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| The '''Utah Saints''' are a ] ] band from ] in ]. The music is produced by Jez Willis and Tim Garbutt, who are joined on-stage by other musicians whenever the band plays live. | The '''Utah Saints''' are a ] ] band from ] in ]. The music is produced by Jez Willis and Tim Garbutt, who are joined on-stage by other musicians whenever the band plays live. | ||
| They were described by ] as ''the first true stadium house band'', though their music is difficult to place into one particular genre and they have been compared to ], and even ] or ]. | |||
| They first had chart success with the singles '''What Can You Do For Me''', '''Something Good''' and '''Believe In Me''', which they described as their vocal sample trilogy as those singles sampled ], ] and ] respectively. They then moved away from vocal samples with singles such as '''I Want You''' and '''I Still Think Of You''' (Jez Willis providing original vocals on each). | They first had chart success with the singles '''What Can You Do For Me''', '''Something Good''' and '''Believe In Me''', which they described as their vocal sample trilogy as those singles sampled ], ] and ] respectively. They then moved away from vocal samples with singles such as '''I Want You''' and '''I Still Think Of You''' (Jez Willis providing original vocals on each). | ||
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| They eventually re-appeared in late 1999 with charting singles '''Love Song''', '''Funky Music''' (featuring ] on guest vocals), '''Power To The Beats''' and '''Lost Vagueness'''. In 2002 they went back into hibernation and fans are still waiting for their next re-appearance. | They eventually re-appeared in late 1999 with charting singles '''Love Song''', '''Funky Music''' (featuring ] on guest vocals), '''Power To The Beats''' and '''Lost Vagueness'''. In 2002 they went back into hibernation and fans are still waiting for their next re-appearance. | ||
| The Utah Saints were pioneers of bringing ''live, custom created'' samples into mainstream music. IE: The warbling sax line in their track |
The Utah Saints were pioneers of bringing ''live, custom created'' samples into mainstream music. IE: The warbling sax line in their track '''Trance Atlantic Glide''' was created by recording a live sax in studio then mixing it into a sample and tweaking it left and right. This was a unique approach to the traditional method of sampling pre-existing music for mixing. | ||
| The band are notorious amongst their fans and the dance music community for taking a long time in between their releases- their first album '''Utah Saints''' and follow-up album '''Two''' were released seven years apart. | The band are notorious amongst their fans and the dance music community for taking a long time in between their releases- their first album '''Utah Saints''' and follow-up album '''Two''' were released seven years apart. | ||
Revision as of 11:27, 10 February 2006
| Utah Saints | |
|---|---|
| Utah Saints | |
| Background information | |
| Origin | Leeds, UK |
| Years active | 1991 – 2002 |
| Members | Jez Willis Tim Garbutt |
The Utah Saints are a British dance band from Leeds in West Yorkshire. The music is produced by Jez Willis and Tim Garbutt, who are joined on-stage by other musicians whenever the band plays live.
They were described by Bill Drummond as the first true stadium house band, though their music is difficult to place into one particular genre and they have been compared to The KLF, and even Ministry or Nine Inch Nails.
They first had chart success with the singles What Can You Do For Me, Something Good and Believe In Me, which they described as their vocal sample trilogy as those singles sampled Gwen Guthrie, Kate Bush and Human League respectively. They then moved away from vocal samples with singles such as I Want You and I Still Think Of You (Jez Willis providing original vocals on each).
After their first album, the self-titled Utah Saints, they seemed to disappear for several years, spending a long time producing their second album as well as doing remixes and producing tracks for other artists such as Terrorvision.
They eventually re-appeared in late 1999 with charting singles Love Song, Funky Music (featuring Edwin Starr on guest vocals), Power To The Beats and Lost Vagueness. In 2002 they went back into hibernation and fans are still waiting for their next re-appearance.
The Utah Saints were pioneers of bringing live, custom created samples into mainstream music. IE: The warbling sax line in their track Trance Atlantic Glide was created by recording a live sax in studio then mixing it into a sample and tweaking it left and right. This was a unique approach to the traditional method of sampling pre-existing music for mixing.
The band are notorious amongst their fans and the dance music community for taking a long time in between their releases- their first album Utah Saints and follow-up album Two were released seven years apart.
Discography
Albums
- Utah Saints (1992) #10 UK
- Two (2000)
Singles
- What Can You Do For Me (featuring a sample of Eurythmics' There Must Be An Angel) (1991) #10 UK
- Something Good (featuring a sample of Kate Bush's Cloudbusting) (1992) #4 UK
- Believe In Me (1993) #8 UK
- I Want You (1993) #10 UK
- I Still Think Of You (1994) #32 UK
- Ohio
- Love Song (2000) #37 UK
- Funky Music (featuring Edwin Starr) (2000) #23 UK
- Power To the Beats (featuring Chuck D)
- Lost Vagueness
See also
External links
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