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| '''Sir Harrison Paul Birtwistle''', ] (born ], ]) is |
'''Sir Harrison Paul Birtwistle''', ] (born ], ]) is generally considered to be one of ]'s most significant contemporary ]s. | ||
| Birtwistle was born in ] in ] |
Birtwistle was born in ] in ] and in ] entered the ] in ] on a ] ]. While there he met fellow composers ] and ], who together with pianist ] and conductor ] formed the ''New Music Manchester'' group, dedicated to the performances of ] and other modern works. | ||
| Birtwistle left the college in 1955, then studied at the ] and |
Birtwistle left the college in ], then studied at the ] and afterward made a living as a schoolteacher. In ] a ] gave him the opportunity to continue his studies in the ] and he decided to dedicated himself to composition. | ||
| In 1975 |
In ] Birtwistle became ] of the newly-established ] in ], a post he held until ]. From ] to ] he was ] Professor of Composition at ]. | ||
| he was ] Professor of Composition at ]. | |||
| == Birtwistle's music == | |||
| ⚫ | Birtwistle's pieces are in a complex modernistic style. His early work is sometimes evocative of ] and ] |
||
| ⚫ | Birtwistle's pieces are in a complex, modernistic style. His early work is sometimes evocative of ] and ] – composers he has acknowledged as influences – and his technique of juxtaposing blocks of sound is sometimes compared to ]. His music makes frequent use of ]s and often has a ]istic feel. | ||
| ⚫ | Among Birtwistle's better |
||
| and ''The Last Supper'' (2000). | |||
| ⚫ | Among Birtwistle's better-known pieces is the first work he is happy to acknowledge, the ] ''Refrains and Choruses'' (]); the ] pieces ''Harrison's Clocks'' (]); the ]l works ''The Triumph of Time'' (]) and ''Earth Dances'' (]); and the ]s ''Punch and Judy'' (]), '']'' (], for which Birtwistle won the ] ] in Music Composition), ''Gawain'' (]), and ''The Last Supper'' (]). | ||
| ⚫ | Birtwistle gained some notoriety in 1995 when his piece for ], alto |
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| ⚫ | Birtwistle gained some notoriety in ] when his piece ''Panic'' for ], ] and orchestra, was ]d at that year's ]. His music had not previously been heard in such a public forum and most of the press did not hold back its negative criticism of the piece; traditionally the concert features mainstream, popular and patriotic music. | ||
| ⚫ | == External |
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| ⚫ | == External links == | ||
| ⚫ | * | ||
| ⚫ | * | ||
| ] | ] | ||
Revision as of 16:51, 24 November 2005
Sir Harrison Paul Birtwistle, CH (born July 15, 1934) is generally considered to be one of Britain's most significant contemporary composers.
Birtwistle was born in Accrington in Lancashire and in 1952 entered the Royal Northern College of Music in Manchester on a clarinet scholarship. While there he met fellow composers Peter Maxwell Davies and Alexander Goehr, who together with pianist John Ogdon and conductor Elgar Howarth formed the New Music Manchester group, dedicated to the performances of serial and other modern works.
Birtwistle left the college in 1955, then studied at the Royal Academy of Music and afterward made a living as a schoolteacher. In 1965 a Harkness Fellowship gave him the opportunity to continue his studies in the United States and he decided to dedicated himself to composition.
In 1975 Birtwistle became musical director of the newly-established Royal National Theatre in London, a post he held until 1988. From 1994 to 2001 he was Henry Purcell Professor of Composition at King's College London.
Birtwistle's music
Birtwistle's pieces are in a complex, modernistic style. His early work is sometimes evocative of Igor Stravinsky and Olivier Messiaen – composers he has acknowledged as influences – and his technique of juxtaposing blocks of sound is sometimes compared to Edgar Varèse. His music makes frequent use of ostinatos and often has a ritualistic feel.
Among Birtwistle's better-known pieces is the first work he is happy to acknowledge, the wind quintet Refrains and Choruses (1957); the piano pieces Harrison's Clocks (1998); the orchestral works The Triumph of Time (1971) and Earth Dances (1986); and the operas Punch and Judy (1967), The Mask of Orpheus (1984, for which Birtwistle won the 1987 Grawemeyer Award in Music Composition), Gawain (1990), and The Last Supper (2000).
Birtwistle gained some notoriety in 1995 when his piece Panic for drum kit, alto saxophone and orchestra, was premièred at that year's Last Night of the Proms. His music had not previously been heard in such a public forum and most of the press did not hold back its negative criticism of the piece; traditionally the concert features mainstream, popular and patriotic music.