutgers, and Ohio State, and was a University Distinguished Professor at Virginia Tech until she retired on September 1, 2022. After the Virginia Tech shooting in 2007, she delivered a well-received chant-poem at a memorial for the shooting victims.

Life and work

Yolande Cornelia "Nikki" Giovanni Jr. was born in Knoxville, Tennessee, to Yolande Cornelia Sr. and Jones "Gus" Giovanni. At age four, the family moved to Lincoln Heights, Ohio, near Cincinnati, where her parents worked at Glenview School. In 1948, the family moved to Wyoming, Ohio, and sometime in those first three years, Giovanni's sister, Gary, began calling her "Nikki". In 1958, Giovanni returned to Knoxville to live with her grandparents and attend Austin High School. As a child, she was an avid reader. In 1960, she began her studies at her grandfather's alma mater, Fisk University in Nashville, as an "early entrant", which meant that she could enroll in college without having finished high school first.

She immediately clashed with the then-Dean of Women and was expelled after neglecting to obtain the required permission from the Dean to leave campus and travel home for Thanksgiving break. Giovanni moved back to Knoxville, where she worked at a Walgreens drug store and helped care for her nephew, Christopher. In 1964, Giovanni spoke with the new Dean of Women at Fisk University, Blanche McConnell Cowan, who urged her to return to Fisk that fall. While at Fisk, Giovanni edited a student literary journal (titled Élan), reinstated the campus chapter of SNCC (Student Non-Violent Coordinating Committee), and published an essay in Negro Digest on gender questions in the Movement. In 1967, she graduated with honors with a B.A. degree in history.

Soon after graduation, she suffered the loss of her grandmother, Louvenia Watson, and turned to writing poems to cope with the death. These poems would later be included in her collection Black Feeling, Black Talk. In 1968, Giovanni attended a semester at University of Pennsylvania School of Social Work toward an MSW and then moved to New York City. She briefly attended Columbia University School of the Arts toward an MFA in poetry and privately published Black Feeling Black Talk. In 1969, Giovanni began teaching at Livingston College of Rutgers University. She was an active member of the Black Arts Movement beginning in the late 1960s. In 1969, she gave birth to Thomas Watson Giovanni, her only child. As she told Ebony magazine: "I had a baby at 25 because I wanted to have a baby and I could afford to have a baby. I didn't want to get married, and I could afford not to get married."

After the birth of her son, Giovanni was accused of setting a bad example because there were not many unmarried mothers at that time. Giovanni noted that the birth of her son helped her to realize that children have different interests and require different content than adults. This realization led her to write six children's books.

In 1970, Giovanni founded the publishing company NikTom, publishing her own work as well as supporting the work of other Black women writers, among them Gwendolyn Brooks, Mari Evans, Carolyn Rodgers, and Margaret Walker. From 1970, she began making regular appearances on the television program Soul!, an entertainment/variety/talk show that promoted black art and culture and allowed political expression. Soul! hosted important guests such as Muhammad Ali, James Baldwin, Jesse Jackson, Harry Belafonte, Sidney Poitier, Gladys Knight, Miriam Makeba, and Stevie Wonder. In addition to being a "regular" on the show, Giovanni for several years helped design and produce episodes. Giovanni's conversation with James Baldwin on Soul!, filmed in London and broadcast in 1971 as a two-part special, is considered a defining moment in her career, and subsequently became a book. She appeared on other television programs, including The Tonight Show with Johnny Carson in 1972, accruing such popularity that for her 30th birthday celebration at the Lincoln Center, she was able to fill a 3,000-seat hall. Between 1973 and 1987, she published multiple poetry anthologies, children's books, and released spoken-word albums.

In 1987, Giovanni was recruited by her partner and eventual wife Virginia Fowler to teach creative writing and literature at Virginia Tech. There, Giovanni later became a University Distinguished Professor, before retiring in 2022. She received the NAACP Image Award seven times, received 20 honorary doctorates and various other awards, including the Rosa Parks and the Langston Hughes Award for Distinguished Contributions to Arts and Letters. She also held the key to several different cities, including Dallas, Miami, New York City, and Los Angeles. She was a member of the Prince Hall Order of the Eastern Star, she received the Life Membership and Scroll from the National Council of Negro Women, and was an Honorary Member of Delta Sigma Theta sorority.

