Misplaced Pages

Zeibekiko: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 11:08, 18 September 2010 view sourceYangula (talk | contribs)1,094 editsNo edit summary← Previous edit Revision as of 11:13, 18 September 2010 view source Yangula (talk | contribs)1,094 editsmNo edit summaryNext edit →
Line 1: Line 1:
'''Zeibekiko''' (or Zeybekiko, {{lang-el|Ζεϊμπέκικο}}) is greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the ] warriors of .<ref>{{Dubious|References|date=August 2010}}</ref> Zeibekiko has been known as an personal dance where people can express their individuality. Only one man at a time may dance it. If another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, seeing men wait until the dancing man stops. '''Zeibekiko''' (or Zeybekiko, {{lang-el|Ζεϊμπέκικο}}) is greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the ] warriors of .<ref>{{Dubious|References|date=August 2010}}</ref> It is a personal dance where people can express their individuality. Only one man at a time may dance it. If another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, seeing men wait until the dancing man stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].

In contemporary ], women may ] also the Zeibekiko. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].




Line 17: Line 15:
{{reflist}} {{reflist}}


==External links==
*


] ]

Revision as of 11:13, 18 September 2010

Zeibekiko (or Zeybekiko, Template:Lang-el) is greek folk dance with a rhythmic pattern of 9/4 or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the Zeybek warriors of . It is a personal dance where people can express their individuality. Only one man at a time may dance it. If another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, seeing men wait until the dancing man stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and humor.


See also

References

  1. Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, Canadian Issue (Sep., 1972), p. 577.
  2. Zeibekiko Conference
Categories: