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*Many ]s, like ], ] and ], have parodied their own personalities and stand-up material on successful sitcoms. *Many ]s, like ], ] and ], have parodied their own personalities and stand-up material on successful sitcoms.
*] engaged in 130 minutes of intentional self-parody in the movie '']'', where he steps off-screen into the Real World. (In the Movie World, he notices a standee touting ] starring in '']''.) *] engaged in 130 minutes of intentional self-parody in the movie '']'', where he steps off-screen into the Real World. (In the Movie World, he notices a standee touting ] starring in '']''.)
*] in '']'', '']/]'', '']/]'' and '']'' (in a short scene where he quotes his famous "talking to me" lines from '']'' word for word]]). *] in '']/]'', '']/]'' and '']'' (in a short scene where he quotes his famous "talking to me" lines from '']'' word for word]]).
*] in '']''. *] in '']''.
*] in '']'': her character Tess Ocean unsuccessfully impersonates Julia Roberts. *] in '']'': her character Tess Ocean unsuccessfully impersonates Julia Roberts.

Revision as of 14:55, 2 July 2009

John Tenniel's 1864 illustration for "The Lay of St. Odille" in The Ingoldsby Legends has been called "a very mild and good-natured parody" of his own painting of St. Cecilia (below). In both, the saint rises above the other figures and produces "a spiritual glow". The arc of cherubs replaces the round arch with cherubs in St. Cecilia, and the dirt bank replaces a marble pedestal. Also, the fat man at right is taken from a trumpeter in another illustration by Tenniel, for John Milton's "L'Allegro".
Tenniel's fresco on John Dryden's "Song for Saint Cecilia's Day", c. 1849

A self-parody is a parody of oneself or one's own work. As an artist accomplishes it by imitating his or her own characteristics, a self-parody is potentially difficult to distinguish from especially characteristic productions (exempli gratia: a situation in which a litterateur's mannerisms are typically ponderous, sesquipedalian, and Latinizing).

Sometimes critics use the word figuratively to mean the artist's style and preoccupations appear as strongly (and perhaps as ineptly) in some work as they would in a parody. Such works may result from habit, self-indulgence, or an effort to please an audience by providing something familiar. Ernest Hemingway has frequently been a target for such comments. An example from Paul Johnson's book Intellectuals:

Some was published nonetheless, and was seen to be inferior, even a parody of his earlier work. There were one or two exceptions, notably The Old Man and the Sea, though there was an element of self-parody in that too.

Political polemicists use the term similarly, as in this headline of a 2004 blog posting. "We Would Satirize Their Debate And Post-Debate Coverage, But They Are So Absurd At This Point They Are Their Own Self-Parody".

Examples of self-parody

The following are deliberate self-parodies or are at least sometimes considered to be so:

External links

References

  1. Simpson, Roger (1994). Sir John Tenniel: Aspects of His Work. Fairleigh Dickinson University Press. pp. 69–70. ISBN 0838634931. Retrieved 2009-01-17.
  2. Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, p. 81, ISBN 1850437688
  3. Gibson, Mary Ellis (1995). Epic Reinvented: Ezra Pound and the Victorians. Cornell University Press. pp. 71–72. ISBN 0-8014-3133-6.
  • Paul Johnson, Intellectuals (1988), ISBN 0-297-79395-0
  • Nancy Mason Bradbury, Writing Aloud: Storytelling in Late Medieval England (1998), ISBN 0-252-02403-6
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