Giovanni speaking at Emory University in 2008

Giovanni was diagnosed with lung cancer in the early 1990s and underwent numerous surgeries. Her book Blues: For All the Changes: New Poems, published in 1999, contains poems about nature and her battle with cancer. In 2002, Giovanni spoke in front of NASA about the need for African Americans to pursue space travel, and later published Quilting the Black-Eyed Pea: Poems and Not Quite Poems, which dealt with similar themes.

She was also honored for her life and career by the HistoryMakers, along with being the first person to receive the Rosa L. Parks Women of Courage Award. She was awarded the Presidential Medal of Honor from Dillard University in 2010. In 2015, Giovanni was named one of the Library of Virginia's "Virginia Women in History" for her contributions to poetry, education, and society.

In 2020, Giovanni gave an extended interview to Bryan Knight's Tell A Friend Podcast where she gave an assessment of her life and legacy.

Giovanni released a new album, The Gospel According to Nikki Giovanni, on February 8, 2022.

She is the subject of the documentary film Going to Mars: The Nikki Giovanni Project, directed by Joe Brewster and Michèle Stephenson, which premiered at and won the Grand Jury Prize for Documentary at the 2023 Sundance Film Festival. The documentary features Giovanni's son and granddaughter, as well as Giovanni's spouse Virginia Fowler, a fellow academic and author.

Virginia Tech shooting

Seung-Hui Cho, a mass murderer who killed 32 people in the Virginia Tech shooting on April 16, 2007, was a student in one of Giovanni's poetry classes. Describing him as "mean" and "menacing", she approached the department chair to have Cho taken out of her class, and said she was willing to resign rather than continue teaching him. Cho was removed from her class in 2005. After the massacre, Giovanni stated that, upon hearing of the shooting, she immediately suspected that Cho might be the shooter.

Giovanni was asked by Virginia Tech president Charles Steger to give a convocation speech at the April 17 memorial service for the shooting victims (she was asked by Steger at 5:00 pm on the day of the shootings, giving her less than 24 hours to prepare the speech). She expressed that she usually feels very comfortable delivering speeches, but worried that her emotion would get the best of her. On April 17, 2007, at the Virginia Tech Convocation commemorating the April 16 massacre, Giovanni closed the ceremony with a chant poem, intoning:

We know we did nothing to deserve it. But neither does a child in Africa dying of AIDS. Neither do the invisible children walking the night awake to avoid being captured by a rogue army. Neither does the baby elephant watching his community being devastated for ivory. Neither does the Mexican child looking for fresh water....We are Virginia Tech.... We will prevail.

Her speech also sought to express the idea that really terrible things happen to good people: "I would call it, in terms of writing, in terms of poetry, it's a laundry list. Because all you're doing is: This is who we are, and this is what we think, and this is what we feel, and this is why – you know?... I just wanted to admit, you know, that we didn't deserve this, and nobody does. And so I wanted to link our tragedy, in every sense, you know – we're no different from anything else that has hurt...."

She thought that ending with a thrice-repeated "We will prevail" would be anticlimactic, and she wanted to connect back with the beginning, for balance. So, shortly before going onstage, she added a closing: "We are Virginia Tech." Her performance received an over 90-second standing ovation from the over-capacity audience in Cassell Coliseum, including then-President George W. Bush.

Later life and death

Giovanni announced her retirement from Virginia Tech in September 2022, having taught there for 35 years. She was conferred the title of University Distinguished Professor Emerita by the university in December 2022.

On December 9, 2024, Giovanni died of complications from lung cancer in a hospital in Blacksburg, Virginia. She was 81. She had been working on a memoir titled A Street Called Mulvaney, and her final poetry collection, The Last Book, was set for publication in 2025.

