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"'''Notes on 'Camp''''" is an essay by ] first published in 1964. It was her first contribution to the '']''. The essay created a literary sensation and brought Sontag intellectual notoriety. It was republished in 1966 in Sontag's debut collection of essays, '']''.<ref>{{cite web |last=DeMott |first=Benjamin |authorlink=Benjamin DeMott |title='Against Interpretation' |work=] |date=January 23, 1966 |url= |
"'''Notes on 'Camp''''" is an essay by ] first published in 1964. It was her first contribution to the '']''. The essay created a literary sensation and brought Sontag intellectual notoriety. It was republished in 1966 in Sontag's debut collection of essays, '']''.<ref>{{cite web |last=DeMott |first=Benjamin |authorlink=Benjamin DeMott |title='Against Interpretation' |work=] |date=January 23, 1966 |url=https://www.nytimes.com/1966/01/23/books/booksspecial/sontag-interpretation.html |accessdate=April 14, 2016}}</ref> | ||
The essay codified and mainstreamed the cultural connotations of the word "]" and identified camp's evolution as a distinct aesthetic phenomenon.{{Citation needed|date=August 2015}} | The essay codified and mainstreamed the cultural connotations of the word "]" and identified camp's evolution as a distinct aesthetic phenomenon.{{Citation needed|date=August 2015}} |
Revision as of 11:04, 11 February 2017
"Notes on 'Camp'" is an essay by Susan Sontag first published in 1964. It was her first contribution to the Partisan Review. The essay created a literary sensation and brought Sontag intellectual notoriety. It was republished in 1966 in Sontag's debut collection of essays, Against Interpretation.
The essay codified and mainstreamed the cultural connotations of the word "camp" and identified camp's evolution as a distinct aesthetic phenomenon.
References
- DeMott, Benjamin (January 23, 1966). "'Against Interpretation'". The New York Times. Retrieved April 14, 2016.