Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
Harrison and Blanchard were backed by ] on drums, ] on bass, and ] on piano.<ref name=GM/> ] played guitar on "Infinite Heart".<ref name=AM/> "Somewhere" is an interpretation of ]'s composition.<ref name=WP/> "Selim Sivad" is a paean to ].<ref name=AM/>
Harrison and Blanchard were backed by ] on drums, ] on bass, and ] on piano.<ref name=GM/> ] played guitar on "Infinite Heart".<ref name=AM/> Harrison played a ] on some of the songs.<ref name=PI/> "Somewhere" is an interpretation of ]'s composition.<ref name=WP/> "Selim Sivad" is a paean to ].<ref name=AM/>
==Critical reception==
==Critical reception==
Line 28:
Line 28:
|rev1 = ]
|rev1 = ]
|rev1score = {{rating|4|5}}<ref name="AM">{{cite web |title=Black Pearl Review by Scott Yanow |url=https://www.allmusic.com/album/black-pearl-mw0000652086 |website=AllMusic |access-date=10 January 2025}}</ref>
|rev1score = {{rating|4|5}}<ref name="AM">{{cite web |title=Black Pearl Review by Scott Yanow |url=https://www.allmusic.com/album/black-pearl-mw0000652086 |website=AllMusic |access-date=10 January 2025}}</ref>
This article is actively undergoing a major edit for a little while. To help avoid edit conflicts, please do not edit this page while this message is displayed.
This message was added at 15:30, 12 January 2025 (UTC). This page was last edited at 15:38, 12 January 2025 (UTC) (7 hours ago) – this estimate is cached, update. Please remove this template if this page hasn't been edited for a significant time. If you are the editor who added this template, please be sure to remove it or replace it with {{Under construction}} between editing sessions.
Black Pearl is an album by the American jazz duo Harrison/Blanchard, released in 1988. It was their final album together; Blanchard began his long partnership with the director Spike Lee on School Daze, released the same year.
The Washington Post noted that "the mood is generally dark, somber and understated—even 'Ninth Ward Strut', the third tune on the album and the first to really emphasize a beat, keeps the rhythms tightly contained." The Globe and Mail said that the duo's "tunes are flirtatious, full of ambiguities and open ends; their solos are as often wistfully evasive as they are punchy and to the point." The Ottawa Citizen stated that the "solid, post-bop improvising shows the duo's ability to move outside conventions and to compose well structured pieces."
The Windsor Star concluded that "the title cut has a haunting quality, quietly suspenseful, but some tunes are blandly vamp-like." The Buffalo News opined that "there is something curiously abstract, theoretical and even tentative about the record". The Commercial Appeal praised "Blanchard's finest recorded trumpet solos".