Writing

Giovanni in 1997

The Civil Rights Movement and Black Power movements inspired her early poetry, which was collected in Black Feeling, Black Talk (1968), which sold more than 10,000 copies in its first year; in Black Judgement (1968), selling 6,000 copies in three months; and in Re: Creation (1970). All three of these early works aided in establishing Giovanni as a new voice for African Americans.(30) In "After Mecca": Women Poets and the Black Arts Movement, Cheryl Clarke cites Giovanni as a woman poet who became a significant part of the Civil Rights and Black Power Movement. Giovanni was commonly praised as one of the best African-American poets emerging from the 1960s Black Power and Black Arts Movements. Her early poems that were collected in the late 1960s and early 1970s are seen as radical as and more militant than her later work. Her poetry is described as being "politically, spiritually, and socially aware". Evie Shockley describes Giovanni as "epitomizing the defiant, unapologetically political, unabashedly Afrocentric, BAM ethos". Her work is described as conveying "urgency in expressing the need for Black awareness, unity, solidarity." Likewise, Giovanni's early work has been considered to be "polemic" and "incendiary". Examples of poems in which she vehemently advocated for change include "The True Import of Present Dialogue Black vs. Negro" (1968), "Poem for Black Boys" (1968), and "A Litany for Peppe" (1970).

In addition to writing about racial equality, Giovanni advocated for gender equality as well. Odon states that "Giovanni's realignment of female identity with sexuality is crucial to the burgeoning feminist movement within the black community." In the poem, "Revolutionary Dreams" (1970), Giovanni discusses gender and objectification. She writes, "Woman doing what a woman/Does when she's natural/I would have a revolution" (lines 14–16). Another example of a poem that encourages sexual equality is "Woman Poem" (1968). In "Woman Poem", Giovanni shows that the Black Arts Movement and racial pride were not as liberating for women as they were for men (Virginia Fowler, Introduction to the Collected Works of Nikki Giovanni). In "Woman Poem", Giovanni describes how pretty women become sex objects "and no love/or love and no sex if you're fat/get back fat black woman be a mother/grandmother strong thing but not woman."

Giovanni took pride in being a "Black American, a daughter, mother, and a Professor of English". Giovanni was also known for her use of African-American Vernacular English. She wrote more than two dozen books, including volumes of poetry, illustrated children's books, and three collections of essays. Her work is said to speak to all ages, and she strived to make her work easily accessible and understood by both adults and children. Her writing, heavily inspired by African-American activists and artists, also reflects the influences of issues of race, gender, sexuality, and the African-American family. Her book Love Poems (1997) was written in memory of Tupac Shakur, and she stated that she would "rather be with the thugs than the people who are complaining about them." Additionally, in 2007 she wrote a children's picture book titled Rosa, which centers on the life of Civil Rights leader Rosa Parks. In addition to this book reaching number three on the New York Times Best Seller list, it also received the Caldecott Honors Award, and its illustrator, Brian Collier, received the Coretta Scott King Award.

Giovanni's poetry reached more readership through her active engagement with live audiences. She gave her first public reading at the New York City jazz spot, Birdland. Her public expression of "oppression, anger, and solidarity" as well as her political activism allowed her to reach more than just the poetic circles. After the birth of her son in 1969, Giovanni recorded several of her poems with a musical backdrop of jazz and gospel. She began to travel all around the world and speak and read to a wider audience. Even though Giovanni's earlier works were known to carry a militant, revolutionary tone, Giovanni communicated "a global sense of solidarity amongst oppressed peoples in the world" in her travels. It is in this sense of human unity in which Giovanni aligned herself with the beliefs of Martin Luther King Jr. Like King, Giovanni believes a unified, collective government must be made up of the everyday, ordinary citizen, regardless of race, ethnicity, or gender. In the 1970s and '80s, her popularity as a speaker increased even more. In 1972, Giovanni interviewed Muhammad Ali on Soul!

