Revision as of 14:45, 28 February 2006 editTrjumpet (talk | contribs)Extended confirmed users, Pending changes reviewers5,134 editsNo edit summary← Previous edit | Revision as of 11:47, 30 March 2006 edit undoBluebot (talk | contribs)349,597 edits bulleting external links using AWBNext edit → | ||
Line 8: | Line 8: | ||
==External links== | ==External links== | ||
* | |||
⚫ | ] | ||
⚫ | ] | ||
⚫ | ] | ||
⚫ | ] | ||
{{NZ-bio-stub}} | {{NZ-bio-stub}} | ||
{{painter-stub}} | {{painter-stub}} | ||
⚫ | ] | ||
⚫ | ] | ||
⚫ | ] | ||
⚫ | ] |
Revision as of 11:47, 30 March 2006
William (Bill) Hammond (born Christchurch, 1947) is a New Zealand artist.
Hammond attended the School of Fine Arts at the University of Canterbury from 1966 to 1969, and has worked as a full-time painter since 1981 (in between times working as a toymaker). His large canvases feature two common themes - reference to popular music (often in the form of the liberal use of quoted lyrics within the structure of the paintings), and gaunt creatures with avian heads and human limbs.
Hammond's canvases make liberal use of the flow of paint, with rivulets of colours running vertically down the backgrounds. These dark canvases, coupled with the anthropomorphic bird forms, have led to comparisons with the likes of Hieronymus Bosch.
His best known work is probably the 1993 painting "Waiting for Buller".
External links
This New Zealand biographical article is a stub. You can help Misplaced Pages by expanding it. |
This article about a painter is a stub. You can help Misplaced Pages by expanding it. |