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| {{Merge from|Zeimbekiko|discuss=Talk:Zeibekiko#Merge from Zeimbekiko|date=April 2011}} | {{Merge from|Zeimbekiko|discuss=Talk:Zeibekiko#Merge from Zeimbekiko|date=April 2011}} | ||
| '''Zeibekiko''' (or Zeybekiko, {{lang-el|Ζεϊμπέκικο}}) is a Greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the ] warriors of ].{{Citation needed|date=December 2010}} It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ]. | |||
| It was the Greek rebels in Asia Minor, the so-called "Rembetes" or "Rebetiko,which is Greek and means the Greek strong guy ] (ο "μαγκας"). | |||
| This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].], Bacchus-total dance of the Greeks ] and ] http://ermisaggelioforos.blogspot.com/2011/02/blog-post_11.html | |||
| ==See also== | ==See also== | ||
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| ==References== | ==References== | ||
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Revision as of 11:45, 6 April 2011
 | It has been suggested that Zeimbekiko be merged into this article. (Discuss) Proposed since April 2011. |
Zeibekiko (or Zeybekiko, Template:Lang-el) is a Greek folk dance with a rhythmic pattern of 9/4 or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the Zeybek warriors of Anatolia. It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and humor.
See also
References
- Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, Canadian Issue (Sep., 1972), p. 577.
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