Giovanni was often interviewed regarding themes pertaining to her poetry such as gender and race. In an interview entitled "I am Black, Female, Polite", Peter Bailey questions her regarding the role of gender and race in the poetry she writes. Bailey specifically addresses the critically acclaimed poem "Nikki-Rosa," and questions whether it is reflective of the poet's own childhood and her experiences in her community. In the interview, Giovanni stresses that she did not like constantly reading the trope of the black family as a tragedy and that "Nikki-Rosa" demonstrates the experiences that she witnessed in her communities. For example, Giovanni wrote about her happy childhood as: "Black love is Black wealth and they'll/probably talk about my hard childhood/and never understand that/all the while I was quite happy" (lines 30–33). Specifically, the poem deals with black folk culture and touches on such gender, race, and social issues as alcoholism and domestic violence and not having an indoor bathroom.

Giovanni's poetry in the late 1960s and early 1970s addressed black womanhood and black manhood, among other themes. She co-wrote a book with James Baldwin entitled A Dialogue, in which the two authors speak openly and frankly about the status of the black male in the household. Baldwin challenges Giovanni's opinion on the representation of black women as the "breadwinners" in the household. He states: "A man is not a woman. And whether he's wrong or right... Look, if we're living in the same house and you're my wife or my woman, I have to be responsible for that house." Conversely, Giovanni recognizes the black man's strength, whether or not he is "responsible" for the home or economically advantaged. The interview makes it clear that regardless of who is "responsible" for the home, the black woman and the black man should be dependent on one another. In a 1972 Soul! interview with Muhammad Ali, Giovanni used her popularity as a speaker to a broader audience to read some of her essay "Gemini" from her book Gemini. In the excerpt from that essay, Giovanni intones: "we are born men and women...we need some happiness in our lives, some hope, some love...I really like to think a black, beautiful loving world is possible." Such themes appeared throughout her early poetry which focused on race and gender dynamics in the black community.

Giovanni toured nationwide and frequently spoke out against hate-motivated violence. At a 1999 Martin Luther King Day event, she recalled the 1998 murders of James Byrd Jr. and Matthew Shepard: "What's the difference between dragging a black man behind a truck in Jasper, Texas, and beating a white boy to death in Wyoming because he's gay?"

Those Who Ride the Night Winds (1983) acknowledged black figures. Giovanni collected her essays in the 1988 volume Sacred Cows... and Other Edibles. Her later works include Acolytes, a collection of 80 new poems, and On My Journey Now. Acolytes was her first published volume since her 2003 Collected Poems. The work is a celebration of love and recollection directed at friends and loved ones, and it recalls memories of nature, theater, and the glories of children. However, Giovanni's fiery persona still remains a constant undercurrent in Acolytes, as some of the most serious verse links her own life struggles (being a black woman and a cancer survivor) to the wider frame of African-American history and the continual fight for equality.

Giovanni's collection Bicycles: Love Poems (2009) is a companion work to her 1997 Love Poems. Both works touch on the deaths of her mother, her sister, and those massacred on the Virginia Tech campus. "Tragedy and trauma are the wheels" of the bicycle. The first poem ("Blacksburg Under Siege: 21 August 2006") and the last poem ("We Are Virginia Tech") reflect this. Giovanni chose the title of the collection as a metaphor for love itself, "because love requires trust and balance."

In Chasing Utopia: A Hybrid (2013), Giovanni described falling off of a bike and her mother saying: "Come here, Nikki, and I will pick you up." Giovanni explained that it was comforting to hear her mother say this, and that "it took me the longest to realize – no, she made me get up myself." Chasing Utopia continues as a hybrid (poetry and prose) work about food as a metaphor and as a connection to the memory of her mother, sister, and grandmother. The theme of the work is love relationships.

In 2004, Giovanni was nominated for the Grammy Award for Best Spoken Word Album at the 46th Annual Grammy Awards for her album The Nikki Giovanni Poetry Collection. This was a collection of poems that she read against the backdrop of gospel music.(29) She also featured on the track "Ego Trip by Nikki Giovanni" on Blackalicious's 2000 album Nia. In November 2008, a song cycle of her poems, Sounds That Shatter the Staleness in Lives by Adam Hill, was premiered as part of the Soundscapes Chamber Music Series in Taos, New Mexico.

