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| '''Apsaras''' (]: अप्सरा, ''apsarā''), in ] and ] ], are the female spirits of the clouds and waters. | '''Apsaras''' (]: अप्सरा, ''apsarā''), in ] and ] ], are the female spirits of the clouds and waters. | ||
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| ] lists the following apsaras: Manjukesi, Sukesi, Misrakesi, Sulochana, Saudamini, Devadatta, Devasena, Manorama, Sudati, Sundari, Vigagdha, Vividha, Budha, Sumala, Santati, Sunanda, Sumukhi, Magadhi, Arjuni, Sarala, Kerala, Dhrti, Nanda, Supuskala, Supuspamala and Kalabha. | ] lists the following apsaras: Manjukesi, Sukesi, Misrakesi, Sulochana, Saudamini, Devadatta, Devasena, Manorama, Sudati, Sundari, Vigagdha, Vividha, Budha, Sumala, Santati, Sunanda, Sumukhi, Magadhi, Arjuni, Sarala, Kerala, Dhrti, Nanda, Supuskala, Supuspamala and Kalabha. | ||
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| Apsaras are said to be able to ], and specially rule over the ] of gaming and ]. ], ], ] and ] are the most famous among Apsaras who are well versed in the arts of ] and ]. The total number of Apsaras at Indra's court is 26, each representing a distinct aspect of the performing arts. They can be compared with the ] ]. | Apsaras are said to be able to ], and specially rule over the ] of gaming and ]. ], ], ] and ] are the most famous among Apsaras who are well versed in the arts of ] and ]. The total number of Apsaras at Indra's court is 26, each representing a distinct aspect of the performing arts. They can be compared with the ] ]. | ||
| They may also, in their "Nature" capacity, be rendered comparable to the Greek nymphs, dryads, naiads, etc. | They may also, in their "Nature" capacity, be rendered comparable to the Greek nymphs, dryads, naiads, etc. | ||
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| Apsaras are often depicted in ] ] as far afield as ] and ], however. They are a common motif in the decorations of the ] temples. | Apsaras are often depicted in ] ] as far afield as ] and ], however. They are a common motif in the decorations of the ] temples. | ||
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| <gallery> | |||
| ⚫ | Image:Longmen-apsara-near-jingshansidong.jpg|An apsara from the Longmen Grottoes in Luoyang, China. | ||
| ⚫ | Image:Apsara relief.jpg|An apsara relief from Angkor Wat, Cambodia | ||
| </gallery> | |||
| == References == | == References == | ||
| * {{1911}} | * {{1911}} | ||
Revision as of 06:45, 12 May 2006
 | It has been suggested that this article be merged with Tennin. (Discuss) |
- For other uses, see Apsara (disambiguation).
Apsaras (Sanskrit: अप्सरा, apsarā), in Hindu and Buddhist mythology, are the female spirits of the clouds and waters.
In the Rig-Veda there is one Apsara, wife of Gandharva; in the later scriptures there are many Apsaras, created by Lord Brahma, who act as the handmaidens of Indra or the celestial damsels of his court who dance before his throne.
Natya Shatra lists the following apsaras: Manjukesi, Sukesi, Misrakesi, Sulochana, Saudamini, Devadatta, Devasena, Manorama, Sudati, Sundari, Vigagdha, Vividha, Budha, Sumala, Santati, Sunanda, Sumukhi, Magadhi, Arjuni, Sarala, Kerala, Dhrti, Nanda, Supuskala, Supuspamala and Kalabha.
Apsaras are said to be able to change their shapes at will, and specially rule over the fortunes of gaming and gambling. Urvasi, Menaka, Rambha and Tilottama are the most famous among Apsaras who are well versed in the arts of music and dancing. The total number of Apsaras at Indra's court is 26, each representing a distinct aspect of the performing arts. They can be compared with the ancient Greek muse. They may also, in their "Nature" capacity, be rendered comparable to the Greek nymphs, dryads, naiads, etc.
Apsaras are the wives of the Gandharvas, court servants of Indra. They danced to the music made by their husbands, usually in the various gods' palaces.
One of their duties is to guide to paradise the heroes who fall in battle, whose wives they then become. They are distinguished as daivika ("divine") or laukika ("worldly").
The Apsara was associated with fertility rites. In Hinduism, the lower Apsaras (also Vrikshakas, fairies) are sometimes referred to as nature spirits, who sometimes lured men to their deaths.
Apsaras are often depicted in Buddhist art as far afield as Cambodia and China, however. They are a common motif in the decorations of the Angkor temples.
References
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. {{cite encyclopedia}}: Missing or empty|title=(help)
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