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| '''Güçlü''', in ] theory, is the dominant, central ] used as a temporary ] in the middle of a piece in a makam. As such, it is the common note of the lower and uper ] |
'''Güçlü''', in ] theory, is the dominant, central ] used as a temporary ] in the middle of a piece in a makam. As such, it is the common note of the lower and uper ]s - last note of the first ] or ] and first note of the second tetrachord or pentachord.<ref>{{Cite web |title=MAKAM |url=https://islamansiklopedisi.org.tr/makam--musiki |access-date=2024-10-15 |website=TDV İslâm Ansiklopedisi |language=tr}}</ref><ref>{{Cite web |title=Türk Sanat Müziğinde Makam Olgusu {{!}} Prof. Dr. Hazım GÖKÇEN |url=https://www.hazimgokcen.net/turk-sanat-muzigi/turk-sanat-muziginde-makam-olgusu/ |access-date=2024-10-16 |language=tr}}</ref><ref>{{Cite journal |last=KAÇAR |first=Dr. Gülçin YAHYA |date=2008 |title=TÜRK MÛSİKÎSİNDE MAKAM |url=https://dergipark.org.tr/en/download/article-file/260761 |journal=DergiPark |issue=11 |pages=153}}</ref> | ||
| ==See also== | ==See also== | ||
Revision as of 07:22, 17 October 2024
Güçlü, in Turkish makam theory, is the dominant, central note used as a temporary tonic in the middle of a piece in a makam. As such, it is the common note of the lower and uper Çeşnis - last note of the first tetrachord or pentachord and first note of the second tetrachord or pentachord.
See also
References
- "MAKAM". TDV İslâm Ansiklopedisi (in Turkish). Retrieved 2024-10-15.
- "Türk Sanat Müziğinde Makam Olgusu | Prof. Dr. Hazım GÖKÇEN" (in Turkish). Retrieved 2024-10-16.
- KAÇAR, Dr. Gülçin YAHYA (2008). "TÜRK MÛSİKÎSİNDE MAKAM". DergiPark (11): 153.
| Turkish makam theory | |||
|---|---|---|---|
| Lists about Turkish makam theory | |||
| Concepts in Turkish makam theory | |||
| Basic Makams based on their lower çeşni | |||
| Complex Makams based on their lower çeşni |
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