She was commissioned by National Public Radio's All Things Considered to create an inaugural poem for President Barack Obama. The poem, entitled "Roll Call: A Song of Celebration", ends with the following enthusiastic, optimistic three lines: "Yes We Can/Yes We Can/Yes We Can". Giovanni read poetry at the Lincoln Memorial as a part of the bi-centennial celebration of Lincoln's birth on February 12, 2009.

Giovanni was part of the 2016 Writer's Symposium by the Sea at Loma Nazarene University. The University of California Television (UCTV) published the readings of Giovanni at the symposium. In October 2017 Giovanni published her collection A Good Cry: What We Learn from Tears and Laughter, which includes poems that pay homage to the greatest influences on her life who have passed away, including close friend Maya Angelou, who died in 2014. Giovanni often read from her books. In one reading she shared her poem "I Married My Mother". In 2017, Giovanni presented at a TEDx event. Here she read the poem "My Sister and Me". She called herself and her sister "two little chocolate girls". After reading the poems she stated: "Sometimes you write a poem because damnit, you want to."

During the 2020 United States presidential election, Giovanni appeared in a campaign ad for Joe Biden, reading her poem "Dream".

Awards and recognition

Personal awards

Awarded works

Year Award Category Work Result Ref Notes
1973 National Book Award Gemini Nominated
1996 Parents' Choice Award The Sun Is So Quiet Won
1998 Children's Reading Roundtable of Chicago Award Vacation Time Won
NAACP Image Awards Love Poems Won
1999 NAACP Image Awards Blues: For All the Changes Won
2003 NAACP Image Awards Outstanding Literary Work – Fiction Quilting the Black-Eyed Pea Won
American Library Association's Black Caucus Award Quilting the Black-Eyed Pea Won
2004 NAACP Image Awards Outstanding Literary Work – Fiction The Collected Poetry of Nikki Giovanni Finalist
2008 NAACP Image Awards Outstanding Literary Work – Poetry Acolytes Won
2009 Carter G. Woodson Book Award Elementary Lincoln and Douglass: An American Friendship Won
Moonbeam Children's Book Awards Children's Poetry Hip Hop Speaks to Children Silver Award
NAACP Image Awards Won
2010 NAACP Image Awards Outstanding Literary Work – Poetry Bicycles Won
2011 NAACP Image Awards Outstanding Literary Work – Poetry 100 Best African American Poems Won
2014 NAACP Image Awards Outstanding Literary Work – Poetry Chasing Utopia: A Hybrid Finalist

Eponym

Giovanni's Big-Eared Bat, also known as Micronycteris giovanniae, was named in her honor in 2007. The bat is found in western Ecuador and the naming was given "in recognition of her poetry and writings".

Works

Poetry collections

  • Black Feeling, Black Talk (1968)
  • Black Judgement (1968)
  • Re: Creation (1970)
  • Black Feeling, Black Talk/Black Judgement (contains Black Feeling, Black Talk and Black Judgement) (1970)
  • My House (1972)
  • The Women and The Men (1975)
  • Cotton Candy on a Rainy Day (1978)
  • Woman (1978)
  • Those Who Ride The Night Winds (1983)
  • Knoxville, Tennessee (1994)
  • The Selected Poems of Nikki Giovanni (1996)
  • Love Poems (1997)
  • Blues: For All the Changes (1999)
  • Quilting the Black-Eyed Pea: Poems and Not Quite Poems (2002)
  • The Prosaic Soul of Nikki Giovanni (2003)
  • The Collected Poetry of Nikki Giovanni: 1968-1998 (2003)
  • Acolytes (2007)
  • Bicycles: Love Poems (2009) (William Morrow)
  • 100 Best African American Poems (2010) (Sourcebooks MediaFusion)
  • Chasing Utopia: A Hybrid (2013) (HarperCollins)
  • A Good Cry: What We Learn From Tears and Laughter (2017) (William Morrow)
  • Make Me Rain (2020)

