| Revision as of 14:24, 5 September 2008 editWadewitz (talk | contribs)50,892 edits removing unsourced material← Previous edit | Revision as of 01:07, 8 October 2008 edit undoOttava Rima (talk | contribs)Extended confirmed users20,327 edits small update, a start - 6 books and 4 articles to addNext edit → | ||
| Line 3: | Line 3: | ||
| '''Mont Blanc: Lines Written in the Vale of Chamouni''' is a poem by the ] ] composed between ] ] and ] ]. It was first published in 1817 in ''History of a Six Weeks' Tour through a Part of France, Switzerland, German and Holland'' by Percy Shelley and ]. | '''Mont Blanc: Lines Written in the Vale of Chamouni''' is a poem by the ] ] composed between ] ] and ] ]. It was first published in 1817 in ''History of a Six Weeks' Tour through a Part of France, Switzerland, German and Holland'' by Percy Shelley and ]. | ||
| ==Background== | |||
| ⚫ | |||
| "Mont Blanc" was written when Mary Godwin, Percy Shelley, and ] (Mary Godwin's half-sister by marriage), were touring the Chamonix Valley and visited ], Europe's highest mountain, at the end of July 1816. Shelley finished a draft of the poem before September, and the poem was first published in 1817 along with '']''. The published edition was not printed from the first finished copy of Shelley's poem, but instead from a second created after Shelley lost. This edition, with many differences from the first published edition, was discovered in December 1976.<ref name=Reiman>Reiman and Fraistat 2002 p. 96</ref> | |||
| ⚫ | The setting of the poem and the place Shelley was inspired to write the poem is a bridge over the ] in the Valley of Chamonix in ], near ].<ref name=Reiman/> Mary Shelley wrote that the poem "was composed under the immediate impression of the deep and powerful feelings excited by the objects which it attempts to describe; and, as an undisciplined overflowing of the soul, rests its claim to approbation on an attempt to imitate the untamable wilderness and inaccessible solemnity from which those feeling sprang".<ref name=Wu>Wu 1998 p. 845, note 1.</ref> | ||
| ⚫ | According to Romanticism scholar Duncan Wu, the poem is "Shelley's exploration of the nature of imaginative thought, and its relation to the nature world".<ref name=Wu |
||
| ==Poem== | |||
| ===Variations=== | |||
| The first published edition varies from both the copy found in the ''Scrope Davies Notebook'' copy of the poem and the original manuscript draft in terms of language and philosophical view.<ref>O'Neill 2002 p. 618</ref> An important distinction between the text is in the first published edition's line "But for such faith", which reads "In such a faith" in the Scrope Davies edition, with the manuscript agreeing with the Scrope Davies edition. The critic Michael O'Neill emphasizes that the Scrope Davies's version "makes the more evident sense, though it possibly sacrifices some of the tension" while the first published edition's version "is cryptic and tortuous, and yet the fact remains that Shelley chose to print the poem with this reading in his lifetime."<ref name ="O'Neill p. 619">O'Neill 2002 p. 619</ref> | |||
| ==Themes== | |||
| ⚫ | According to Romanticism scholar Duncan Wu, the poem is "Shelley's exploration of the nature of imaginative thought, and its relation to the nature world".<ref name=Wu/> It is a response to ] poem on the same topic, '']'' and a "defiant reaction" against the "religious certainties" of ] '']'',<ref name=Wu/> which "credits God for the sublime wonders of the landscape".<ref name=Reiman/> | ||
| ==Critical response== | |||
| ==Notes== | ==Notes== | ||
| {{reflist}} | {{reflist}} | ||
| ==References== | |||
| * O'Neill, Michael. "Shelley's Lyric Art" in ''Shelley's Prose and Poetry'', 2nd ed., Ed. Donald H. Reiman and Neil Fraistat, 616–626. New York: Norton and Co., 2002. | |||
| * Reiman, Donald H. and Fraistat, Neil. "Mont Blanc" in ''Shelley's Prose and Poetry'', 2nd ed., Ed. Donald H. Reiman and Neil Fraistat, 96-97. New York: Norton and Co., 2002. | |||
| * Wu, Duncan. "Mont Blanc" in ''Romanticism: An Anthology'', 2nd ed., Ed. Duncan Wu. Oxford: Blackwell, 1998. | |||
| ==External links== | ==External links== | ||
Revision as of 01:07, 8 October 2008
Mont Blanc: Lines Written in the Vale of Chamouni is a poem by the Romantic poet Percy Bysshe Shelley composed between 22 July 1816 and 29 August 1816. It was first published in 1817 in History of a Six Weeks' Tour through a Part of France, Switzerland, German and Holland by Percy Shelley and Mary Shelley.
Background
"Mont Blanc" was written when Mary Godwin, Percy Shelley, and Claire Clairmont (Mary Godwin's half-sister by marriage), were touring the Chamonix Valley and visited Mont Blanc, Europe's highest mountain, at the end of July 1816. Shelley finished a draft of the poem before September, and the poem was first published in 1817 along with History of a Six Weeks' Tour. The published edition was not printed from the first finished copy of Shelley's poem, but instead from a second created after Shelley lost. This edition, with many differences from the first published edition, was discovered in December 1976.
The setting of the poem and the place Shelley was inspired to write the poem is a bridge over the Arve River in the Valley of Chamonix in Savoy, near Geneva. Mary Shelley wrote that the poem "was composed under the immediate impression of the deep and powerful feelings excited by the objects which it attempts to describe; and, as an undisciplined overflowing of the soul, rests its claim to approbation on an attempt to imitate the untamable wilderness and inaccessible solemnity from which those feeling sprang".
Poem
Variations
The first published edition varies from both the copy found in the Scrope Davies Notebook copy of the poem and the original manuscript draft in terms of language and philosophical view. An important distinction between the text is in the first published edition's line "But for such faith", which reads "In such a faith" in the Scrope Davies edition, with the manuscript agreeing with the Scrope Davies edition. The critic Michael O'Neill emphasizes that the Scrope Davies's version "makes the more evident sense, though it possibly sacrifices some of the tension" while the first published edition's version "is cryptic and tortuous, and yet the fact remains that Shelley chose to print the poem with this reading in his lifetime."
Themes
According to Romanticism scholar Duncan Wu, the poem is "Shelley's exploration of the nature of imaginative thought, and its relation to the nature world". It is a response to William Wordsworth's poem on the same topic, Tintern Abbey and a "defiant reaction" against the "religious certainties" of Samuel Taylor Coleridge's Chamouny, which "credits God for the sublime wonders of the landscape".
Critical response
Notes
References
- O'Neill, Michael. "Shelley's Lyric Art" in Shelley's Prose and Poetry, 2nd ed., Ed. Donald H. Reiman and Neil Fraistat, 616–626. New York: Norton and Co., 2002.
- Reiman, Donald H. and Fraistat, Neil. "Mont Blanc" in Shelley's Prose and Poetry, 2nd ed., Ed. Donald H. Reiman and Neil Fraistat, 96-97. New York: Norton and Co., 2002.
- Wu, Duncan. "Mont Blanc" in Romanticism: An Anthology, 2nd ed., Ed. Duncan Wu. Oxford: Blackwell, 1998.