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'''''Yummy, Yummy, Yummy''''' is a ] album by ]. It was London's final album for ], her label since 1955. It was produced by Tommy Oliver, who was also the arranger and conductor.<ref></ref> The album was released under catalog number LST 7609. |
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'''''Yummy, Yummy, Yummy''''' is a ] album by ]. It was London's final album for ], her label since 1955. It was produced by Tommy Oliver, who was also the arranger and conductor.<ref></ref> The album was released under catalog number LST 7609. |
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Known primarily as a pop standards vocalist and actress, London had enjoyed a successful run with Liberty Records for over fifteen years. This album marked the end of that long-standing partnership, and it stands as an intriguing, albeit unconventional, entry in her discography. |
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Yummy, Yummy, Yummy features London tackling ] — a genre not typically associated with her style. This genre shift, while perhaps jarring to some, offers an interesting exploration of how a seasoned pop vocalist might reinterpret contemporary hits of the late 1960s. The album is a mix of covers, ranging from ]'s ] to ]' "]," and even includes "]" from the 1968 film ]. These tracks demonstrate London's ability to adapt her signature smoky vocals to a variety of styles, though the success of these adaptations varies. |
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Some of the album's highlights include the aforementioned "Stoned Soul Picnic" and "Hushabye Mountain," where London's voice pairs well with the lush orchestration, creating evocative renditions that resonate with her established style. However, other tracks, such as ]'s "]" and ]'s "]," fall short of their original versions, lacking the urgency or depth found in the originals. |
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The album also features some unexpected choices, such as London's take on ]' "]" and ]'s "]." These tracks, while adventurous, may leave listeners questioning the artistic direction, as they don't fully capture the essence of the originals nor fully transform them into something uniquely London’s. |
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As a whole, Yummy, Yummy, Yummy is a curious blend of old-school vocal jazz and contemporary rock influences. While it may not have been a commercial success or a critical darling, it remains a noteworthy experiment in Julie London's career. The album provides a snapshot of an artist exploring new territory at a time when the musical landscape was rapidly changing, even if the results were mixed. For modern listeners, it offers a glimpse into the challenges and risks that come with artistic reinvention. |
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The album was re-released on CD on June 21, 2005, by ]. |
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The album was re-released on CD on June 21, 2005, by ]. |