Children's books

  • Spin a Soft Black Song (1971)
  • Ego-Tripping and Other Poems For Young People (1973)
  • Vacation Time: Poems for Children (1980)
  • Ego-Tripping and Other Poems for Young People Revised Edition (1993)
    • The Genie in The Jar (1996)
  • The Sun Is So Quiet (1996)
  • The Girls in the Circle (Just for You!) (2004)
  • Rosa* (2005)
  • Poetry Speaks to Children: A Celebration of Poetry with a Beat (2005) (Sourcebooks)
  • Lincoln and Douglass: An American Friendship (2008)
  • Hip Hop Speaks to Children: A Celebration of Poetry with a Beat (2008) (Sourcebooks)
  • The Grasshopper's Song: An Aesop's Fable (2008)
  • I Am Loved (2018)
  • A Library (2022) Illustrated by Erin K. Robinson

Discography

  • Truth Is On Its Way (Right-On Records, 1971)
  • Like a Ripple on a Pond (Niktom, 1973)
  • The Way I Feel (Niktom, 1975)
  • The Reason I Like Chocolate (Folkways Records, 1976)
  • Legacies: The Poetry of Nikki Giovanni (Folkways, 1976)
  • Cotton Candy on a Rainy Day (Folkways, 1978)
  • Nikki Giovanni and the New York Community Choir* (Collectibles, 1993)
  • Every Tone A Testimony (Smithsonian Folkways, 2001)
  • The Nikki Giovanni Poetry Collection (2002)
  • The Gospel According To Nikki Giovanni (Solid Jackson, 2022) with Javon Jackson

Other

  • (Editor) Night Comes Softly: An Anthology of Black Female Voices, Medic Press (1970)
  • Gemini: An Extended Autobiographical Statement on My First Twenty-five Years of Being a Black Poet (1971)
  • A Dialogue with James Baldwin (1973)
  • (With Margaret Walker) A Poetic Equation: Conversations between Nikki Giovanni and Margaret Walker (1974)
  • (Author of introduction) Adele Sebastian: Intro to Fine (poems), Woman in the Moon (1985)
  • Sacred Cows ... and Other Edibles (essays) (1988)
  • (Editor, with C. Dennison) Appalachian Elders: A Warm Hearth Sampler (1991)
  • (Foreword) The Abandoned Baobob: The Autobiography of a Woman (1991)
  • Racism 101* (essays, 1994)
  • (Editor) Grand Mothers: Poems, Reminiscences, and Short Stories about the Keepers of Our Traditions (1994)
  • (Editor) Shimmy Shimmy Shimmy Like My Sister Kate: Looking at the Harlem Renaissance through Poems (1995)
  • Foreword to Daryl Cumber Dance (ed.), Honey, Hush!: An Anthology of African American Women's Humor (1998)
  • (Editor) 100 Best African American Poems (2010)
  • (Afterword) Continuum: New and Selected Poems by Mari Evans (2012)
  • (Foreword) Heav'nly Tidings From the Afric Muse: The Grace and Genius of Phillis Wheatley by Richard Kigel (2017)
  • (Featured Artist) Artemis 2017 (Academic Journal of southwest Virginia) (2017)
  • (Foreword) Black Ink: Literary Legends on the Peril, Power, and Pleasure of Reading and Writing (2018)

