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| A '''point of view shot''' (also known as '''POV shot''') is a short scene in a film that shows what a character is looking at. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see ]). The technique of POV is one of the foundations of ]. | A '''point of view shot''' (also known as '''POV shot''') is a short scene in a film that shows what a character is looking at. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see ]). The technique of POV is one of the foundations of ]. | ||
| A POV ] need not be the strict point of view of an actual single character in a film. Sometimes the point of view shot is taken over the shoulder of the character, who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. There is also the "nobody POV", where a shot is taken from the POV of a non-existent character. This often occurs when an actual POV shot is implied, but the character is removed. Sometimes the character is never present at all, despite a clear POV shot, such as the famous "God-POV" of birds descending from the sky in Hitchcock's ]. | A POV ] need not be the strict point of view of an actual single character in a film. Sometimes the point of view shot is taken over the shoulder of the character, who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. There is also the "nobody POV", where a shot is taken from the POV of a non-existent character. This often occurs when an actual POV shot is implied, but the character is removed. Sometimes the character is never present at all, despite a clear POV shot, such as the famous "God-POV" of birds descending from the sky in Hitchcock's ]. Another good example of a POV shot is that in the movie Doom, it depits a fairly long POV shot which resembles a Heads-Up Display with the viewer watching through a character who is venturing through hallways shooting and killing aliens. | ||
| A POV shot need not be established by strictly visual means. The manipulation of diagetic (natural) sounds can be used to emphasize a particular character's POV. | A POV shot need not be established by strictly visual means. The manipulation of diagetic (natural) sounds can be used to emphasize a particular character's POV. | ||
Revision as of 04:15, 26 November 2005
A point of view shot (also known as POV shot) is a short scene in a film that shows what a character is looking at. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The technique of POV is one of the foundations of film editing.
A POV shot need not be the strict point of view of an actual single character in a film. Sometimes the point of view shot is taken over the shoulder of the character, who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. There is also the "nobody POV", where a shot is taken from the POV of a non-existent character. This often occurs when an actual POV shot is implied, but the character is removed. Sometimes the character is never present at all, despite a clear POV shot, such as the famous "God-POV" of birds descending from the sky in Hitchcock's The Birds. Another good example of a POV shot is that in the movie Doom, it depits a fairly long POV shot which resembles a Heads-Up Display with the viewer watching through a character who is venturing through hallways shooting and killing aliens.
A POV shot need not be established by strictly visual means. The manipulation of diagetic (natural) sounds can be used to emphasize a particular character's POV.
It makes little sense to say that a shot is "inherently" POV; it is the editing of the POV shot within a sequence of shots that determines POV. Nor can the establishment of a POV shot be isolated from other elements of filmmaking — mise en scene, acting, camera placement, editing, and special effects can all contribute to the establishment of POV.
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