English hip hop: Difference between revisions

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	'''English hip hop''' started in the mid-80s, with rappers such as ], ], ], ], and DJs such as ] and ]. Derek B was the first English rapper to be signed by a major label (according to Dufresne). While rappers such as Derek B were stylistically very close to their American predecessors, others developed new styles, such as ] and ] with their no-holds-barred hardcore rap, the ] and MC Mello with their own soulful brand of hip hop, and Asher D and Daddy Freddy with their raggamuffin hip hop, which was quite different from similar American rap/reggae styles. The influence of reggae proved to be very productive, from the ] to the more recent ] and ]. During the 90s, more English rappers started using their own accents, such as ]. Earlier rappers often used American accents, e.g. Hijack, while ] (who later became a member of ]) and ] used their own Jamaican accents.		'''English hip hop''' started in the mid-80s, with rappers such as ], ], ], ], and DJs such as ] and ]. Derek B was the first English rapper to be signed by a major label (according to Dufresne). While rappers such as Derek B were stylistically very close to their American predecessors, others developed new styles, such as ] and ] with their no-holds-barred hardcore rap, the ] and MC Mello with their own soulful brand of hip hop, and Asher D and Daddy Freddy with their raggamuffin hip hop, which was quite different from similar American rap/reggae styles. The influence of reggae proved to be very productive, from the ] to the more recent ] and ]. During the 90s, more English rappers started using their own accents, such as ]. Earlier rappers often used American accents, e.g. Hijack, while ] (who later became a member of ]) and ] used their own Jamaican accents.


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Revision as of 08:40, 26 October 2004

English hip hop started in the mid-80s, with rappers such as Derek B, MC Mello, 3 Wize Men, Cookie Crew, and DJs such as Coldcut and Simon Harris. Derek B was the first English rapper to be signed by a major label (according to Dufresne). While rappers such as Derek B were stylistically very close to their American predecessors, others developed new styles, such as Hijack and Gunshot with their no-holds-barred hardcore rap, the Stereo MCs and MC Mello with their own soulful brand of hip hop, and Asher D and Daddy Freddy with their raggamuffin hip hop, which was quite different from similar American rap/reggae styles. The influence of reggae proved to be very productive, from the London Posse to the more recent Blak Twang and Roots Manuva. During the 90s, more English rappers started using their own accents, such as Braintax. Earlier rappers often used American accents, e.g. Hijack, while Asher D (who later became a member of So Solid Crew) and Daddy Freddy used their own Jamaican accents.

List of English rappers, DJs and other hip hop musicians

External Link

http://www.low-life.fsnet.co.uk/ukhiphop/story/index.htm

Bibliography

Dufresne, David. 1992. Yo! Rap Revolution. Neustadt: Buchverlag Michael Schwinn.

Hip-hop

Culture

History

Subgenres

General	Alternative Hipster hop Boom bap Bounce British Road rap Chipmunk soul Chopped and screwed Chopper Cloud rap Comedy Crunk Crunkcore East Coast Freestyle rap Hyphy Jerkin' Instrumental Latin Chicano rap Lofi Lowend Miami bass Mumble rap Nerdcore Chap hop Political Conscious Progressive rap Religious Christian Jewish Snap music Southern Turntablism Underground
Hardcore	Dirty rap Gangsta rap Mafioso rap G-funk Horrorcore Memphis rap
Trap music	Afro trap Drill Brooklyn drill Jersey drill Sample drill UK drill Latin trap Phonk Plugg Rage Tread UK trap

Fusion genres

General	Country rap Electro Emo rap Hip-hop soul Hip house Industrial Jazz rap New jack swing Pop rap Psychedelic rap Punk rap Ragga Rap opera Rap rock Trip hop
Rap metal	Trap metal Nu metal
Regional	Afroswing Bongo Flava Boomba music Cumbia rap Genge Hip-hop galsen Hipco Hiplife Igbo rap Kwaito Low bap Motswako Nā mele paleoleo Nuyorican rap Romani hip-hop Songo-salsa Scam rap Stronda Urban Pasifika Vigilante rap Zenji flava

Derivatives

Electronic	Breakbeat Baltimore club Florida breaks Ghetto house Ghettotech Glitch hop Grime Illbient Freestyle Wonky
Other	Funk carioca Reggaeton Alternative reggaeton

Regional scenes

African	Algerian Angolan Beninese Botswana Gambian Ghanaian Ivorian Kenyan Malawian Mauritian Moroccan Namibian Nigerian Port Harcourt Nigerien Senegalese South African Tanzanian Togolese Zambian Zimbabwean
Asian	Armenian Azerbaijani Bangladeshi Burmese Chinese Indian Desi Indonesian Japanese Korean Malaysian Mongolian Nepalese Pakistani Philippine Singapore Sri Lankan Taiwanese Thai
European	Albanian Austrian Belgian Bosnian and Herzegovinian British Celtic Scottish Bulgarian Croatian Czech Dutch Finnish French German Greek Portuguese Hungarian Icelandic Irish Italian Macedonian Montenegrin Norwegian Polish Romanian Romani Russian Serbian Slovak Slovenian Spanish Swedish Swiss Ukrainian
Middle Eastern	Arabic Egyptian Iranian Israeli Lebanese Palestinian Saudi Arabian Tunisian Turkish Yemeni
North American	United States: East Coast Baltimore New Jersey New York City Philadelphia Washington, D.C. Midwestern Chicago Detroit Minneapolis/St. Paul Milwaukee Omaha Southern Atlanta Memphis Miami West Coast Northwest Alaska Asian American Latin Native American Outside the US: Canadian Cuban Dominican Haitian Mexican Salvadoran
Oceanian	Australian New Zealand Samoan
South American	Brazilian Brasília Chilean Colombian