References

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  2. ^ Jane M. Barstow, Yolanda Williams Page (eds), "Nikki Giovanni", Encyclopedia of African American Women Writers (Greenwood Publishing Group, 2007), p. 213.
  3. "The Wintergreen Women Writers Collective".
  4. ^ Binnicker, Margaret D. (October 8, 2017), "Yolande Cornelia 'Nikki' Giovanni", Tennessee Encyclopedia of History and Culture; updated March 7, 2018. Retrieved March 3, 2024.
  5. Busby, Margaret (ed.), Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present at .
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  7. "Deeper Than Double: Nikki Giovanni and her Appalachian Elders – Pluck!". Retrieved March 27, 2022.
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  50. Shockley, Evie, Renegade Poetics: Black Aesthetics and Formal Innovation in African- American Poetry. Iowa City, IA: University of Iowa Press, 2011.
  51. Palmer, R. Roderick (1971). "The Poetry of Three Revolutionists: Don L. Lee, Sonia Sanchez, and Nikki Giovanni". CLA Journal. 15 (1): 25–36. ISSN 0007-8549. JSTOR 44321527. Retrieved June 24, 2020.
  52. Odon, Rochelle A. (2008). ""[T]o fight the fight I'm fighting": The Voice of Nikki Giovanni and the Black Arts Movement". The Langston Hughes Review. 22: 36–42. ISSN 0737-0555. JSTOR 26434651. Retrieved June 23, 2020.
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  64. Interview with Bill Moyers, Bill Moyers Journal, PBS, February 13, 2009.
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  74. Riley, Sarah (May 22, 2019). "New marker for poet Nikki Giovanni says Knoxville's urban renewal was a mistake". Knox News. Retrieved December 11, 2024.
  75. Clouse, Allie (May 23, 2019). "'She made it cool to be your authentic black self': Knoxville celebrates poet Nikki Giovanni". Knox News. Retrieved December 11, 2024.
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  80. "Sankofa Freedom Award". Tulsa Library. Retrieved December 11, 2024.
  81. Allen, Mike (November 18, 2009). "The Taubman Museum of Art to present Ann Fralin Awards". The Roanoke Times.
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  85. "Affrilachian Legacy Awards". University of Kentucky College of Arts and Sciences.
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  87. "Nikki Giovanni". (BPRW) 2017 AAMBC AWARDS WILL HONOR ACCLAIMED POET NIKKI GIOVANNI.
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  95. Beolens, Bo. (2009). The eponym dictionary of mammals. Watkins, Michael, 1940–, Grayson, Michael. Baltimore: Johns Hopkins University Press. p. 155. ISBN 978-0-8018-9533-3. OCLC 593239356.
  96. "Black Feeling, Black Talk". National Museum of African American History and Culture.
  97. ^ Foundation, Poetry (February 24, 2021). "Nikki Giovanni". Poetry Foundation.
  98. The women and the men. W. Morrow. January 1979. ISBN 9780688079475.
  99. The selected poems of Nikki Giovanni (1st ed.). William Morrow and Co. 1996. ISBN 9780688140472.
  100. Blues : for all the changes : new poems. HarperCollins e-books. April 21, 1999. ISBN 9780688156985.
  101. ^ "Nikki Giovanni | Album Discography". AllMusic. Retrieved March 5, 2020.
  102. "Night Comes Softly". nikki-giovanni.com. Retrieved March 5, 2020.
  103. Giovanni, Nikki (1976). Gemini : an extended autobiographical statement on my first twenty-five years of being a Black poet. Penguin Books. ISBN 0140042644.
  104. A dialogue. M. Joseph. 1975. ISBN 0718113136.
  105. A poetic equation : conversations between Nikki Giovanni and Margaret Walker (Rev. paperback ed.). Howard University Press. 1974. ISBN 0882580884.
  106. The chant of the women of Magdalena and the Magdalena poems, with author's preface, Tradition and poetic memory. Woman in the Moon Publications. 1990. ISBN 0934172145.
  107. Sacred cows-- and other edibles (1st ed.). W. Morrow. 1988. ISBN 0688089097.
  108. Appalachian elders : a Warm Hearth sampler. Pocahontas Press. 1991. ISBN 9780936015323.
  109. Giovanni, Nikki (September 15, 1996). Grand mothers : poems, reminiscences, and short stories about the keepers of our traditions (1st ed.). Holt. ISBN 0805049037.
  110. "Honey, Hush! An Anthology of African American Women's Humor", W.W. Norton, ISBN 978-0-393-31818-0.
  111. Giovanni, Nikki (2010). The 100 best African American poems : (*but I cheated). Sourcebooks. ISBN 9781402221118.
  112. ARTEMIS 2017. WILDER PUBLICATIONS. April 16, 2017. ISBN 9781515417071.

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